Most Wanted
Email here for additions & corrections.

Ishtar
(May, 1987)
The Seven-Per-Cent Solution (OOP)
(Ross, 1976)
The Devils
(Russell, 1974)
The Pirates of Penzance
(Papp/Leach, 1983)
The Fortune
(Nichols, 1975)
-30-
(Webb, 1959)
Betrayal
(Jones, 1983)
Play It As It Lays
(Perry, 1972)
The Outfit
(Flynn, 1973)
Alex in Wonderland
(Mazursky, 1969)
The Legend of Lylah Clare
(Aldrich, 1968)
In The Cool of the Day
(Stevens, 1963)
That Cold Day in the Park
(Altman, 1969)
Thumb Trippin'
(Masters, 1972)
Midas Run
(Kjellin, 1969)
At Long Last Love
(Bogdanovich, 1973)
Brewster McCloud
(Altman, 1972)
Outcast of the Islands
(Reed, 1951)

Reader Submissions

1930's-1950's
The Moon's Our Home
(Seiter, 1936)
Sh! The Octopus
(McGann, 1937)
The Mating Season
(Leisen, 1951)
Bad for Each Other
(Rapper, 1953)
The Phenix City Story
(Karlson, 1955)
Run of the Arrow
(Fuller, 1956)
House of Secrets
(Green, 1956)
Saint Joan
(Preminger, 1957)
Macabre
(Castle, 1958)
The Fiend Who Walked the West
(G. Douglas, 1958
Five Gates to Hell
(Clavell, 1959)
1960's
Key Witness
(Karlson, 1960)
Summer and Smoke
(Glenville, 1961)
The Chapman Report
(Cukor,1962)
Bachelor Flat
(Tashlin, 1962) [on Hulu]
The L Shaped Room
(Forbes, 1963)
The Chalk Garden
(Neame, 1964)
A Thousand Clowns
(Coe, 1965)
You're a Big Boy Now
(Coppola, 1966)
The Whisperers
(Forbes, 1967)
Dark of the Sun
(Cardiff, 1968)
Skidoo
(Preminger, 1968)
Last Summer
(Perry, 1969)
The Comic
(C. Reiner, 1969)
1970-1974
The Revolutionary
(Williams, 1970)
The Landlord
(Ashby, 1970)
Diary of a Mad Housewife
(Perry, 1970)
Tropic of Cancer
(Strick, 1970)
I Never Sang for My Father
(Cates, 1970)
Sometimes a Great Notion
(Newman, 1971)
Marriage of a Young Stockbroker
(Turman, 1971)
The Music Lovers
(Russell, 1971)
Drive, He Said
(Nicholson, 1971)
The Steagle
(Sylbert, 1971)
The Last Movie
(Hopper, 1971)
Made For Each Other
(Bean, 1971)
The Day the Clown Cried
(Lewis, 1972)
Hickey & Boggs (OOP)
(Culp, 1972)
The Carey Treatment
(Edwards, 1972)
Pete 'n' Tillie
(Ritt, 1972)
Slither
(Zieff, 1973)
Man on a Swing
(Perry, 1974)
Open Season
(Collinson, 1974)
The Tamarind Seed
(Edwards, 1974)
Law and Disorder
(Passer, 1974)
Homebodies
(Yust, 1974)
Stardust
(Apted, 1974)
Celine and Julie Go Boating
(Rivette, 1974)
1975-1979
Rafferty and the Gold Dust Twins
(Richards, 1975
At Long Last Love
(Bogdanovich, 1975)
Hearts of the West
(Zieff, 1975)
Welcome to L.A.
(Rudolph, 1976)
W.C. Fields and Me
(Hiller, 1976)
Citizens Band
(Demme, 1977)
Twilight's Last Gleaming
(Aldrich, 1977)
Looking for Mr. Goodbar
(Brooks, 1977)
Girlfriends
(Weill, 1978)
Movie Movie
(Donen, 1978)
The Medusa Touch
(Gold, 1978)
American Hot Wax
(Mutrux, 1978)
Hot Stuff
(DeLuise, 1979)
Scavenger Hunt
(Schultz , 1979)
Players
(Harvey, 1979)
Rich Kids
(Young, 1979)
Nightwing
(Hiller, 1979)
Screams of a Winter's Night
(Wilson, 1979
When You Comin' Back Red Ryder?
(Katselas, 1979
1980's
Resurrection
(Petrie, 1980)
The Awakening
(Newell, 1980)
Simon
(Brickman, 1980)
God's Angry Man
(Herzog, 1980)
Fast-Walking
(Harris, 1982)
Twice Upon a Time
(Korty & Swenson, 1983)
Trouble in Mind
(Rudolph, 1985)
When the Wind Blows
(Murikami, 1986)
Housekeeping
(Forsyth, 1987)
The Glass Menagerie
(Newman, 1987)
Patty Hearst
(Schrader, 1988)
Drowning by Numbers
(Greenaway, 1988)
Haunted Summer
(Passer, 1988)
The Decline of Western Civilization Part II: The Metal Years
(Spheeris, 1988)
1990's
Old Times
(Curtis, 1991)
Prospero's Books
(Greenaway, 1991)
City of Hope
(Sayles, 1991)
The Baby of Macon
(Greenaway, 1993)
King of the Hill
(Soderbergh, 1993)
Dadetown
(Hexter, 1995)
SubUrbia
(Linklater, 1997)

Goldblum's Moment

Okay, no more Jerry Lewis jokes. Paul Schrader's Adam Resurrected, which just screened at the Telluride Fillm Festival, is in no way a problem film, a friend says, and Jeff Goldblum's lead performance is, he insists, an Oscar-level achievement. Seriously -- that's what he said.

Jeff Goldblum, Paul Schrader following this afternoon's screening.

Scale that back a bit and at the very least Goldblum is looking lucky, skillful and back in the groove with God smiling down. If the buzz is real, people may be calling his work in Adam Resurrected his best performance since....Jurassic Park? The Big Chill? Igby Goes Down?


Telluride Film Festival panel discussion with Jeff Goldblum (far right, light blue shirt), David Fincher (black T-shirt) and others participating. It looks as if Annette Insdorf may have moderated.

A little rain began to pour this afternoon, and with it the temperature dropped down to cool. But those mountain aromas!

Posted by Jeffrey Wells on August 30, 2008 at 4:03 PM

comment #1

Geoff Author Profile Page says ...

"Now I'm, uh, getting Oscar buzz. You see, uh, that's chaos theory."

Posted by Geoff Author Profile Page at August 30, 2008 4:35 PM

comment #2

broadstreetbully Author Profile Page says ...

I hope this is true; it'd be great to have Goldblum back in form. Jurassic Park is the last performance of his I enjoyed, although I never saw Igby.

Posted by broadstreetbully Author Profile Page at August 30, 2008 4:37 PM

comment #3

Richardson Author Profile Page says ...

Igby is a terrible, terrible movie, but he's pretty great in it. Very small part.

He's also great in 'Powder'. In fact, Goldblum tends to be a lot like Walken; he'll just come in and be interesting to watch for a while, movie-be-damned.

I'm hoping that 'Law and Order' he's on puts him and D'Onofrio together at least once.

Posted by Richardson Author Profile Page at August 30, 2008 4:43 PM

comment #4

NDH Author Profile Page says ...

I've always enjoyed Goldblum and I always forget how big he was in the mid 90s. Jurassic Park, followed by Independence Day, followed by The Lost World (which was not a success in retrospect, but you can't deny the hype that preceded that film). So I'm glad he's getting decent buzz with this new flick. Hopefully he'll be able to make a comeback out of it.

Posted by NDH Author Profile Page at August 30, 2008 4:58 PM

comment #5

Jason Author Profile Page says ...

Goldblum's sardonic presence was a real asset for The Lost World. I hated the movie when I saw it opening night in 1997, but lately I've learned to ignore the inept plotting and appreciate the good stuff, like Goldblum's performance and Spielberg's set pieces.

Posted by Jason Author Profile Page at August 30, 2008 5:03 PM

comment #6

lazarus Author Profile Page says ...

I wouldn't call Goldblum's Zoo TV-era Bono impression a great performance, just a flashy and lame way of trying to make the science of the story more palatable.

As someone who was a fan of the book before the film came out, I found it as insulting as the "Dino DNA" cartoon that the tour group (read: the audience) is shown when they arrive.

An entertaining thrill ride, but nowhere near the powerful balance of speculative fiction and cautionary tale that the source was.

Posted by lazarus Author Profile Page at August 30, 2008 5:16 PM

comment #7

Edward Author Profile Page says ...

I hope it's true, I'd love to see Schrader and Goldblum hit one out of the park. I just watched Schrader's "Dominion" and while it's not great, it does have it's moments. The opening is pretty good, but why a studio would expect Schrader to make a horror film is anyone's guess. Besides the Exorcist and it's many follow-ups were never horror films in the first place, but I'm getting off topic.

Posted by Edward Author Profile Page at August 30, 2008 5:21 PM

comment #8

Aladdin Sane Author Profile Page says ...

Goldblum was great in Igby. He also was pretty good in The Life Aquatic, but his performance in Jurassic Park is certainly the hilight there (well after the dinos anyway).

Posted by Aladdin Sane Author Profile Page at August 30, 2008 5:22 PM

comment #9

Lumiere Author Profile Page says ...

The Big Chill was his best performance I think.

Casting him in The Fly was one of the strangest decisions ever, but he holds his own in that flick.

Posted by Lumiere Author Profile Page at August 30, 2008 5:22 PM

comment #10

nemo Author Profile Page says ...

Tyrannosaurus Rex doesn't want to be fed! Tyrannosaurus Rex wants to hunt!

Posted by nemo Author Profile Page at August 30, 2008 5:23 PM

comment #11

JHRussell Author Profile Page says ...

His best performance ever: INTO THE NIGHT

Posted by JHRussell Author Profile Page at August 30, 2008 5:24 PM

comment #12

calraigh Author Profile Page says ...

'' Casting him in The Fly was one of the strangest decisions ever, but he holds his own in that flick. ''

Talk about damning with faint praise! The Fly launched his career, was a fascinating, startling and poignant movie and a genuinely freaky piece. As for his casting, I have to say it was one of the most apt decisions made in film. He is the Fly.

Not something I'd imagine you'd try and chat women up with but a bona fide, iconic character. I really hope Adam Resurrected is as good as it sounds.

Posted by calraigh Author Profile Page at August 30, 2008 5:42 PM

comment #13

Griff Author Profile Page says ...

Goldblum has been in some dogs, what working actor has not? But check out a very wacked out comedy called "The Tall Guy," written by Richard Curtis, with the able assistance of young (and hot) Emma Thompson and Mr. Bean. Its funny, twisted, and touching at the same time.

Posted by Griff Author Profile Page at August 30, 2008 6:03 PM

comment #14

Jason Author Profile Page says ...

Lazarus: I don't think I've ever seen sci-fi exposition done more inventively than the "Mr. DNA" educational cartoon in Jurassic Park. It's a total hoot. And if you can't enjoy Goldblum's "deplorable excess of personality..."

Posted by Jason Author Profile Page at August 30, 2008 6:27 PM

comment #15

lazarus Author Profile Page says ...

Jason, so calling attention to the fact that you're patronizing is somehow not patronizing? We're supposed to be in on the joke?

Yeah, that fits right in with Spielberg's normal modus operandi.

Again, I'm not saying Goldblum wasn't funny, but it made a mockery of a large part of what made the book so enthralling.

Posted by lazarus Author Profile Page at August 30, 2008 6:34 PM

comment #16

Caustic712 Author Profile Page says ...

I'm with Jason on the educational cartoon -- it's exactly what you'd expect the imagineers to do for the paying public. And I was a fan of the book as well, but I didn't expect the movie to regurgitate all of the careful science for those who hadn't read the book -- I expected them to dumb it down to keep things moving, and thought that was a clever and appropriate device to do so.

Posted by Caustic712 Author Profile Page at August 30, 2008 6:56 PM

comment #17

Caustic712 Author Profile Page says ...

Also, props to Griff for bringing up The Tall Guy -- very funny, and features (extremely faint praise alert) Rowan Atkinson's least annoying performance.

Posted by Caustic712 Author Profile Page at August 30, 2008 6:58 PM

comment #18

calraigh Author Profile Page says ...

Rowan Atkinson's least annoying performances)were in Blackadder and especially, Not the Nine o' Clock News but I agree, The Tall Guy is great. Emma Thompson in particular gets to show her funny side, which is how she started out, after all.

Posted by calraigh Author Profile Page at August 30, 2008 7:07 PM

comment #19

Jason Author Profile Page says ...

Lazarus:

"Mr. DNA" is a pitch-perfect send-up of the sort of pop science edutainment you get at high concept Disney attractions and their like. It's exactly the sort of thing that a real-life "Jurassic Park" would have. I mean, EXACTLY. The only incredible part is where Richard Attenborough's John Hammond character interacts with the program. No CEO would ever do that. Can you imagine Robert Iger welcoming all visitors to Disney's Animal Kingdom?

"Mr. DNA" can also be seen as a satire of the usual condescending sci-fi exposition you get from most Hollywood blockbusters.

The book is borderline pulp fiction. The movie isn't perfect, but it's much more entertaining.

That's just my opinion, of course. It's obvious we disagree!

Posted by Jason Author Profile Page at August 30, 2008 7:33 PM

comment #20

televisiontears Author Profile Page says ...

Goldblum was a highlight for me in Life Aquatic, which I've since grown to love. I think I was the only one in the theater who found his nonchalant dog-beating at all funny. I remember the geriatric blabbermouth behind me say to her husband, "Was that supposed to be funny?"

His physicality has tremendous comedic potential in the right hands. I'm surprised the Coen's haven't given him a shot yet. Anyway, good for him.

Posted by televisiontears Author Profile Page at August 30, 2008 8:13 PM

comment #21

The Winchester Author Profile Page says ...

"Congratulations, I heard you just drove through a mountain!"

I just wanted to second the emotion of Tall Guy and Life Aquatic love. Not great movies, but solid performances.

I thought he was pretty good on that TV show, too. Raines? It had one of those names, like McBain, that is just ripe for the chief to yell it angrily.

Posted by The Winchester Author Profile Page at August 30, 2008 9:37 PM

comment #22

Filthy Rich Author Profile Page says ...

I find it tiresome every time a book is adapted into a movie and readers have to bitch about how 'they ruined the book'. They didn't film the book. They filmed a movie version of the book.

To call the Mr DNA segment patronizing is missing the point that Jason made: a real Jurassic Park would do just that. It's a fine piece of exposition that succinctly boils down the 'science' of creating these dinosaurs into a 3 minute very palatable lesson for the audience to absorb.

It was intended to be informative on a textbook level and it had to be entertaining. It's actually one of the finest bits of exposition that writer David Koepp has done - exposition, after all, being one of his weaknesses (witness the clunky and awkard dialogue in the exposition scene from The Lost World, or the dull crap that literally had me sleeping in Crystal Skull).

And to call Goldblum's performance in Jurrassic flashy and lame is just, well lame. It was a fine performance based on the writing of the screenplay which, again, was NOT the book, nor was it intended to be. He almost stole the show from the dinosaurs, no small feat that.

Anyway, I have to agree with most everyone here that I'm glad to see Goldblum back in fine form and hope this bodes well for a higher profile comeback as he is always entertaining as hell.

Posted by Filthy Rich Author Profile Page at August 31, 2008 12:07 AM

comment #23

frankbooth Author Profile Page says ...

Calraigh beat me to it. To say that Goldblum holds his own implies that he merely keeps up with the other actors. He IS that movie, and in a just world he'd have gotten a Best Actor nomination.

The Tall Guy is funny stuff, and Emma shows more than her funny side. ("See, I'm like, referring to her breasts.")

It's been a long time, but I remember Jurrassic Park being a really awful book, which would make it hard to ruin. Flat characters and very dull writing. Crichton has good gimmicks, but that's about it.

He actually used exclamation points to create excitement: The T-Rex was coming straight at them! There was no way out! That sort of thing. Made Stephen King look like a master of prose.

Posted by frankbooth Author Profile Page at August 31, 2008 1:53 AM

comment #24

frankbooth Author Profile Page says ...

I misquoted "I'm fucking Matt Damon." I cannot describe the depth of my shame.

Posted by frankbooth Author Profile Page at August 31, 2008 1:56 AM

comment #25

Drew Author Profile Page says ...

A friend of mine once said it best:

"Jeff Goldblum always, always, always seems like he just walked into a surprise party for himself. Watch the way he plays every scene or the way he handles pretty much every interaction or public appearance." It's absolutely right on, and it's one of the reasons I enjoy him so much.

He and the FX team were the MVPs of JURASSIC PARK.

Posted by Drew Author Profile Page at August 31, 2008 3:49 AM

comment #26

BurmaShave Author Profile Page says ...

I guess he remembered his mantra.

Posted by BurmaShave Author Profile Page at August 31, 2008 12:59 PM

comment #27

Richardson Author Profile Page says ...

Honestly, I never thought I would see the day when somebody was holding up a Michael Crichton book as having any sort of artistic merit that the movie version removed.

And I say that as a guy who enjoys reading his books. They're fun.

It sounds as if laz wanted a movie that took a really long time explaining all the details about the dinosaur procedure. All I can ask is: Why? All anybody wants from that movie is dinosaurs.

Posted by Richardson Author Profile Page at August 31, 2008 2:28 PM

comment #28

frankbooth Author Profile Page says ...

Thank you, Richardson. (That is, if I'm correct in assuming that you agree with me about Crichton's abilities as a writer.)

And I'm in complete accord with your last sentence. I scratched my head at people who complained about JP's shallowness. It was Spielberg doing the best-ever dinosaurs, using the latest technology. To an adult who grew up watching stop-motion monsters on Sunday-afternoon TV, it was more than enough. It was a kind of fulfillment.

It's also the reason I'm no longer wowed by special effects. We're now at the point where almost anything can be done -- and there's no fun to be had in figuring out HOW it was done when you know it's all digital. It boils down to "good CGI" or "bad CGI." I'll never see another movie just because there are dinosaurs in it.

The only recent movie that impressed me FX-wise was Dark Knight. Think about it: have you heard anyone even mention the film's effects? You might even think there aren't any, until you realize that they didn't really throw Maggie Gyllenhaal off a building.

Posted by frankbooth Author Profile Page at August 31, 2008 4:15 PM

comment #29

frankbooth Author Profile Page says ...

Oh, and Zodiac, for the same reason. I had no idea there were many effects shots in the film.

Drew -- your friend's line about Goldblum is hilariously accurate.

Posted by frankbooth Author Profile Page at August 31, 2008 4:19 PM

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