Most Wanted
Email here for additions & corrections.

Ishtar
(May, 1987)
The Seven-Per-Cent Solution (OOP)
(Ross, 1976)
The Devils
(Russell, 1974)
The Pirates of Penzance
(Papp/Leach, 1983)
The Fortune
(Nichols, 1975)
-30-
(Webb, 1959)
Betrayal
(Jones, 1983)
Play It As It Lays
(Perry, 1972)
The Outfit
(Flynn, 1973)
Alex in Wonderland
(Mazursky, 1969)
The Legend of Lylah Clare
(Aldrich, 1968)
In The Cool of the Day
(Stevens, 1963)
That Cold Day in the Park
(Altman, 1969)
Thumb Trippin'
(Masters, 1972)
Midas Run
(Kjellin, 1969)
At Long Last Love
(Bogdanovich, 1973)
Brewster McCloud
(Altman, 1972)
Outcast of the Islands
(Reed, 1951)

Reader Submissions

1930's-1950's
The Moon's Our Home
(Seiter, 1936)
Sh! The Octopus
(McGann, 1937)
The Mating Season
(Leisen, 1951)
Bad for Each Other
(Rapper, 1953)
The Phenix City Story
(Karlson, 1955)
Run of the Arrow
(Fuller, 1956)
House of Secrets
(Green, 1956)
Saint Joan
(Preminger, 1957)
Macabre
(Castle, 1958)
The Fiend Who Walked the West
(G. Douglas, 1958
Five Gates to Hell
(Clavell, 1959)
1960's
Key Witness
(Karlson, 1960)
Summer and Smoke
(Glenville, 1961)
The Chapman Report
(Cukor,1962)
Bachelor Flat
(Tashlin, 1962) [on Hulu]
The L Shaped Room
(Forbes, 1963)
The Chalk Garden
(Neame, 1964)
A Thousand Clowns
(Coe, 1965)
You're a Big Boy Now
(Coppola, 1966)
The Whisperers
(Forbes, 1967)
Dark of the Sun
(Cardiff, 1968)
Skidoo
(Preminger, 1968)
Last Summer
(Perry, 1969)
The Comic
(C. Reiner, 1969)
1970-1974
The Revolutionary
(Williams, 1970)
The Landlord
(Ashby, 1970)
Diary of a Mad Housewife
(Perry, 1970)
Tropic of Cancer
(Strick, 1970)
I Never Sang for My Father
(Cates, 1970)
Sometimes a Great Notion
(Newman, 1971)
Marriage of a Young Stockbroker
(Turman, 1971)
The Music Lovers
(Russell, 1971)
Drive, He Said
(Nicholson, 1971)
The Steagle
(Sylbert, 1971)
The Last Movie
(Hopper, 1971)
Made For Each Other
(Bean, 1971)
The Day the Clown Cried
(Lewis, 1972)
Hickey & Boggs (OOP)
(Culp, 1972)
The Carey Treatment
(Edwards, 1972)
Pete 'n' Tillie
(Ritt, 1972)
Slither
(Zieff, 1973)
Man on a Swing
(Perry, 1974)
Open Season
(Collinson, 1974)
The Tamarind Seed
(Edwards, 1974)
Law and Disorder
(Passer, 1974)
Homebodies
(Yust, 1974)
Stardust
(Apted, 1974)
Celine and Julie Go Boating
(Rivette, 1974)
1975-1979
Rafferty and the Gold Dust Twins
(Richards, 1975
At Long Last Love
(Bogdanovich, 1975)
Hearts of the West
(Zieff, 1975)
Welcome to L.A.
(Rudolph, 1976)
W.C. Fields and Me
(Hiller, 1976)
Citizens Band
(Demme, 1977)
Twilight's Last Gleaming
(Aldrich, 1977)
Looking for Mr. Goodbar
(Brooks, 1977)
Girlfriends
(Weill, 1978)
Movie Movie
(Donen, 1978)
The Medusa Touch
(Gold, 1978)
American Hot Wax
(Mutrux, 1978)
Hot Stuff
(DeLuise, 1979)
Scavenger Hunt
(Schultz , 1979)
Players
(Harvey, 1979)
Rich Kids
(Young, 1979)
Nightwing
(Hiller, 1979)
Screams of a Winter's Night
(Wilson, 1979
When You Comin' Back Red Ryder?
(Katselas, 1979
1980's
Resurrection
(Petrie, 1980)
The Awakening
(Newell, 1980)
Simon
(Brickman, 1980)
God's Angry Man
(Herzog, 1980)
Fast-Walking
(Harris, 1982)
Twice Upon a Time
(Korty & Swenson, 1983)
Trouble in Mind
(Rudolph, 1985)
When the Wind Blows
(Murikami, 1986)
Housekeeping
(Forsyth, 1987)
The Glass Menagerie
(Newman, 1987)
Patty Hearst
(Schrader, 1988)
Drowning by Numbers
(Greenaway, 1988)
Haunted Summer
(Passer, 1988)
The Decline of Western Civilization Part II: The Metal Years
(Spheeris, 1988)
1990's
Old Times
(Curtis, 1991)
Prospero's Books
(Greenaway, 1991)
City of Hope
(Sayles, 1991)
The Baby of Macon
(Greenaway, 1993)
King of the Hill
(Soderbergh, 1993)
Dadetown
(Hexter, 1995)
SubUrbia
(Linklater, 1997)

'Nother Button Touch

Wait...I've seen this supposedly newish trailer for David Fincher's The Curious Case of Benjamin Button (Paramount, 12.25). It looks better in high-def, of course. Glorious, in fact. The exquisite visual quality tells you it's a first-rate dreamscape experience. Eric Roth's screenplay is, take it from me, delicate, eloquent and quite moving. The question, of course, is will it all coagulate?

In Passing<< previous | next >>Good Obama Frustration

Posted by Jeffrey Wells on September 26, 2008 at 5:58 PM

comment #1

MickTravis Author Profile Page says ...

The Full Sail Cowboy Douche has been replaced by the glowing feline face of Anne Hathaway. This is a good day.

I am henceforth denying myself a non-theatrical look at any further "Button" trailers.

Posted by MickTravis Author Profile Page at September 26, 2008 7:23 PM

comment #2

Emmanuel_Goldstein Author Profile Page says ...

Button is my most anticipated film of the year. David Fincher is as good of a director as anyone working right now and the film looks beyond beautiful. But does anyone feel that this year lacks the quality of last year? 2007's collection of films is as good as any year I can remember. Which films are people really looking forward to this awards season?

Posted by Emmanuel_Goldstein Author Profile Page at September 26, 2008 8:25 PM

comment #3

Geoff Author Profile Page says ...

I understand the BIG FISH and FORREST GUMP comparisons, but visually, this looks way cooler.

Posted by Geoff Author Profile Page at September 26, 2008 8:26 PM

Posted by D.Z. Author Profile Page at September 26, 2008 9:00 PM

comment #5

frankbooth Author Profile Page says ...

"The Full Sail Cowboy Douche has been replaced by the glowing feline face of Anne Hathaway. This is a good day."

It'll be an even better one when Cloverfield finally buggers off.

Posted by frankbooth Author Profile Page at September 27, 2008 2:13 AM

comment #6

D.Z. Author Profile Page says ...

Looks like they're hoping chicks will see this, and save the day. But the story's still a mess.

Posted by D.Z. Author Profile Page at September 27, 2008 3:19 AM

comment #7

LDKA0186 Author Profile Page says ...

English 101:

Just a few suggestions--

"The exquisite visual quality tells you it's a first-rate dreamscape experience."

"Tells you" in this context is awkward. The movie isn't telling us this at all. Not literally, anyways. It's "showing," "hinting," "suggesting," etc., but it certainly isn't "telling." This isn't as obnoxious as when you said that the script for *Burn After Reading* "tells you it's a can't miss comedy in a dry slapstick vein," but that line was more hateful because it felt like something Peter Travers might say.

Also, "take it from me" reeks of studio shillery. I know you're amped about this movie, but you sound like Bob Crane vouching for electric kitchen knives on QVC at four in the morning. Be more genuine.

Posted by LDKA0186 Author Profile Page at September 27, 2008 5:37 AM

comment #8

Mark B Author Profile Page says ...

Wow....the "meeting the middle" line literally gave me chills. If this movie turns out to be anywhere near as wonderful as the trailers indicate then it's going to be a nice Christmas.

Posted by Mark B Author Profile Page at September 27, 2008 7:54 AM

comment #9

JckNapier2 Author Profile Page says ...

There may be any number of reasons for this, but every time I see any of the trailers for Benjamin Button, I'm deeply sad by the end. They are incredibly powerful trailers and the film looks obscenely potent, but my emotional reaction isn't something that would make me want to see the film. Any one else feel this way?

Posted by JckNapier2 Author Profile Page at September 27, 2008 10:16 PM

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