Update: An apparent policy not to screen Ed Harris's Appaloosa (New Line/WB, 10.3) for critics in local markets is being corrected. I reported this morning that screenings hadn't been scheduled in Portland and Arizona, but I've since been told by the Arizona Daily Star's Phil Villarreal that a press screening was suddenly set up today, after my earlier story ran.

Las Vegas Review Journal critic Carol Cling also told me that it's being press-screened for her territory; same message from Dan Lybarger in the Kansas City area. So either things weren't as bad as suspected or local WB reps are now getting things in gear.
Villareal and the Oregonian's Shawn Levy told me this morning that Appaloosa is not being screened for them. I asked Appaloosa's exec producer Michael London what the story was, and he didn't get back.
The early reports seemed to argue with an upbeat 9.19 Conde Nast Portfolio column by Fred Schruers, called "New Life for a New Line Movie," that says Warner Bros. seems to be getting squarely behind the film.
Schruers first explains how there was initial trepidation on the part of Harris and London that Warner Bros. might not fully support Appaloosa, a New Line production that became part of the WB release calendar when New Line company was folded into WB behemoth.
Schruers writes that "in his first meeting with the Warner Bros. marketing executives after the merger, Harris recalled that the outlook for his sober Western was decidedly downbeat. 'I was getting the feeling they were going to throw it the dogs, or straight to DVD,' Harris said."
"We naturally had a lot of trepidation" after Warner Bros. absorbed New Line, London is quoted as saying. "But once the studio began really working on the movie, they started getting excited about their marketing materials. They got a great trailer out there.

"Now, after the Toronto [Film Festival showings], Warners seems genuinely invested in the movie succeeding," London states.
No screenings in Portland or Tuscon doesn't sound like genuine investment to me. I can understand crappy programmers not being screened, but Appaloosa is a better-than-passable tweener. I wasn't over the moon about it, but it's certainly not a burn. It grabbed me for the most part, and at no point did it irritate or piss me off -- a significant thing from my perspective. It's not half bad. Engrossing, interesting, handsomely shot, character-driven.
"It's a tiny bit better than James Mangold's 3:10 to Yuma," I wrote in Toronto. "It's got a nice modest feel to it. And it's nicely shot, very well acted (particularly by Harris, Viggo Mortensen and bad-guy Jeremy Irons) and 'engaging' as far as it goes."
And a fair number of journos who saw it in Toronto posted admiring reviews. N.Y. Post critic Lou Lumenick called it "the best Western since Open Range [that] shows there's still life in this most unfashionable of genres." Time's Richard Corliss wrote that "in its fidelity to western verities, Appaloosa may seem radical to today's viewers. At a time when images in all visual media bombard the brain, the western -- the one original American film form -- moves at the pensive pace of a European art film."

Here's Levy's account: "Before Toronto, the local rep" -- the Seattle-based Terry Hines & Associates -- "contacted us wanting to know if we're interested in speaking to Ed Harris about Appaloosa. We said sure, show us the movie, and they said okay, we'll set something up. The deadline came and went. Then the picture got onto the release schedule, and the other day -- this is a movie that's coming right up, opening on 10.3 -- and they said, 'Oh, it's not being screened in Portland.'"
Villarreal said the local WB/New Line rep has told him "nothing [is] planned right now" as far as showing Appaloosa to Arizona critics.
"Almost every week something is not being screened for the press up here," says Levy. "Or they show it at the very last minute. You can't see it, you can't see it, you can't see it...oh, you can!
"30 to 40 films per year don't get screened in Portland," Levy says. "I would say three to four each month. That's thirty or forty per year -- 10% of their annual product -- that they don't want to show people. And Appaloosa has about a 58 rating on Metacritic....it's not shit."
Here's another, somewhat unsual take, conveyed in a couple of excerpts from A.O. Scott's review in the N.Y. Times: "It's not a great western, and, as I've suggested, it doesn't really try to be. This one shows a square jaw and a steely gaze, but also a smile and a wink. There is no shortage of killing -- it's a large part of how Virgil Cole, Mr. Harris's character, makes his living -- but Appaloosa works best as a cunning, understated sex comedy."
Posted by Jeffrey Wells on September 19, 2008 at 8:23 AM
comment #1
robbiefantastic
says ...
it's being screened for critics in toronto. read the review (which was positive) in the toronto sun this morning.
Posted by robbiefantastic
at September 19, 2008 11:00 AM
comment #2
gruver1
says ...
Wells to Robbiefantastic: The concern is that Appaloosa is not being screened in the smaller markets, not the big cities.
And since you've brought it up, I wouldn't call Kevin Williamson's Toronto Sun review much of a rave. He mainly gives it a pat on the back because it's not The Assassination of Jesse James by the Coward Robert Ford:
"Appaloosa has flea-bitten varmints, saloons, whores, guns-a-blazin' showdowns and a bromance to boot.
"If you hadn't guessed, pardner, it's a western.
"And not no high-falutin' epic neither with snoozing passages of pastoral cinematography and gun-slingers who cry and sulk when they should just shut up and shoot.
"Does it ring true? Sure, if by true you mean as authentic as an episode of Gunsmoke -- I half-expected Miss Kitty to start calling for Marshal Dillon -- but really, is that so wrong?
"How can you not appreciate a movie that leaves you craving chewing tobacco and your very own spittoon?
"There's not a whiff of meditative revisionism, lofty ambiguity or flinty grandeur. In some circles, that's a compliment."
http://www.torontosun.com/entertainment/movies/2008/09/19/6809911-sun.html
Posted by gruver1
at September 19, 2008 11:29 AM
comment #3
actionman
says ...
Lou Lumenick is an idiot (not just for smacking Ebert).
AO Scott's review in the Times, which was posted today, was certainly a solid one.
It sounds like a crisp, 3 star western. A'int nothing wrong with that in my head. I'll certainly be checking it out.
Why it's not getting certain critics screening is a bit mystifying; it's not like it's Prom Night or My Best Friend's Girl or some shit like that.
Posted by actionman
at September 19, 2008 11:31 AM
comment #4
actionman
says ...
Yeah, anyone who couldn't at least appreciate what Andrew Dominik did with Jesse James...well..that person's words aren't fit for print. I am not saying that everyone had to love that film, but it's deserving of respect in one way or another from anyone who appreciates the art of filmmaking.
Posted by actionman
at September 19, 2008 11:33 AM
comment #5
Kristopher Tapley
says ...
That's silly. It's not a shitty film. We're not talking Aeon Flux here, by any stretch.
WTF is up with WB dumping westerns as of late. The damn genre is damned from the start it seems.
Posted by Kristopher Tapley
at September 19, 2008 12:05 PM
comment #6
Rodrigo
says ...
I live in Portland primarily, and I can tell you firsthand (and on accrued market experience from a freelance box office analysis/projection gig) that Portland is not a "smaller" theatrical market; Regal's Fox Tower downtown has one of the highest per cap attendance numbers and frequently ranks among elites selected for meticulously calibrated second weekend expansions following single-digit screen count exclusives in NY/LA ("Lust, Caution," for example, opened at Fox among its 17 second frame bookings), and the greater metro area is an infamously ticket-buying bunch. I do find it strange that no press screenings have been set, but Warner did the same shit last year with "Jesse James," an admittedly shakier commercial prospect but exactly the kind of film that needed strong support from critics to give discerning audiences the green light, so I guess it's no real surprise. Even through New Line's inexplicably nonchalant expansion of "Little Children" in 2006, which peaked at 115 theaters and grossed a little more than $5 million despite odds-on audience connection, the film played in Portland from October until February on word-of-mouth alone, so the studio should know better than to piss off the big PDX film crowd liaison by now.
Posted by Rodrigo
at September 19, 2008 12:40 PM
comment #7
robbiefantastic
says ...
robbie to gruver: never said he raved about it. just that it was positive.
Posted by robbiefantastic
at September 19, 2008 12:49 PM
comment #8
shawn
says ...
For what it's worth, no movement on the "Appaloosa" front in Portland....
Posted by shawn
at September 19, 2008 4:16 PM
comment #9
shawn
says ...
Ha! That lasted 15 mintues: now there's a Portland screening.
Whattay'all think: should we run wire?
Posted by shawn
at September 19, 2008 4:28 PM
comment #10
D.Z.
says ...
http://www.darkhorizons.com/news08/080919k.php
Posted by D.Z.
at September 19, 2008 5:32 PM
comment #11
Jubal Troop
says ...
Love the idea of Jeremy Irons as the bad-guy in this. There's something about a European actor in a Western that's just just too cool. Like Michael Gambon in Open Range, John Cleese in Silverado, and Richard Harris as English Bob in Unforgiven.
Can't wait for this one.
Posted by Jubal Troop
at September 20, 2008 11:38 AM
comment #12
janee
says ...
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Posted by janee
at May 18, 2011 3:11 AM