Most Wanted
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Il Grido
(Antonioni, 1957)

The Fortune
(Nichols, 1975)

-30-
(Webb, 1959)

Betrayal
(Jones, 1983)

Play It As It Lays
(Perry, 1972)

The Outfit
(Flynn, 1973)

Alex in Wonderland
(Mazursky, 1969)

The Legend of Lylah Clare
(Aldrich, 1968)

In The Cool of the Day
(Stevens, 1963)

That Cold Day in the Park
(Altman, 1969)

The Fox
(Rydell, 1967)

Thumb Trippin'
(Masters, 1972)

Midas Run
(Kjellin, 1969)

At Long Last Love
(Bogdanovich, 1973)

Brewster McCloud
(Altman, 1972)

Outcast of the Islands
(Reed, 1951)

Mike's Murder
(Bridges, 1984)

Reader Submissions

1930's-1950's
The Moon's Our Home
(Seiter, 1936)
Sh! The Octopus
(McGann, 1937)
The Mating Season
(Leisen, 1951)
Bad for Each Other
(Rapper, 1953)
The Phenix City Story
(Karlson, 1955)
Run of the Arrow
(Fuller, 1956)
House of Secrets
(Green, 1956)
Saint Joan
(Preminger, 1957)
Macabre
(Castle, 1958)
The Fiend Who Walked the West
(G. Douglas, 1958
Five Gates to Hell
(Clavell, 1959)
1960's
Key Witness
(Karlson, 1960)
Summer and Smoke
(Glenville, 1961)
The Chapman Report
(Cukor,1962)
Bachelor Flat
(Tashlin, 1962) [on Hulu]
The L Shaped Room
(Forbes, 1963)
The Chalk Garden
(Neame, 1964)
A Thousand Clowns
(Coe, 1965)
You're a Big Boy Now
(Coppola, 1966)
The Whisperers
(Forbes, 1967)
Dark of the Sun
(Cardiff, 1968)
Skidoo
(Preminger, 1968)
Last Summer
(Perry, 1969)
The Comic
(C. Reiner, 1969)
1970-1974
The Revolutionary
(Williams, 1970)
The Landlord
(Ashby, 1970)
Diary of a Mad Housewife
(Perry, 1970)
Tropic of Cancer
(Strick, 1970)
I Never Sang for My Father
(Cates, 1970)
Sometimes a Great Notion
(Newman, 1971)
Marriage of a Young Stockbroker
(Turman, 1971)
'Doc'
(Perry, 1971)
The Music Lovers
(Russell, 1971)
Drive, He Said
(Nicholson, 1971)
The Steagle
(Sylbert, 1971)
The Last Movie
(Hopper, 1971)
Made For Each Other
(Bean, 1971)
The Day the Clown Cried
(Lewis, 1972)
Hickey & Boggs
(Culp, 1972)
The Carey Treatment
(Edwards, 1972)
Pete 'n' Tillie
(Ritt, 1972)
Slither
(Zieff, 1973)
Love and Pain and the Whole Damn Thing
(Pakula, 1973)
Man on a Swing
(Perry, 1974)
Open Season
(Collinson, 1974)
The Tamarind Seed
(Edwards, 1974)
Law and Disorder
(Passer, 1974)
Homebodies
(Yust, 1974)
Stardust
(Apted, 1974)
Celine and Julie Go Boating
(Rivette, 1974)
1975-1979
Rafferty and the Gold Dust Twins
(Richards, 1975
At Long Last Love
(Bogdanovich, 1975)
Hearts of the West
(Zieff, 1975)
Welcome to L.A.
(Rudolph, 1976)
W.C. Fields and Me
(Hiller, 1976)
Citizens Band
(Demme, 1977)
Twilight's Last Gleaming
(Aldrich, 1977)
Looking for Mr. Goodbar
(Brooks, 1977)
Girlfriends
(Weill, 1978)
Movie Movie
(Donen, 1978)
The Medusa Touch
(Gold, 1978)
American Hot Wax
(Mutrux, 1978)
Hot Stuff
(DeLuise, 1979)
Scavenger Hunt
(Schultz , 1979)
Players
(Harvey, 1979)
Rich Kids
(Young, 1979)
Nightwing
(Hiller, 1979)
Screams of a Winter's Night
(Wilson, 1979
When You Comin' Back Red Ryder?
(Katselas, 1979
1980's
Resurrection
(Petrie, 1980)
The Awakening
(Newell, 1980)
Simon
(Brickman, 1980)
God's Angry Man
(Herzog, 1980)
Fast-Walking
(Harris, 1982)
Twice Upon a Time
(Korty & Swenson, 1983)
Trouble in Mind
(Rudolph, 1985)
When the Wind Blows
(Murikami, 1986)
Housekeeping
(Forsyth, 1987)
The Glass Menagerie
(Newman, 1987)
Patty Hearst
(Schrader, 1988)
Running on Empty
(Lumet, 1988)
Drowning by Numbers
(Greenaway, 1988)
Haunted Summer
(Passer, 1988)
The Decline of Western Civilization Part II: The Metal Years
(Spheeris, 1988)
1990's
Men Don't Leave
(Brickman, 1990)
Old Times
(Curtis, 1991)
Prospero's Books
(Greenaway, 1991)
City of Hope
(Sayles, 1991)
The Baby of Macon
(Greenaway, 1993)
King of the Hill
(Soderbergh, 1993)
Dadetown
(Hexter, 1995)
SubUrbia
(Linklater, 1997)

Upcoming

June 11

Tetro

June 12

Call of the Wild 3D

Food, Inc.

Imagine That

Moon

Sex Positive

The Taking of Pelham 1 2 3

Youssou N'Dour: I Bring What I Love

June 16

Yoo-Hoo, Mrs. Goldberg

June 19

$9.99

Dead Snow

The Proposal

Whatever Works

Year One

June 24

Transformers: Revenge of the Fallen

June 26

Cheri

Fireflies in the Garden

The Hurt Locker

My Sister's Keeper

The Stoning of Soraya M. 

Surveillance 

July 1

Ice Age: Dawn of the Dinosaurs

Public Enemies

July 3

The Girl from Monaco

I Hate Valentine's Day

July 10

Bruno

I Love You, Beth Cooper

Soul Power

July 15

Harry Potter and the Half-Blood Prince

July 17

(500) Days of Summer

All the Boys Love Mandy Lane

July 24

All Good Things

The Answer Man

G-Force

In the Loop

Orphan

The Ugly Truth

July 29

Adam

July 31

The Cove

Funny People

Lorna's Silence

They Came from Upstairs

August 7

G.I. Joe: The Rise of Cobra

Julie & Julia

Paper Heart

Shorts

When in Rome

August 14

A Perfect Getaway

Bandslam

District 9

The Goods: The Don Ready Story

I Sell the Dead

Ponyo

Pool Boys

Spread

Taking Woodstock

The Time Traveler's Wife

August 21

Five Minutes of Heaven

Goose on the Loose!

Inglorious Bastards

It Might Get Loud

Post Grad

World's Greatest Dad

August 28

The Boat that Rocked

Final Destination: Death Trip

H2

September 4

All About Steve

Amreeka

Black Dynamite

Carriers

Citizen Game

Extract

Pandorum

Shanghai

September 9

9

September 11

The Red Canvas

Tyler Perrys: I Can Do It All Myself

Whiteout

September 17

The Burning Plain

September 18

Armored

Brand New Day

Cloudy with a Chance of Meatballs

Jennifer's Body

Splice

September 25

Fame

The Invention of Lying

Surrogates

October 2

A Serious Man

More Than a Game

Sorority Row

Toy Story/Toy Story 2

Love and Porn

As far as it goes, Kevin Smith's Zack and Miri Make A Porno is smooth and winning, largely due to Seth Rogen and Elizabeth Banks' engaging, alive-in-the-moment performances as longtime pals and roommates who discover, to their surprise, that they're in love with each other while making a low-grade, hand-to-mouth porn film.


Call this one definitely better (and certainly more smoothly shot and cut) than Clerks II, heads and shoulders above Jersey Girl, a bit funnier than Jay and Silent Bob Strike Back, livelier and more entertaining that Dogma, almost as intimate and touching as Chasing Amy, much better than Mallrats and not as good as the original Clerks.

Within his familiar smart-but-easygoing-schlub persona, Rogen is on a roll these days, incapable of seeming rote or insincere, and he punches up the energy and aliveness in a way that's obvious and ummistakable. And Banks matches him note for note with a game receptivity and good humor. As I was walking out, a journalist friend said, "Smith should thank God for Judd Apatow and Seth Rogen," meaning that Smith is sorta kinda riding their coattails with this film, albeit in a way that bears his own ethos and sensibility.

Zack and Miri grooves right along in a good-natured, "let's relax and be cool about being blunt and more than a little gross" sort of way.

It's basically about the financially-strapped Zack (Rogen) and Miri (Banks), sharers of a ramshackle pad in funky Monroeville (a suburb of Pittsburgh where George Romero has shot two or three of his zombie movies), realizing that internet porn is a not-too-difficult way to raise quick cash, and giving it a try with no production money, a cheap video camera and a few friends as costars and assistants.


It struck me as a little bit weird that the sex scenes are shot with a static camera sitting on a tripod each and every time. Hand-held photography is obviously the way to go with films of this sort -- get in there, get close, get it all, etc. But then none of Smith's films have been shot with a loosey-goosey hand-held approach -- visually he's always been a very formal, almost rigid, director -- so I guess it does sort of make sense.

It's obvious that Zack's scripting the sex scenes so that Miri won't "do" anyone other than himsefl on-camera, and Miri being distinctly unsettled when Zack is offered an easy roll in the sack with one of the pic's female costars, that they care deeply for each other.

Zack also experiences a creative awakening in shooting home-style porn, which gives a lift to his overall attitude and self-image. But the penultimate moment comes when he and Miri finally perform the deed on-camera, and their cohorts (and the audience, of course) realize it's not much of an acrobatic, look-at-us! performance for all the right reasons.

It's unrealistic, of course, that a hottie like Banks would be attracted to a schlubby guy like Rogen (unless we're talking about the real-life Rogen, which is a whole different deal because then you're talking a guy who's bright, funny, famous and rich). But then Apatow has been pulling this fantasy crap in film after film, and now Smith (another rich, brilliant, super-successful geek with a weight issue) has picked up the torch.

In the real trenches of the real world, average overweight geeks do not schtup beautiful blondes with radiant ruby eyes, exquisite facial structure and perfect white teeth -- end of story, end of proposition, total dreamworld. But the fact that this doesn't get in the way of enjoying Smith's film says something. To me anyway.

Mistake: At the end of Zack and Miri's sex-on-camera scene Banks sits up and starts collecting herself -- we're talking seconds after Rogen has dismounted -- and we see that she's wearing jeans. Now how did that happen?

Piling Up<< previous | next >>Chumps Speak

Posted by Jeffrey Wells on September 7, 2008 at 12:22 PM

comment #1

George Prager Author Profile Page says ...

"Call this one definitely better (and certainly more smoothly shot and cut) than Clerks II, heads and shoulders above Jersey Girl, a bit funnier than Jay and Silent Bob Strike Back, livelier and more entertaining that Dogma, almost as intimate and touching as Chasing Amy, much better than Mallrats and not as good as the original Clerks. "

That's like saying:

"Call this one definitely better Operation Dumbo Drop (and certainly more smoothly shot and cut) than The Phantom, heads and shoulders above Phar Lap, a bit funnier than Free Willy, livelier and more entertaining that Quigley Down Under, almost as intimate and touching as Harley Davidson and the Marlboro Man, much better than Quigley Down Under and not as good asl D.A.R.Y.L."

Posted by George Prager Author Profile Page at September 7, 2008 3:23 PM

comment #2

corey3rd Author Profile Page says ...

Harley Davidson and the Marlboro man is an amazing intimate movie. If it wasn't for that film, we wouldn't have Brokeback Mountain

Posted by corey3rd Author Profile Page at September 7, 2008 3:29 PM

comment #3

MDOC Author Profile Page says ...

Wow. Prager truly brings his "A" game out to rip Smith. The guy is like his Lex Luthor, invoking D.A.R.Y.L. is just mean spirited.

Posted by MDOC Author Profile Page at September 7, 2008 3:30 PM

comment #4

PhilipGalasso Author Profile Page says ...

"In the real trenches of the real world, average overweight geeks do not fuck beautiful blondes with radiant ruby eyes, exquisite facial structure and perfect white teeth -- end of story, end of proposition, total bullshit. The fact that this doesn't get in the way of enjoying Smith's film says something."

I think there's a generational thing you're missing. This sort of thing happens a lot more often, at least among my peer group (I'm 24, live in New York, college grad, etc) than you think, Jeff. I myself have struggled with weight issues most of my life, and though I'm now at a comofortable 175, I didnt have too many problems getting better looking girls than my thinner, more traditionally handsome friends when I was pushing 240. In fact, the best looking girl I've dated was with me when I was about 210 (I'm 5'9") I'm not saying it happens all the time, but its certainly not the "spotting a unicorn" rarity that you think it is.

Posted by PhilipGalasso Author Profile Page at September 7, 2008 3:31 PM

comment #5

George Prager Author Profile Page says ...

"Call this one definitely better Like Father Like Son (and certainly more smoothly shot and cut) than The Super, heads and shoulders above K-9, a bit funnier than Beethoven's 2nd, almost as intimate and touching as Home Alone 4 and not as good as the original Teen Wolf."

Posted by George Prager Author Profile Page at September 7, 2008 3:32 PM

comment #6

Arran Author Profile Page says ...

Quigley Down Under is pretty good.

Cheers Jeff, sounds like the movie's pretty much as I hoped it would be - big laughs, big heart.

Posted by Arran Author Profile Page at September 7, 2008 3:41 PM

comment #7

Edward Author Profile Page says ...

Dumbo-Drop isn't really bad either. Much better than I thought it would be.

Posted by Edward Author Profile Page at September 7, 2008 3:59 PM

comment #8

MilkMan Author Profile Page says ...

Kevin Smith is the luckiest filmmaker alive. That he has been allowed to make multiple films boggles my mind. He was in the right place at the right time. I would compare him to John Waters in that he has never improved one iota as a filmmaker, not in the way he composes shots, not in his writing, not in his direction of actors, yet it is because of this stasis that he is regarded as having some kind of authenticity. I find his movies to be supernaturally middlebrow, his choice of subject matter obvious (re: WHAT'S EDGY TODAY - not porn, Kevin, really, seriously), and his persona at once tacky AND pretentious, in that he speaks with the calm, hyper-articulation of someone who should be about ten years past jizzum humor. He will never get any of my money, and in honor of Al Goldstein, a true iconoclast, i say, FUCK YOU, KEVIN SMITH, and fuck New Jersey, too.

Posted by MilkMan Author Profile Page at September 7, 2008 4:02 PM

comment #9

George Prager Author Profile Page says ...

Now we're talking.

Posted by George Prager Author Profile Page at September 7, 2008 4:05 PM

comment #10

actionman Author Profile Page says ...

should be a lot of fun

Posted by actionman Author Profile Page at September 7, 2008 4:13 PM

comment #11

D.Z. Author Profile Page says ...

"Call this one definitely better (and certainly more smoothly shot and cut) than Clerks II, heads and shoulders above Jersey Girl, a bit funnier than Jay and Silent Bob Strike Back, livelier and more entertaining that Dogma, almost as intimate and touching as Chasing Amy, much better than Mallrats and not as good as the original Clerks."

Man, even I haven't seen all of those! [Sorry, but I skipped out on Jersey Girl after seeing some clips.] Ironically, given my expectations, I actually liked Clerks 2, but it came off kind of emo-fied, compared to his other work. Also, Dogma was entertaining when it came out, but may not hold up now, given that Kevin continued to milk Jay and Silent Bob past their expiration date. He really should've stopped the Askewniverse thing with the Clerks cartoon, since it was probably the last time the characters were fresh and funny, and not just crutches. Oh, and I'm going to be in the minority and defend Mallrats, even if it'll probably come off more dated nowadays than his other stuff. You can't get a better performance from Stan Lee than in that film.

"As I was walking out, a journalist friend said, "Smith should thank God for Judd Apatow and Seth Rogen," meaning that Smith is sorta kinda riding their coattails with this film, albeit in a way that bears his own ethos and sensibility."

That's funny, because I remember getting flack for complaining that it was *Apatow* who was cribbing *Smith's* material. And I'm probably right, because if his man-children didn't act like Kevin Smith characters, no one would watch them-just like that short-lived sitcom.

"In the real trenches of the real world, average overweight geeks do not schtup beautiful blondes with radiant ruby eyes, exquisite facial structure and perfect white teeth -- end of story, end of proposition, total dreamworld. But the fact that this doesn't get in the way of enjoying Smith's film says something."

Well, most of the guys in Smith's movies usually aren't geeks, just full of geek tendencies.

George: For a second there, I got confused D.A.R.Y.L. with "Cloak & Dagger".

Posted by D.Z. Author Profile Page at September 7, 2008 4:14 PM

comment #12

George Prager Author Profile Page says ...

George: For a second there, I got confused D.A.R.Y.L. with "Cloak & Dagger".

Or SOLARBABIES!

Posted by George Prager Author Profile Page at September 7, 2008 4:25 PM

comment #13

drbob Author Profile Page says ...

The premise of the whole movie sucks. You can't make any money making one porno. Porno is a volume business. You need to make a lot of it to make any money.

Posted by drbob Author Profile Page at September 7, 2008 5:22 PM

comment #14

George Prager Author Profile Page says ...

I always confuse SOLARBABIES with SPACECAMP.

Posted by George Prager Author Profile Page at September 7, 2008 5:47 PM

comment #15

Circumvrent Author Profile Page says ...

Call this one definitely better (and certainly more smoothly shot and cut) than Clerks II, heads and shoulders above Jersey Girl, a bit funnier than Jay and Silent Bob Strike Back, livelier and more entertaining that Dogma, almost as intimate and touching as Chasing Amy, much better than Mallrats and not as good as the original Clerks.

This is why I still come to this site. The way that you have managed to exhalt the guy and cut his nuts off is really breathtaking.

I've liked Kevin's past few films fine enough (even Jersey Girl isn't too bad - and his 2:20 cut is his best film that sadly, nobody saw), but really, what happened to him? At the end of the last decade, they asked a bunch of film critics to name who they thought would be the "next Scorcese." When Andrew Sarris picked Smith (incidentally, Scorcese himself picked Wes Anderson - turns out, they were both wrong!), I don't think he ever thought there'd be a Clerks II.

It'll be interesting to see how his career is going to look, as a cumulative effort, because I still think the guy is a pretty writer than the films he makes - he did an amazing DAREDEVIL run before DOGMA was released, and DOGMA is still the best script I ever made. His next film really be the indicator, for me. If it's his religious zealot horror movie, then I'm still there. If it's ZACH AND MIRI MAKE ANOTHER PORNO, then he'll forever be the Indie Poster Boy Who Never Grew Up.

Posted by Circumvrent Author Profile Page at September 7, 2008 6:45 PM

comment #16

Gordie Lachance Author Profile Page says ...

"Fuck Kevin Smith and he will never get any of my money."

And yet you're fluently familiar with his acting, writing, directing, composition...etc etc.

I'll bet you see this one opening night.

And does it really boggle your mind how he's allowed to keep making movies? Really?? The guys sold like 50 million dvds.......do you not understand simple economics? Is your mind that easily boggled?

Or is it just your jealously fogging everything up?

Posted by Gordie Lachance Author Profile Page at September 7, 2008 6:58 PM

comment #17

D.Z. Author Profile Page says ...

Gordie: "And does it really boggle your mind how he's allowed to keep making movies? Really?? The guys sold like 50 million dvds......."

So does Uwe Boll.

Posted by D.Z. Author Profile Page at September 7, 2008 7:05 PM

comment #18

nemo Author Profile Page says ...

That poster! Yet another patented dumb guy look from Seth Rogen.

"At the end of Zack and Miri's sex-on-camera scene Banks sits up and starts collecting herself -- we're talking seconds after Rogen has dismounted -- and we see that she's wearing jeans. Now how did that happen?"

Smith has always been uneasy around naked actors. When Affleck rolled out of bed with whatshername in Chasing Amy he was wearing boxer shorts.

"Dumbo-Drop isn't really bad either. Much better than I thought it would be."

Dumbo Drop was the only thing worth watching on cable one night on a business trip, and I couldn't believe how not half bad it was. It had no right being not half bad!

I always confuse Spacecamp with Solaris. The Tarkovsky version.

Posted by nemo Author Profile Page at September 7, 2008 7:11 PM

comment #19

Griff Author Profile Page says ...

Elizabeth Banks is a goddess. Very smart, very funny, and very under-used.

Posted by Griff Author Profile Page at September 7, 2008 8:06 PM

comment #20

Jamie Author Profile Page says ...

Pretty sure she's wearing a jean skirt...

Posted by Jamie Author Profile Page at September 8, 2008 7:49 AM

comment #21

diesel Author Profile Page says ...

she wasn't even properly ab-used in this movie.

Posted by diesel Author Profile Page at September 8, 2008 8:04 AM

comment #22

DavidF Author Profile Page says ...

All I wanna is that I like DARYL and Cloak and Dagger.

All Entourage-lovers should give respect to the first filmmakers who had the balls to break the glass ceiling and name a sidekick "Turtle."

Also, I'm happy to hear this film sounds kinda fun even if Wells once again spoiled the ending. (The main characters fuck! Who knew?)

Posted by DavidF Author Profile Page at September 8, 2008 8:07 AM

comment #23

Richardson Author Profile Page says ...

"And I'm probably right"

Not knowing the circumstances, or anything other than the fact that you think you were right about something, I am 100% sure that you weren't, DZ.

And Uwe Boll does not sell millions of DVDs. If anybody else said it, I'd call it a lie. But it's you, DZ, so I'll just call it standard DZ idiocy.

Posted by Richardson Author Profile Page at September 8, 2008 8:46 AM

comment #24

bluefugue Author Profile Page says ...

Visually Smith has no talent, but he is a good writer. I saw this in Chasing Amy and Dogma, and having read the script to Zack & Miri, I see it again. Zack & Miri is one of very few screenplays I have ever read (and I've read over 3000) that had me laughing out loud.

Posted by bluefugue Author Profile Page at September 8, 2008 10:34 AM

comment #25

rr3333 Author Profile Page says ...

Judging that Rogen is now in a non-Apatow film, I guess they stopped blowing one another.

But seriously folks ... I snuck in & saw the last 30 minutes of Pineapple Express (after seeing the complete Tropic Thunder), and have to say that 'Pineapple' has the worst closing 30 minutes of a movie I've seen in a long time! It was sadly, GARBAGE!

Rogen's everyman shtick is running thin my friends.

Now that he's made enough money for 10 lifetimes, I think its time he took a little time off and reinvent himself, or maybe, just recharge those dead batteries.

Posted by rr3333 Author Profile Page at September 8, 2008 11:20 AM

comment #26

Rothchild Author Profile Page says ...

Pineapple Express is a comedy classic. Nice taste there, asshole.

Posted by Rothchild Author Profile Page at September 8, 2008 12:34 PM

comment #27

Richardson Author Profile Page says ...

I watched the last five minutes of 'Pineapple Express', and I had no idea what was going on! who are all these characters?? Good job, Rogen.

Posted by Richardson Author Profile Page at September 8, 2008 1:06 PM

comment #28

bmcintire Author Profile Page says ...

Isn't this poster image pretty much the same thing that got re-cropped for GOOD LUCK CHUCK?

http://www.filmschoolrejects.com/images/aa-01.jpg

And speaking of variations on a just-barely-there theme, MY BEST FRIEND'S GIRL and GOOD LUCK CHUCK seem like ideas created from the same handful of refrigerator word magnets.

Posted by bmcintire Author Profile Page at September 8, 2008 10:52 PM

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