Most Wanted
Email here for additions & corrections.

Ishtar
(May, 1987)
The Seven-Per-Cent Solution (OOP)
(Ross, 1976)
The Devils
(Russell, 1974)
The Pirates of Penzance
(Papp/Leach, 1983)
The Fortune
(Nichols, 1975)
-30-
(Webb, 1959)
Betrayal
(Jones, 1983)
Play It As It Lays
(Perry, 1972)
The Outfit
(Flynn, 1973)
Alex in Wonderland
(Mazursky, 1969)
The Legend of Lylah Clare
(Aldrich, 1968)
In The Cool of the Day
(Stevens, 1963)
That Cold Day in the Park
(Altman, 1969)
Thumb Trippin'
(Masters, 1972)
Midas Run
(Kjellin, 1969)
At Long Last Love
(Bogdanovich, 1973)
Brewster McCloud
(Altman, 1972)
Outcast of the Islands
(Reed, 1951)

Reader Submissions

1930's-1950's
The Moon's Our Home
(Seiter, 1936)
Sh! The Octopus
(McGann, 1937)
The Mating Season
(Leisen, 1951)
Bad for Each Other
(Rapper, 1953)
The Phenix City Story
(Karlson, 1955)
Run of the Arrow
(Fuller, 1956)
House of Secrets
(Green, 1956)
Saint Joan
(Preminger, 1957)
Macabre
(Castle, 1958)
The Fiend Who Walked the West
(G. Douglas, 1958
Five Gates to Hell
(Clavell, 1959)
1960's
Key Witness
(Karlson, 1960)
Summer and Smoke
(Glenville, 1961)
The Chapman Report
(Cukor,1962)
Bachelor Flat
(Tashlin, 1962) [on Hulu]
The L Shaped Room
(Forbes, 1963)
The Chalk Garden
(Neame, 1964)
A Thousand Clowns
(Coe, 1965)
You're a Big Boy Now
(Coppola, 1966)
The Whisperers
(Forbes, 1967)
Dark of the Sun
(Cardiff, 1968)
Skidoo
(Preminger, 1968)
Last Summer
(Perry, 1969)
The Comic
(C. Reiner, 1969)
1970-1974
The Revolutionary
(Williams, 1970)
The Landlord
(Ashby, 1970)
Diary of a Mad Housewife
(Perry, 1970)
Tropic of Cancer
(Strick, 1970)
I Never Sang for My Father
(Cates, 1970)
Sometimes a Great Notion
(Newman, 1971)
Marriage of a Young Stockbroker
(Turman, 1971)
The Music Lovers
(Russell, 1971)
Drive, He Said
(Nicholson, 1971)
The Steagle
(Sylbert, 1971)
The Last Movie
(Hopper, 1971)
Made For Each Other
(Bean, 1971)
The Day the Clown Cried
(Lewis, 1972)
Hickey & Boggs (OOP)
(Culp, 1972)
The Carey Treatment
(Edwards, 1972)
Pete 'n' Tillie
(Ritt, 1972)
Slither
(Zieff, 1973)
Man on a Swing
(Perry, 1974)
Open Season
(Collinson, 1974)
The Tamarind Seed
(Edwards, 1974)
Law and Disorder
(Passer, 1974)
Homebodies
(Yust, 1974)
Stardust
(Apted, 1974)
Celine and Julie Go Boating
(Rivette, 1974)
1975-1979
Rafferty and the Gold Dust Twins
(Richards, 1975
At Long Last Love
(Bogdanovich, 1975)
Hearts of the West
(Zieff, 1975)
Welcome to L.A.
(Rudolph, 1976)
W.C. Fields and Me
(Hiller, 1976)
Citizens Band
(Demme, 1977)
Twilight's Last Gleaming
(Aldrich, 1977)
Looking for Mr. Goodbar
(Brooks, 1977)
Girlfriends
(Weill, 1978)
Movie Movie
(Donen, 1978)
The Medusa Touch
(Gold, 1978)
American Hot Wax
(Mutrux, 1978)
Hot Stuff
(DeLuise, 1979)
Scavenger Hunt
(Schultz , 1979)
Players
(Harvey, 1979)
Rich Kids
(Young, 1979)
Nightwing
(Hiller, 1979)
Screams of a Winter's Night
(Wilson, 1979
When You Comin' Back Red Ryder?
(Katselas, 1979
1980's
Resurrection
(Petrie, 1980)
The Awakening
(Newell, 1980)
Simon
(Brickman, 1980)
God's Angry Man
(Herzog, 1980)
Fast-Walking
(Harris, 1982)
Twice Upon a Time
(Korty & Swenson, 1983)
Trouble in Mind
(Rudolph, 1985)
When the Wind Blows
(Murikami, 1986)
Housekeeping
(Forsyth, 1987)
The Glass Menagerie
(Newman, 1987)
Patty Hearst
(Schrader, 1988)
Drowning by Numbers
(Greenaway, 1988)
Haunted Summer
(Passer, 1988)
The Decline of Western Civilization Part II: The Metal Years
(Spheeris, 1988)
1990's
Old Times
(Curtis, 1991)
Prospero's Books
(Greenaway, 1991)
City of Hope
(Sayles, 1991)
The Baby of Macon
(Greenaway, 1993)
King of the Hill
(Soderbergh, 1993)
Dadetown
(Hexter, 1995)
SubUrbia
(Linklater, 1997)

Once and Only

"With less than one hour to go and no restraining order in place, I feel comfortable now letting you all know that this film was the subject of legal threats and was almost not shown at all here at the festival," William Morris agent Cassian Elwes wrote in a bulk mailing to buyers last night before the only screening of Paris, Not France at the Ryerson at 6 pm.

"This version will probably never be seen again. I am hoping that Paris will see, with the audience tonight, that there is nothing to be afraid of here. And will eventually let the film be distributed.

"What was originally conceived to be a 20-minute puff piece extra on the DVD release for her album, has in fact become a fascinating examination of what it's like to be a star in our star-obsessed culture.

"I can guarantee you three things: you may be the only people to ever see this version, you will not be disappointed, and everyone will be asking you if you saw it."

I was going to try and go myself, but at the last minute I asked myself, "Why are you making any kind of effort to see a doc about Paris Hilton? Where are your priorities?"

Posted by Jeffrey Wells on September 10, 2008 at 5:39 AM

comment #1

Dr. Smith Author Profile Page says ...

indeed...

Posted by Dr. Smith Author Profile Page at September 10, 2008 5:47 AM

comment #2

MDOC Author Profile Page says ...

Come on Gruver, who can resist? Get your popcorn and your Valtrex ready.

Posted by MDOC Author Profile Page at September 10, 2008 5:49 AM

comment #3

Krazy Eyes Author Profile Page says ...

Why do people even bother making potentially controversial documentaries without all releases in place before they start?

I saw a great doc at TIFF years ago called "The Sweatbox" which was all about Sting's torturous dealings with Disney Animation over the scoring of The Emperor's New Groove. The film makes Disney out to be complete idiots, yet Disney had final approval on the doc and put the kibosh on it right before the TIFF screening (but not soon enough to stop the screening).

Did this *ever* get released in any form?

Posted by Krazy Eyes Author Profile Page at September 10, 2008 8:59 AM

comment #4

Richardson Author Profile Page says ...

"Why do people even bother making potentially controversial documentaries without all releases in place before they start?"

I believe -- and the statement above would confirm it in this case -- that they generally start out as not controversial documentaries, but then, when all the footage is in, it's too interesting an angle not to explore.

Posted by Richardson Author Profile Page at September 10, 2008 10:15 AM

comment #5

Sean Author Profile Page says ...

The AV Club suggests that it's all tempest in a carefully manufactured teacup:

http://www.avclub.com/content/feature/the_a_v_club_at_tiff_08_day_6/2

Posted by Sean Author Profile Page at September 10, 2008 10:31 AM

comment #6

/3rtfu11 Author Profile Page says ...

Ignore her so she can go away.

Posted by /3rtfu11 Author Profile Page at September 10, 2008 11:47 AM

comment #7

T. Holly Author Profile Page says ...

No, pile on, so "the dead-eyed hellbeast" can be put to rest like this bobblehead:

http://www.heraldonline.com/115/story/804929-a804933-t3.html

Posted by T. Holly Author Profile Page at September 10, 2008 12:30 PM

comment #8

Deathtongue_Groupie Author Profile Page says ...

Seems AV Club has called it exactly so. Just look at the wording Cassian Elwes is using: "...a fascinating examination of what it's like to be a star in our star-obsessed culture."

She is a celebrity in a celebrity obsessed culture, but she has not been nor will likely ever be a "star" unless you narrowly define it by tabloid mags and shows.

Of course, one can't help but chuckle at the poster pot getting very close to calling the kettle black here.

And a doc that would open up this whole matter to the bone, exposing the hypocrisy of both the media and the population in regards to her celebrity status is exactly what is needed.

Posted by Deathtongue_Groupie Author Profile Page at September 10, 2008 2:21 PM

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