Most Wanted
Email here for additions & corrections.

Ishtar
(May, 1987)
The Seven-Per-Cent Solution (OOP)
(Ross, 1976)
The Devils
(Russell, 1974)
The Pirates of Penzance
(Papp/Leach, 1983)
The Fortune
(Nichols, 1975)
-30-
(Webb, 1959)
Betrayal
(Jones, 1983)
Play It As It Lays
(Perry, 1972)
The Outfit
(Flynn, 1973)
Alex in Wonderland
(Mazursky, 1969)
The Legend of Lylah Clare
(Aldrich, 1968)
In The Cool of the Day
(Stevens, 1963)
That Cold Day in the Park
(Altman, 1969)
Thumb Trippin'
(Masters, 1972)
Midas Run
(Kjellin, 1969)
At Long Last Love
(Bogdanovich, 1973)
Brewster McCloud
(Altman, 1972)
Outcast of the Islands
(Reed, 1951)

Reader Submissions

1930's-1950's
The Moon's Our Home
(Seiter, 1936)
Sh! The Octopus
(McGann, 1937)
The Mating Season
(Leisen, 1951)
Bad for Each Other
(Rapper, 1953)
The Phenix City Story
(Karlson, 1955)
Run of the Arrow
(Fuller, 1956)
House of Secrets
(Green, 1956)
Saint Joan
(Preminger, 1957)
Macabre
(Castle, 1958)
The Fiend Who Walked the West
(G. Douglas, 1958
Five Gates to Hell
(Clavell, 1959)
1960's
Key Witness
(Karlson, 1960)
Summer and Smoke
(Glenville, 1961)
The Chapman Report
(Cukor,1962)
Bachelor Flat
(Tashlin, 1962) [on Hulu]
The L Shaped Room
(Forbes, 1963)
The Chalk Garden
(Neame, 1964)
A Thousand Clowns
(Coe, 1965)
You're a Big Boy Now
(Coppola, 1966)
The Whisperers
(Forbes, 1967)
Dark of the Sun
(Cardiff, 1968)
Skidoo
(Preminger, 1968)
Last Summer
(Perry, 1969)
The Comic
(C. Reiner, 1969)
1970-1974
The Revolutionary
(Williams, 1970)
The Landlord
(Ashby, 1970)
Diary of a Mad Housewife
(Perry, 1970)
Tropic of Cancer
(Strick, 1970)
I Never Sang for My Father
(Cates, 1970)
Sometimes a Great Notion
(Newman, 1971)
Marriage of a Young Stockbroker
(Turman, 1971)
The Music Lovers
(Russell, 1971)
Drive, He Said
(Nicholson, 1971)
The Steagle
(Sylbert, 1971)
The Last Movie
(Hopper, 1971)
Made For Each Other
(Bean, 1971)
The Day the Clown Cried
(Lewis, 1972)
Hickey & Boggs (OOP)
(Culp, 1972)
The Carey Treatment
(Edwards, 1972)
Pete 'n' Tillie
(Ritt, 1972)
Slither
(Zieff, 1973)
Man on a Swing
(Perry, 1974)
Open Season
(Collinson, 1974)
The Tamarind Seed
(Edwards, 1974)
Law and Disorder
(Passer, 1974)
Homebodies
(Yust, 1974)
Stardust
(Apted, 1974)
Celine and Julie Go Boating
(Rivette, 1974)
1975-1979
Rafferty and the Gold Dust Twins
(Richards, 1975
At Long Last Love
(Bogdanovich, 1975)
Hearts of the West
(Zieff, 1975)
Welcome to L.A.
(Rudolph, 1976)
W.C. Fields and Me
(Hiller, 1976)
Citizens Band
(Demme, 1977)
Twilight's Last Gleaming
(Aldrich, 1977)
Looking for Mr. Goodbar
(Brooks, 1977)
Girlfriends
(Weill, 1978)
Movie Movie
(Donen, 1978)
The Medusa Touch
(Gold, 1978)
American Hot Wax
(Mutrux, 1978)
Hot Stuff
(DeLuise, 1979)
Scavenger Hunt
(Schultz , 1979)
Players
(Harvey, 1979)
Rich Kids
(Young, 1979)
Nightwing
(Hiller, 1979)
Screams of a Winter's Night
(Wilson, 1979
When You Comin' Back Red Ryder?
(Katselas, 1979
1980's
Resurrection
(Petrie, 1980)
The Awakening
(Newell, 1980)
Simon
(Brickman, 1980)
God's Angry Man
(Herzog, 1980)
Fast-Walking
(Harris, 1982)
Twice Upon a Time
(Korty & Swenson, 1983)
Trouble in Mind
(Rudolph, 1985)
When the Wind Blows
(Murikami, 1986)
Housekeeping
(Forsyth, 1987)
The Glass Menagerie
(Newman, 1987)
Patty Hearst
(Schrader, 1988)
Drowning by Numbers
(Greenaway, 1988)
Haunted Summer
(Passer, 1988)
The Decline of Western Civilization Part II: The Metal Years
(Spheeris, 1988)
1990's
Old Times
(Curtis, 1991)
Prospero's Books
(Greenaway, 1991)
City of Hope
(Sayles, 1991)
The Baby of Macon
(Greenaway, 1993)
King of the Hill
(Soderbergh, 1993)
Dadetown
(Hexter, 1995)
SubUrbia
(Linklater, 1997)

Once Upon A Time

Watch this trailer for Uli Edel's The Baader Meinhof Complex and tell me it doesn't look like an exciting, tough, complex "ride" movie, and not just some dense political drama. Based on the book by Stefan Aust, it's about the infamous German terrorist group behind all kinds of bombings, killings, robberies and kidnappings in the late '60s and '70s.


Martina Gedeck in Uli Edel's The Baader Meinhof Complex

The word on the film has been iffy ever since Constantin Films and its German p.r. agency, Just Publicity, tried to threaten German and other European critics with heavy fines if they reviewed or even spoke about The Baader Meinhof Complex prior to an embargo date of 9.17.08 (for the film's 9.25 German and Austrian openings).

And yet I've been told by a buyer-distributor whom I know and trust that Edel's film is better than pretty good.

And the top-notch all-German cast, he says, is totally killer -- Martina Gedeck, Moritz Bleibtreu, Johanna Wokalek, Bruno Ganz, Simon Licht, Jan Josef Liefers, Alexandra Maria Lara, etc. And yet The Baader Meinhoff Complex didn't show at the Toronto Film Festival, and the Telluride Film Festival's Tom Luddy wasn't even shown it for possible consideration.

And although It's opening in Europe this fall, starting in Germany and Austria ten days from now, Baader Meinhof has no U.S. distributor and the people at Summit Entertainment, who are said to be handling int'l (and, for the time being, domestic) sales for Constantin Films, which produced the film, haven't returned calls all day. I spoke to Summit's corporate spokesperson Paul Pflug, but that didn't go too far because he's not in the loop.


The trusted buyer, a "name" guy who saw Baader Meinhof last spring before Cannes, said "it's amazing....a really good movie with crazy details that I didn't know about. A huge expensive action movie with a great cast [so good that] you want to hire all of them. But because it's in German and because of the tough lefty politics of it...and maybe because Americans won't understand the context or because they may be turned off by the politics and the exotic '60s climate, the buyers are skittish.

The Baader-Meinhof gang "had public support and manipulated the German government from their jail cells...they were vicious. There's a great scene when they go to train with the early-on Middle Eastern terrorists, except the Baader Meinhof gang is very much into the '60s commune ideals and so there's a culture and values clash."

All I know is that I would have made a point to see this film at Toronto, and it wasn't even there. I would love to see it right now and write about it and maybe nudge the buzz along, but the Summit people won't pick up the phone. Constantin's Bernd Eichinger is said to be concerned and perplexed that he can't sell The Baader Meinhof Complex to a U.S. distributor, but nobody stateside seems to be doing very much about it. Or at least, not so you'd notice.

Are they (Constatin plus whomever would like to distribute) planning a Sundance opening and an early '09 opening? One can only guess.


Update: A letter from Richard Huffman, webmaster of a first-rate Baader-Meinhof site, came after I published earlier today.

"I wanted to follow up with you on your story about the Baader-Meinhof movie," he began.I "n addition to being a major Jeff Wells fan, I happen to have the odd distinction of being one of the world's leading experts on the group (you can visit my site at www.baader-meinhof.com). I am personally interested in seeing this film because West German terrorists targeted my dad when he was serving at the head of the US Army's Berlin Bomb Disposal unit while the Baader-Meinhof Gang was active.

"Anyway, I can tell you that the story of this group is stunning and as cinematic as one could possibly imagine. One of Germany's leading journalists decides to leave her kids and and life to become a terrorist. A group dedicated to violent revolution that actually had the support of up to 20 percent of the German youth, and which brought about a horrible bombing campaign that maimed and killed dozens of Americans and Germans.

"As someone who has studied this era in amazing detail; watching clips from this movie sends absolute chills down my spine. it's like looking through a time machine.

"If you go to my homepage you'll see a brief clip from a history channel documentary that myself and Baader-Meinhof Komplex author Stefan Aust appear in from last year about the group."

Say It Three Times<< previous | next >>Okay...

Posted by Jeffrey Wells on September 15, 2008 at 3:18 PM

comment #1

nemo Author Profile Page says ...

Martina Gedeck makes me wish I spoke German.

I can't imagine this finding much of an audience in the US.

Posted by nemo Author Profile Page at September 15, 2008 3:53 PM

comment #2

Mark G. Author Profile Page says ...

It's one of the five movies for final consideration for the German entry for the foreign language Academy Award... We'll find out tomorrow which movie was picked...

The other 4 are
CLOUD 9 (Wolke 9)
THE WAVE (Die Welle)
CHERRY BLOSSOMS (Kirschblüten - Hanami)
DR. ALEMAN

Posted by Mark G. Author Profile Page at September 15, 2008 4:13 PM

comment #3

Mark G. Author Profile Page says ...

Oh and you should watch the full trailer, here's the official website:

http://www.bmk.film.de/

Posted by Mark G. Author Profile Page at September 15, 2008 4:18 PM

comment #4

arturobandini2 Author Profile Page says ...

If they sell it as "The Terrorists Who Inspired DIE HARD," they might be able to find a decent U.S. market. The Rickman/Godunov gang was based on Baader Meinhof, who were supposedly the first terrorist organization to come from the upper middle class.

Posted by arturobandini2 Author Profile Page at September 15, 2008 5:55 PM

comment #5

bagelfilm Author Profile Page says ...

Today 11am press screening of this film in Munich , Germany at the Mathaeser cinema, if you happen to be near....

Posted by bagelfilm Author Profile Page at September 15, 2008 10:17 PM

comment #6

Gnome de Guerre Author Profile Page says ...

The full trailer serves the film better than the teaser. But am I the only one tired of the cliched shot where some ice-cold mofo is tensely walking away from an exploding building? (see 15 secs into the teaser)

I can't begin to count how many times I've seen this type of thing on the screen. It's no longer cool. Come on. Next time I want the bomber skipping gaily toward the camera for a change.

Posted by Gnome de Guerre Author Profile Page at September 15, 2008 11:42 PM

comment #7

frankbooth Author Profile Page says ...

You must not have seen The Dark Knight.

Posted by frankbooth Author Profile Page at September 16, 2008 1:20 AM

comment #8

bacio Author Profile Page says ...

this film is going to be huge in Germany, no matter how bad it is. And I suspect that Germans critics won´t like it, just as they didn´t like Downfall very much. They already call it irrelevant docu-drama, full of crazy details but no insight. But that is a German perspective, where there are quite a few people who do actually know already every detail about the group. I mean this is such a big and tricky subject here, people are very sensitive. now they say with such interesting beautiful actors, the film will further establish a myth around the terrorists, even if unintentionally. Already, the talk about it is already all over the German media, of course, not much about the quality is leaking. From what I heard it is pretty conventional. I guess foreigners will see it in a more open-minded way. I mean American critics Loved Downfall

Posted by bacio Author Profile Page at September 16, 2008 2:06 AM

comment #9

bagelfilm Author Profile Page says ...

Just came out of the press screening and got the news that this is Germany's Oscar entry.
The movie's first twenty minutes are excellent but from then it is an unstructured reader digest/best of Baader-Meinhof/RAF mess with no clear dramaturgical approach or central focus point. Although it has good production values and performances, the film is rather boring. Obviously this will be a longer tv miniseries in a couple of years, like Downfall.

Posted by bagelfilm Author Profile Page at September 16, 2008 5:58 AM

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