Email here for additions & corrections.

Ishtar
(May, 1987)
The Seven-Per-Cent Solution (OOP)
(Ross, 1976)
The Devils
(Russell, 1974)
The Pirates of Penzance
(Papp/Leach, 1983)
The Fortune
(Nichols, 1975)
-30-
(Webb, 1959)
Betrayal
(Jones, 1983)
Play It As It Lays
(Perry, 1972)
The Outfit
(Flynn, 1973)
Alex in Wonderland
(Mazursky, 1969)
The Legend of Lylah Clare
(Aldrich, 1968)
In The Cool of the Day
(Stevens, 1963)
That Cold Day in the Park
(Altman, 1969)
Thumb Trippin'
(Masters, 1972)
Midas Run
(Kjellin, 1969)
At Long Last Love
(Bogdanovich, 1973)
Brewster McCloud
(Altman, 1972)
Outcast of the Islands
(Reed, 1951)

Reader Submissions
1930's-1950's
The Moon's Our Home
(Seiter, 1936)
Sh! The Octopus
(McGann, 1937)
The Mating Season
(Leisen, 1951)
Bad for Each Other
(Rapper, 1953)
The Phenix City Story
(Karlson, 1955)
Run of the Arrow
(Fuller, 1956)
House of Secrets
(Green, 1956)
Saint Joan
(Preminger, 1957)
Macabre
(Castle, 1958)
The Fiend Who Walked the West
(G. Douglas, 1958
Five Gates to Hell
(Clavell, 1959)
1960's
Key Witness
(Karlson, 1960)
Summer and Smoke
(Glenville, 1961)
The Chapman Report
(Cukor,1962)
Bachelor Flat
(Tashlin, 1962) [on Hulu]
The L Shaped Room
(Forbes, 1963)
The Chalk Garden
(Neame, 1964)
A Thousand Clowns
(Coe, 1965)
You're a Big Boy Now
(Coppola, 1966)
The Whisperers
(Forbes, 1967)
Dark of the Sun
(Cardiff, 1968)
Skidoo
(Preminger, 1968)
Last Summer
(Perry, 1969)
The Comic
(C. Reiner, 1969)
1970-1974
The Revolutionary
(Williams, 1970)
The Landlord
(Ashby, 1970)
Diary of a Mad Housewife
(Perry, 1970)
Tropic of Cancer
(Strick, 1970)
I Never Sang for My Father
(Cates, 1970)
Sometimes a Great Notion
(Newman, 1971)
Marriage of a Young Stockbroker
(Turman, 1971)
The Music Lovers
(Russell, 1971)
Drive, He Said
(Nicholson, 1971)
The Steagle
(Sylbert, 1971)
The Last Movie
(Hopper, 1971)
Made For Each Other
(Bean, 1971)
The Day the Clown Cried
(Lewis, 1972)
Hickey & Boggs (OOP)
(Culp, 1972)
The Carey Treatment
(Edwards, 1972)
Pete 'n' Tillie
(Ritt, 1972)
Slither
(Zieff, 1973)
Man on a Swing
(Perry, 1974)
Open Season
(Collinson, 1974)
The Tamarind Seed
(Edwards, 1974)
Law and Disorder
(Passer, 1974)
Homebodies
(Yust, 1974)
Stardust
(Apted, 1974)
Celine and Julie Go Boating
(Rivette, 1974)
1975-1979
Rafferty and the Gold Dust Twins
(Richards, 1975
At Long Last Love
(Bogdanovich, 1975)
Hearts of the West
(Zieff, 1975)
Welcome to L.A.
(Rudolph, 1976)
W.C. Fields and Me
(Hiller, 1976)
Citizens Band
(Demme, 1977)
Twilight's Last Gleaming
(Aldrich, 1977)
Looking for Mr. Goodbar
(Brooks, 1977)
Girlfriends
(Weill, 1978)
Movie Movie
(Donen, 1978)
The Medusa Touch
(Gold, 1978)
American Hot Wax
(Mutrux, 1978)
Hot Stuff
(DeLuise, 1979)
Scavenger Hunt
(Schultz , 1979)
Players
(Harvey, 1979)
Rich Kids
(Young, 1979)
Nightwing
(Hiller, 1979)
Screams of a Winter's Night
(Wilson, 1979
When You Comin' Back Red Ryder?
(Katselas, 1979
1980's
Resurrection
(Petrie, 1980)
The Awakening
(Newell, 1980)
Simon
(Brickman, 1980)
God's Angry Man
(Herzog, 1980)
Fast-Walking
(Harris, 1982)
Twice Upon a Time
(Korty & Swenson, 1983)
Trouble in Mind
(Rudolph, 1985)
When the Wind Blows
(Murikami, 1986)
Housekeeping
(Forsyth, 1987)
The Glass Menagerie
(Newman, 1987)
Patty Hearst
(Schrader, 1988)
Drowning by Numbers
(Greenaway, 1988)
Haunted Summer
(Passer, 1988)
The Decline of Western Civilization Part II: The Metal Years
(Spheeris, 1988)
1990's
Old Times
(Curtis, 1991)
Prospero's Books
(Greenaway, 1991)
City of Hope
(Sayles, 1991)
The Baby of Macon
(Greenaway, 1993)
King of the Hill
(Soderbergh, 1993)
Dadetown
(Hexter, 1995)
SubUrbia
(Linklater, 1997)

Upcoming

January 8

Bitch Slap

Waiting for Armageddon

Wonderful World

Youth in Revolt

January 15

January 22

Drool

Extraordinary Measures

The Girl on the Train

Pit Stop

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I had an opening this evening and decided to scoot down to Roy Thomson Hall to see Rod Lurie's Nothing But The Truth again. It's still tight and true, still perfectly acted, still believable at every turn -- easily among the best three or four films I've seen at TIFF so far. Sorry if this challenges the c.w., but it happens to be true. Washington Post writer Ann Hornaday told me last night that she's also a fan.

Acute W Lounge hell...sheer torture listening to music from one of worst D.J.'s in the world.

But the after-party, held at the W Lounge on Davenport Street, was nothing but the pits. The music was that special kind of vomitous, head-splitting disco sometimes played at super-loud volume outside the homes of deposed Latin American dictators in order to persuade them to come out and surrender. The amazing and unstoppable Joe Leydon was there. I was in and out within ten minutes. Baah, humbug.

Boys Forever << previous | next >>Whitty's Take

Posted by Jeffrey Wells on September 8, 2008 at 9:04 PM

comment #1

Hickenlooper says ...

This is definitely Rod's best picture. I had the good fortune of seeing it a few months ago at a private screening and I was blown away. In fact, I'd say it's not only Rod's best film but one of the best film's of the year. Every note in it rings true and Beckinsale should easily get an Oscar nomination for her best performance ever. In fact, the entire cast is extremely impressive. Matt Dillon also deserves a nod as a conservative but devoted FBI agent. Kudos to Rod. A job very well done.

Posted by Hickenlooper at September 8, 2008 9:42 PM

comment #2

T. Holly says ...

I hate the c.w., worst channel on the dial.

Posted by T. Holly at September 8, 2008 10:05 PM

comment #3

BurmaShave says ...

From everything I've read this seems to be Alan Alda's Oscar picture. Unless the part is too small.

Posted by BurmaShave at September 8, 2008 10:22 PM

comment #4

Jeremy Smith says ...

When does Gary Burghoff get his Oscar picture? It's gonna take a von Trier...

Posted by Jeremy Smith at September 8, 2008 11:30 PM

comment #5

MilkMan says ...

You/re a good friend, Mr. Wells.

I wish I had a friend like you.

But I don/t.

I have one friend and he would never do for me what you do for Rod Lurie.

All my friend does is talk to me about who just gave him a blowjob and who he wants to give him a blowjob.

My friend lets me buy him lunch and a movie and he says he/ll pay me back as soon as he gets some more money for a script he is writing, a script he wrote in 1995 that he is polishing up for some guy who might be able to help him.

I hope Rod Lurie appreciates what you do for him, because I spend a lot of time on film sites and I never read anything nice about him.

I think Rod Lurie should send you a box of Havanas, even though you don/t strike me as a stogie connoisseur.

Or maybe he should take you to dinner, somewhere nice, like Jar.

God bless you, Mr. Wells.

God bless hollywoodelsewhere, for I can think of no finer place to be.

Posted by MilkMan at September 9, 2008 2:49 AM

comment #6

Josh Massey says ...

How I wish The Contender was being released right now...

Posted by Josh Massey at September 9, 2008 3:51 AM

comment #7

Joe Leydon says ...

Damn, Jeff, that turned out to be one wild party. And the after-party was even wilder. Good thing I brought some Cialis in my backpack. Well, guess I better sleep for an hour or so before my first screening.

Posted by Joe Leydon at September 9, 2008 5:03 AM

comment #8

longrunner says ...

Nicely played, Joe. ;-)

Posted by longrunner at September 9, 2008 5:24 AM

comment #9

BurmaShave says ...

I think we actually got Noriega with Def Leppard. Only the best.

Posted by BurmaShave at September 9, 2008 2:48 PM

comment #10

actionman says ...

Wow, if Beckinsale is better in this than she was in Snow Angels than I'll eat my shoe Werner Herzog style.

Very much looking forward to checking this out. Is it coming out this year?

And yeah, I thought about The Contender not too long ago, and how life sometimes imitates art.

Posted by actionman at September 9, 2008 8:08 PM

comment #11

scamanti says ...

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comment #12

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