Most Wanted
Email here for additions & corrections.

Ishtar
(May, 1987)
The Seven-Per-Cent Solution (OOP)
(Ross, 1976)
The Devils
(Russell, 1974)
The Pirates of Penzance
(Papp/Leach, 1983)
The Fortune
(Nichols, 1975)
-30-
(Webb, 1959)
Betrayal
(Jones, 1983)
Play It As It Lays
(Perry, 1972)
The Outfit
(Flynn, 1973)
Alex in Wonderland
(Mazursky, 1969)
The Legend of Lylah Clare
(Aldrich, 1968)
In The Cool of the Day
(Stevens, 1963)
That Cold Day in the Park
(Altman, 1969)
Thumb Trippin'
(Masters, 1972)
Midas Run
(Kjellin, 1969)
At Long Last Love
(Bogdanovich, 1973)
Brewster McCloud
(Altman, 1972)
Outcast of the Islands
(Reed, 1951)

Reader Submissions

1930's-1950's
The Moon's Our Home
(Seiter, 1936)
Sh! The Octopus
(McGann, 1937)
The Mating Season
(Leisen, 1951)
Bad for Each Other
(Rapper, 1953)
The Phenix City Story
(Karlson, 1955)
Run of the Arrow
(Fuller, 1956)
House of Secrets
(Green, 1956)
Saint Joan
(Preminger, 1957)
Macabre
(Castle, 1958)
The Fiend Who Walked the West
(G. Douglas, 1958
Five Gates to Hell
(Clavell, 1959)
1960's
Key Witness
(Karlson, 1960)
Summer and Smoke
(Glenville, 1961)
The Chapman Report
(Cukor,1962)
Bachelor Flat
(Tashlin, 1962) [on Hulu]
The L Shaped Room
(Forbes, 1963)
The Chalk Garden
(Neame, 1964)
A Thousand Clowns
(Coe, 1965)
You're a Big Boy Now
(Coppola, 1966)
The Whisperers
(Forbes, 1967)
Dark of the Sun
(Cardiff, 1968)
Skidoo
(Preminger, 1968)
Last Summer
(Perry, 1969)
The Comic
(C. Reiner, 1969)
1970-1974
The Revolutionary
(Williams, 1970)
The Landlord
(Ashby, 1970)
Diary of a Mad Housewife
(Perry, 1970)
Tropic of Cancer
(Strick, 1970)
I Never Sang for My Father
(Cates, 1970)
Sometimes a Great Notion
(Newman, 1971)
Marriage of a Young Stockbroker
(Turman, 1971)
The Music Lovers
(Russell, 1971)
Drive, He Said
(Nicholson, 1971)
The Steagle
(Sylbert, 1971)
The Last Movie
(Hopper, 1971)
Made For Each Other
(Bean, 1971)
The Day the Clown Cried
(Lewis, 1972)
Hickey & Boggs (OOP)
(Culp, 1972)
The Carey Treatment
(Edwards, 1972)
Pete 'n' Tillie
(Ritt, 1972)
Slither
(Zieff, 1973)
Man on a Swing
(Perry, 1974)
Open Season
(Collinson, 1974)
The Tamarind Seed
(Edwards, 1974)
Law and Disorder
(Passer, 1974)
Homebodies
(Yust, 1974)
Stardust
(Apted, 1974)
Celine and Julie Go Boating
(Rivette, 1974)
1975-1979
Rafferty and the Gold Dust Twins
(Richards, 1975
At Long Last Love
(Bogdanovich, 1975)
Hearts of the West
(Zieff, 1975)
Welcome to L.A.
(Rudolph, 1976)
W.C. Fields and Me
(Hiller, 1976)
Citizens Band
(Demme, 1977)
Twilight's Last Gleaming
(Aldrich, 1977)
Looking for Mr. Goodbar
(Brooks, 1977)
Girlfriends
(Weill, 1978)
Movie Movie
(Donen, 1978)
The Medusa Touch
(Gold, 1978)
American Hot Wax
(Mutrux, 1978)
Hot Stuff
(DeLuise, 1979)
Scavenger Hunt
(Schultz , 1979)
Players
(Harvey, 1979)
Rich Kids
(Young, 1979)
Nightwing
(Hiller, 1979)
Screams of a Winter's Night
(Wilson, 1979
When You Comin' Back Red Ryder?
(Katselas, 1979
1980's
Resurrection
(Petrie, 1980)
The Awakening
(Newell, 1980)
Simon
(Brickman, 1980)
God's Angry Man
(Herzog, 1980)
Fast-Walking
(Harris, 1982)
Twice Upon a Time
(Korty & Swenson, 1983)
Trouble in Mind
(Rudolph, 1985)
When the Wind Blows
(Murikami, 1986)
Housekeeping
(Forsyth, 1987)
The Glass Menagerie
(Newman, 1987)
Patty Hearst
(Schrader, 1988)
Drowning by Numbers
(Greenaway, 1988)
Haunted Summer
(Passer, 1988)
The Decline of Western Civilization Part II: The Metal Years
(Spheeris, 1988)
1990's
Old Times
(Curtis, 1991)
Prospero's Books
(Greenaway, 1991)
City of Hope
(Sayles, 1991)
The Baby of Macon
(Greenaway, 1993)
King of the Hill
(Soderbergh, 1993)
Dadetown
(Hexter, 1995)
SubUrbia
(Linklater, 1997)

Carol Truth Squad

It seems that An American Carol director David Zucker is looking into a possible exhibitor conspiracy to switch tickets and pull other pranks in order to make it seem as if his film isn't doing as well with ticket-buyers as it actually is. Not displaying Carol posters as prominently as they could be, misrepresenting the film's rating (it's PG-13, not R) , not giving it marquee space and so on.


"We have had heard" -- the extra "had" is obviously a typo -- "from numerous people across the country that there has been some ticket fraud when buying a ticket for An American Carol this past weekend," says a special "fraud" page on the film's official website.

"Please check your ticket," the copy says. "If you were in fact one of those people that were 'mistakenly' sold a ticket for another movie please fill out the form below. Hold on to your ticket so we can have proof.

"If you have noticed other irregularities with the theatres in your area please let us know in the comment section below. For instance, Rated R film rating (when in fact we are rated PG-13), posters not being up, not being listed on the marquee, image or focus problems, sound issues, etc."

Nice People<< previous | next >>A Little W. Love

Posted by Jeffrey Wells on October 7, 2008 at 6:19 AM

comment #1

joncro Author Profile Page says ...

'image or focus problems, sound issues'

so THAT'S why theatre projection sucks - it's a vast left wing conspiracy!

Posted by joncro Author Profile Page at October 7, 2008 6:57 AM

comment #2

duck dodgers Author Profile Page says ...

I did notice they just put in these new Diebold ticket machines.

At the theater in Idaho.

Posted by duck dodgers Author Profile Page at October 7, 2008 6:59 AM

comment #3

p.Vice Author Profile Page says ...

How can there be ticket fraud for a movie that nobody is buying tickets for?

Posted by p.Vice Author Profile Page at October 7, 2008 7:41 AM

comment #4

duck dodgers Author Profile Page says ...

They're was actually more fraud per screen at Religiculous.

Posted by duck dodgers Author Profile Page at October 7, 2008 7:48 AM

comment #5

R. Hunt Author Profile Page says ...

Maybe David Z. wants to swap tales with Spike Lee over those crooked, biased ticket-sellers. Seriously, this is a ridiculous claim. Why would anybody bother?

Posted by R. Hunt Author Profile Page at October 7, 2008 7:52 AM

comment #6

Rich S. Author Profile Page says ...

I guess the "Naria-esque" church ticket sales blitz didn't work this time.

Posted by Rich S. Author Profile Page at October 7, 2008 7:55 AM

comment #7

tommysunshine Author Profile Page says ...

Zucker might have a point.

Oh and P.Vice I'm glad this site doesn't operate on the if-you-don't-have-anything-meaningful-to-say-don't-say-it-at-all principle otherwise you'd be making ZERO contribution to this forum.

Posted by tommysunshine Author Profile Page at October 7, 2008 8:00 AM

comment #8

Leonardcoenbrothers Author Profile Page says ...

As a good conservative Zucker should be taking "personal responsibility" for making a sucky movie, not blaming everyone else for the failure.

Posted by Leonardcoenbrothers Author Profile Page at October 7, 2008 8:11 AM

comment #9

Nick Rogers Author Profile Page says ...

In the heart of Indiana, early online showtime listings had it listed as "American Teen" - a revival that wouldn't have been out of the question given that it was filmed here. The error since has been corrected.

Posted by Nick Rogers Author Profile Page at October 7, 2008 8:28 AM

comment #10

Nick Rogers Author Profile Page says ...

I think the real conspiracy might be that Gruver's links go to ...

NOTHING

Posted by Nick Rogers Author Profile Page at October 7, 2008 8:51 AM

comment #11

Deathtongue_Groupie Author Profile Page says ...

I thought the same thing when I saw those numbers for An American Slander, although I came to the complete opposite conclusion: Zucker inflated his numbers. I mean, were enough people THAT bored last weekend?

I think that with country in crises, most people didn't want to see a ham-fisted polemic aimed at the powerless. Because, uh yes, the conservatives are still in power and satire really only works when it is aimed at those at the top. The right has so totally bought into this Orwellian-inspired crackpot "victimhood" they forgot it was just a tactic.

Posted by Deathtongue_Groupie Author Profile Page at October 7, 2008 9:28 AM

comment #12

T. S. Idiot Author Profile Page says ...

"As a good conservative Zucker should be taking 'personal responsibility' for making a sucky movie, not blaming everyone else for the failure."

What conservative since Teddy Roosevelt has taken responsibility for anything?

Posted by T. S. Idiot Author Profile Page at October 7, 2008 9:28 AM

comment #13

Deathtongue_Groupie Author Profile Page says ...

Eisenhower my Palmetto brother?

Posted by Deathtongue_Groupie Author Profile Page at October 7, 2008 9:29 AM

comment #14

DavidF Author Profile Page says ...

The only people more insidious than the Liberal Media are the Liberal Movie Exhibitors. Pinkos.

Posted by DavidF Author Profile Page at October 7, 2008 10:03 AM

comment #15

Josh Massey Author Profile Page says ...

As a ticket seller in 1992 when Malcolm X was released I resented the hell out of Spike Lee because he made my job ten times harder. I heard "check what the white boy sold you" many many times and actually got called a flat-up racist once (despite selling the correct ticket).

Thankfully for today's ticket sellers the movie will be gone in two weeks so anybody won't really care any more at all.

Posted by Josh Massey Author Profile Page at October 7, 2008 10:36 AM

comment #16

Edward Havens Author Profile Page says ...

At my theatre, we did very well with An American Carol, if only because there was no other theatre in a ten mile radius playing it. And as someone who has been a theatre manager who has been in this game since 1986, I am wondering who these people are who are informing Zucker of fraudulent ticket sales and the like? Most every theatre today operates using a computerized ticketing system that employees at the theatre level (including managers) have little access to, and those systems are also tied into online ticketing systems like Fandango and MovieTickets as well as Rentrak's tracking system. It would have to be a conspiracy of an insanely high order for it to happen and not get noticed.

Zucker needs someone to blame for his film not performing to his own expectations. A filmmaker can't blame himself for making a movie that had a very narrow audience to begin with.

Posted by Edward Havens Author Profile Page at October 7, 2008 2:16 PM

comment #17

swordandpen Author Profile Page says ...

Zucker employing the same self-victimization techniques as the McCain campaign. That should work out well.

It couldn't possibly be that his movie sucks.

Posted by swordandpen Author Profile Page at October 7, 2008 6:45 PM

comment #18

fran phelan Author Profile Page says ...

I was at the Regal in Sterling Va. and what I noticed was that it was showing in one of their smaller rooms- it was sold out, but could have sold alot more tickets -if it had been in a larger room. This struck me as kind of odd, but now it makes sense. This is probably what has happened.

Leave a comment

Posted by fran phelan Author Profile Page at October 8, 2008 3:46 AM

comment #19

frankbooth Author Profile Page says ...

There's an obvious solution to this: the taxpayers should bail Zucker's movie out.

Posted by frankbooth Author Profile Page at October 8, 2008 5:52 AM

comment #20

TVMCCA Author Profile Page says ...

fran paley wrote:
I was at the Regal in Sterling Va. and what I noticed was that it was showing in one of their smaller rooms- it was sold out, but could have sold alot more tickets -if it had been in a larger room. This struck me as kind of odd, but now it makes sense. This is probably what has happened.

Leave a comment

Given the large amount of openings or expanded runs last weekend, I'm assuming Regal (which seems like a conservative-minded chain) probably thought the film wasn't going to draw like, say, NICK AND NORAH or even APPALOOSA.

No conspiracey theory.

Posted by TVMCCA Author Profile Page at October 8, 2008 3:34 PM

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