Most Wanted
Email here for additions & corrections.

Ishtar
(May, 1987)
The Seven-Per-Cent Solution (OOP)
(Ross, 1976)
The Devils
(Russell, 1974)
The Pirates of Penzance
(Papp/Leach, 1983)
The Fortune
(Nichols, 1975)
-30-
(Webb, 1959)
Betrayal
(Jones, 1983)
Play It As It Lays
(Perry, 1972)
The Outfit
(Flynn, 1973)
Alex in Wonderland
(Mazursky, 1969)
The Legend of Lylah Clare
(Aldrich, 1968)
In The Cool of the Day
(Stevens, 1963)
That Cold Day in the Park
(Altman, 1969)
Thumb Trippin'
(Masters, 1972)
Midas Run
(Kjellin, 1969)
At Long Last Love
(Bogdanovich, 1973)
Brewster McCloud
(Altman, 1972)
Outcast of the Islands
(Reed, 1951)

Reader Submissions

1930's-1950's
The Moon's Our Home
(Seiter, 1936)
Sh! The Octopus
(McGann, 1937)
The Mating Season
(Leisen, 1951)
Bad for Each Other
(Rapper, 1953)
The Phenix City Story
(Karlson, 1955)
Run of the Arrow
(Fuller, 1956)
House of Secrets
(Green, 1956)
Saint Joan
(Preminger, 1957)
Macabre
(Castle, 1958)
The Fiend Who Walked the West
(G. Douglas, 1958
Five Gates to Hell
(Clavell, 1959)
1960's
Key Witness
(Karlson, 1960)
Summer and Smoke
(Glenville, 1961)
The Chapman Report
(Cukor,1962)
Bachelor Flat
(Tashlin, 1962) [on Hulu]
The L Shaped Room
(Forbes, 1963)
The Chalk Garden
(Neame, 1964)
A Thousand Clowns
(Coe, 1965)
You're a Big Boy Now
(Coppola, 1966)
The Whisperers
(Forbes, 1967)
Dark of the Sun
(Cardiff, 1968)
Skidoo
(Preminger, 1968)
Last Summer
(Perry, 1969)
The Comic
(C. Reiner, 1969)
1970-1974
The Revolutionary
(Williams, 1970)
The Landlord
(Ashby, 1970)
Diary of a Mad Housewife
(Perry, 1970)
Tropic of Cancer
(Strick, 1970)
I Never Sang for My Father
(Cates, 1970)
Sometimes a Great Notion
(Newman, 1971)
Marriage of a Young Stockbroker
(Turman, 1971)
The Music Lovers
(Russell, 1971)
Drive, He Said
(Nicholson, 1971)
The Steagle
(Sylbert, 1971)
The Last Movie
(Hopper, 1971)
Made For Each Other
(Bean, 1971)
The Day the Clown Cried
(Lewis, 1972)
Hickey & Boggs (OOP)
(Culp, 1972)
The Carey Treatment
(Edwards, 1972)
Pete 'n' Tillie
(Ritt, 1972)
Slither
(Zieff, 1973)
Man on a Swing
(Perry, 1974)
Open Season
(Collinson, 1974)
The Tamarind Seed
(Edwards, 1974)
Law and Disorder
(Passer, 1974)
Homebodies
(Yust, 1974)
Stardust
(Apted, 1974)
Celine and Julie Go Boating
(Rivette, 1974)
1975-1979
Rafferty and the Gold Dust Twins
(Richards, 1975
At Long Last Love
(Bogdanovich, 1975)
Hearts of the West
(Zieff, 1975)
Welcome to L.A.
(Rudolph, 1976)
W.C. Fields and Me
(Hiller, 1976)
Citizens Band
(Demme, 1977)
Twilight's Last Gleaming
(Aldrich, 1977)
Looking for Mr. Goodbar
(Brooks, 1977)
Girlfriends
(Weill, 1978)
Movie Movie
(Donen, 1978)
The Medusa Touch
(Gold, 1978)
American Hot Wax
(Mutrux, 1978)
Hot Stuff
(DeLuise, 1979)
Scavenger Hunt
(Schultz , 1979)
Players
(Harvey, 1979)
Rich Kids
(Young, 1979)
Nightwing
(Hiller, 1979)
Screams of a Winter's Night
(Wilson, 1979
When You Comin' Back Red Ryder?
(Katselas, 1979
1980's
Resurrection
(Petrie, 1980)
The Awakening
(Newell, 1980)
Simon
(Brickman, 1980)
God's Angry Man
(Herzog, 1980)
Fast-Walking
(Harris, 1982)
Twice Upon a Time
(Korty & Swenson, 1983)
Trouble in Mind
(Rudolph, 1985)
When the Wind Blows
(Murikami, 1986)
Housekeeping
(Forsyth, 1987)
The Glass Menagerie
(Newman, 1987)
Patty Hearst
(Schrader, 1988)
Drowning by Numbers
(Greenaway, 1988)
Haunted Summer
(Passer, 1988)
The Decline of Western Civilization Part II: The Metal Years
(Spheeris, 1988)
1990's
Old Times
(Curtis, 1991)
Prospero's Books
(Greenaway, 1991)
City of Hope
(Sayles, 1991)
The Baby of Macon
(Greenaway, 1993)
King of the Hill
(Soderbergh, 1993)
Dadetown
(Hexter, 1995)
SubUrbia
(Linklater, 1997)

Deep

"You know what hurts a movie like Max Payne is the success of the Batman franchise. That obviously is about story and character so they think for all films of the genre it's gotta be about story and character and this whole backstory of him losing his wife. I don't care about that. I wanna see Max Payne shoot people. That's all I want from a movie like this." -- a quote attributed to "At The Moves" co-host Ben Lyons by Criticwatch's Erik Childress.

Measure for Measure << previous | next >>Don't Gump It

Posted by Jeffrey Wells on October 21, 2008 at 11:15 AM

comment #1

televisiontears Author Profile Page says ...

Ben Lyons must love him some "torture porn". And by extension, Wells, if he seconds this sentiment.

Posted by televisiontears Author Profile Page at October 21, 2008 12:18 PM

comment #2

crsryan Author Profile Page says ...

I think Ben is actually right on with this. Wasn't Rambo a thousand times more enjoyable than Babylon A.D.? A poorly-conceived, rushed or just inappropriate backstory is a bigger demerit than low ambition any day. Pathos has become way overrated. If the action choreography is great and the acting supports it and the camerawork is great, the movie will work.

Posted by crsryan Author Profile Page at October 21, 2008 12:23 PM

comment #3

bradb Author Profile Page says ...

@crsryan Hard to compare Rambo to this considering Rambo already had his backstory with three prior films. However, the problem with Lyons' argument is that even the gun play in Max Payne is boring. The film needed a story and it didn't have one, at least not a good one.

Posted by bradb Author Profile Page at October 21, 2008 12:32 PM

comment #4

Brian R Author Profile Page says ...

If he all he wants to see is Max Payne shoot people then he should just play the f****ng game and leave the movies to people who actually like movies.

Posted by Brian R Author Profile Page at October 21, 2008 12:34 PM

comment #5

Bob Roberts Author Profile Page says ...

We all have guilty pleasures, generally because they do what they set out to do, sometimes even well, they don't talk down at us or worse bore us.

While I have not seen Max Payne I think that is Ben's point. Max Payne was never going to be ART, but it could have been a fun guilty pleasure.

Posted by Bob Roberts Author Profile Page at October 21, 2008 12:46 PM

comment #6

storymark Author Profile Page says ...

Setting aside the fact that the dead wife and kid were a big part of the game's plot as well -

I'd much rather an action movie that aspires to be something more, and falls short, than one that aspires to medicority, and succeeds.

Not that Max Payne seems in any way to be the former.

Posted by storymark Author Profile Page at October 21, 2008 12:48 PM

comment #7

Brian R Author Profile Page says ...

Sure, Bob. But sometimes a little bit of character development in amongst the bullets can help lift something which might otherwise be uber-violent nonsense. Like Shaun of the Dead compared to Cannibal Holocaust. Do you root for the hero just because he has a gun and is pissed?

Posted by Brian R Author Profile Page at October 21, 2008 12:55 PM

comment #8

crsryan Author Profile Page says ...

Storymark: Aspiring to something more doesn't have to mean deep and memorable character motivations or five-hanky moments, etc. Kathryn Bigelow aspires to something more every time she makes an action film -- she aspires to make the finest action films ever made. Your statement implies that action flims are themselves mediocre. And yeah, that may be a truism of today's action films, but that's only because the genre is at a low ebb.

Posted by crsryan Author Profile Page at October 21, 2008 1:01 PM

comment #9

Brian R Author Profile Page says ...

Absolutely, crsryan. Action is made more exciting when we give a shit about the characters. Going on from your Kathryn Bigelow mention, Cameron's Aliens is lso a prime example. Hell, I even gave a shit about some of the characters in Predator.

Posted by Brian R Author Profile Page at October 21, 2008 1:06 PM

comment #10

storymark Author Profile Page says ...

"Storymark: Aspiring to something more doesn't have to mean deep and memorable character motivations or five-hanky moments, etc. Kathryn Bigelow aspires to something more every time she makes an action film -- she aspires to make the finest action films ever made. Your statement implies that action flims are themselves mediocre. And yeah, that may be a truism of today's action films, but that's only because the genre is at a low ebb."


Not saying that at all (though I might say that about all videogame movies). But we're talking about basic backstory and motivation here. Without those things - or something, anything else - it's just a stunt show. I'm not looking for five-hankie scenes, just a reason to give a shit about what's going on.

If I wanted just action - and nothing else, be it character, theme, pathos, what-have-you, I'd watch wrestling.

Posted by storymark Author Profile Page at October 21, 2008 1:22 PM

comment #11

Santo Author Profile Page says ...

I'm probably in the minority here, but I thought Cannibal Holocaust was pretty smart for what it was.

Movies like Crank and Rocknrolla are wanks, but there is nothing wrong with a wank if you know that's what it is.

The Dark Knight is great because it stretches our notions of what a comic book movie should be. Max Payne failed trying to do the same thing, at least it tried.

Ben Lyons has no grasp, no reach and wouldn't know which direction to sit in a theater if the seats weren't bolted to the floor.

Posted by Santo Author Profile Page at October 21, 2008 1:23 PM

comment #12

Rich S. Author Profile Page says ...

I think the movie Ben actually wanted to see was Shoot 'em Up, which I found ridiculously entertaining in its way.

Posted by Rich S. Author Profile Page at October 21, 2008 1:45 PM

comment #13

JustThisGuy Author Profile Page says ...

I think the thing that ticks me off the most about Ben Lyon's is that he has an extremely limited grasp of the English language for someone whose job is critically analyzing film.

Since capacity to utilize language is usually linked to capacity to think, sentences which call Body of Lies "overtly complex", when the context of its use clearly shows that he meant "overly complex" and calling Miracle at St Anna a "classic of epic and scope", clearly indicate that he is barely mentally qualified to watch, at most, a summer action film, much less critique one. What the hell is a "classic of epic and scope" anyways? What the hell does that fragment even mean?

Posted by JustThisGuy Author Profile Page at October 21, 2008 2:01 PM

comment #14

televisiontears Author Profile Page says ...

He actually used the term "classic of epic and scope"? That is sixteen levels of stupid. How did this man graduate ninth grade English, let alone ever get paid to write something?

Posted by televisiontears Author Profile Page at October 21, 2008 2:52 PM

comment #15

televisiontears Author Profile Page says ...

Well, that could have been either "graduate ninth-grade" or "pass ninth-grade English"... I guess I have some pot-kettle issues.

Posted by televisiontears Author Profile Page at October 21, 2008 2:55 PM

comment #16

Scott Author Profile Page says ...

This guy has got to be stopped . . .
http://stopbenlyons.blogspot.com/

Posted by Scott Author Profile Page at October 22, 2008 10:35 AM

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