Most Wanted
Email here for additions & corrections.

Ishtar
(May, 1987)
The Seven-Per-Cent Solution (OOP)
(Ross, 1976)
The Devils
(Russell, 1974)
The Pirates of Penzance
(Papp/Leach, 1983)
The Fortune
(Nichols, 1975)
-30-
(Webb, 1959)
Betrayal
(Jones, 1983)
Play It As It Lays
(Perry, 1972)
The Outfit
(Flynn, 1973)
Alex in Wonderland
(Mazursky, 1969)
The Legend of Lylah Clare
(Aldrich, 1968)
In The Cool of the Day
(Stevens, 1963)
That Cold Day in the Park
(Altman, 1969)
Thumb Trippin'
(Masters, 1972)
Midas Run
(Kjellin, 1969)
At Long Last Love
(Bogdanovich, 1973)
Brewster McCloud
(Altman, 1972)
Outcast of the Islands
(Reed, 1951)

Reader Submissions

1930's-1950's
The Moon's Our Home
(Seiter, 1936)
Sh! The Octopus
(McGann, 1937)
The Mating Season
(Leisen, 1951)
Bad for Each Other
(Rapper, 1953)
The Phenix City Story
(Karlson, 1955)
Run of the Arrow
(Fuller, 1956)
House of Secrets
(Green, 1956)
Saint Joan
(Preminger, 1957)
Macabre
(Castle, 1958)
The Fiend Who Walked the West
(G. Douglas, 1958
Five Gates to Hell
(Clavell, 1959)
1960's
Key Witness
(Karlson, 1960)
Summer and Smoke
(Glenville, 1961)
The Chapman Report
(Cukor,1962)
Bachelor Flat
(Tashlin, 1962) [on Hulu]
The L Shaped Room
(Forbes, 1963)
The Chalk Garden
(Neame, 1964)
A Thousand Clowns
(Coe, 1965)
You're a Big Boy Now
(Coppola, 1966)
The Whisperers
(Forbes, 1967)
Dark of the Sun
(Cardiff, 1968)
Skidoo
(Preminger, 1968)
Last Summer
(Perry, 1969)
The Comic
(C. Reiner, 1969)
1970-1974
The Revolutionary
(Williams, 1970)
The Landlord
(Ashby, 1970)
Diary of a Mad Housewife
(Perry, 1970)
Tropic of Cancer
(Strick, 1970)
I Never Sang for My Father
(Cates, 1970)
Sometimes a Great Notion
(Newman, 1971)
Marriage of a Young Stockbroker
(Turman, 1971)
The Music Lovers
(Russell, 1971)
Drive, He Said
(Nicholson, 1971)
The Steagle
(Sylbert, 1971)
The Last Movie
(Hopper, 1971)
Made For Each Other
(Bean, 1971)
The Day the Clown Cried
(Lewis, 1972)
Hickey & Boggs (OOP)
(Culp, 1972)
The Carey Treatment
(Edwards, 1972)
Pete 'n' Tillie
(Ritt, 1972)
Slither
(Zieff, 1973)
Man on a Swing
(Perry, 1974)
Open Season
(Collinson, 1974)
The Tamarind Seed
(Edwards, 1974)
Law and Disorder
(Passer, 1974)
Homebodies
(Yust, 1974)
Stardust
(Apted, 1974)
Celine and Julie Go Boating
(Rivette, 1974)
1975-1979
Rafferty and the Gold Dust Twins
(Richards, 1975
At Long Last Love
(Bogdanovich, 1975)
Hearts of the West
(Zieff, 1975)
Welcome to L.A.
(Rudolph, 1976)
W.C. Fields and Me
(Hiller, 1976)
Citizens Band
(Demme, 1977)
Twilight's Last Gleaming
(Aldrich, 1977)
Looking for Mr. Goodbar
(Brooks, 1977)
Girlfriends
(Weill, 1978)
Movie Movie
(Donen, 1978)
The Medusa Touch
(Gold, 1978)
American Hot Wax
(Mutrux, 1978)
Hot Stuff
(DeLuise, 1979)
Scavenger Hunt
(Schultz , 1979)
Players
(Harvey, 1979)
Rich Kids
(Young, 1979)
Nightwing
(Hiller, 1979)
Screams of a Winter's Night
(Wilson, 1979
When You Comin' Back Red Ryder?
(Katselas, 1979
1980's
Resurrection
(Petrie, 1980)
The Awakening
(Newell, 1980)
Simon
(Brickman, 1980)
God's Angry Man
(Herzog, 1980)
Fast-Walking
(Harris, 1982)
Twice Upon a Time
(Korty & Swenson, 1983)
Trouble in Mind
(Rudolph, 1985)
When the Wind Blows
(Murikami, 1986)
Housekeeping
(Forsyth, 1987)
The Glass Menagerie
(Newman, 1987)
Patty Hearst
(Schrader, 1988)
Drowning by Numbers
(Greenaway, 1988)
Haunted Summer
(Passer, 1988)
The Decline of Western Civilization Part II: The Metal Years
(Spheeris, 1988)
1990's
Old Times
(Curtis, 1991)
Prospero's Books
(Greenaway, 1991)
City of Hope
(Sayles, 1991)
The Baby of Macon
(Greenaway, 1993)
King of the Hill
(Soderbergh, 1993)
Dadetown
(Hexter, 1995)
SubUrbia
(Linklater, 1997)

Road Bump?

Weinstein Co. reps didn't have anything to say this morning about whether or not they're opening John Hillcoat's The Road, an adaptation of the post-apocalyptic Cormac McCarthy novel with Viggo Mortensen, Robert Duvall, Charlize Theron and Guy Pearce in the lead roles, in November or December or next year or what. I was told I'd hear something later today.


A release-date decision was supposed to be resolved yesterday, according to a 10.15 Stephen Zeitchik story in the Hollywood Reporter. Pic was originally skedded to open limited on 11.14 with an 11.26 wide release, but it was recently shifted to sometime in December (as this Coming Soon page states). Over the last couple of days there's been talk that an '08 release may be scuttled altogether.

Possible (purely speculative) reasons: (a) The Road isn't playing as well as it could and needs more time to be "finished"; (b) The Weinstein Co. can't afford handle two Oscar-angled campaigns at once (with The Reader presumably being priority #1); (c) It's too gloomy for an end-of-the-year film and doesn't it the mood of the country, especially in the event of a possible Obama triumph on 11.4.

Posted by Jeffrey Wells on October 17, 2008 at 9:48 AM

comment #1

frankbooth Author Profile Page says ...

This film will either go gangbusters or completely flop. It might be a little too close to home, considering the current crisis, but you can never tell if that's gonna be an asset or a liability at the box-office. Look at The China Syndrome.

Personally, I can't wait. I think it's one of the best matches of director-to-material in recent memory.

Posted by frankbooth Author Profile Page at October 17, 2008 10:46 AM

comment #2

Rich S. Author Profile Page says ...

Though I have complete faith in all those involved, particularly Hillcoat and Mortensen, I have no earthly idea how they're going to make this into a movie. If possible, the novel is even more relentlessly depressing than The Proposition. That's when anything is happening at all, since much of the book involves the man and his son sitting around talking.

Don't get me wrong, the book was terrific. But it was not exactly "theatrical." No Country for Old Men was practically Star Wars by comparison. I'll see it opening weekend, but I don't have high hopes for its box office take.

Posted by Rich S. Author Profile Page at October 17, 2008 10:50 AM

comment #3

Edward Author Profile Page says ...

I agree with Rich S. Very good book, but there must be a major rewrite to have all of these "stars."

Posted by Edward Author Profile Page at October 17, 2008 11:00 AM

comment #4

thebuddha Author Profile Page says ...

To both Rich S and Edward:

I think much of the exposition of the book can be truncated into filmable scenes. The theatrical parts are the many encounters with other survivors, as well as the scenes of survival and rummaging in the barren landscape.

Also, if anything, I thought that while the book was relentless and punishing in its portrayal of post-apocalyptic America, the ending was much, much more hopeful and inspiring than No Country. Just my opinion, though
And I love, love LOVE the all the parties involved with this project. Should be an absolute gem of a pic. Editing will be an extremely tough and important task however, and this might be what is leading to the delays.

Posted by thebuddha Author Profile Page at October 17, 2008 11:14 AM

comment #5

frankbooth Author Profile Page says ...

I wonder if this is one of those cases where the suits greenlit a project based on the names and Oprah's endorsement of the book, without really knowing what they were getting into.

When they heard "post-apocalyptic/Viggo Mortensen," they thought they were getting Mad Max IV, not Waiting for Godot with cannibals. Now they're saying "how the fuck do we sell THIS?"

Posted by frankbooth Author Profile Page at October 17, 2008 11:24 AM

comment #6

actionman Author Profile Page says ...

Haven't read the book so don't know any of the particulars, nor do I want to know, until I see the film.

But from what I have read about it, The Road sounds like this year's Children of Men (minus the war-action). And I mean that in a great way -- Children of Men is a masterwork.

The Road feels like the kind of apocalyptic downer that critics will love and audiences (at least in the U.S.) will have no use for.

Posted by actionman Author Profile Page at October 17, 2008 11:53 AM

comment #7

actionman Author Profile Page says ...

just saw this link over at Tapley's site:

http://nymag.com/daily/entertainment/2008/10/the_road.html

it's a little spoilery (a little annoying but what can you do) but the major beats aren't discussed

THIS FILM SOUNDS INCREDIBLE

Posted by actionman Author Profile Page at October 17, 2008 12:00 PM

comment #8

Gordie Lachance Author Profile Page says ...

I'd put winning the Pulitzer Prize a few steps ahead of Oprah's Book Club, but that's just me.

PLENTY of action in this book. More than enough for a 2 hour movie. It's just not as broad in scope as a traditional novel (which would have to be cut to shreds and consolidated to be filmable).

Without getting into spoliers, the ending is wonderful, in a melancholy, cycle-of-life type of way. Those of you who go to movies to "escape" or "forget" can go cram a print of Beverly Hills Chihuahua 2 up your lame asses.

Having said all that, I've never understood the way that Hollywood snaps up rights to best-selling novels.

Even if half of the 2-3 million readers went to the theater that would only equate to 10-15 million in box office, which is a bomb, I think. Doesn't make sense.

Posted by Gordie Lachance Author Profile Page at October 17, 2008 12:12 PM

comment #9

Ross Author Profile Page says ...

I'm dying to see this... my most anticipated film of the year. But if it's supposedly coming out in the next two months, where's the trailer? That tells me they're pushing it back.

Posted by Ross Author Profile Page at October 17, 2008 12:26 PM

comment #10

alynch Author Profile Page says ...

The only real star of the film is Viggo. Theron has a supporting part and Pearce & Duvall's roles are cameos.

Posted by alynch Author Profile Page at October 17, 2008 12:28 PM

comment #11

frankbooth Author Profile Page says ...

The suits, Gordie, the suits.

I doubt they even know what the Pulitzer IS.

Posted by frankbooth Author Profile Page at October 17, 2008 5:28 PM

comment #12

scooterzz Author Profile Page says ...

i've been saying since first reading the book that it appears to be a set up for a franchise...without going into spoilers, the ending has all the 'tells' of leading to a sequel.....

Posted by scooterzz Author Profile Page at October 18, 2008 12:04 AM

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