Most Wanted
Email here for additions & corrections.

Ishtar
(May, 1987)
The Seven-Per-Cent Solution (OOP)
(Ross, 1976)
The Devils
(Russell, 1974)
The Pirates of Penzance
(Papp/Leach, 1983)
The Fortune
(Nichols, 1975)
-30-
(Webb, 1959)
Betrayal
(Jones, 1983)
Play It As It Lays
(Perry, 1972)
The Outfit
(Flynn, 1973)
Alex in Wonderland
(Mazursky, 1969)
The Legend of Lylah Clare
(Aldrich, 1968)
In The Cool of the Day
(Stevens, 1963)
That Cold Day in the Park
(Altman, 1969)
Thumb Trippin'
(Masters, 1972)
Midas Run
(Kjellin, 1969)
At Long Last Love
(Bogdanovich, 1973)
Brewster McCloud
(Altman, 1972)
Outcast of the Islands
(Reed, 1951)

Reader Submissions

1930's-1950's
The Moon's Our Home
(Seiter, 1936)
Sh! The Octopus
(McGann, 1937)
The Mating Season
(Leisen, 1951)
Bad for Each Other
(Rapper, 1953)
The Phenix City Story
(Karlson, 1955)
Run of the Arrow
(Fuller, 1956)
House of Secrets
(Green, 1956)
Saint Joan
(Preminger, 1957)
Macabre
(Castle, 1958)
The Fiend Who Walked the West
(G. Douglas, 1958
Five Gates to Hell
(Clavell, 1959)
1960's
Key Witness
(Karlson, 1960)
Summer and Smoke
(Glenville, 1961)
The Chapman Report
(Cukor,1962)
Bachelor Flat
(Tashlin, 1962) [on Hulu]
The L Shaped Room
(Forbes, 1963)
The Chalk Garden
(Neame, 1964)
A Thousand Clowns
(Coe, 1965)
You're a Big Boy Now
(Coppola, 1966)
The Whisperers
(Forbes, 1967)
Dark of the Sun
(Cardiff, 1968)
Skidoo
(Preminger, 1968)
Last Summer
(Perry, 1969)
The Comic
(C. Reiner, 1969)
1970-1974
The Revolutionary
(Williams, 1970)
The Landlord
(Ashby, 1970)
Diary of a Mad Housewife
(Perry, 1970)
Tropic of Cancer
(Strick, 1970)
I Never Sang for My Father
(Cates, 1970)
Sometimes a Great Notion
(Newman, 1971)
Marriage of a Young Stockbroker
(Turman, 1971)
The Music Lovers
(Russell, 1971)
Drive, He Said
(Nicholson, 1971)
The Steagle
(Sylbert, 1971)
The Last Movie
(Hopper, 1971)
Made For Each Other
(Bean, 1971)
The Day the Clown Cried
(Lewis, 1972)
Hickey & Boggs (OOP)
(Culp, 1972)
The Carey Treatment
(Edwards, 1972)
Pete 'n' Tillie
(Ritt, 1972)
Slither
(Zieff, 1973)
Man on a Swing
(Perry, 1974)
Open Season
(Collinson, 1974)
The Tamarind Seed
(Edwards, 1974)
Law and Disorder
(Passer, 1974)
Homebodies
(Yust, 1974)
Stardust
(Apted, 1974)
Celine and Julie Go Boating
(Rivette, 1974)
1975-1979
Rafferty and the Gold Dust Twins
(Richards, 1975
At Long Last Love
(Bogdanovich, 1975)
Hearts of the West
(Zieff, 1975)
Welcome to L.A.
(Rudolph, 1976)
W.C. Fields and Me
(Hiller, 1976)
Citizens Band
(Demme, 1977)
Twilight's Last Gleaming
(Aldrich, 1977)
Looking for Mr. Goodbar
(Brooks, 1977)
Girlfriends
(Weill, 1978)
Movie Movie
(Donen, 1978)
The Medusa Touch
(Gold, 1978)
American Hot Wax
(Mutrux, 1978)
Hot Stuff
(DeLuise, 1979)
Scavenger Hunt
(Schultz , 1979)
Players
(Harvey, 1979)
Rich Kids
(Young, 1979)
Nightwing
(Hiller, 1979)
Screams of a Winter's Night
(Wilson, 1979
When You Comin' Back Red Ryder?
(Katselas, 1979
1980's
Resurrection
(Petrie, 1980)
The Awakening
(Newell, 1980)
Simon
(Brickman, 1980)
God's Angry Man
(Herzog, 1980)
Fast-Walking
(Harris, 1982)
Twice Upon a Time
(Korty & Swenson, 1983)
Trouble in Mind
(Rudolph, 1985)
When the Wind Blows
(Murikami, 1986)
Housekeeping
(Forsyth, 1987)
The Glass Menagerie
(Newman, 1987)
Patty Hearst
(Schrader, 1988)
Drowning by Numbers
(Greenaway, 1988)
Haunted Summer
(Passer, 1988)
The Decline of Western Civilization Part II: The Metal Years
(Spheeris, 1988)
1990's
Old Times
(Curtis, 1991)
Prospero's Books
(Greenaway, 1991)
City of Hope
(Sayles, 1991)
The Baby of Macon
(Greenaway, 1993)
King of the Hill
(Soderbergh, 1993)
Dadetown
(Hexter, 1995)
SubUrbia
(Linklater, 1997)

Soloist, Defiance Bumped

Given the word about Joe Wright's The Soloist possibly being a bit "schmaltzy" and boilerplate concerns about Ed Zwick's Defiance that I presume don't need explaining, I wasn't completely surprised to read a 10.17 story by the Hollywood Reporter's Carl DiOrio that both pics have had their wide-release dates delayed into '09.

The Soloist's postponement seems particularly dramatic with its 11.21.08 wide opening being pushed back to 3.13.09. Defiance, which had a previous release date of 12.12.08, will now open wide on 1.16.09.

Defiance will be given a late-December Oscar-qualifying run, reports DiOrio, and it's possible (though not likely) that The Soloist might be given a similar limited unveiling. But from HE's perspective it's looking as if both films have been all but yanked from the Oscar race by their respective distributors, DreamWorks/Paramount and Paramount Vantage.

The Shine-like story of Los Angeles Times columnist Steve Lopez's relationship with a homeless musician, The Soloist -- a DreamWorks/Universal co-production -- was looking at the very least like a possible uptick opportunity for costars Robert Downey and Jamie Foxx regarding possible year-end acting honors and distinctions.

The Silence<< previous | next >>Hope and History

Posted by Jeffrey Wells on October 17, 2008 at 7:04 AM

comment #1

hcat Author Profile Page says ...

This is probably just wishful thinking, but perhaps Ben Button is so freakin' great that they are getting everything else out of its way.

Posted by hcat Author Profile Page at October 17, 2008 8:22 AM

comment #2

StoneFan1 Author Profile Page says ...

They had to delay "Defiance" because of "Casino Royale" being pushed ahead by a week. People might not be ready for more of Mr. Craig so soon after "CR." A January release makes more sense to me.

Posted by StoneFan1 Author Profile Page at October 17, 2008 8:25 AM

comment #3

BurmaShave Author Profile Page says ...

QoS, you mean.

Posted by BurmaShave Author Profile Page at October 17, 2008 8:35 AM

comment #4

Rosebudsthesled Author Profile Page says ...

I think it's between BENJAMIN BUTTON and, from the trailer, MILK. The former may be brilliant, but at this moment I'm leaning towards the latter because giving it the Oscar would also be a way of "redeeming" themselves for the BROKEBACK snub three years back.

Posted by Rosebudsthesled Author Profile Page at October 17, 2008 9:08 AM

comment #5

Jack Price Author Profile Page says ...

Good call Rosebud.

Posted by Jack Price Author Profile Page at October 17, 2008 10:17 AM

comment #6

huntermdaniels Author Profile Page says ...

Wait, I usually ignore Zwick because I have no patience for his "Socially conscious international dramas about atrocities...and how white men fix them" style filmmaking. Care to explain the boilerplate problem here?

Or is it just a QoS overlap?

Posted by huntermdaniels Author Profile Page at October 17, 2008 11:42 AM

comment #7

D.Z. Author Profile Page says ...

If Defiance gets released next year, you've got to wonder if it'll hurt Inglorious Bastards. Pushing back "The Soloist" might be a good idea, though. People might get sick of Downey the way I expect to happen with Shia around Transformers 2.

hunter: I don't think this is Zwick's cliche this time around...

Posted by D.Z. Author Profile Page at October 17, 2008 4:38 PM

comment #8

huntermdaniels Author Profile Page says ...

Really? I would love to see the man make a good movie. He is very technically skilled, but all of his movies are either terrible sitcoms (About Last Night...) or about white men saving helpless minorities.

Of course, I have personal issues with Zwick for getting a crack at a brilliant Mamet Play and changing EVERYTHING and adding in terrible montage scenes. He even screwed up the title. I mean, they don't get much better than "Sexual Perversity in Chicago" or much worse than "About Last Night..."

Posted by huntermdaniels Author Profile Page at October 17, 2008 7:38 PM

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