Most Wanted
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Il Grido
(Antonioni, 1957)

The Fortune
(Nichols, 1975)

-30-
(Webb, 1959)

Betrayal
(Jones, 1983)

Play It As It Lays
(Perry, 1972)

The Outfit
(Flynn, 1973)

Alex in Wonderland
(Mazursky, 1969)

The Legend of Lylah Clare
(Aldrich, 1968)

In The Cool of the Day
(Stevens, 1963)

That Cold Day in the Park
(Altman, 1969)

The Fox
(Rydell, 1967)

Thumb Trippin'
(Masters, 1972)

Midas Run
(Kjellin, 1969)

At Long Last Love
(Bogdanovich, 1973)

Brewster McCloud
(Altman, 1972)

Outcast of the Islands
(Reed, 1951)

Mike's Murder
(Bridges, 1984)

Reader Submissions

1930's-1950's
The Moon's Our Home
(Seiter, 1936)
Sh! The Octopus
(McGann, 1937)
The Mating Season
(Leisen, 1951)
Bad for Each Other
(Rapper, 1953)
The Phenix City Story
(Karlson, 1955)
Run of the Arrow
(Fuller, 1956)
House of Secrets
(Green, 1956)
Saint Joan
(Preminger, 1957)
Macabre
(Castle, 1958)
The Fiend Who Walked the West
(G. Douglas, 1958
Five Gates to Hell
(Clavell, 1959)
1960's
Key Witness
(Karlson, 1960)
Summer and Smoke
(Glenville, 1961)
The Chapman Report
(Cukor,1962)
Bachelor Flat
(Tashlin, 1962) [on Hulu]
The L Shaped Room
(Forbes, 1963)
The Chalk Garden
(Neame, 1964)
A Thousand Clowns
(Coe, 1965)
You're a Big Boy Now
(Coppola, 1966)
The Whisperers
(Forbes, 1967)
Dark of the Sun
(Cardiff, 1968)
Skidoo
(Preminger, 1968)
Last Summer
(Perry, 1969)
The Comic
(C. Reiner, 1969)
1970-1974
The Revolutionary
(Williams, 1970)
The Landlord
(Ashby, 1970)
Diary of a Mad Housewife
(Perry, 1970)
Tropic of Cancer
(Strick, 1970)
I Never Sang for My Father
(Cates, 1970)
Sometimes a Great Notion
(Newman, 1971)
Marriage of a Young Stockbroker
(Turman, 1971)
'Doc'
(Perry, 1971)
The Music Lovers
(Russell, 1971)
Drive, He Said
(Nicholson, 1971)
The Steagle
(Sylbert, 1971)
The Last Movie
(Hopper, 1971)
Made For Each Other
(Bean, 1971)
The Day the Clown Cried
(Lewis, 1972)
Hickey & Boggs
(Culp, 1972)
The Carey Treatment
(Edwards, 1972)
Pete 'n' Tillie
(Ritt, 1972)
Slither
(Zieff, 1973)
Love and Pain and the Whole Damn Thing
(Pakula, 1973)
Man on a Swing
(Perry, 1974)
Open Season
(Collinson, 1974)
The Tamarind Seed
(Edwards, 1974)
Law and Disorder
(Passer, 1974)
Homebodies
(Yust, 1974)
Stardust
(Apted, 1974)
Celine and Julie Go Boating
(Rivette, 1974)
1975-1979
Rafferty and the Gold Dust Twins
(Richards, 1975
At Long Last Love
(Bogdanovich, 1975)
Hearts of the West
(Zieff, 1975)
Welcome to L.A.
(Rudolph, 1976)
W.C. Fields and Me
(Hiller, 1976)
Citizens Band
(Demme, 1977)
Twilight's Last Gleaming
(Aldrich, 1977)
Looking for Mr. Goodbar
(Brooks, 1977)
Girlfriends
(Weill, 1978)
Movie Movie
(Donen, 1978)
The Medusa Touch
(Gold, 1978)
American Hot Wax
(Mutrux, 1978)
Hot Stuff
(DeLuise, 1979)
Scavenger Hunt
(Schultz , 1979)
Players
(Harvey, 1979)
Rich Kids
(Young, 1979)
Nightwing
(Hiller, 1979)
Screams of a Winter's Night
(Wilson, 1979
When You Comin' Back Red Ryder?
(Katselas, 1979
1980's
Resurrection
(Petrie, 1980)
The Awakening
(Newell, 1980)
Simon
(Brickman, 1980)
God's Angry Man
(Herzog, 1980)
Fast-Walking
(Harris, 1982)
Twice Upon a Time
(Korty & Swenson, 1983)
Trouble in Mind
(Rudolph, 1985)
When the Wind Blows
(Murikami, 1986)
Housekeeping
(Forsyth, 1987)
The Glass Menagerie
(Newman, 1987)
Patty Hearst
(Schrader, 1988)
Running on Empty
(Lumet, 1988)
Drowning by Numbers
(Greenaway, 1988)
Haunted Summer
(Passer, 1988)
The Decline of Western Civilization Part II: The Metal Years
(Spheeris, 1988)
1990's
Men Don't Leave
(Brickman, 1990)
Old Times
(Curtis, 1991)
Prospero's Books
(Greenaway, 1991)
City of Hope
(Sayles, 1991)
The Baby of Macon
(Greenaway, 1993)
King of the Hill
(Soderbergh, 1993)
Dadetown
(Hexter, 1995)
SubUrbia
(Linklater, 1997)

Upcoming

June 11

Tetro

June 12

Call of the Wild 3D

Food, Inc.

Imagine That

Moon

Sex Positive

The Taking of Pelham 1 2 3

Youssou N'Dour: I Bring What I Love

June 16

Yoo-Hoo, Mrs. Goldberg

June 19

$9.99

Dead Snow

The Proposal

Whatever Works

Year One

June 24

Transformers: Revenge of the Fallen

June 26

Cheri

Fireflies in the Garden

The Hurt Locker

My Sister's Keeper

The Stoning of Soraya M. 

Surveillance 

July 1

Ice Age: Dawn of the Dinosaurs

Public Enemies

July 3

The Girl from Monaco

I Hate Valentine's Day

July 10

Bruno

I Love You, Beth Cooper

Soul Power

July 15

Harry Potter and the Half-Blood Prince

July 17

(500) Days of Summer

All the Boys Love Mandy Lane

July 24

All Good Things

The Answer Man

G-Force

In the Loop

Orphan

The Ugly Truth

July 29

Adam

July 31

The Cove

Funny People

Lorna's Silence

They Came from Upstairs

August 7

G.I. Joe: The Rise of Cobra

Julie & Julia

Paper Heart

Shorts

When in Rome

August 14

A Perfect Getaway

Bandslam

District 9

The Goods: The Don Ready Story

I Sell the Dead

Ponyo

Pool Boys

Spread

Taking Woodstock

The Time Traveler's Wife

August 21

Five Minutes of Heaven

Goose on the Loose!

Inglorious Bastards

It Might Get Loud

Post Grad

World's Greatest Dad

August 28

The Boat that Rocked

Final Destination: Death Trip

H2

September 4

All About Steve

Amreeka

Black Dynamite

Carriers

Citizen Game

Extract

Pandorum

Shanghai

September 9

9

September 11

The Red Canvas

Tyler Perrys: I Can Do It All Myself

Whiteout

September 17

The Burning Plain

September 18

Armored

Brand New Day

Cloudy with a Chance of Meatballs

Jennifer's Body

Splice

September 25

Fame

The Invention of Lying

Surrogates

October 2

A Serious Man

More Than a Game

Sorority Row

Toy Story/Toy Story 2

Fangs At Night

What exactly is the vampire metaphor, and why are vampire movies and TV shows so popular with under-25s (younger women in particular), gays, Anne Rice and people of that general ilk? Why hasn't anyone tried to explain it in 250 words or less? I can't find an explanation that I really like.

The rote explanation is that vampires can only find fulfillment after dark, so people who love vampire movies are a bit like that also. They see themselves as nocturnal adventurers -- their spirits set free by the special aura of the night. For them daytime endeavor represents a kind of slavery -- slumber for the dead. They don't see themselves as dynamic go-getters who derive any kind of fulfillment from daytime productivity or anything tied to the Protestant work ethic. They're looking for emotional salvation when and if they happen to meet the right someone at a club or party.

In short, the less you have going on in your life in the daytime, which is when most (but obviously not all) people do their best work, or the less satisfaction you get from getting up at a reasonably early hour and getting down to some kind of energetic daytime routine, and the more chronic a clubber you are, the more you're into movies like Twilight. I could explain this more thoroughly (which I'll get around to later this evening) but that's the general thrust.

Girls Vampire Club<< previous | next >>Bit Too Much

Posted by Jeffrey Wells on November 9, 2008 at 2:34 PM

comment #1

Howlingman Author Profile Page says ...

Sleep all day.

Party all night.

It's fun to be a vampire.

Face it; movie vampires are almost always young and sexy -- they''re 19-21 years old forever. I think the reason they appeal to that under 25 year old sect is because they (vampires) never have to deal with getting a job, joining the real world, deal with mortgages and greying hair and packing on the pounds. It's the ultimate fantasy, hence its popularity.

Now the over 20s who still vamp it up, well, the Brits have a very good term for that; "wanker."

Posted by Howlingman Author Profile Page at November 9, 2008 3:17 PM

comment #2

The InSneider Author Profile Page says ...

A ridiculous explanation. But nice try. Doesn't it just speak to everyone's desire to live forever (and look young to boot), be an exceptional lover (and thus have exceptional sex) and be able to fly and/or shapeshift? I'd give up daylight and garlic for that shit any day.

Posted by The InSneider Author Profile Page at November 9, 2008 3:34 PM

comment #3

Craptastic Author Profile Page says ...

Just saw "Let The Right One In". That is, hands down, not only one of the best "vampire" movies I've ever seen but also the best overall film I've seen in a long time.

It's too bad the teenie boppers that are going to see "Twilight" won't be exposed to this film until the completely unnessesary remake comes out.

Posted by Craptastic Author Profile Page at November 9, 2008 3:43 PM

comment #4

T. Holly Author Profile Page says ...

Craptastic, would you rather see Let the Right One In or Faust with a band?
http://redcat.org/season/0809/mus/faust.php

It was better when vampires just lived forever and never cheatd on you because all they wanted was to suck your blood.

Posted by T. Holly Author Profile Page at November 9, 2008 4:10 PM

comment #5

mitchtaylor Author Profile Page says ...

Oral sex prolongs your life and the prudes who don't understand will try to stab you in the heart for understanding this.

Of course, the book Dracula is all about swarthy europeans corrupting pure English girls with aberrant sexual activity...

So maybe it's just about that college-age travel abroad and fucking the locals while you're there?

Posted by mitchtaylor Author Profile Page at November 9, 2008 4:10 PM

comment #6

Radewart Author Profile Page says ...

It's all about romance, espically with teen girls and Twilight. Vampire has been around for ever and feels alone and bitter until he meets this girl that creates a longing inside him that he hasn't felt in centuries. The girl is pretty, but in a unique why and is kinda of an outsider of the "in" crowd, the girl readers identify with that sentiment. A rival vampire wants to harm the girl and the good vampire fights to protect her as they fall deeply in love.

Posted by Radewart Author Profile Page at November 9, 2008 4:29 PM

comment #7

Deathtongue_Groupie Author Profile Page says ...

It's not just young girls. I know women in their 30's and 40's who are anticipating this film with very high awareness.

I think one of the more uncommented upon aspects of the whole vampire thing is the submission aspect. Pretty much all woman want to be sexually submissive and the vampire mythos taps into this directly. Having someone give you eternal life would be a pretty fair trade off for giving them your free will eternally.

Posted by Deathtongue_Groupie Author Profile Page at November 9, 2008 4:40 PM

comment #8

erniesouchak Author Profile Page says ...

It's easy to say it's all about sex because when Bram Stoker wrote about it, it had a lot to do with sexual repression. No matter how far we think we've come since then, I suspect it still has a lot to do with that. Curiously, Alan Ball has taken the opposite tack on "True Blood," depicting humans as so berserkly sexual there's no way vampires can compete. It's easy to forget, though, that vampires don't have sex in Anne Rice's "Interview w/a Vampire," which is probably the most popular piece of vampire lit ever written. Maybe it plays into the collective female fantasy that they can actually change a man -- or make him want to change.

Or maybe it's just the appeal of the idea of being young, omnipotent and pretty much invulnerable forever.

Posted by erniesouchak Author Profile Page at November 9, 2008 5:11 PM

comment #9

JoseRC Author Profile Page says ...

I think because they're generally portrayed as sophisticated, dangerous and romantic figures, three characteristics that put together appeal to these demos thoroughly. It might not be that simple though, but I think it leans to that direction.

And yes, Alan Ball has gone an entirely new direction with "True Blood" and I can't picture young women (for example) being excited about that series. "Twilight", on the other hand, is right up their ally.

Posted by JoseRC Author Profile Page at November 9, 2008 5:24 PM

comment #10

Rich S. Author Profile Page says ...

There is also a very strong forbidden fruit/drug addiction metaphor in there. It comes out very strongly in the Lugosi and Lee versions of Dracula. Mina and Lucy know what they're doing is wrong, but they can't help themselves. They're addicted to the rush of being with the "bad boy." Like dating a biker, but worse.

Posted by Rich S. Author Profile Page at November 9, 2008 5:34 PM

comment #11

calraigh Author Profile Page says ...

The most interesting aspect of both these posts relating to Twilight for me, is the volume of barely legible, syntax-free comments they seem to have attracted.
Interesting, no?

Oh and Deathtongue Groupie- the, ''pretty much all woman(sic) want to be sexually submissive '' concept is about as sexist as they come. The women you know in their 30's and 40's who are anticipating this film are the exception, not the rule.

This exception is in fact, the target audience for Twilight ; the premise of the novels by Stephanie Meyers on which the movie is based is incredibly conservative, to the point of being creepy- and that's disturbing creepy, not enjoyably creepy. They basically paint a very cosy, rosy portrait of teen marriage and teenage pregnancy, not to mention, as Deathtongue Groupie says, the ''submission'' aspect.

First there's heroine Bella's willingness to marry her vampire lover Edward, even though it means becoming a vampire, leaving behind her family, and sacrificing any hope of a normal life. Then there's her pregnancy and although she's never wanted a child before, she immediately falls totally in love with the green-eyed baby boy she's sure she's carrying. She says at one point: "I wanted him like I wanted air to breathe," "Not a choice � a necessity."

Gone for the most part is the sexy rapacity of Dracula; gone is the fine long tradition of gay vampires. These vampires mate for life, and they mate straight.
It's heroine's dominant personality trait is low self-esteem, and nobody really has to give up anything.
They're straight-up boring.
In much the same way that High School Musical garners it's appeal from it's straight-laced, ultra-clean morality, there's something of that to be found in Twilight , except sacrifice and a bad self-image are the exclusive preserve of the female characters and not only that, they're shown to be highly attractive traits; ones which will get you a man.
Yup, completely non-sexist, harmless fun.
The most tragic thing of all is that those female exceptions in the population who buy into this mentality.

I'll be in the bar.

Posted by calraigh Author Profile Page at November 9, 2008 5:52 PM

comment #12

calraigh Author Profile Page says ...

'' are those''.... Sigh .

Posted by calraigh Author Profile Page at November 9, 2008 5:55 PM

comment #13

Strolzy Author Profile Page says ...

Why Let The Right One In is becoming one of my favorite films to define this era:

SPOILER ALERT (in theme rather than plot)

- it captures with sincerity a throbbing sorrow that stems from the acts of Columbine
- there is 'cutter' diagnoses that registers in a character which manifests in a kind of pathetic physically contorted gesture
- vampire brutalities you can believe in

Posted by Strolzy Author Profile Page at November 9, 2008 6:07 PM

comment #14

huntermdaniels Author Profile Page says ...

It grants catharsis through allowing one to examine his or her own mortality in a worldview where it is not as scary because it is not the end.

In queer culture it's popular because it plays off of the "recruiter" stereotype and, in some levels, deals with the AIDS crisis. I don't know that there is any literature on that, but it's always been my theory.

A vampire story is also useful as an allegory for adolescents and th development of secondary sex characteristics and the new "hungers" that come with them.

Posted by huntermdaniels Author Profile Page at November 9, 2008 6:16 PM

comment #15

nemo Author Profile Page says ...

Let's face it, of all the traditional movie monsters, vampires are glamorous.

Frankenstein monster, not glamorous.
Wolf man, not glamorous.
Vampires -- glamorous.

All the theories presented here are pretty good. And they're probably all contributing factors.

Freud said that mental illness is always overdetermined. There is never a single cause. There are many "causes" working together, any one or small number of which would constitute a sufficient cause.

Posted by nemo Author Profile Page at November 9, 2008 6:53 PM

comment #16

DeafBrownTrashPunk Author Profile Page says ...

everybody above is pretty much right.

also, vampires make me horny.

Posted by DeafBrownTrashPunk Author Profile Page at November 9, 2008 6:55 PM

comment #17

MovieBob Author Profile Page says ...

Vampires are driven and empowered by a compulsion that at once alienates them from the herd AND renders them in some ways a superior animal. They're the only monster that works as a metaphor for EVERYTHING on a long enough flow-chart ;)

Also, there's the "buffet" aspect: Werewolves are ONLY about animal-id, Zombies are ONLY about death, Succubi are ONLY about lust - Vampires are about everything.

Posted by MovieBob Author Profile Page at November 9, 2008 10:01 PM

comment #18

Deathtongue_Groupie Author Profile Page says ...

calraigh - it's not sexist if its true. Date a little more or have a wife who relates her girlfriend's admissions as I do, and then come back to talk.

Posted by Deathtongue_Groupie Author Profile Page at November 9, 2008 10:02 PM

comment #19

Edward Author Profile Page says ...

Interesting topic since I just watched the Hammer classic, Horror of Dracula. Overly melodramatic, but a fun film. Pretty tame by today's standards. No hiding the erotic subtext in this film.

My favorite current vampire novels are Charlie Huston's Joe Pitt series, more noirish than romantic. Good writer, check him out at www.pulpnoir.com.

Posted by Edward Author Profile Page at November 9, 2008 10:15 PM

comment #20

T. Holly Author Profile Page says ...

calraigh, go here

http://weblogs.variety.com/thompsononhollywood/2008/11/twilight-whats.html

and tell them, in an abreviated way, what you said and put a link in your comment to lure them back here. I'd like to see their fangs come out and fur fly.

Posted by T. Holly Author Profile Page at November 9, 2008 10:49 PM

comment #21

huntermdaniels Author Profile Page says ...

For what it's worth, psychologically, submissive sexual desire is in no way related to being secondary or subordinate. In all actuality, the sub is in control because the entire game works on the premise that the dom has to stop when the sub says so. Ergo, the sub is actually the one with all the power.

That said, the initial comment did seem a bit questionable.

Posted by huntermdaniels Author Profile Page at November 10, 2008 12:00 AM

comment #22

Mr. Muckle Author Profile Page says ...

In spite of modern elaborations having to do with sex, that's just a minor offshoot of vampirism. I see it as an emptiness and lack of integrity that manifests as entities who suck the life out of you. George Bush strikes me as a colossal, world-class vampire. Absent any cogent ethics and without fundamental personal integrity, he feeds on the nation and the world by creating upheaval for no good reason other than that he lacks restraint and the ability to accomplish any positive act. Fear is what makes us vulnerable to vampirism and, obviously, the creation of fear is the modus operandi of fascist politicians and wrong-headed religionists the world over since time began.

Posted by Mr. Muckle Author Profile Page at November 10, 2008 12:13 AM

comment #23

lonniechung Author Profile Page says ...

I've never been all that into the whole vampire thing, but I've also never been dismissive of the allure. It's just not for me. Twilight feels like it was made for teenagers, but I have become totally absorbed by True Blood, in spite of the vampires and because of fully formed characters and a clever approach to story telling. I think the reason that a certain ilk is drawn to vampires is fairly obvious - they're dangerous, outsiders by nature and overtly sexual. But come on, vampires in 2008? I'll wait for the big mummy revival.

Posted by lonniechung Author Profile Page at November 10, 2008 7:51 AM

comment #24

Pwrgirl Author Profile Page says ...

The star of Twilight, Robert Pattinson, was asked this question on Access Hollywood recently. He said, "It has something to do with death and sex...It's like, 'I know what having sex with you will be like, it will be so amazing that I will end up killing you.' I think that is what the deal is."

[url]http://www.accesshollywood.com/video_822081&dst=ah|widget|Access%20Hollywood%20Video&__source=ah|widget|Access%20Hollywood%20Video[/url]

Posted by Pwrgirl Author Profile Page at November 10, 2008 3:46 PM

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