Most Wanted
Email here for additions & corrections.

Ishtar
(May, 1987)
The Seven-Per-Cent Solution (OOP)
(Ross, 1976)
The Devils
(Russell, 1974)
The Pirates of Penzance
(Papp/Leach, 1983)
The Fortune
(Nichols, 1975)
-30-
(Webb, 1959)
Betrayal
(Jones, 1983)
Play It As It Lays
(Perry, 1972)
The Outfit
(Flynn, 1973)
Alex in Wonderland
(Mazursky, 1969)
The Legend of Lylah Clare
(Aldrich, 1968)
In The Cool of the Day
(Stevens, 1963)
That Cold Day in the Park
(Altman, 1969)
Thumb Trippin'
(Masters, 1972)
Midas Run
(Kjellin, 1969)
At Long Last Love
(Bogdanovich, 1973)
Brewster McCloud
(Altman, 1972)
Outcast of the Islands
(Reed, 1951)

Reader Submissions

1930's-1950's
The Moon's Our Home
(Seiter, 1936)
Sh! The Octopus
(McGann, 1937)
The Mating Season
(Leisen, 1951)
Bad for Each Other
(Rapper, 1953)
The Phenix City Story
(Karlson, 1955)
Run of the Arrow
(Fuller, 1956)
House of Secrets
(Green, 1956)
Saint Joan
(Preminger, 1957)
Macabre
(Castle, 1958)
The Fiend Who Walked the West
(G. Douglas, 1958
Five Gates to Hell
(Clavell, 1959)
1960's
Key Witness
(Karlson, 1960)
Summer and Smoke
(Glenville, 1961)
The Chapman Report
(Cukor,1962)
Bachelor Flat
(Tashlin, 1962) [on Hulu]
The L Shaped Room
(Forbes, 1963)
The Chalk Garden
(Neame, 1964)
A Thousand Clowns
(Coe, 1965)
You're a Big Boy Now
(Coppola, 1966)
The Whisperers
(Forbes, 1967)
Dark of the Sun
(Cardiff, 1968)
Skidoo
(Preminger, 1968)
Last Summer
(Perry, 1969)
The Comic
(C. Reiner, 1969)
1970-1974
The Revolutionary
(Williams, 1970)
The Landlord
(Ashby, 1970)
Diary of a Mad Housewife
(Perry, 1970)
Tropic of Cancer
(Strick, 1970)
I Never Sang for My Father
(Cates, 1970)
Sometimes a Great Notion
(Newman, 1971)
Marriage of a Young Stockbroker
(Turman, 1971)
The Music Lovers
(Russell, 1971)
Drive, He Said
(Nicholson, 1971)
The Steagle
(Sylbert, 1971)
The Last Movie
(Hopper, 1971)
Made For Each Other
(Bean, 1971)
The Day the Clown Cried
(Lewis, 1972)
Hickey & Boggs (OOP)
(Culp, 1972)
The Carey Treatment
(Edwards, 1972)
Pete 'n' Tillie
(Ritt, 1972)
Slither
(Zieff, 1973)
Man on a Swing
(Perry, 1974)
Open Season
(Collinson, 1974)
The Tamarind Seed
(Edwards, 1974)
Law and Disorder
(Passer, 1974)
Homebodies
(Yust, 1974)
Stardust
(Apted, 1974)
Celine and Julie Go Boating
(Rivette, 1974)
1975-1979
Rafferty and the Gold Dust Twins
(Richards, 1975
At Long Last Love
(Bogdanovich, 1975)
Hearts of the West
(Zieff, 1975)
Welcome to L.A.
(Rudolph, 1976)
W.C. Fields and Me
(Hiller, 1976)
Citizens Band
(Demme, 1977)
Twilight's Last Gleaming
(Aldrich, 1977)
Looking for Mr. Goodbar
(Brooks, 1977)
Girlfriends
(Weill, 1978)
Movie Movie
(Donen, 1978)
The Medusa Touch
(Gold, 1978)
American Hot Wax
(Mutrux, 1978)
Hot Stuff
(DeLuise, 1979)
Scavenger Hunt
(Schultz , 1979)
Players
(Harvey, 1979)
Rich Kids
(Young, 1979)
Nightwing
(Hiller, 1979)
Screams of a Winter's Night
(Wilson, 1979
When You Comin' Back Red Ryder?
(Katselas, 1979
1980's
Resurrection
(Petrie, 1980)
The Awakening
(Newell, 1980)
Simon
(Brickman, 1980)
God's Angry Man
(Herzog, 1980)
Fast-Walking
(Harris, 1982)
Twice Upon a Time
(Korty & Swenson, 1983)
Trouble in Mind
(Rudolph, 1985)
When the Wind Blows
(Murikami, 1986)
Housekeeping
(Forsyth, 1987)
The Glass Menagerie
(Newman, 1987)
Patty Hearst
(Schrader, 1988)
Drowning by Numbers
(Greenaway, 1988)
Haunted Summer
(Passer, 1988)
The Decline of Western Civilization Part II: The Metal Years
(Spheeris, 1988)
1990's
Old Times
(Curtis, 1991)
Prospero's Books
(Greenaway, 1991)
City of Hope
(Sayles, 1991)
The Baby of Macon
(Greenaway, 1993)
King of the Hill
(Soderbergh, 1993)
Dadetown
(Hexter, 1995)
SubUrbia
(Linklater, 1997)

Ka-Chunk

Spoiler alert: If there's one problem facing Darren Aronofsky's The Wrestler in terms of older Academy viewers (i.e., 50-plus), it's probably the scene involving metal staples. I say this as an admirer of this scalding character drama, and as a major supporter of Mickey Rourke's shot at landing a Best Actor nomination. But without going into specifics, the scene I'm alluding to didn't draw me in or win me over by any stretch. It's just a speed-bump thing so I recovered and moved on, but the memory of it...wow.


Signifies<< previous | next >>My Girl

Posted by Jeffrey Wells on November 21, 2008 at 11:39 AM

comment #1

actionman Author Profile Page says ...

Really pumped to see this. Awesome trailer.

Wells -- I didn't think you had seen this yet? Did I miss your review?

Posted by actionman Author Profile Page at November 21, 2008 12:15 PM

comment #2

Nick Plowman Author Profile Page says ...

I'm pumped too, the trailer is the best trailer I have seen all year.

Posted by Nick Plowman Author Profile Page at November 21, 2008 12:46 PM

comment #3

gruver1 Author Profile Page says ...

Saw it late, in Los Angeles after Toronto, and figured I'd get into it sooner or later.

Posted by gruver1 Author Profile Page at November 21, 2008 12:58 PM

comment #4

btwnproductions Author Profile Page says ...

Whoever supplied you with the Wrestler web ad needs to correct the spelling of the director's name in the last frame.

Posted by btwnproductions Author Profile Page at November 21, 2008 1:25 PM

comment #5

YND Author Profile Page says ...

I loved the film -- my fave of the year after SLUMDOG and WALL*E -- and the scene to which Jeff is referring is one of its strongest, in my opinion. The nature of the scene, the fractured way in which it's told and the characters involved are all among the film's most indelible elements to me. Just sayin'...

Posted by YND Author Profile Page at November 21, 2008 1:53 PM

comment #6

johnc Author Profile Page says ...

The staple thing was a hurdle for me, too. Yuck!

Posted by johnc Author Profile Page at November 21, 2008 1:54 PM

comment #7

clancy Author Profile Page says ...

There are all sorts of reports of walk-outs and angry responses to the film in general from Academy-type screenings. I was at one of them. Older audience members hate this film.

Posted by clancy Author Profile Page at November 21, 2008 2:23 PM

comment #8

LYT Author Profile Page says ...

The use of a staple gun in hardcore wrestling matches is not uncommon.

My only question is whether Necro Butcher did it for real onscreen. I have no doubt that he would.

Posted by LYT Author Profile Page at November 21, 2008 2:31 PM

comment #9

Aladdin Sane Author Profile Page says ...

Older members? Like what? 65+?

Posted by Aladdin Sane Author Profile Page at November 21, 2008 2:32 PM

comment #10

Chase Kahn Author Profile Page says ...

I don't think the scene is a 'speed-bump' -- It serves a purpose and those who are walking out because it need to grow a pair, it's a great movie.

Posted by Chase Kahn Author Profile Page at November 21, 2008 2:32 PM

comment #11

Zimmergirl Author Profile Page says ...

Does someone's dick get stapled or what.

Posted by Zimmergirl Author Profile Page at November 21, 2008 3:04 PM

comment #12

K. Bowen Author Profile Page says ...

It's The Passon of the Ram. But I figured the problem would be Marisa Tomei's wardrobe.

Posted by K. Bowen Author Profile Page at November 21, 2008 3:57 PM

comment #13

LYT Author Profile Page says ...

Naked chicks win Oscars. Just ask Gwyneth Paltrow and Halle Berry.

Posted by LYT Author Profile Page at November 21, 2008 7:42 PM

comment #14

berkguru Author Profile Page says ...

Zimmergirl you are the bomb

Posted by berkguru Author Profile Page at November 22, 2008 12:13 AM

comment #15

trimmer Author Profile Page says ...

SPOILER! Mickey Rourke steals Milton's stapler and Milton burns the arena down.

Posted by trimmer Author Profile Page at November 22, 2008 12:30 AM

comment #16

The InSneider Author Profile Page says ...

I think that scene is saying a lot actually. We feel bad for Ram cuz here's a 50 year-old guy who has paid his dues and this is what he has to do to pay the bills these days. At the same time, it's a commentary on the people who pay to see that sort of thing and how it's antics like that that have semi-ruined the sport. It's become more spectacle than anything. Wrestling today seems retarded compared to even the WWF I grew up with, in Hogan's heydey with the Ultimate Warrior and Sgt. Slaughter. I feel like Ram is like those guys except he has to do pull a stunt like the staples stuff in order to give the fans a good show these days. It's sad. And the film is haunting enough to contend for Best Picture. Isn't that Springsteen song great?

Posted by The InSneider Author Profile Page at November 22, 2008 1:23 AM

comment #17

LYT Author Profile Page says ...

"It's become more spectacle than anything. Wrestling today seems retarded compared to even the WWF I grew up with, in Hogan's heydey with the Ultimate Warrior and Sgt. Slaughter."

HAHAHAHAHA. Because those guys were such talented athletes?

I'd stack John Cena, Triple H, Rey Mysterio, and Undertaker up against those guys any day in terms of actual ability. Hogan and Warrior were nothing BUT spectacle. Love 'em for that, but today's wrestlers are (mostly) far better workers. And guys like Terry Funk and Abdullah the Butcher, even as far back as Freddie Blassie, were doing this kind of stuff before Hogan and Warrior's heyday, and still do.

Hardcore matches of the sort that Necro Butcher puts on are mostly "special attractions" rather than the majority of what's out there. Even the more extreme promotions put on technical matches too -- most of the folks who do "deathmatches" choose to do so because it fits their particular skill set. You wouldn't generally see someone like Ram doing one without having any sort of background in it.

Posted by LYT Author Profile Page at November 22, 2008 2:15 AM

comment #18

The InSneider Author Profile Page says ...

Of course they weren't talented athletes. Sgt. Slaughter had a beer gut. But who the fuck is Rey Mysterio? LYT, I respect you as a movie critic so please don't tell me you waste even minutes of your life watching that trash with today's pathetic excuse for stars. The WWF of today is embarrassing and if you watch it you should be ashamed. I remember when wrestling matches didn't have ladders and steel chairs and other shit like that.

Posted by The InSneider Author Profile Page at November 22, 2008 4:20 AM

comment #19

CitizenKanedforChewingGum Author Profile Page says ...

"Saw it late, in Los Angeles after Toronto, and figured I'd get into it sooner or later."

Considering the TFF was in early September, can we be expecting an, ummmmm, "later" review from you at some point here? :)

Posted by CitizenKanedforChewingGum Author Profile Page at November 22, 2008 7:08 AM

comment #20

Chase Kahn Author Profile Page says ...

I agree InSneider -- that scene also sets up Rourke's last line to Tomei perfectly, we have to believe that this guy literally puts his life on the line in the ring, yet he's more fearful of talking to his daughter...

Posted by Chase Kahn Author Profile Page at November 22, 2008 7:15 AM

comment #21

Chase Kahn Author Profile Page says ...

And guys -- it's WWE...

Posted by Chase Kahn Author Profile Page at November 22, 2008 7:15 AM

comment #22

pchu Author Profile Page says ...

I don't understand why would people walk out on this movie. As a part time wrestling fan, they got everything just right, especially the stable. Rourke and Tomei should get nominations for their work.

Posted by pchu Author Profile Page at November 22, 2008 8:06 AM

comment #23

pchu Author Profile Page says ...

For some reason,Ram reminds me of a combination between Jake Roberts and Ric Flair. Especially, knowing what Jake has gone through.

Posted by pchu Author Profile Page at November 22, 2008 8:12 AM

comment #24

Discman Author Profile Page says ...

Does the "older voter" rule still apply? Hasn't it changed since people started getting upset with the bland Best Picture winners and nominees during the 1980s? Many of those folks have died; hasn't the generation replacing them proven a *bit* more savvy? I don't see how else you could explain the win last year for "No Country."

Anyway, about "The Wrestler." It's an aesthetically challenging film. If viewers haven't watched Dogme films, or more precisely, the Dardennes' works, then they probably weren't ready for Aronofsky's excellent film. Easier just to fall back on, "I thought the wrestling scene was too much," and watch their colleagues nod along, than to admit that the film's artistry was beyond their reach.

Posted by Discman Author Profile Page at November 24, 2008 1:49 PM

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