Most Wanted
Email here for additions & corrections.

Ishtar
(May, 1987)
The Seven-Per-Cent Solution (OOP)
(Ross, 1976)
The Devils
(Russell, 1974)
The Pirates of Penzance
(Papp/Leach, 1983)
The Fortune
(Nichols, 1975)
-30-
(Webb, 1959)
Betrayal
(Jones, 1983)
Play It As It Lays
(Perry, 1972)
The Outfit
(Flynn, 1973)
Alex in Wonderland
(Mazursky, 1969)
The Legend of Lylah Clare
(Aldrich, 1968)
In The Cool of the Day
(Stevens, 1963)
That Cold Day in the Park
(Altman, 1969)
Thumb Trippin'
(Masters, 1972)
Midas Run
(Kjellin, 1969)
At Long Last Love
(Bogdanovich, 1973)
Brewster McCloud
(Altman, 1972)
Outcast of the Islands
(Reed, 1951)

Reader Submissions

1930's-1950's
The Moon's Our Home
(Seiter, 1936)
Sh! The Octopus
(McGann, 1937)
The Mating Season
(Leisen, 1951)
Bad for Each Other
(Rapper, 1953)
The Phenix City Story
(Karlson, 1955)
Run of the Arrow
(Fuller, 1956)
House of Secrets
(Green, 1956)
Saint Joan
(Preminger, 1957)
Macabre
(Castle, 1958)
The Fiend Who Walked the West
(G. Douglas, 1958
Five Gates to Hell
(Clavell, 1959)
1960's
Key Witness
(Karlson, 1960)
Summer and Smoke
(Glenville, 1961)
The Chapman Report
(Cukor,1962)
Bachelor Flat
(Tashlin, 1962) [on Hulu]
The L Shaped Room
(Forbes, 1963)
The Chalk Garden
(Neame, 1964)
A Thousand Clowns
(Coe, 1965)
You're a Big Boy Now
(Coppola, 1966)
The Whisperers
(Forbes, 1967)
Dark of the Sun
(Cardiff, 1968)
Skidoo
(Preminger, 1968)
Last Summer
(Perry, 1969)
The Comic
(C. Reiner, 1969)
1970-1974
The Revolutionary
(Williams, 1970)
The Landlord
(Ashby, 1970)
Diary of a Mad Housewife
(Perry, 1970)
Tropic of Cancer
(Strick, 1970)
I Never Sang for My Father
(Cates, 1970)
Sometimes a Great Notion
(Newman, 1971)
Marriage of a Young Stockbroker
(Turman, 1971)
The Music Lovers
(Russell, 1971)
Drive, He Said
(Nicholson, 1971)
The Steagle
(Sylbert, 1971)
The Last Movie
(Hopper, 1971)
Made For Each Other
(Bean, 1971)
The Day the Clown Cried
(Lewis, 1972)
Hickey & Boggs (OOP)
(Culp, 1972)
The Carey Treatment
(Edwards, 1972)
Pete 'n' Tillie
(Ritt, 1972)
Slither
(Zieff, 1973)
Man on a Swing
(Perry, 1974)
Open Season
(Collinson, 1974)
The Tamarind Seed
(Edwards, 1974)
Law and Disorder
(Passer, 1974)
Homebodies
(Yust, 1974)
Stardust
(Apted, 1974)
Celine and Julie Go Boating
(Rivette, 1974)
1975-1979
Rafferty and the Gold Dust Twins
(Richards, 1975
At Long Last Love
(Bogdanovich, 1975)
Hearts of the West
(Zieff, 1975)
Welcome to L.A.
(Rudolph, 1976)
W.C. Fields and Me
(Hiller, 1976)
Citizens Band
(Demme, 1977)
Twilight's Last Gleaming
(Aldrich, 1977)
Looking for Mr. Goodbar
(Brooks, 1977)
Girlfriends
(Weill, 1978)
Movie Movie
(Donen, 1978)
The Medusa Touch
(Gold, 1978)
American Hot Wax
(Mutrux, 1978)
Hot Stuff
(DeLuise, 1979)
Scavenger Hunt
(Schultz , 1979)
Players
(Harvey, 1979)
Rich Kids
(Young, 1979)
Nightwing
(Hiller, 1979)
Screams of a Winter's Night
(Wilson, 1979
When You Comin' Back Red Ryder?
(Katselas, 1979
1980's
Resurrection
(Petrie, 1980)
The Awakening
(Newell, 1980)
Simon
(Brickman, 1980)
God's Angry Man
(Herzog, 1980)
Fast-Walking
(Harris, 1982)
Twice Upon a Time
(Korty & Swenson, 1983)
Trouble in Mind
(Rudolph, 1985)
When the Wind Blows
(Murikami, 1986)
Housekeeping
(Forsyth, 1987)
The Glass Menagerie
(Newman, 1987)
Patty Hearst
(Schrader, 1988)
Drowning by Numbers
(Greenaway, 1988)
Haunted Summer
(Passer, 1988)
The Decline of Western Civilization Part II: The Metal Years
(Spheeris, 1988)
1990's
Old Times
(Curtis, 1991)
Prospero's Books
(Greenaway, 1991)
City of Hope
(Sayles, 1991)
The Baby of Macon
(Greenaway, 1993)
King of the Hill
(Soderbergh, 1993)
Dadetown
(Hexter, 1995)
SubUrbia
(Linklater, 1997)

Raging Seas

Australia director Baz Luhrmann has described the frenetic last-minute editing process of his film to The Australian's Christine Jackman thusly: "We always thought it was extremely precarious. We're going to give it our all and at the moment 11.26 is an absolutely real date. But I would not be truthful if I didn't say it's a little like landing a jumbo jet on an aircraft carrier in a storm."


Jackman likens Luhrmann's situation to "living in a mental asylum, and the clock is ticking.

"Across the globe in another time zone, studio executives are chewing their nails as they fret about bottom lines and box-office takes, for Luhrmann's latest project, the somewhat cheekily titled Australia, is already setting the sorts of records that make Hollywood's money men nervous.

"The longest shoot in 20th Century Fox's formidable history of movie-making. The most expensive Australian film ever made.

"With an estimated budget of $130 million and rising, the alarm bells must be starting to sound as shrill as the ker-ching! of a thousand cash registers.

"Consider this: if Australia runs close to the 170 minutes that has been reported in the media, Luhrmann's production company Bazmark will have spent roughly three-quarters of a million dollars of other people's money for every minute of screen time. Ker-ching!

"But even that's a big if, and therein lies the real problem. Because, with its much-vaunted release date just weeks away, on November 26, nobody has seen a final print of the film. Why? Because one doesn't exist."

Curse of Cindy<< previous | next >>Nicholas for Sarah

Posted by Jeffrey Wells on November 1, 2008 at 1:54 PM

comment #1

Edward Author Profile Page says ...

Whatever the outcome, this is a great story. I can't tell you the number of times I've directed a play that wasn't ready by dress rehearsal only to have it come together at the last minute.

Posted by Edward Author Profile Page at November 1, 2008 2:26 PM

comment #2

Jack Price Author Profile Page says ...

Except whereas a live performance can still adapt and improve upon the dress rehearsal, in this case the faulty dress rehearsal is all that Lurhmann is left with.

Posted by Jack Price Author Profile Page at November 1, 2008 3:42 PM

comment #3

Jack Price Author Profile Page says ...

(and for the record, I'm very much hoping that Australia turns out well.)

Posted by Jack Price Author Profile Page at November 1, 2008 4:01 PM

comment #4

Balthazar Author Profile Page says ...

I was thinking of a different boat for this film -- Titanic. Glug, glug.

Posted by Balthazar Author Profile Page at November 1, 2008 10:04 PM

Posted by D.Z. Author Profile Page at November 1, 2008 10:27 PM

comment #6

erniesouchak Author Profile Page says ...

When all else fails, cut it to death, Baz!

Posted by erniesouchak Author Profile Page at November 2, 2008 7:18 AM

comment #7

rr3333 Author Profile Page says ...

Oy!

A 130 Million Nicole Kidman film? That is certifiable!

Unless Jackman is wearing his Scissorhands in this flick, they are screwed

Posted by rr3333 Author Profile Page at November 2, 2008 8:22 AM

comment #8

StoneFan1 Author Profile Page says ...

"The longest shoot in 20th Century Fox's formidable history of movie-making."

That can't be true. "Cleopatra" went on for FAR longer.

I hate to say this, but $130 million doesn't sound like a big deal anymore. At least not to me anyway.

Posted by StoneFan1 Author Profile Page at November 2, 2008 12:57 PM

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