Most Wanted
Email here for additions & corrections.

Ishtar
(May, 1987)
The Seven-Per-Cent Solution (OOP)
(Ross, 1976)
The Devils
(Russell, 1974)
The Pirates of Penzance
(Papp/Leach, 1983)
The Fortune
(Nichols, 1975)
-30-
(Webb, 1959)
Betrayal
(Jones, 1983)
Play It As It Lays
(Perry, 1972)
The Outfit
(Flynn, 1973)
Alex in Wonderland
(Mazursky, 1969)
The Legend of Lylah Clare
(Aldrich, 1968)
In The Cool of the Day
(Stevens, 1963)
That Cold Day in the Park
(Altman, 1969)
Thumb Trippin'
(Masters, 1972)
Midas Run
(Kjellin, 1969)
At Long Last Love
(Bogdanovich, 1973)
Brewster McCloud
(Altman, 1972)
Outcast of the Islands
(Reed, 1951)

Reader Submissions

1930's-1950's
The Moon's Our Home
(Seiter, 1936)
Sh! The Octopus
(McGann, 1937)
The Mating Season
(Leisen, 1951)
Bad for Each Other
(Rapper, 1953)
The Phenix City Story
(Karlson, 1955)
Run of the Arrow
(Fuller, 1956)
House of Secrets
(Green, 1956)
Saint Joan
(Preminger, 1957)
Macabre
(Castle, 1958)
The Fiend Who Walked the West
(G. Douglas, 1958
Five Gates to Hell
(Clavell, 1959)
1960's
Key Witness
(Karlson, 1960)
Summer and Smoke
(Glenville, 1961)
The Chapman Report
(Cukor,1962)
Bachelor Flat
(Tashlin, 1962) [on Hulu]
The L Shaped Room
(Forbes, 1963)
The Chalk Garden
(Neame, 1964)
A Thousand Clowns
(Coe, 1965)
You're a Big Boy Now
(Coppola, 1966)
The Whisperers
(Forbes, 1967)
Dark of the Sun
(Cardiff, 1968)
Skidoo
(Preminger, 1968)
Last Summer
(Perry, 1969)
The Comic
(C. Reiner, 1969)
1970-1974
The Revolutionary
(Williams, 1970)
The Landlord
(Ashby, 1970)
Diary of a Mad Housewife
(Perry, 1970)
Tropic of Cancer
(Strick, 1970)
I Never Sang for My Father
(Cates, 1970)
Sometimes a Great Notion
(Newman, 1971)
Marriage of a Young Stockbroker
(Turman, 1971)
The Music Lovers
(Russell, 1971)
Drive, He Said
(Nicholson, 1971)
The Steagle
(Sylbert, 1971)
The Last Movie
(Hopper, 1971)
Made For Each Other
(Bean, 1971)
The Day the Clown Cried
(Lewis, 1972)
Hickey & Boggs (OOP)
(Culp, 1972)
The Carey Treatment
(Edwards, 1972)
Pete 'n' Tillie
(Ritt, 1972)
Slither
(Zieff, 1973)
Man on a Swing
(Perry, 1974)
Open Season
(Collinson, 1974)
The Tamarind Seed
(Edwards, 1974)
Law and Disorder
(Passer, 1974)
Homebodies
(Yust, 1974)
Stardust
(Apted, 1974)
Celine and Julie Go Boating
(Rivette, 1974)
1975-1979
Rafferty and the Gold Dust Twins
(Richards, 1975
At Long Last Love
(Bogdanovich, 1975)
Hearts of the West
(Zieff, 1975)
Welcome to L.A.
(Rudolph, 1976)
W.C. Fields and Me
(Hiller, 1976)
Citizens Band
(Demme, 1977)
Twilight's Last Gleaming
(Aldrich, 1977)
Looking for Mr. Goodbar
(Brooks, 1977)
Girlfriends
(Weill, 1978)
Movie Movie
(Donen, 1978)
The Medusa Touch
(Gold, 1978)
American Hot Wax
(Mutrux, 1978)
Hot Stuff
(DeLuise, 1979)
Scavenger Hunt
(Schultz , 1979)
Players
(Harvey, 1979)
Rich Kids
(Young, 1979)
Nightwing
(Hiller, 1979)
Screams of a Winter's Night
(Wilson, 1979
When You Comin' Back Red Ryder?
(Katselas, 1979
1980's
Resurrection
(Petrie, 1980)
The Awakening
(Newell, 1980)
Simon
(Brickman, 1980)
God's Angry Man
(Herzog, 1980)
Fast-Walking
(Harris, 1982)
Twice Upon a Time
(Korty & Swenson, 1983)
Trouble in Mind
(Rudolph, 1985)
When the Wind Blows
(Murikami, 1986)
Housekeeping
(Forsyth, 1987)
The Glass Menagerie
(Newman, 1987)
Patty Hearst
(Schrader, 1988)
Drowning by Numbers
(Greenaway, 1988)
Haunted Summer
(Passer, 1988)
The Decline of Western Civilization Part II: The Metal Years
(Spheeris, 1988)
1990's
Old Times
(Curtis, 1991)
Prospero's Books
(Greenaway, 1991)
City of Hope
(Sayles, 1991)
The Baby of Macon
(Greenaway, 1993)
King of the Hill
(Soderbergh, 1993)
Dadetown
(Hexter, 1995)
SubUrbia
(Linklater, 1997)

"Really Sweet Guy"

Variety's Todd McCarthy is calling Gus Van Sant's Milk "a fluent return to the relative mainstream" and "an adroitly and tenderly observed account of the life of Harvey Milk, the first openly gay man voted into significant U.S. public office. Smartly handled study of the San Francisco politician's powerful effect on individuals and society accurately catches a moment in American political life three decades ago, but is most notable for the surprising and entirely winning performance by Sean Penn in the leading role.

"Made to more closely resemble Milk via an elongated nose, which also makes his face look narrower, the actor socks over his characterization of a man he's made to seem, above all, a really sweet guy, but who crucially possessed the fearlessness and toughness to be a highly successful political motivator, agitator and, ultimately, figurehead of a movement.

"Penn's Harvey is a man with a ready laugh, alive to the moment, open to life regardless of neuroses and past tragedies, and acutely aware of one's limited time on Earth. The explosive anger and fury often summoned by Penn in his work is nowhere to be seen, replaced by a geniality that is as welcome as it is unexpected.

"Penn is also an ideal conduit for a characteristic shrewdly underlined in Black's writing, that being Harvey's talent for gently but firmly nudging people out of routine or complacent attitudes. Harvey knows how to tweak others with lightly provocative or stimulating comments that break the ice, and Penn lays on just the right amount of casual innuendo to make this crucial personality trait convincing."

Need Change<< previous | next >>For The Shamers

Posted by Jeffrey Wells on November 2, 2008 at 4:15 PM

comment #1

lazarus Author Profile Page says ...

I know most people would rather see someone else win an Oscar this year before Penn gets his second, but his career is certainly worthy of having two statues, unlike Tom Hanks or Kevin Spacey (not to mention Gary Cooper). It's just a shame that his first win had to be for his showy, over-the-top work in Mystic River, instead of his more nuanced performance in 21 Grams the same year.

Posted by lazarus Author Profile Page at November 2, 2008 4:37 PM

comment #2

JD Author Profile Page says ...

I totally agree that Penn was far more deserving of an Oscar for 21 Grams (or the following year's The Assasination of Richard Nixon) than Mystic River.

Question about running time: people have been saying that Milk is close to 3 hours long, but the Variety review says 127 minutes. Who's right?

Posted by JD Author Profile Page at November 2, 2008 5:18 PM

comment #3

John Y Author Profile Page says ...

3 hours?!?! Where do you get your information? IMDb has it at 128 minutes, so it's safe to assume that's the correct running time.

Posted by John Y Author Profile Page at November 2, 2008 5:29 PM

comment #4

K. Bowen Author Profile Page says ...

Why do some critics see a return to the "relative mainstream" as a good thing? Whats' the point of watching Van Sant or Aronofsky make a normal film?

Posted by K. Bowen Author Profile Page at November 2, 2008 5:32 PM

comment #5

JackeyAces Author Profile Page says ...

I'm interested in seeing this film but I'll likely netflix it. My biggest concern is they will try to make a saint out of him. Like most human beings he wasn't. He was an odd & probably crazy person along with his accomplishments. I just want it to feel real & accurate instead of being PC propaganda which is sooooooooo boring.

Posted by JackeyAces Author Profile Page at November 2, 2008 5:45 PM

comment #6

MilkMan Author Profile Page says ...

Dustin Lance Black must give really good head.

The first time is history, the second time is tragedy, the third time is farce.

I think it's appropriate to remind people that now is not the time to drink the Kool-Aid, since SF 78 is back and in our face.

Paranoid Park is the best Gus Van Sant movie of the year.

You want to be progressive, vote for the skaters, not the Sybarites. They already had their chance and they sucked at their job. My dad was a successful gay man and look how I turned out.

Posted by MilkMan Author Profile Page at November 2, 2008 5:46 PM

comment #7

p.Vice Author Profile Page says ...

This review makes it sound like a movie most will like but few will truly love.

Posted by p.Vice Author Profile Page at November 2, 2008 7:43 PM

comment #8

hcat Author Profile Page says ...

The three hour running time mentioned must have been the director's cut including an extra hour of the camera following him walking wordlessly down hallways and city streets and puttering around in his office. Van Sant might have also included a 20 minute static shot of him making campagin buttons.

This is the movie I am must looking forward to seeing this fall. Who would have thought that Penn would give a great performance playing a "really sweet guy"?

Posted by hcat Author Profile Page at November 3, 2008 8:30 AM

comment #9

Edward Author Profile Page says ...

Paranoid Park is a terrific, brilliant film. Hopefully Milk will be successful enought to allow Van Sant to make more films like Elephant and Paranoid Park.

Posted by Edward Author Profile Page at November 3, 2008 9:30 AM

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