Most Wanted
Email here for additions & corrections.

Ishtar
(May, 1987)
The Seven-Per-Cent Solution (OOP)
(Ross, 1976)
The Devils
(Russell, 1974)
The Pirates of Penzance
(Papp/Leach, 1983)
The Fortune
(Nichols, 1975)
-30-
(Webb, 1959)
Betrayal
(Jones, 1983)
Play It As It Lays
(Perry, 1972)
The Outfit
(Flynn, 1973)
Alex in Wonderland
(Mazursky, 1969)
The Legend of Lylah Clare
(Aldrich, 1968)
In The Cool of the Day
(Stevens, 1963)
That Cold Day in the Park
(Altman, 1969)
Thumb Trippin'
(Masters, 1972)
Midas Run
(Kjellin, 1969)
At Long Last Love
(Bogdanovich, 1973)
Brewster McCloud
(Altman, 1972)
Outcast of the Islands
(Reed, 1951)

Reader Submissions

1930's-1950's
The Moon's Our Home
(Seiter, 1936)
Sh! The Octopus
(McGann, 1937)
The Mating Season
(Leisen, 1951)
Bad for Each Other
(Rapper, 1953)
The Phenix City Story
(Karlson, 1955)
Run of the Arrow
(Fuller, 1956)
House of Secrets
(Green, 1956)
Saint Joan
(Preminger, 1957)
Macabre
(Castle, 1958)
The Fiend Who Walked the West
(G. Douglas, 1958
Five Gates to Hell
(Clavell, 1959)
1960's
Key Witness
(Karlson, 1960)
Summer and Smoke
(Glenville, 1961)
The Chapman Report
(Cukor,1962)
Bachelor Flat
(Tashlin, 1962) [on Hulu]
The L Shaped Room
(Forbes, 1963)
The Chalk Garden
(Neame, 1964)
A Thousand Clowns
(Coe, 1965)
You're a Big Boy Now
(Coppola, 1966)
The Whisperers
(Forbes, 1967)
Dark of the Sun
(Cardiff, 1968)
Skidoo
(Preminger, 1968)
Last Summer
(Perry, 1969)
The Comic
(C. Reiner, 1969)
1970-1974
The Revolutionary
(Williams, 1970)
The Landlord
(Ashby, 1970)
Diary of a Mad Housewife
(Perry, 1970)
Tropic of Cancer
(Strick, 1970)
I Never Sang for My Father
(Cates, 1970)
Sometimes a Great Notion
(Newman, 1971)
Marriage of a Young Stockbroker
(Turman, 1971)
The Music Lovers
(Russell, 1971)
Drive, He Said
(Nicholson, 1971)
The Steagle
(Sylbert, 1971)
The Last Movie
(Hopper, 1971)
Made For Each Other
(Bean, 1971)
The Day the Clown Cried
(Lewis, 1972)
Hickey & Boggs (OOP)
(Culp, 1972)
The Carey Treatment
(Edwards, 1972)
Pete 'n' Tillie
(Ritt, 1972)
Slither
(Zieff, 1973)
Man on a Swing
(Perry, 1974)
Open Season
(Collinson, 1974)
The Tamarind Seed
(Edwards, 1974)
Law and Disorder
(Passer, 1974)
Homebodies
(Yust, 1974)
Stardust
(Apted, 1974)
Celine and Julie Go Boating
(Rivette, 1974)
1975-1979
Rafferty and the Gold Dust Twins
(Richards, 1975
At Long Last Love
(Bogdanovich, 1975)
Hearts of the West
(Zieff, 1975)
Welcome to L.A.
(Rudolph, 1976)
W.C. Fields and Me
(Hiller, 1976)
Citizens Band
(Demme, 1977)
Twilight's Last Gleaming
(Aldrich, 1977)
Looking for Mr. Goodbar
(Brooks, 1977)
Girlfriends
(Weill, 1978)
Movie Movie
(Donen, 1978)
The Medusa Touch
(Gold, 1978)
American Hot Wax
(Mutrux, 1978)
Hot Stuff
(DeLuise, 1979)
Scavenger Hunt
(Schultz , 1979)
Players
(Harvey, 1979)
Rich Kids
(Young, 1979)
Nightwing
(Hiller, 1979)
Screams of a Winter's Night
(Wilson, 1979
When You Comin' Back Red Ryder?
(Katselas, 1979
1980's
Resurrection
(Petrie, 1980)
The Awakening
(Newell, 1980)
Simon
(Brickman, 1980)
God's Angry Man
(Herzog, 1980)
Fast-Walking
(Harris, 1982)
Twice Upon a Time
(Korty & Swenson, 1983)
Trouble in Mind
(Rudolph, 1985)
When the Wind Blows
(Murikami, 1986)
Housekeeping
(Forsyth, 1987)
The Glass Menagerie
(Newman, 1987)
Patty Hearst
(Schrader, 1988)
Drowning by Numbers
(Greenaway, 1988)
Haunted Summer
(Passer, 1988)
The Decline of Western Civilization Part II: The Metal Years
(Spheeris, 1988)
1990's
Old Times
(Curtis, 1991)
Prospero's Books
(Greenaway, 1991)
City of Hope
(Sayles, 1991)
The Baby of Macon
(Greenaway, 1993)
King of the Hill
(Soderbergh, 1993)
Dadetown
(Hexter, 1995)
SubUrbia
(Linklater, 1997)

Recovering

AICN's Drew McWeeny recently sat down with Where The Wild Things Are director Spike Jonze. After reading most of the interview I still wasn't sure what was mandated by Warner Bros. on the re-shoots after a reportedly disastrous December '07 preview screening. How precisely will the final film differ from the 12.07 version? Spell it out for me like I'm eight years old.

Jonze initially shot the wild things in nine-foot suits with animatronic faces in the jungles of Australia and New Zealand with the idea of pasting on CG-faces in post. Then came the 12.07 screening and hoo-wee.

The movie is "dark, adult and deep -- heart-wrenching and scary," wrote Cinemaniac1979 on AICN. "This isn't a movie for children -- it's a movie about childhood."

WTWTA costars Catherine Keener, Forest Whitaker and Australian actor Angus Sampson. It was adapted by Jonze and Dave Eggers.

The current plan is to release it on 10.16.09. The film began shooting in April 2006 at Central City Studios in Melbourne, Australia. The cast includes Catherine Keener, Max Records, James Gandolfini, Angus Sampson, Forest Whitaker, Michelle Williams, Catherine O'Hara, Rachel Rivera, Melissa Davis and Paul Dano. Lauren Ambrose was cast to replace Williams as the voice of one of the monsters.

Producer Gary Goetzman was quoted earlier this year as saying, "We support Spike's vision...we're helping him make the vision he wants to make."

Posted by Jeffrey Wells on November 18, 2008 at 11:20 AM

comment #1

DeafBrownTrashPunk Author Profile Page says ...

I'm really intrigued what the movie is gonna look like...

I just hope it won't be a disappointment

Posted by DeafBrownTrashPunk Author Profile Page at November 18, 2008 11:42 AM

comment #2

actionman Author Profile Page says ...

I used to read this book over and over again as a kid. It was always my favorite.

To say that I am extremely excited to see what a genius like Jonze does with this material would be a massive understatement.

I can only hope that the statement made by the AICN reviewer that the film isn't a children's movie but a film about childhood is accurate.

Posted by actionman Author Profile Page at November 18, 2008 12:03 PM

comment #3

York "Budd" Durden Author Profile Page says ...

Three and half years? What is this, Return to Apocalypse Now?

Posted by York "Budd" Durden Author Profile Page at November 18, 2008 12:14 PM

comment #4

rr3333 Author Profile Page says ...

Do you smell that? Do you?

Smells like a BOMB went off.

Its been in the can longer than Valkyrie.

Posted by rr3333 Author Profile Page at November 18, 2008 12:20 PM

comment #5

DavidF Author Profile Page says ...

I almost forgot about this movie.
On one level I'm hugely curious to see it. On the other hand, when a release date gets pushed back TWO YEARS, that doesn't seem like a good sign at all.

Jonze can probably shoot a whole other movie before this thing comes out. On the other hand, Chinese Democracy comes out Sunday so nothing is impossible...

Posted by DavidF Author Profile Page at November 18, 2008 1:48 PM

comment #6

Circumvrent Author Profile Page says ...

But it's not "in the can" - I get the sense from that interview that it's something they've actively been working on for years.

Not every vision is able to be successfully completed in time for a preordained release date. It's nice to see someone not from Pixar dedicated to making a genuinely movie that kids and adults can appreciate together, and in their own way as well. I say give Spike however much times he needs.

Up until this morning, I thought Jonze was at best a smart trust fund kid, and at worst, an idiot savant, but after reading that interview, I'm excited to how this comes out, as well as what he does next.

Posted by Circumvrent Author Profile Page at November 18, 2008 4:08 PM

comment #7

NDH Author Profile Page says ...

I was at the "disastrous" December '07 screening, and I guess I was one of the few audience members who marked the film as Excellent. I definitely agree with Cinemaniac1979's assessment about the film not being for children, but rather being simply about childhood. It's a dark, dark film, shot in a gritty, unpolished manner that came as a complete surprise to me when I saw it. But aside from moving a little slow in a couple of scenes, I couldn't find anything drastically wrong with it. My guess is that the studio did not like the mature tone of the film, and would have likely found it hard to market. Therefore, they ordered a complete overhaul, which in my opinion is a shame. I'm very interested to see how the final version of the film compares to the one I saw almost a year ago.

Posted by NDH Author Profile Page at November 18, 2008 7:36 PM

comment #8

Drew Author Profile Page says ...

NDH --

Same screening I was at. They have not done a complete overhaul. That was the main point of the interview... far from it. There were some internal conversations about how to "fix" it, but in the end, you'll see pretty much the same film we saw, but with some additional scenes added and a few trims. It's not a substantial reworking at all.

Posted by Drew Author Profile Page at November 18, 2008 10:49 PM

comment #9

alUrdun Author Profile Page says ...

My daughter is three-almost-four, and I've been reading this book to her on a regular basis. Beyond the fact that the art is incredible, what really strikes me is how lyrical and poignant the text is. There's both joy and sadness here. Max escapes the real world to an imaginary world of crazy abandon in which he can be the dominant figure, but ultimately is called back to reality by hunger and fatigue. It celebrates the imagination of youth, but also laments how the real world impinges on that imagination both day-to-day and as childhood becomes adulthood.

I'm hoping Jonze can capture that spirit in the film.

I'd love to see a trailer that uses lines from the book...

"That very night in Max's room a forest grew
And grew
And grew until his ceiling hung with vines
and the walls became the world all around

and an ocean tumbled by with a private boat for Max
and he sailed off through night and day
and in and out of weeks
and almost over a year

To where the wild things are"

Posted by alUrdun Author Profile Page at November 19, 2008 8:56 AM

comment #10

DavidF Author Profile Page says ...

I'm all for a mature take but it would be a bit sad if it ended up being a film that people like me and alUrdun couldn't take our daughters too, wouldn't it?

It's all fine and nostalgic for those of us who grew up with it to see something that goes deeper but I'd hate for my kid to see a commercial on TV and then to have to say, "Um, it's PG-13...wait 8 or 9 years til you're old enough to see Where the Wild Things Are." If it can do both simultaneously, like a Pixar film, that'd be just grand.

And AlUrdun - I never read it as him being called back by hunger and fatigue so much as his mother's love. She sent him to bed without dinner, leading to his fantasy, but he's called back by the presence of that dinner which, as you know, was still warm...

Posted by DavidF Author Profile Page at November 19, 2008 9:29 AM

comment #11

ZayTonday Author Profile Page says ...

I was invited to that screening back in December.. I really regret not going now.

Posted by ZayTonday Author Profile Page at November 20, 2008 7:09 AM

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