Most Wanted
Email here for additions & corrections.

Ishtar
(May, 1987)
The Seven-Per-Cent Solution (OOP)
(Ross, 1976)
The Devils
(Russell, 1974)
The Pirates of Penzance
(Papp/Leach, 1983)
The Fortune
(Nichols, 1975)
-30-
(Webb, 1959)
Betrayal
(Jones, 1983)
Play It As It Lays
(Perry, 1972)
The Outfit
(Flynn, 1973)
Alex in Wonderland
(Mazursky, 1969)
The Legend of Lylah Clare
(Aldrich, 1968)
In The Cool of the Day
(Stevens, 1963)
That Cold Day in the Park
(Altman, 1969)
Thumb Trippin'
(Masters, 1972)
Midas Run
(Kjellin, 1969)
At Long Last Love
(Bogdanovich, 1973)
Brewster McCloud
(Altman, 1972)
Outcast of the Islands
(Reed, 1951)

Reader Submissions

1930's-1950's
The Moon's Our Home
(Seiter, 1936)
Sh! The Octopus
(McGann, 1937)
The Mating Season
(Leisen, 1951)
Bad for Each Other
(Rapper, 1953)
The Phenix City Story
(Karlson, 1955)
Run of the Arrow
(Fuller, 1956)
House of Secrets
(Green, 1956)
Saint Joan
(Preminger, 1957)
Macabre
(Castle, 1958)
The Fiend Who Walked the West
(G. Douglas, 1958
Five Gates to Hell
(Clavell, 1959)
1960's
Key Witness
(Karlson, 1960)
Summer and Smoke
(Glenville, 1961)
The Chapman Report
(Cukor,1962)
Bachelor Flat
(Tashlin, 1962) [on Hulu]
The L Shaped Room
(Forbes, 1963)
The Chalk Garden
(Neame, 1964)
A Thousand Clowns
(Coe, 1965)
You're a Big Boy Now
(Coppola, 1966)
The Whisperers
(Forbes, 1967)
Dark of the Sun
(Cardiff, 1968)
Skidoo
(Preminger, 1968)
Last Summer
(Perry, 1969)
The Comic
(C. Reiner, 1969)
1970-1974
The Revolutionary
(Williams, 1970)
The Landlord
(Ashby, 1970)
Diary of a Mad Housewife
(Perry, 1970)
Tropic of Cancer
(Strick, 1970)
I Never Sang for My Father
(Cates, 1970)
Sometimes a Great Notion
(Newman, 1971)
Marriage of a Young Stockbroker
(Turman, 1971)
The Music Lovers
(Russell, 1971)
Drive, He Said
(Nicholson, 1971)
The Steagle
(Sylbert, 1971)
The Last Movie
(Hopper, 1971)
Made For Each Other
(Bean, 1971)
The Day the Clown Cried
(Lewis, 1972)
Hickey & Boggs (OOP)
(Culp, 1972)
The Carey Treatment
(Edwards, 1972)
Pete 'n' Tillie
(Ritt, 1972)
Slither
(Zieff, 1973)
Man on a Swing
(Perry, 1974)
Open Season
(Collinson, 1974)
The Tamarind Seed
(Edwards, 1974)
Law and Disorder
(Passer, 1974)
Homebodies
(Yust, 1974)
Stardust
(Apted, 1974)
Celine and Julie Go Boating
(Rivette, 1974)
1975-1979
Rafferty and the Gold Dust Twins
(Richards, 1975
At Long Last Love
(Bogdanovich, 1975)
Hearts of the West
(Zieff, 1975)
Welcome to L.A.
(Rudolph, 1976)
W.C. Fields and Me
(Hiller, 1976)
Citizens Band
(Demme, 1977)
Twilight's Last Gleaming
(Aldrich, 1977)
Looking for Mr. Goodbar
(Brooks, 1977)
Girlfriends
(Weill, 1978)
Movie Movie
(Donen, 1978)
The Medusa Touch
(Gold, 1978)
American Hot Wax
(Mutrux, 1978)
Hot Stuff
(DeLuise, 1979)
Scavenger Hunt
(Schultz , 1979)
Players
(Harvey, 1979)
Rich Kids
(Young, 1979)
Nightwing
(Hiller, 1979)
Screams of a Winter's Night
(Wilson, 1979
When You Comin' Back Red Ryder?
(Katselas, 1979
1980's
Resurrection
(Petrie, 1980)
The Awakening
(Newell, 1980)
Simon
(Brickman, 1980)
God's Angry Man
(Herzog, 1980)
Fast-Walking
(Harris, 1982)
Twice Upon a Time
(Korty & Swenson, 1983)
Trouble in Mind
(Rudolph, 1985)
When the Wind Blows
(Murikami, 1986)
Housekeeping
(Forsyth, 1987)
The Glass Menagerie
(Newman, 1987)
Patty Hearst
(Schrader, 1988)
Drowning by Numbers
(Greenaway, 1988)
Haunted Summer
(Passer, 1988)
The Decline of Western Civilization Part II: The Metal Years
(Spheeris, 1988)
1990's
Old Times
(Curtis, 1991)
Prospero's Books
(Greenaway, 1991)
City of Hope
(Sayles, 1991)
The Baby of Macon
(Greenaway, 1993)
King of the Hill
(Soderbergh, 1993)
Dadetown
(Hexter, 1995)
SubUrbia
(Linklater, 1997)

Seeing It Today

Sydney Morning Herald Critic Sandra Hall, who's been on the beat for 30 years, has posted the best-written review of Australia yet. "Nothing succeeds like excess," she begins. "Oscar Wilde coined the phrase and I wouldn't be surprised to learn that Baz Luhrmann has it embroidered on scatter cushions all over the house.


This still of Hugh Jackman and Nicole Kidman exudes a certain you-know-what, in part because of the placement of Jackman's right hand.

"Not that he needs reminding. It is a mantra stamped on everything he does and Australia is the apotheosis. It has become the movie as superhero, charged with the job of rescuing the Australian film industry and giving us a new and shiny view of ourselves. And shiny it certainly is.

"It's also much too long at almost three hours, deliriously camp and shamelessly overdone -- an outback adventure seen through the eyes of a filmmaker steeped in the theatrical rituals and hectic colors of old-fashioned showbiz. To quote Oklahoma, one of the few Hollywood classics not to lend its influence to Luhrmann's style, or rather medley of styles, the corn is as high as an elephant's eye.

"And so strong is his urge to celebrate the exoticism of old Australia that you half-expect to see the elephant, as well, lumbering across one of those majestic stretches of the Kimberley. Yet the film's vigor and yes, its passion -- that overused word -- do engage you.

"Anachronisms abound. Kidman and Jackman speak quaintly of doing a drove. There's an action sequence that pushes the concept of the cliffhanger much further than it was ever meant to go, and Sarah's romance with the Drover is rife with Mills & Boon moments."

Six Days Ago<< previous | next >>Turnaround

Posted by Jeffrey Wells on November 19, 2008 at 7:47 AM

comment #1

nemo Author Profile Page says ...

Thanks for the Mills & Boon link. That crack was pretty funny, but like most Americans, I would have had no idea what it was all about.

Posted by nemo Author Profile Page at November 19, 2008 8:11 AM

comment #2

guylodge Author Profile Page says ...

It's not really a crack -- "Mills & Boon" is a standard description for any kind of florid romance. I never realised that it's not a known term in the US.

Good review, though. I really can't wait to see this.

Posted by guylodge Author Profile Page at November 19, 2008 8:48 AM

comment #3

actionman Author Profile Page says ...

Interesting. The review reads like a pan yet she gave the film ***1/2.

I don't know what to make of this film...

Posted by actionman Author Profile Page at November 19, 2008 9:24 AM

comment #4

nemo Author Profile Page says ...

Americans would know Harlequin romance (apparently owned by the company) or bodice ripper.

I can't wait either. I loved all the overripe excessiveness of Moulin Rouge, even the anachronistic pop songs that in their original context I never cared for.

Posted by nemo Author Profile Page at November 19, 2008 9:26 AM

comment #5

erniesouchak Author Profile Page says ...

That still only works because you can't see Kidman's freakishly Botoxed face.

Posted by erniesouchak Author Profile Page at November 19, 2008 9:31 AM

comment #6

rr3333 Author Profile Page says ...

Jackman is the Sexiest Man Alive!

Amazingly, Seth Rogen came in 2nd.

Posted by rr3333 Author Profile Page at November 19, 2008 10:24 AM

comment #7

Chase Kahn Author Profile Page says ...

'Deliriously camp and shamelessly overdone'...those are my biggest concerns going in, but for some reason all of these people -- in the end -- are won over.

Posted by Chase Kahn Author Profile Page at November 19, 2008 10:48 AM

comment #8

Chase Kahn Author Profile Page says ...

By the way, actionman -- that's 3 1/2 stars out of 5...

Posted by Chase Kahn Author Profile Page at November 19, 2008 10:57 AM

comment #9

Sonic Boom Author Profile Page says ...

"Shamelessly overdone" is exactly why I wanna see this. I expect nothing less from Luhrmann.

Posted by Sonic Boom Author Profile Page at November 19, 2008 11:03 AM

comment #10

actionman Author Profile Page says ...

Got ya, Chase...I didn't realize. Makes more sense now.

Posted by actionman Author Profile Page at November 19, 2008 2:11 PM

comment #11

guylodge Author Profile Page says ...

Actionman: Given that she admits to being engaged by the film's vigor and passion, the review hardly reads as a pan.

Posted by guylodge Author Profile Page at November 19, 2008 3:14 PM

comment #12

bmcintire Author Profile Page says ...

Wow, Jeff actually liked TWILIGHT, any chance he won't hate this with the white-hot intensity of a thousand suns?

Posted by bmcintire Author Profile Page at November 19, 2008 6:23 PM

comment #13

D.Z. Author Profile Page says ...

I wonder if Jackman's "sexiest man alive" mention in People will save the film.

Posted by D.Z. Author Profile Page at November 20, 2008 12:01 AM

comment #14

actionman Author Profile Page says ...

Guy -- the review read, to me at least, that she was only partially on-board with the film. ***1/2 our of ***** is a decent rating. She had some good things to say and some weak things to say. Overall, I guess it's more of a mixed-positive review than an outright pan.

Posted by actionman Author Profile Page at November 20, 2008 10:37 AM

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