Most Wanted
Email here for additions & corrections.

Ishtar
(May, 1987)
The Seven-Per-Cent Solution (OOP)
(Ross, 1976)
The Devils
(Russell, 1974)
The Pirates of Penzance
(Papp/Leach, 1983)
The Fortune
(Nichols, 1975)
-30-
(Webb, 1959)
Betrayal
(Jones, 1983)
Play It As It Lays
(Perry, 1972)
The Outfit
(Flynn, 1973)
Alex in Wonderland
(Mazursky, 1969)
The Legend of Lylah Clare
(Aldrich, 1968)
In The Cool of the Day
(Stevens, 1963)
That Cold Day in the Park
(Altman, 1969)
Thumb Trippin'
(Masters, 1972)
Midas Run
(Kjellin, 1969)
At Long Last Love
(Bogdanovich, 1973)
Brewster McCloud
(Altman, 1972)
Outcast of the Islands
(Reed, 1951)

Reader Submissions

1930's-1950's
The Moon's Our Home
(Seiter, 1936)
Sh! The Octopus
(McGann, 1937)
The Mating Season
(Leisen, 1951)
Bad for Each Other
(Rapper, 1953)
The Phenix City Story
(Karlson, 1955)
Run of the Arrow
(Fuller, 1956)
House of Secrets
(Green, 1956)
Saint Joan
(Preminger, 1957)
Macabre
(Castle, 1958)
The Fiend Who Walked the West
(G. Douglas, 1958
Five Gates to Hell
(Clavell, 1959)
1960's
Key Witness
(Karlson, 1960)
Summer and Smoke
(Glenville, 1961)
The Chapman Report
(Cukor,1962)
Bachelor Flat
(Tashlin, 1962) [on Hulu]
The L Shaped Room
(Forbes, 1963)
The Chalk Garden
(Neame, 1964)
A Thousand Clowns
(Coe, 1965)
You're a Big Boy Now
(Coppola, 1966)
The Whisperers
(Forbes, 1967)
Dark of the Sun
(Cardiff, 1968)
Skidoo
(Preminger, 1968)
Last Summer
(Perry, 1969)
The Comic
(C. Reiner, 1969)
1970-1974
The Revolutionary
(Williams, 1970)
The Landlord
(Ashby, 1970)
Diary of a Mad Housewife
(Perry, 1970)
Tropic of Cancer
(Strick, 1970)
I Never Sang for My Father
(Cates, 1970)
Sometimes a Great Notion
(Newman, 1971)
Marriage of a Young Stockbroker
(Turman, 1971)
The Music Lovers
(Russell, 1971)
Drive, He Said
(Nicholson, 1971)
The Steagle
(Sylbert, 1971)
The Last Movie
(Hopper, 1971)
Made For Each Other
(Bean, 1971)
The Day the Clown Cried
(Lewis, 1972)
Hickey & Boggs (OOP)
(Culp, 1972)
The Carey Treatment
(Edwards, 1972)
Pete 'n' Tillie
(Ritt, 1972)
Slither
(Zieff, 1973)
Man on a Swing
(Perry, 1974)
Open Season
(Collinson, 1974)
The Tamarind Seed
(Edwards, 1974)
Law and Disorder
(Passer, 1974)
Homebodies
(Yust, 1974)
Stardust
(Apted, 1974)
Celine and Julie Go Boating
(Rivette, 1974)
1975-1979
Rafferty and the Gold Dust Twins
(Richards, 1975
At Long Last Love
(Bogdanovich, 1975)
Hearts of the West
(Zieff, 1975)
Welcome to L.A.
(Rudolph, 1976)
W.C. Fields and Me
(Hiller, 1976)
Citizens Band
(Demme, 1977)
Twilight's Last Gleaming
(Aldrich, 1977)
Looking for Mr. Goodbar
(Brooks, 1977)
Girlfriends
(Weill, 1978)
Movie Movie
(Donen, 1978)
The Medusa Touch
(Gold, 1978)
American Hot Wax
(Mutrux, 1978)
Hot Stuff
(DeLuise, 1979)
Scavenger Hunt
(Schultz , 1979)
Players
(Harvey, 1979)
Rich Kids
(Young, 1979)
Nightwing
(Hiller, 1979)
Screams of a Winter's Night
(Wilson, 1979
When You Comin' Back Red Ryder?
(Katselas, 1979
1980's
Resurrection
(Petrie, 1980)
The Awakening
(Newell, 1980)
Simon
(Brickman, 1980)
God's Angry Man
(Herzog, 1980)
Fast-Walking
(Harris, 1982)
Twice Upon a Time
(Korty & Swenson, 1983)
Trouble in Mind
(Rudolph, 1985)
When the Wind Blows
(Murikami, 1986)
Housekeeping
(Forsyth, 1987)
The Glass Menagerie
(Newman, 1987)
Patty Hearst
(Schrader, 1988)
Drowning by Numbers
(Greenaway, 1988)
Haunted Summer
(Passer, 1988)
The Decline of Western Civilization Part II: The Metal Years
(Spheeris, 1988)
1990's
Old Times
(Curtis, 1991)
Prospero's Books
(Greenaway, 1991)
City of Hope
(Sayles, 1991)
The Baby of Macon
(Greenaway, 1993)
King of the Hill
(Soderbergh, 1993)
Dadetown
(Hexter, 1995)
SubUrbia
(Linklater, 1997)

Detour

Collider's Steve Weintraub recently learned from Reese Witherspoon at a press event for DreamWorks Monsters vs. Aliens that Cameron Crowe's somewhat curious-sounding next film, a Scott Rudin production in which RW was to costar with Ben Stiller for Columbia Pictures, has been "postponed." She didn't say the Crowe movie has been jettisoned, but "postponed" sounds a little more ominous than "delayed." To me anyway.


Last summer Crowe's script was described on www.goneelsewhere.com as "a tropical romantic adventure comedy with light sci-fi and heavy supernatural aspects," so it sounds like someone (i.e., Amy Pascal) has gotten cold feet on the project.

Witherspoon said she's now "actually in James L. Brooks' next movie so we're going to start that in the Spring."

Posted by Jeffrey Wells on December 12, 2008 at 6:58 AM

comment #1

BurmaShave Author Profile Page says ...

Plus Stiller just jumped into Ruffalo's role in Noah Baumbach's next. I hate to say it but this is probably best for everyone. I'd love for Crowe to find his voice again instead of doing something that sounds strangely like JOE VERSUS THE VOLCANO (which is awesome, but there should only be one.)

Posted by BurmaShave Author Profile Page at December 12, 2008 7:29 AM

comment #2

MilkMan Author Profile Page says ...

I can wait for the next Cameron Crowe movie. I can wait a long time.

Posted by MilkMan Author Profile Page at December 12, 2008 8:14 AM

comment #3

actionman Author Profile Page says ...

Never been a huge fan of Crowe. My favorite film of his is Vanilla Sky and I enjoyed Almost Famous except for the fact that Hudson ruined every scene that she appeared in.

This new flick sounds...well...like a turkey.

Posted by actionman Author Profile Page at December 12, 2008 9:48 AM

comment #4

BurmaShave Author Profile Page says ...

The first two-thirds of SAY ANYTHING, the performance he extracted from Cruise in JERRY MAGUIRE and ALMOST FAMOUS have earned Crowe a lifetime pass. At the same time I entirely get where MilkMan is coming from, and laughed for awhile when I read his stern statement.

Posted by BurmaShave Author Profile Page at December 12, 2008 10:01 AM

comment #5

MilkMan Author Profile Page says ...

I would like to give Cameron Crowe a pass, mainly because he wrote Fast Times and I have always had a soft spot for The Wild Life. As a teenager, I thought that if I acted like Lloyd Dobler I would score the attention of the hottest girl in 11th grade. Didn't work. He has written some great lines and created some pretty idelible characters. So a part of me feels that he shoul be given the benefit of doubt. But then I think of what it was like to watch Elizabethtown and I stop feeling that way. I think of the missed opportunity that was Almost Famous (Billy Crudup wearing tapered jeans and Timberland work boots in 1975? The drummer saying "I'm gay" during turbulence? No nudity, no fucking, no rampant coke use? The movie was a whitewash). But mostly I think of Elizabethtown.

Posted by MilkMan Author Profile Page at December 12, 2008 11:48 AM

comment #6

Wiggumx Author Profile Page says ...

But DAMN do I love that whitewash!

Posted by Wiggumx Author Profile Page at December 12, 2008 1:25 PM

comment #7

Jeff Author Profile Page says ...

My friend emailed me this script last summer and I couldn't even get past the first twenty pages. It was atrocious. I seriously thought that it was a joke, and someone just slapped Crowe's name on a terrible script to get people to read an utter piece of shit. I still hope this is the case. However, I read a review of the script on another site and it was the same garbage I read.

Posted by Jeff Author Profile Page at December 12, 2008 1:33 PM

comment #8

rr3333 Author Profile Page says ...

Can someone do something about the Leno-ish chin of Witherspoons? I want to vomit when looking at that chin like the baby did on Witherspoon in '4 Xmas''.

Posted by rr3333 Author Profile Page at December 12, 2008 8:18 PM

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