Most Wanted
Email here for additions & corrections.

Ishtar
(May, 1987)
The Seven-Per-Cent Solution (OOP)
(Ross, 1976)
The Devils
(Russell, 1974)
The Pirates of Penzance
(Papp/Leach, 1983)
The Fortune
(Nichols, 1975)
-30-
(Webb, 1959)
Betrayal
(Jones, 1983)
Play It As It Lays
(Perry, 1972)
The Outfit
(Flynn, 1973)
Alex in Wonderland
(Mazursky, 1969)
The Legend of Lylah Clare
(Aldrich, 1968)
In The Cool of the Day
(Stevens, 1963)
That Cold Day in the Park
(Altman, 1969)
Thumb Trippin'
(Masters, 1972)
Midas Run
(Kjellin, 1969)
At Long Last Love
(Bogdanovich, 1973)
Brewster McCloud
(Altman, 1972)
Outcast of the Islands
(Reed, 1951)

Reader Submissions

1930's-1950's
The Moon's Our Home
(Seiter, 1936)
Sh! The Octopus
(McGann, 1937)
The Mating Season
(Leisen, 1951)
Bad for Each Other
(Rapper, 1953)
The Phenix City Story
(Karlson, 1955)
Run of the Arrow
(Fuller, 1956)
House of Secrets
(Green, 1956)
Saint Joan
(Preminger, 1957)
Macabre
(Castle, 1958)
The Fiend Who Walked the West
(G. Douglas, 1958
Five Gates to Hell
(Clavell, 1959)
1960's
Key Witness
(Karlson, 1960)
Summer and Smoke
(Glenville, 1961)
The Chapman Report
(Cukor,1962)
Bachelor Flat
(Tashlin, 1962) [on Hulu]
The L Shaped Room
(Forbes, 1963)
The Chalk Garden
(Neame, 1964)
A Thousand Clowns
(Coe, 1965)
You're a Big Boy Now
(Coppola, 1966)
The Whisperers
(Forbes, 1967)
Dark of the Sun
(Cardiff, 1968)
Skidoo
(Preminger, 1968)
Last Summer
(Perry, 1969)
The Comic
(C. Reiner, 1969)
1970-1974
The Revolutionary
(Williams, 1970)
The Landlord
(Ashby, 1970)
Diary of a Mad Housewife
(Perry, 1970)
Tropic of Cancer
(Strick, 1970)
I Never Sang for My Father
(Cates, 1970)
Sometimes a Great Notion
(Newman, 1971)
Marriage of a Young Stockbroker
(Turman, 1971)
The Music Lovers
(Russell, 1971)
Drive, He Said
(Nicholson, 1971)
The Steagle
(Sylbert, 1971)
The Last Movie
(Hopper, 1971)
Made For Each Other
(Bean, 1971)
The Day the Clown Cried
(Lewis, 1972)
Hickey & Boggs (OOP)
(Culp, 1972)
The Carey Treatment
(Edwards, 1972)
Pete 'n' Tillie
(Ritt, 1972)
Slither
(Zieff, 1973)
Man on a Swing
(Perry, 1974)
Open Season
(Collinson, 1974)
The Tamarind Seed
(Edwards, 1974)
Law and Disorder
(Passer, 1974)
Homebodies
(Yust, 1974)
Stardust
(Apted, 1974)
Celine and Julie Go Boating
(Rivette, 1974)
1975-1979
Rafferty and the Gold Dust Twins
(Richards, 1975
At Long Last Love
(Bogdanovich, 1975)
Hearts of the West
(Zieff, 1975)
Welcome to L.A.
(Rudolph, 1976)
W.C. Fields and Me
(Hiller, 1976)
Citizens Band
(Demme, 1977)
Twilight's Last Gleaming
(Aldrich, 1977)
Looking for Mr. Goodbar
(Brooks, 1977)
Girlfriends
(Weill, 1978)
Movie Movie
(Donen, 1978)
The Medusa Touch
(Gold, 1978)
American Hot Wax
(Mutrux, 1978)
Hot Stuff
(DeLuise, 1979)
Scavenger Hunt
(Schultz , 1979)
Players
(Harvey, 1979)
Rich Kids
(Young, 1979)
Nightwing
(Hiller, 1979)
Screams of a Winter's Night
(Wilson, 1979
When You Comin' Back Red Ryder?
(Katselas, 1979
1980's
Resurrection
(Petrie, 1980)
The Awakening
(Newell, 1980)
Simon
(Brickman, 1980)
God's Angry Man
(Herzog, 1980)
Fast-Walking
(Harris, 1982)
Twice Upon a Time
(Korty & Swenson, 1983)
Trouble in Mind
(Rudolph, 1985)
When the Wind Blows
(Murikami, 1986)
Housekeeping
(Forsyth, 1987)
The Glass Menagerie
(Newman, 1987)
Patty Hearst
(Schrader, 1988)
Drowning by Numbers
(Greenaway, 1988)
Haunted Summer
(Passer, 1988)
The Decline of Western Civilization Part II: The Metal Years
(Spheeris, 1988)
1990's
Old Times
(Curtis, 1991)
Prospero's Books
(Greenaway, 1991)
City of Hope
(Sayles, 1991)
The Baby of Macon
(Greenaway, 1993)
King of the Hill
(Soderbergh, 1993)
Dadetown
(Hexter, 1995)
SubUrbia
(Linklater, 1997)

Jackman + No Jokes?

12:35 pm Update: 23 minutes ago AP reported that "the Academy of Motion Picture Arts and Sciences has announced that Hugh Jackman will host the 81st Academy Awards."


Earlier: Deadline Hollywood Daily's Nikki Finke is reporting that Oscar show producers Bill Condon and Larry Mark have offered Hugh Jackman -- People's 2008 "Sexiest Man Alive," star of the dead-in-the-water Australia and the forthcoming Wolverine -- the job of hosting the February '09 Oscars.

But "while the 40-year-old Sydney-born thesp of English parentage has received the AMPAS offer and is very interested, I'm told that he's not yet fully committed," Finke reports.

Finke has "learned that the people around Jackman want to know exactly what would be expected of him, especially when it comes to opening the Oscar broadcast. One segment of the show which reps for Jackman are objecting to specifically is the joke-telling monologue. 'I don't want that for him,' an insider told me. 'He is an actor with big movies behind him and one coming this summer. He didn't work the last 20 years to suddenly be a stand-up comedian.'"

So what is Jackman going to do then? Perform a big swanky dance number with a bunch of Vegas showgirls and sing "O What A Beautiful Mornin!"? I have to be honest -- I don't like this. This feels like an Alan Carr makeover.

Alien Spew<< previous | next >>Touch of the Real

Posted by Jeffrey Wells on December 12, 2008 at 10:17 AM

Posted by Pablo Villaça Author Profile Page at December 12, 2008 10:32 AM

comment #2

BurmaShave Author Profile Page says ...

He nailed his Tony hosting duties, I think this is fine, I imagine they mean no monologue more than anything, and are lowering expectations because he's not a comedian.

Posted by BurmaShave Author Profile Page at December 12, 2008 10:37 AM

comment #3

Mark B Author Profile Page says ...

I can understand the concerns (from both sides) and they are not without merit.

However, forgive the namedropping, but I know him and Jackman is a VERY smart and savvy guy. If anybody can adapt to the occasion and pull off a good "performance" hosting in the Oscars, it is he.

Posted by Mark B Author Profile Page at December 12, 2008 10:58 AM

comment #4

actionman Author Profile Page says ...

I wonder if he'll be able to display that glorious chest-beaver of his that he so proudly showed off during Australia.

Seriously...he's got some excellent chest hair going for himself.

Posted by actionman Author Profile Page at December 12, 2008 10:58 AM

comment #5

vp19 Author Profile Page says ...

AMPAS is effectively saying, screw the art-house films -- we're going with blockbusters (as it fervently hopes "The Dark Knight" and/or "WALL-E" is nominated for best picture).

Posted by vp19 Author Profile Page at December 12, 2008 10:59 AM

comment #6

Gnome Sayin Author Profile Page says ...

Jeff, haven't you been arguing for years that they needed to ditch the string of TV comedians and hire someone who is actually a part of the film industry, actually might project "Hollywood", etc.? Here you go. Everything contained in these reports tell me they're headed in the right direction or at least trying, including ditching the opening stand-up routine and jokey atmosphere. In trying to appeal to young viewers they've made the show resemble a daily chatfest instead of a special yearly event. For better or worse, the only thing that distinguishes the Oscars from the pack is the pomp and regality of it, and Jackman has a lot better chance of selling that than Jon Stewart's or Ellen's cynical quips.

Posted by Gnome Sayin Author Profile Page at December 12, 2008 11:13 AM

comment #7

Chase Kahn Author Profile Page says ...

We just need more Ferrell/Black musical numbers now...

Posted by Chase Kahn Author Profile Page at December 12, 2008 11:37 AM

comment #8

Rich S. Author Profile Page says ...

Why not go the Full Monty and have Jackman host the Oscars AS Wolverine, with other super heroes as presenters? That would be worth the price of admission.

Posted by Rich S. Author Profile Page at December 12, 2008 11:49 AM

comment #9

VoiceOfReason Author Profile Page says ...

He is funnier than Russell Crowe but not quite as gut busting as Eric Bana.

Posted by VoiceOfReason Author Profile Page at December 12, 2008 12:01 PM

comment #10

Mark Author Profile Page says ...

Will Baz direct, and put the whole opening in slow motion?

Posted by Mark Author Profile Page at December 12, 2008 12:23 PM

comment #11

arturobandini2 Author Profile Page says ...

Rich S, that is a brilliant suggestion. Nothing else would better represent the State of the Art.

Posted by arturobandini2 Author Profile Page at December 12, 2008 12:40 PM

comment #12

K. Bowen Author Profile Page says ...

The obvious choice is and remains Tina Fey.

Posted by K. Bowen Author Profile Page at December 12, 2008 2:11 PM

comment #13

citizenmilton Author Profile Page says ...

The Academy needs to minimize the variety-show and stagey aspects of the event.

Every poor choice in the past several years has been rooted in stagey directions.

Remember STOMP? Or that weird tribe of Yoga-shadow people who rolled into formations that supposedly referenced nominated movies? Every time they do something like that, I'm yawning and muttering, what the heck does this have to do with movies?

When Billy Crystal started filming original intros, he'd found the right path - there needs to be *more* cinematic content, less broadway-show stuff that doesn't translate to television. It doesn't have to be exclusively clips or tiresome highlight reels. More Errol Morris segments please. Do a live motion-capture CG character like a Zemeckis 3-D flick. Do a live remote satellite hookup with the biggest studio production going at that moment for behind-scenes looks....

Wolverine's the man, but, this is probably going to be awful.

Posted by citizenmilton Author Profile Page at December 12, 2008 2:12 PM

comment #14

lipranzer Author Profile Page says ...

I'm taking a wait-and-see approach. Certainly, I think Jackman has the chops to do a good job, but like citizenmilton, I worry about having more stupid production numbers.

Posted by lipranzer Author Profile Page at December 12, 2008 6:00 PM

comment #15

ZayTonday Author Profile Page says ...

Yes, have him dress up as Wolverine and then bring up Christian Bale as Batman, sonically-enhanced booming Bat-Voice and all!

Posted by ZayTonday Author Profile Page at December 13, 2008 1:34 AM

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