Most Wanted
Email here for additions & corrections.

Il Grido
(Antonioni, 1957)

The Fortune
(Nichols, 1975)

-30-
(Webb, 1959)

Betrayal
(Jones, 1983)

Play It As It Lays
(Perry, 1972)

The Outfit
(Flynn, 1973)

Alex in Wonderland
(Mazursky, 1969)

The Legend of Lylah Clare
(Aldrich, 1968)

In The Cool of the Day
(Stevens, 1963)

That Cold Day in the Park
(Altman, 1969)

The Fox
(Rydell, 1967)

Thumb Trippin'
(Masters, 1972)

Midas Run
(Kjellin, 1969)

At Long Last Love
(Bogdanovich, 1973)

Brewster McCloud
(Altman, 1972)

Outcast of the Islands
(Reed, 1951)

Mike's Murder
(Bridges, 1984)

Reader Submissions

1930's-1950's
The Moon's Our Home
(Seiter, 1936)
Sh! The Octopus
(McGann, 1937)
The Mating Season
(Leisen, 1951)
Bad for Each Other
(Rapper, 1953)
The Phenix City Story
(Karlson, 1955)
Run of the Arrow
(Fuller, 1956)
House of Secrets
(Green, 1956)
Saint Joan
(Preminger, 1957)
Macabre
(Castle, 1958)
The Fiend Who Walked the West
(G. Douglas, 1958
Five Gates to Hell
(Clavell, 1959)
1960's
Key Witness
(Karlson, 1960)
Summer and Smoke
(Glenville, 1961)
The Chapman Report
(Cukor,1962)
Bachelor Flat
(Tashlin, 1962) [on Hulu]
The L Shaped Room
(Forbes, 1963)
The Chalk Garden
(Neame, 1964)
A Thousand Clowns
(Coe, 1965)
You're a Big Boy Now
(Coppola, 1966)
The Whisperers
(Forbes, 1967)
Dark of the Sun
(Cardiff, 1968)
Skidoo
(Preminger, 1968)
Last Summer
(Perry, 1969)
The Comic
(C. Reiner, 1969)
1970-1974
The Revolutionary
(Williams, 1970)
The Landlord
(Ashby, 1970)
Diary of a Mad Housewife
(Perry, 1970)
Tropic of Cancer
(Strick, 1970)
I Never Sang for My Father
(Cates, 1970)
Sometimes a Great Notion
(Newman, 1971)
Marriage of a Young Stockbroker
(Turman, 1971)
'Doc'
(Perry, 1971)
The Music Lovers
(Russell, 1971)
Drive, He Said
(Nicholson, 1971)
The Steagle
(Sylbert, 1971)
The Last Movie
(Hopper, 1971)
Made For Each Other
(Bean, 1971)
The Day the Clown Cried
(Lewis, 1972)
Hickey & Boggs
(Culp, 1972)
The Carey Treatment
(Edwards, 1972)
Pete 'n' Tillie
(Ritt, 1972)
Slither
(Zieff, 1973)
Love and Pain and the Whole Damn Thing
(Pakula, 1973)
Man on a Swing
(Perry, 1974)
Open Season
(Collinson, 1974)
The Tamarind Seed
(Edwards, 1974)
Law and Disorder
(Passer, 1974)
Homebodies
(Yust, 1974)
Stardust
(Apted, 1974)
Celine and Julie Go Boating
(Rivette, 1974)
1975-1979
Rafferty and the Gold Dust Twins
(Richards, 1975
At Long Last Love
(Bogdanovich, 1975)
Hearts of the West
(Zieff, 1975)
Welcome to L.A.
(Rudolph, 1976)
W.C. Fields and Me
(Hiller, 1976)
Citizens Band
(Demme, 1977)
Twilight's Last Gleaming
(Aldrich, 1977)
Looking for Mr. Goodbar
(Brooks, 1977)
Girlfriends
(Weill, 1978)
Movie Movie
(Donen, 1978)
The Medusa Touch
(Gold, 1978)
American Hot Wax
(Mutrux, 1978)
Hot Stuff
(DeLuise, 1979)
Scavenger Hunt
(Schultz , 1979)
Players
(Harvey, 1979)
Rich Kids
(Young, 1979)
Nightwing
(Hiller, 1979)
Screams of a Winter's Night
(Wilson, 1979
When You Comin' Back Red Ryder?
(Katselas, 1979
1980's
Resurrection
(Petrie, 1980)
The Awakening
(Newell, 1980)
Simon
(Brickman, 1980)
God's Angry Man
(Herzog, 1980)
Fast-Walking
(Harris, 1982)
Twice Upon a Time
(Korty & Swenson, 1983)
Trouble in Mind
(Rudolph, 1985)
When the Wind Blows
(Murikami, 1986)
Housekeeping
(Forsyth, 1987)
The Glass Menagerie
(Newman, 1987)
Patty Hearst
(Schrader, 1988)
Running on Empty
(Lumet, 1988)
Drowning by Numbers
(Greenaway, 1988)
Haunted Summer
(Passer, 1988)
The Decline of Western Civilization Part II: The Metal Years
(Spheeris, 1988)
1990's
Men Don't Leave
(Brickman, 1990)
Old Times
(Curtis, 1991)
Prospero's Books
(Greenaway, 1991)
City of Hope
(Sayles, 1991)
The Baby of Macon
(Greenaway, 1993)
King of the Hill
(Soderbergh, 1993)
Dadetown
(Hexter, 1995)
SubUrbia
(Linklater, 1997)

Upcoming

June 11

Tetro

June 12

Call of the Wild 3D

Food, Inc.

Imagine That

Moon

Sex Positive

The Taking of Pelham 1 2 3

Youssou N'Dour: I Bring What I Love

June 16

Yoo-Hoo, Mrs. Goldberg

June 19

$9.99

Dead Snow

The Proposal

Whatever Works

Year One

June 24

Transformers: Revenge of the Fallen

June 26

Cheri

Fireflies in the Garden

The Hurt Locker

My Sister's Keeper

The Stoning of Soraya M. 

Surveillance 

July 1

Ice Age: Dawn of the Dinosaurs

Public Enemies

July 3

The Girl from Monaco

I Hate Valentine's Day

July 10

Bruno

I Love You, Beth Cooper

Soul Power

July 15

Harry Potter and the Half-Blood Prince

July 17

(500) Days of Summer

All the Boys Love Mandy Lane

July 24

All Good Things

The Answer Man

G-Force

In the Loop

Orphan

The Ugly Truth

July 29

Adam

July 31

The Cove

Funny People

Lorna's Silence

They Came from Upstairs

August 7

G.I. Joe: The Rise of Cobra

Julie & Julia

Paper Heart

Shorts

When in Rome

August 14

A Perfect Getaway

Bandslam

District 9

The Goods: The Don Ready Story

I Sell the Dead

Ponyo

Pool Boys

Spread

Taking Woodstock

The Time Traveler's Wife

August 21

Five Minutes of Heaven

Goose on the Loose!

Inglorious Bastards

It Might Get Loud

Post Grad

World's Greatest Dad

August 28

The Boat that Rocked

Final Destination: Death Trip

H2

September 4

All About Steve

Amreeka

Black Dynamite

Carriers

Citizen Game

Extract

Pandorum

Shanghai

September 9

9

September 11

The Red Canvas

Tyler Perrys: I Can Do It All Myself

Whiteout

September 17

The Burning Plain

September 18

Armored

Brand New Day

Cloudy with a Chance of Meatballs

Jennifer's Body

Splice

September 25

Fame

The Invention of Lying

Surrogates

October 2

A Serious Man

More Than a Game

Sorority Row

Toy Story/Toy Story 2

ASC Nominees

The finalists in the feature film category of the 23rd Annual American Society of Cinematographers (ASC) Outstanding Achievement Awards competition are...not terribly exciting! Five timid choices reflecting, yes, quality work, fine, but also cautious consensus values. In alphabetical order:The Curious Case of Benjamin Button (Claudio Miranda); The Dark Knight (Wally Pfister, ASC); The Reader (Chris Menges, BSC and Roger Deakins, ASC, BSC); Revolutionary Road (Deakins); and Slumdog Millionaire (Anthony Dod Mantle , BSC).

The winner -- Mantle, I'm guessing -- will be named at an ASC soiree at L.A.'s Hyatt Regency Century Plaza Hotel on 2.15.09. My personal favorites are Deakins' work on Revolutionary Road and Pfister's on The Dark Knight.

Wee Man<< previous | next >>The Devil and the Nautilus

Posted by Jeffrey Wells on January 7, 2009 at 8:17 AM

comment #1

actionman Author Profile Page says ...

Great choices here. All of these guys, as usual, brought their A-games to their respective projects. I'd be happy if any of them won the ASC and then the Oscar.

However, it's a crime that Deakins has yet to win an Oscar. I will be seeing Revolutionary Road this weekend; can't wait to see more of his amazing work. He and Menges did a very nice but unshowy job on The Reader.

Posted by actionman Author Profile Page at January 7, 2009 8:38 AM

comment #2

byanyother Author Profile Page says ...

A lot of competition there - I give it to Button or Dark Knight.

Posted by byanyother Author Profile Page at January 7, 2009 8:54 AM

comment #3

actionman Author Profile Page says ...

Although, it must be said, the snubbing of Colin Watkinson's tremendous work on The Fall is outrageous. I know nobody saw the movie but it's easily the most gorgeous film of the year. Nothing really compares to be honest.

Posted by actionman Author Profile Page at January 7, 2009 8:56 AM

comment #4

Gabriel Author Profile Page says ...

I agree on The Fall. There is no excuse for that not to have been nominated, by at least the ASC (if not the Academy). I would also throw in "Peter Andrews" for Che and Lol Crawley for Ballast as personal favorites of this year.

Posted by Gabriel Author Profile Page at January 7, 2009 9:06 AM

comment #5

Edward Author Profile Page says ...

If Miranda does win, would this be the first winner that shot a film digitally?

Posted by Edward Author Profile Page at January 7, 2009 9:23 AM

comment #6

perceptions Author Profile Page says ...

Actionman

Ditto

"Great choices here. All of these guys, as usual, brought their A-games to their respective projects. I'd be happy if any of them won the ASC and then the Oscar.

However, it's a crime that Deakins has yet to win an Oscar. I will be seeing Revolutionary Road this weekend; can't wait to see more of his amazing work. He and Menges did a very nice but unshowy job on The Reader."

Posted by perceptions Author Profile Page at January 7, 2009 9:50 AM

comment #7

Chase Kahn Author Profile Page says ...

I would vote for the Menges/Deakins tag team on Revolutionary Road, personally -- but I also like Miranda and Mantle...

Posted by Chase Kahn Author Profile Page at January 7, 2009 9:54 AM

comment #8

Mr. Buckles Author Profile Page says ...

So people in the movie making business by and large are not only unusually well off and lucky to have reached their perch, but we must childishly give them awards and merch (how many mutual admiration societies do we have to suffer through that give some lame award) . ASIDE: Also ever noticed how bizarre it is that the richer you are the more you get for free and the lower the cost of things can be (rates charged)?

Movie awards are:
- self-important mental masturbation masquerading as erudition
- a clever ruse created by the industry to sell you more of everything
- a mutual admiration society where everyone is brilliant - the zip code is the same as Lake Wobegon's
- a pointless exercise sold as important and essential
- a pretentious function that apparently values sorrow much more than joy (why is it that comedies aren't considered seriously)
- a place where Jack can get blown yet again even though he gets blown quite enough thank you
- to movie watching what astrology is to medicine/science

I know why Jeff posts about it (it’s the low hanging fruit of movie journalism), why do you?

Posted by Mr. Buckles Author Profile Page at January 7, 2009 10:25 AM

comment #9

actionman Author Profile Page says ...

"I would vote for the Menges/Deakins tag team on Revolutionary Road, personally -- but I also like Miranda and Mantle..."

Chase -- you meant their tag-team work on The Reader, right? Or did you just mean Deakins for RR? Either way, a deserving man would be getting a long overdue award.

Posted by actionman Author Profile Page at January 7, 2009 10:35 AM

comment #10

/3rtfu11 Author Profile Page says ...

Roger Deakins desvers the win.

TCCOBB had the best digital cinematography of any film shot in that format from a majory studio so far.

TDK not having desaturated flesh tones turned scenes into mush.

Posted by /3rtfu11 Author Profile Page at January 7, 2009 10:35 AM

comment #11

CitizenKanedforChewingGum Author Profile Page says ...

Wasn't the hugest fan of "The Fall" as a complete movie experience, but its omission here is pretty disappointing.

Posted by CitizenKanedforChewingGum Author Profile Page at January 7, 2009 12:10 PM

comment #12

Chase Kahn Author Profile Page says ...

sorry, I screwed that up -- I would vote for 'Revolutionary Road' (Deakins). Screw Will Smith or Ryan Seacrest being the busiest men in showbusiness, it's Roger Deakins...

Posted by Chase Kahn Author Profile Page at January 7, 2009 12:32 PM

comment #13

corey3rd Author Profile Page says ...

Dark Knight has the inside track just for the guy figuring out how to make an action film in Imax.

Posted by corey3rd Author Profile Page at January 7, 2009 1:22 PM

comment #14

alan Author Profile Page says ...

Button is going to win this handily. Same goes for the Oscar. It's the best thing about the movie, and they always go for the prettiest one anyway.

Posted by alan Author Profile Page at January 7, 2009 3:07 PM

comment #15

erniesouchak Author Profile Page says ...

The Academy always goes for the prettiest one. The ASC doesn't necessarily.

Posted by erniesouchak Author Profile Page at January 7, 2009 7:12 PM

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