Most Wanted
Email here for additions & corrections.

Il Grido
(Antonioni, 1957)

The Fortune
(Nichols, 1975)

-30-
(Webb, 1959)

Betrayal
(Jones, 1983)

Play It As It Lays
(Perry, 1972)

The Outfit
(Flynn, 1973)

Alex in Wonderland
(Mazursky, 1969)

The Legend of Lylah Clare
(Aldrich, 1968)

In The Cool of the Day
(Stevens, 1963)

That Cold Day in the Park
(Altman, 1969)

The Fox
(Rydell, 1967)

Thumb Trippin'
(Masters, 1972)

Midas Run
(Kjellin, 1969)

At Long Last Love
(Bogdanovich, 1973)

Brewster McCloud
(Altman, 1972)

Outcast of the Islands
(Reed, 1951)

Mike's Murder
(Bridges, 1984)

Reader Submissions

1930's-1950's
The Moon's Our Home
(Seiter, 1936)
Sh! The Octopus
(McGann, 1937)
The Mating Season
(Leisen, 1951)
Bad for Each Other
(Rapper, 1953)
The Phenix City Story
(Karlson, 1955)
Run of the Arrow
(Fuller, 1956)
House of Secrets
(Green, 1956)
Saint Joan
(Preminger, 1957)
Macabre
(Castle, 1958)
The Fiend Who Walked the West
(G. Douglas, 1958
Five Gates to Hell
(Clavell, 1959)
1960's
Key Witness
(Karlson, 1960)
Summer and Smoke
(Glenville, 1961)
The Chapman Report
(Cukor,1962)
Bachelor Flat
(Tashlin, 1962) [on Hulu]
The L Shaped Room
(Forbes, 1963)
The Chalk Garden
(Neame, 1964)
A Thousand Clowns
(Coe, 1965)
You're a Big Boy Now
(Coppola, 1966)
The Whisperers
(Forbes, 1967)
Dark of the Sun
(Cardiff, 1968)
Skidoo
(Preminger, 1968)
Last Summer
(Perry, 1969)
The Comic
(C. Reiner, 1969)
1970-1974
The Revolutionary
(Williams, 1970)
The Landlord
(Ashby, 1970)
Diary of a Mad Housewife
(Perry, 1970)
Tropic of Cancer
(Strick, 1970)
I Never Sang for My Father
(Cates, 1970)
Sometimes a Great Notion
(Newman, 1971)
Marriage of a Young Stockbroker
(Turman, 1971)
'Doc'
(Perry, 1971)
The Music Lovers
(Russell, 1971)
Drive, He Said
(Nicholson, 1971)
The Steagle
(Sylbert, 1971)
The Last Movie
(Hopper, 1971)
Made For Each Other
(Bean, 1971)
The Day the Clown Cried
(Lewis, 1972)
Hickey & Boggs
(Culp, 1972)
The Carey Treatment
(Edwards, 1972)
Pete 'n' Tillie
(Ritt, 1972)
Slither
(Zieff, 1973)
Love and Pain and the Whole Damn Thing
(Pakula, 1973)
Man on a Swing
(Perry, 1974)
Open Season
(Collinson, 1974)
The Tamarind Seed
(Edwards, 1974)
Law and Disorder
(Passer, 1974)
Homebodies
(Yust, 1974)
Stardust
(Apted, 1974)
Celine and Julie Go Boating
(Rivette, 1974)
1975-1979
Rafferty and the Gold Dust Twins
(Richards, 1975
At Long Last Love
(Bogdanovich, 1975)
Hearts of the West
(Zieff, 1975)
Welcome to L.A.
(Rudolph, 1976)
W.C. Fields and Me
(Hiller, 1976)
Citizens Band
(Demme, 1977)
Twilight's Last Gleaming
(Aldrich, 1977)
Looking for Mr. Goodbar
(Brooks, 1977)
Girlfriends
(Weill, 1978)
Movie Movie
(Donen, 1978)
The Medusa Touch
(Gold, 1978)
American Hot Wax
(Mutrux, 1978)
Hot Stuff
(DeLuise, 1979)
Scavenger Hunt
(Schultz , 1979)
Players
(Harvey, 1979)
Rich Kids
(Young, 1979)
Nightwing
(Hiller, 1979)
Screams of a Winter's Night
(Wilson, 1979
When You Comin' Back Red Ryder?
(Katselas, 1979
1980's
Resurrection
(Petrie, 1980)
The Awakening
(Newell, 1980)
Simon
(Brickman, 1980)
God's Angry Man
(Herzog, 1980)
Fast-Walking
(Harris, 1982)
Twice Upon a Time
(Korty & Swenson, 1983)
Trouble in Mind
(Rudolph, 1985)
When the Wind Blows
(Murikami, 1986)
Housekeeping
(Forsyth, 1987)
The Glass Menagerie
(Newman, 1987)
Patty Hearst
(Schrader, 1988)
Running on Empty
(Lumet, 1988)
Drowning by Numbers
(Greenaway, 1988)
Haunted Summer
(Passer, 1988)
The Decline of Western Civilization Part II: The Metal Years
(Spheeris, 1988)
1990's
Men Don't Leave
(Brickman, 1990)
Old Times
(Curtis, 1991)
Prospero's Books
(Greenaway, 1991)
City of Hope
(Sayles, 1991)
The Baby of Macon
(Greenaway, 1993)
King of the Hill
(Soderbergh, 1993)
Dadetown
(Hexter, 1995)
SubUrbia
(Linklater, 1997)

Upcoming

June 11

Tetro

June 12

Call of the Wild 3D

Food, Inc.

Imagine That

Moon

Sex Positive

The Taking of Pelham 1 2 3

Youssou N'Dour: I Bring What I Love

June 16

Yoo-Hoo, Mrs. Goldberg

June 19

$9.99

Dead Snow

The Proposal

Whatever Works

Year One

June 24

Transformers: Revenge of the Fallen

June 26

Cheri

Fireflies in the Garden

The Hurt Locker

My Sister's Keeper

The Stoning of Soraya M. 

Surveillance 

July 1

Ice Age: Dawn of the Dinosaurs

Public Enemies

July 3

The Girl from Monaco

I Hate Valentine's Day

July 10

Bruno

I Love You, Beth Cooper

Soul Power

July 15

Harry Potter and the Half-Blood Prince

July 17

(500) Days of Summer

All the Boys Love Mandy Lane

July 24

All Good Things

The Answer Man

G-Force

In the Loop

Orphan

The Ugly Truth

July 29

Adam

July 31

The Cove

Funny People

Lorna's Silence

They Came from Upstairs

August 7

G.I. Joe: The Rise of Cobra

Julie & Julia

Paper Heart

Shorts

When in Rome

August 14

A Perfect Getaway

Bandslam

District 9

The Goods: The Don Ready Story

I Sell the Dead

Ponyo

Pool Boys

Spread

Taking Woodstock

The Time Traveler's Wife

August 21

Five Minutes of Heaven

Goose on the Loose!

Inglorious Bastards

It Might Get Loud

Post Grad

World's Greatest Dad

August 28

The Boat that Rocked

Final Destination: Death Trip

H2

September 4

All About Steve

Amreeka

Black Dynamite

Carriers

Citizen Game

Extract

Pandorum

Shanghai

September 9

9

September 11

The Red Canvas

Tyler Perrys: I Can Do It All Myself

Whiteout

September 17

The Burning Plain

September 18

Armored

Brand New Day

Cloudy with a Chance of Meatballs

Jennifer's Body

Splice

September 25

Fame

The Invention of Lying

Surrogates

October 2

A Serious Man

More Than a Game

Sorority Row

Toy Story/Toy Story 2

Big Hollywood

Andrew Breitbart is starting his own conservative-minded Hollywood-oriented site -- Big Hollywood -- tomorrow, and he's got Steve Mason as his box-office analyst," a D.C.-based reader asked this morning. "Will you still quote Mason from time to time, or does this put him on your shit list?"


"Of course not," I replied. "Breitbart's a good man and Mason knows his stuff so it's all fine."

It'll be fun to debate (i.e., mock, deride, joke about) the right-wing views espoused on Big Hollywood , which Breitbart says will "be a continuous politics and culture posting board for those who think something has gone drastically wrong and that Hollywood should return to its patriotic roots.

"Big Hollywood's modest objective: to change the entertainment industry. To make Hollywood something we can believe in -- again. In order to give millions of Americans hope."

In order to create this sense of hope, one presumes, a good right-wing site will, as a sideline, need to fire off rhetorical stink bombs at Barack Obama whenever possible, right, Andrew? And do whatever it can to pave the way for a return of Sarah Palin in '12?

When's the last time a really good patriotic right-wing film came along? I love good conservative-minded films (Man on Fire, Gran Torino, etc.) but they're few and far between. There seems to be something in the genes of right-thinking, God-fearing, flag-saluting types that seems to get in the way of good film art, for the most part. Obviously being a staunch right-winger didn't hurt the films of John Ford (to use but one example), but the experience of An American Carol is more typical than not.

Right-wingers can grouse all they want about Godless cynical films made my left-wing pinkos, but their own attempts to make stirring films have been for the most part pathetic.

It'll also be good to read the rants of all the right-wing machines who used to be HE commenters -- i.e., the one I got rid of during last summer's Stalinist purge.

Che Well Praised<< previous | next >>Breaking Out

Posted by Jeffrey Wells on January 5, 2009 at 12:11 PM

comment #1

actionman Author Profile Page says ...

God I love Man on Fire.

Posted by actionman Author Profile Page at January 5, 2009 12:53 PM

comment #2

MikeSchaeferSF Author Profile Page says ...

The lead character of Gran Torino may be a conservative guy, but I wouldn't call it a "conservative-minded" film -- he grows, opens his mind a bit, talks about how killing is a terrible thing... it's certainly more humanist than anyone at Big Hollywood is likely to be.. (And as one of those who thought the trailer looked awful, I was surprised at how much I liked GT.)

Posted by MikeSchaeferSF Author Profile Page at January 5, 2009 12:59 PM

comment #3

Breedlove Author Profile Page says ...

That article Wells linked to about the site insinuated that since the Stalinist purge the site traffic here has been way down. Wonder if there's any truth to that.

Action, why don't you ditch out on work in the next 3 days and come into the city to see 'Che'...maybe Wells will meet us there...; )

Posted by Breedlove Author Profile Page at January 5, 2009 1:00 PM

comment #4

Gaydos Author Profile Page says ...

Doug Neidermeyer: How does it feel to be an independent, Schoenstein?
Boon: How does it feel to be an asshole, Neidermeyer?

Posted by Gaydos Author Profile Page at January 5, 2009 1:12 PM

comment #5

actionman Author Profile Page says ...

Nothing would make me happier, Breedlove. Sadly, after the last few weeks of barely going to work over the holidays, getting to NYC during the week will be next to impossible.

And this is totally unreleated to the post at hand, but I finally saw Let the Right One In. Incredible film.

Posted by actionman Author Profile Page at January 5, 2009 1:28 PM

comment #6

Aris P Author Profile Page says ...

I heard he was going to hire that Dirty Harry blogger, and/or his website... I might be wrong. Anyways, one conservative circle-jerk film site is MORE than enough IMO.

Posted by Aris P Author Profile Page at January 5, 2009 2:05 PM

comment #7

Cinematically-Correct.com Author Profile Page says ...

Sigh. Can't we all have places to read things written by somebody who may have the same opinion? No?

It's easy to say that right-wing flicks are usually pretty bad because, well, they are. However, can it be admitted that it is probably difficult to get movies with a right-wing or conservative agenda made in Hollywood these days? Sure, Clint Eastwood or Tony Scott can make one because they have some built-up cred, but I bet it's tough for Joe The Screenwriter to get his stuff sold.

Posted by Cinematically-Correct.com Author Profile Page at January 5, 2009 2:10 PM

comment #8

YRG Author Profile Page says ...

Aren't most horror films right-wing? I wouldn't know; I don't watch 'em.

Posted by YRG Author Profile Page at January 5, 2009 2:39 PM

comment #9

LYT Author Profile Page says ...

Horror films could be called right-wing in the sense that the objective tends to be to kill the bad guy (rather than life imprisonment or therapy, let's say), though the gratuitous violence tends to put off cultural conservatives like Michael Medved, who has advocated a tax on violent movies so that tickets to them cost more.

Michael Bay's movies tend to be very pro-military and patriotic in the simplest sense, and he can get pretty much anything made.

Posted by LYT Author Profile Page at January 5, 2009 2:44 PM

comment #10

Cinematically-Correct.com Author Profile Page says ...

That is true about Michael Bay. Unfortunately, Bay is pretty much interested in as high a rate of return as possible so he is just trying to appeal to as many schmucks as possible, which includes red states. Even the chucklehead redneck in Nebraska will go see brain-numbing stuff like "Armageddon".

"Dirty Harry" is really the last great right-wing flick.

Posted by Cinematically-Correct.com Author Profile Page at January 5, 2009 2:48 PM

comment #11

Breedlove Author Profile Page says ...

Michael Bay has been dissed...if you're lucky the fact that it's 5:01 will keep actionman from tearing you a new one. For your sake I hope he's left the office.

Posted by Breedlove Author Profile Page at January 5, 2009 3:03 PM

comment #12

Josh Massey Author Profile Page says ...

So many of you are quick to forget a right-wing film just grossed over $500 million and is probably about to be nominated for Best Picture...

(That should stoke the fires).

Posted by Josh Massey Author Profile Page at January 5, 2009 3:25 PM

comment #13

storymark Author Profile Page says ...

Sure, Josh. If you like preschool-level oversimplification, then yeah, it was a right-wing film.

Posted by storymark Author Profile Page at January 5, 2009 3:58 PM

comment #14

luca Author Profile Page says ...

Conservatives really show their ignorance when they pine for this make believe Hollywood that used to be right wing and patriotic. The reality is most artists were far left. A lot more left leaning than today's "liberal Hollywood elite." The studio bosses for the most part were the right wingers. Back then conservatives considered Hollywood the center of Communist sympathy. Hence the blacklist. But then we are all to familiar with conservative's preference for myth over fact.

Posted by luca Author Profile Page at January 5, 2009 4:03 PM

comment #15

Jeffrey Wells Author Profile Page says ...

Wells to Cinematically-Correct: That's a fair point, by which I mean it's at least somewhat accurate.

Posted by Jeffrey Wells Author Profile Page at January 5, 2009 4:12 PM

comment #16

Josh Massey Author Profile Page says ...

Storymark: Instead of offering nothing but snark, tell me why I'm wrong.

Posted by Josh Massey Author Profile Page at January 5, 2009 4:18 PM

comment #17

K. Bowen Author Profile Page says ...

The Dark Knight?

Posted by K. Bowen Author Profile Page at January 5, 2009 5:38 PM

comment #18

K. Bowen Author Profile Page says ...

I'd say Man on Fire is, maybe not a left-wing film, but a critique of a right-wing vigilante film. It's abotu a man who is caught in a system. He thinks he understands the underlying morality, and he thinks it makes him a hero, and he thinks it justifies his violence, but in the end that's not right. But I think its politics are probably incidental.

Posted by K. Bowen Author Profile Page at January 5, 2009 5:45 PM

comment #19

K. Bowen Author Profile Page says ...

Oh, just to make clear, I tend to agree with Josh.

Posted by K. Bowen Author Profile Page at January 5, 2009 5:54 PM

comment #20

CitizenKanedforChewingGum Author Profile Page says ...

Good lawd, Massey...you just won't let go of this fantasy of TDK as a conservative parable. I thought that theory was put to bed pretty soundly a couple times on these very boards, most recently in that Goldstein thread from about two months ago.

Posted by CitizenKanedforChewingGum Author Profile Page at January 5, 2009 6:26 PM

comment #21

swordandpen Author Profile Page says ...

In The Dark Knight, didn't most of Batman's (i.e. Bush's) tactics backfire, ultimately forced him to go against his principles and lose sight of what The Joker's plan (turning Harvey Dent) was all along? Hardly a ringing endorsement of right-wing ideology.

Posted by swordandpen Author Profile Page at January 5, 2009 6:35 PM

comment #22

smiley Author Profile Page says ...

Josh Massey,

What part of the totalitarian tactics Batman used blowing up in his face did you miss?

Just one example: Batman beats the hell out of Joker instead of listening to what he had to say so he wasted precious time that inevitably cost Rachel her life.

Posted by smiley Author Profile Page at January 5, 2009 6:55 PM

comment #23

smiley Author Profile Page says ...

By the way Punisher: War Zone is a right-wing film how did that do returning America to its patriotic roots?

Regardless I'm sure Andrew Breitbart will end up with a weekly guestspot on Hannity.

Posted by smiley Author Profile Page at January 5, 2009 7:00 PM

comment #24

LYT Author Profile Page says ...

The most hilarious aspect of right-wing culture critics is their need to bend over backwards explaining how everything they like is actually conservative.

I'm fairly left-wing, but enjoy the hell out of numerous movies starring Charlton Heston and Clint Eastwood. I won't try to justify how they fit my worldview, because as far as I'm concerned, the way a fictional worldview works in a fictional story has no bearing on real-world solutions.

But if a conservative columnist enjoys Star Wars, beware of the logistic convolutions that follow.

Posted by LYT Author Profile Page at January 5, 2009 11:35 PM

comment #25

Howlingman Author Profile Page says ...

Am I correct in assuming that the "patriotic roots" which Big Hollywood will actively promote will be of an exclusively Conservative Republican nature? 'Cause if I'm to believe Fox News, only Republicans can be patriotic Americans.

Posted by Howlingman Author Profile Page at January 6, 2009 7:25 AM

comment #26

George Prager Author Profile Page says ...

I'm going to create a website to encourage more Hollywood films made by vegan bisexual gun-owners who want to go back to the gold standard.

Posted by George Prager Author Profile Page at January 6, 2009 8:14 AM

comment #27

George Prager Author Profile Page says ...

Once again it's worth noting that these so-called "conservatives" are the ones that would make Chairman Mao proud.

Posted by George Prager Author Profile Page at January 6, 2009 8:16 AM

comment #28

Krillian Author Profile Page says ...

I'm a conservative who doesn't mind the small amount of conservative movies. American Carol wasn't funny. Dark Knight was great, and it illustrated just how hard it is to fight someone who just lives for destruction, but it was days before I started thinking about its "politics." When movies are overtly liberal, they're hilarious, like The Contender, or The Life of David Gale. At the same time I loved Dead Man Walking, made by liberals, but pretty fair to the issue of the death penalty. Besides, now that a Dem's in the White House, we'll get movies where the government's the good guy again.

Nixon movies - Everyone dies at the end.
Ford movies - It's vigilante time!
Carter movies - Calgon, take me away.
Reagan movies - America kicks Russian butt!!
HW Bush movies - Kevin Costner.
Clinton movies - The presidency's swell.
Bush movies - Torture porn.
Obama movies - GI Joe's an international coalition.

Posted by Krillian Author Profile Page at January 6, 2009 9:34 AM

comment #29

Stephen Coates Author Profile Page says ...

"Conservative" films like The Passion of Christ and the Narnia series have done quite well if memory serves. Also, the diatribes of Redford, Moore and de Palma were not exactly blockbusters. Pretty sure those anti-American films took it in the shorts.

Posted by Stephen Coates Author Profile Page at January 6, 2009 11:58 AM

comment #30

Jonah Author Profile Page says ...

"Conservative" films like The Passion of Christ and the Narnia series have done quite well if memory serves. Also, the diatribes of Redford, Moore and de Palma were not exactly blockbusters. Pretty sure those anti-American films took it in the shorts."

Nobody actually believes those films were Anti-American. Clearly you're just trying to stir things up. But Moore directed the highest grossing documentary of all time, smack dab in the middle of the Anti-American Bush Administrations worst abuses of power.

So suck it.

Posted by Jonah Author Profile Page at January 6, 2009 12:36 PM

comment #31

smiley Author Profile Page says ...

Absolutely Stephen, thats why Narnia's franchise ticket just got punched.

And just because I'm does any movie involving Christ automatically become conservative?

BTW when did questioning faulty beliefs or showing the plight of our soldiers overseas become Anti-American? I'll wait for Limbaugh to come up with your answer.

Posted by smiley Author Profile Page at January 6, 2009 12:37 PM

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