Most Wanted
Email here for additions & corrections.

The Fortune
(Nichols, 1975)
-30-
(Webb, 1959)
Betrayal
(Jones, 1983)
Play It As It Lays
(Perry, 1972)
The Outfit
(Flynn, 1973)
Alex in Wonderland
(Mazursky, 1969)
The Legend of Lylah Clare
(Aldrich, 1968)
In The Cool of the Day
(Stevens, 1963)
That Cold Day in the Park
(Altman, 1969)
The Fox
(Rydell, 1967)
Thumb Trippin'
(Masters, 1972)
Midas Run
(Kjellin, 1969)
At Long Last Love
(Bogdanovich, 1973)
Outcast of the Islands
(Reed, 1951)
Mike's Murder
(Bridges, 1984)
Reader Submissions

1930's-1950's
The Moon's Our Home
(Seiter, 1936)
Sh! The Octopus
(McGann, 1937)
The Mating Season
(Leisen, 1951)
Bad for Each Other
(Rapper, 1953)
The Phenix City Story
(Karlson, 1955)
Run of the Arrow
(Fuller, 1956)
House of Secrets
(Green, 1956)
Macabre
(Castle, 1958)
The Fiend Who Walked the West
(G. Douglas, 1958
Five Gates to Hell
(Clavell, 1959)
1960's
Key Witness
(Karlson, 1960)
Summer and Smoke
(Glenville, 1961)
The Chapman Report
(Cukor,1962)
Bachelor Flat
(Tashlin, 1962) [on Hulu]
The L Shaped Room
(Forbes, 1963)
A Thousand Clowns
(Coe, 1965)
You're a Big Boy Now
(Coppola, 1966)
Dark of the Sun
(Cardiff, 1968)
Skidoo
(Preminger, 1968)
Last Summer
(Perry, 1969)
The Comic
(C. Reiner, 1969)
1970-1974
The Revolutionary
(Williams, 1970)
Diary of a Mad Housewife
(Perry, 1970)
Tropic of Cancer
(Strick, 1970)
I Never Sang for My Father
(Cates, 1970)
Sometimes a Great Notion
(Newman, 1971)
Marriage of a Young Stockbroker
(Turman, 1971)
'Doc'
(Perry, 1971)
The Music Lovers
(Russell, 1971)
Drive, He Said
(Nicholson, 1971)
The Steagle
(Sylbert, 1971)
The Last Movie
(Hopper, 1971)
Made For Each Other
(Bean, 1971)
The Day the Clown Cried
(Lewis, 1972)
Hickey & Boggs
(Culp, 1972)
The Carey Treatment
(Edwards, 1972)
Pete 'n' Tillie
(Ritt, 1972)
Love and Pain and the Whole Damn Thing
(Pakula, 1973)
Man on a Swing
(Perry, 1974)
Open Season
(Collinson, 1974)
The Tamarind Seed
(Edwards, 1974)
Law and Disorder
(Passer, 1974)
Homebodies
(Yust, 1974)
Stardust
(Apted, 1974)
Celine and Julie Go Boating
(Rivette, 1974)
1975-1979
Rafferty and the Gold Dust Twins
(Richards, 1975
At Long Last Love
(Bogdanovich, 1975)
Hearts of the West
(Zieff, 1975)
Welcome to L.A.
(Rudolph, 1976)
W.C. Fields and Me
(Hiller, 1976)
Citizens Band
(Demme, 1977)
Twilight's Last Gleaming
(Aldrich, 1977)
Looking for Mr. Goodbar
(Brooks, 1977)
Movie Movie
(Donen, 1978)
The Medusa Touch
(Gold, 1978)
American Hot Wax
(Mutrux, 1978)
Hot Stuff
(DeLuise, 1979)
Scavenger Hunt
(Schultz , 1979)
Players
(Harvey, 1979)
Rich Kids
(Young, 1979)
Nightwing
(Hiller, 1979)
Screams of a Winter's Night
(Wilson, 1979
When You Comin' Back Red Ryder?
(Katselas, 1979
1980's
The Awakening
(Newell, 1980)
Simon
(Brickman, 1980)
God's Angry Man
(Herzog, 1980)
Twice Upon a Time
(Korty & Swenson, 1983)
Trouble in Mind
(Rudolph, 1985)
When the Wind Blows
(Murikami, 1986)
Housekeeping
(Forsyth, 1987)
The Glass Menagerie
(Newman, 1987)
Patty Hearst
(Schrader, 1988)
Running on Empty
(Lumet, 1988)
Drowning by Numbers
(Greenaway, 1988)
Haunted Summer
(Passer, 1988)
The Decline of Western Civilization Part II: The Metal Years
(Spheeris, 1988)
1990's
Men Don't Leave
(Brickman, 1990)
Old Times
(Curtis, 1991)
Prospero's Books
(Greenaway, 1991)
City of Hope
(Sayles, 1991)
The Baby of Macon
(Greenaway, 1993)
King of the Hill
(Soderbergh, 1993)
Dadetown
(Hexter, 1995)
SubUrbia
(Linklater, 1997)

Upcoming

July 30

Cats & Dogs: The Revenge of Kitty Galore

Charlie St. Cloud

The Concert

Dinner for Shmucks

The Dry Land

The Extra Man

Get Low

Helen

Hugh Hefner: Playboy, Activist and Rebel

Smash His Camera

What's the Matter with Kansas?

Who Killed Nancy

Make 'Em Do

"As Hollywood faces grim times, there's a silver lining for 2009," writes Variety columnist Anne Thompson. "If the studios, God forbid, are forced by the credit crunch to make fewer, less expensive films and spend their own money producing them (as the L.A. Times reports in this grim forecast written before the SAG strike looked less likely), they will take less risks, yes, but they'll also pay more attention to making strong commercial films with a market niche. In short, they will make better films."

I agree but in a slightly different way. Having tons of money to burn has never upped the quality of creativity for anyone or anything, and having less money always results in more discipline and a lot of honing, which tends to result in better work. Martin Scorsese had loads of dough to work with on Gangs of New York and look what happened. And he was working on a relative shoestring when he made The Last Temptation of Christ and look what happened.

What Isn't?<< previous | next >>Condor Ghosts

Posted by Jeffrey Wells on January 3, 2009 at 12:30 PM

comment #1

corey3rd Author Profile Page says ...

But it's not about merely spending less money on production budgets - it's about the marketing budgets. That's the endless pit at this point. You can make cheaper films, but can you market them with less advertising dollars?

Posted by corey3rd Author Profile Page at January 3, 2009 1:14 PM

comment #2

CitizenKanedforChewingGum Author Profile Page says ...

Wait...when did GoNY become an example of a bad movie?

Posted by CitizenKanedforChewingGum Author Profile Page at January 3, 2009 1:31 PM

comment #3

Gordie Lachance Author Profile Page says ...

Yeah, especially since Hollywood is the only business in America that made MORE money this year then last. It's going to get harder for them to fabricate their 'losses'.

Posted by Gordie Lachance Author Profile Page at January 3, 2009 1:42 PM

comment #4

D.Z. Author Profile Page says ...

Does GoNY count? After all, Harvey screwed with Marty's vision of the film, so it might not have been what was intended. I did like his work on The Aviator, which only had a slightly lower budget than GoNY. Also, the Departed was bloated and overpriced, too, but people still gave that one a pass.

Posted by D.Z. Author Profile Page at January 3, 2009 2:09 PM

comment #5

Edward Author Profile Page says ...

If directors and actors agreed to work for less than their usual millions, the budgets wouldn't balloon either. Hire me, I'd be happy to work for $100,000. How many millions does a person need?

Posted by Edward Author Profile Page at January 3, 2009 2:10 PM

comment #6

Phatang! Author Profile Page says ...

I'm not sure how anyone can come to the conclusion that spending less means better films. Niche" films mean "Mamma Mia" and "Saw," not "Che." Also, it doesn't mean Last Temptation of Christ -- just because that was made for less, doesn't mean it wasn't a product of free spending. If any of this is for real (and I think it is) all it means is that there will be fewer risks taken on "execution dependent" movies, and more factory films made to market to a predetermined audience.

Posted by Phatang! Author Profile Page at January 3, 2009 2:37 PM

comment #7

Chicago48 Author Profile Page says ...

Entertainment is always a good sector. It hasn't asked for a rescue bailout like the other industries.

Posted by Chicago48 Author Profile Page at January 3, 2009 3:16 PM

comment #8

DeafBrownTrashPunk Author Profile Page says ...

Jeffrey, you said it best:

Having tons of money to burn has never upped the quality of creativity for anyone or anything, and having less money always results in more discipline and a lot of honing, which tends to result in better work.

yep, yep. some of the finest films i've seen coming out of American cinema tend to be independent films, while big budget studio movies are just craptastic.

Posted by DeafBrownTrashPunk Author Profile Page at January 3, 2009 4:24 PM

comment #9

CitizenKanedforChewingGum Author Profile Page says ...

I don't know, guys...I have seen some pretty awful independent movies. I think the hit/miss ratio overall is actually about the same as your big-budget studio films. I suppose when you get right down to it, maybe they're just more forgivable because they have less to work with, at least in my eyes.

Posted by CitizenKanedforChewingGum Author Profile Page at January 3, 2009 6:10 PM

comment #10

dangovich Author Profile Page says ...

Whatever Dante Ferretti laid out recreating 1860s NYC was money well spent.

Posted by dangovich Author Profile Page at January 3, 2009 9:28 PM

comment #11

Bilge Author Profile Page says ...

Everybody better chill out on the GoNY hating. That movie's the best Spaghetti Western made by someone not named Sergio or Duccio. Jeff, you clearly meant to say NEW YORK, NEW YORK.

Posted by Bilge Author Profile Page at January 3, 2009 9:51 PM

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