Most Wanted
Email here for additions & corrections.

Ishtar
(May, 1987)
The Seven-Per-Cent Solution (OOP)
(Ross, 1976)
The Devils
(Russell, 1974)
The Pirates of Penzance
(Papp/Leach, 1983)
The Fortune
(Nichols, 1975)
-30-
(Webb, 1959)
Betrayal
(Jones, 1983)
Play It As It Lays
(Perry, 1972)
The Outfit
(Flynn, 1973)
Alex in Wonderland
(Mazursky, 1969)
The Legend of Lylah Clare
(Aldrich, 1968)
In The Cool of the Day
(Stevens, 1963)
That Cold Day in the Park
(Altman, 1969)
Thumb Trippin'
(Masters, 1972)
Midas Run
(Kjellin, 1969)
At Long Last Love
(Bogdanovich, 1973)
Brewster McCloud
(Altman, 1972)
Outcast of the Islands
(Reed, 1951)

Reader Submissions

1930's-1950's
The Moon's Our Home
(Seiter, 1936)
Sh! The Octopus
(McGann, 1937)
The Mating Season
(Leisen, 1951)
Bad for Each Other
(Rapper, 1953)
The Phenix City Story
(Karlson, 1955)
Run of the Arrow
(Fuller, 1956)
House of Secrets
(Green, 1956)
Saint Joan
(Preminger, 1957)
Macabre
(Castle, 1958)
The Fiend Who Walked the West
(G. Douglas, 1958
Five Gates to Hell
(Clavell, 1959)
1960's
Key Witness
(Karlson, 1960)
Summer and Smoke
(Glenville, 1961)
The Chapman Report
(Cukor,1962)
Bachelor Flat
(Tashlin, 1962) [on Hulu]
The L Shaped Room
(Forbes, 1963)
The Chalk Garden
(Neame, 1964)
A Thousand Clowns
(Coe, 1965)
You're a Big Boy Now
(Coppola, 1966)
The Whisperers
(Forbes, 1967)
Dark of the Sun
(Cardiff, 1968)
Skidoo
(Preminger, 1968)
Last Summer
(Perry, 1969)
The Comic
(C. Reiner, 1969)
1970-1974
The Revolutionary
(Williams, 1970)
The Landlord
(Ashby, 1970)
Diary of a Mad Housewife
(Perry, 1970)
Tropic of Cancer
(Strick, 1970)
I Never Sang for My Father
(Cates, 1970)
Sometimes a Great Notion
(Newman, 1971)
Marriage of a Young Stockbroker
(Turman, 1971)
The Music Lovers
(Russell, 1971)
Drive, He Said
(Nicholson, 1971)
The Steagle
(Sylbert, 1971)
The Last Movie
(Hopper, 1971)
Made For Each Other
(Bean, 1971)
The Day the Clown Cried
(Lewis, 1972)
Hickey & Boggs (OOP)
(Culp, 1972)
The Carey Treatment
(Edwards, 1972)
Pete 'n' Tillie
(Ritt, 1972)
Slither
(Zieff, 1973)
Man on a Swing
(Perry, 1974)
Open Season
(Collinson, 1974)
The Tamarind Seed
(Edwards, 1974)
Law and Disorder
(Passer, 1974)
Homebodies
(Yust, 1974)
Stardust
(Apted, 1974)
Celine and Julie Go Boating
(Rivette, 1974)
1975-1979
Rafferty and the Gold Dust Twins
(Richards, 1975
At Long Last Love
(Bogdanovich, 1975)
Hearts of the West
(Zieff, 1975)
Welcome to L.A.
(Rudolph, 1976)
W.C. Fields and Me
(Hiller, 1976)
Citizens Band
(Demme, 1977)
Twilight's Last Gleaming
(Aldrich, 1977)
Looking for Mr. Goodbar
(Brooks, 1977)
Girlfriends
(Weill, 1978)
Movie Movie
(Donen, 1978)
The Medusa Touch
(Gold, 1978)
American Hot Wax
(Mutrux, 1978)
Hot Stuff
(DeLuise, 1979)
Scavenger Hunt
(Schultz , 1979)
Players
(Harvey, 1979)
Rich Kids
(Young, 1979)
Nightwing
(Hiller, 1979)
Screams of a Winter's Night
(Wilson, 1979
When You Comin' Back Red Ryder?
(Katselas, 1979
1980's
Resurrection
(Petrie, 1980)
The Awakening
(Newell, 1980)
Simon
(Brickman, 1980)
God's Angry Man
(Herzog, 1980)
Fast-Walking
(Harris, 1982)
Twice Upon a Time
(Korty & Swenson, 1983)
Trouble in Mind
(Rudolph, 1985)
When the Wind Blows
(Murikami, 1986)
Housekeeping
(Forsyth, 1987)
The Glass Menagerie
(Newman, 1987)
Patty Hearst
(Schrader, 1988)
Drowning by Numbers
(Greenaway, 1988)
Haunted Summer
(Passer, 1988)
The Decline of Western Civilization Part II: The Metal Years
(Spheeris, 1988)
1990's
Old Times
(Curtis, 1991)
Prospero's Books
(Greenaway, 1991)
City of Hope
(Sayles, 1991)
The Baby of Macon
(Greenaway, 1993)
King of the Hill
(Soderbergh, 1993)
Dadetown
(Hexter, 1995)
SubUrbia
(Linklater, 1997)

Abe Goes Down

Kim Masters has updated her Slate/"Big Money" piece about the fate of Steven Spielberg's Lincoln project, and she says that "a knowledgable source [informs] that Paramount has passed" on the project.

This is all Spielberg's fault since he's the one who's delayed and delayed and delayed and delayed. A subject of this depth and scope is beyond his abilities and he knows it, which is the deep-down reason why he's been putting it off, I believe. Spielberg has already blown it by not shooting the film in '07 or '08, as releasing a Lincoln biopic right now would be perfect with Obama and the 200th anniversary and all. Later? Not so much.

The best thing that could happen to the Lincoln project would be for Spielberg to walk away and focus on directing and producing CG theme-park movies for the rest of his life -- Indy 4, Tintin, Transformers 2, crap like that.

The Departed<< previous | next >>8:25 pm

Posted by Jeffrey Wells on February 18, 2009 at 5:01 PM

comment #1

D.Z. Author Profile Page says ...

Yeah, Oldboy and GITS are out of his league.

Posted by D.Z. Author Profile Page at February 18, 2009 5:29 PM

comment #2

CitizenKanedforChewingGum Author Profile Page says ...

Perhaps he'll circle around and hit it another time, perhaps not. Yeah, it just doesn't seem like he's destined for this project, in a lot of ways. Remember Amistad?

Say what you will about him, but the Beard's had a pretty great decade (I'll concede Indy IV & The Terminal as misfires, but the rest range anywhere from very interesting works to damn masterpieces).

Posted by CitizenKanedforChewingGum Author Profile Page at February 18, 2009 5:32 PM

comment #3

TheCahuengaKid Author Profile Page says ...

Someone just told Spielberg that both Raymond Massey and Henry Fonda are both dead - and unavailable for the Lincoln role...

Posted by TheCahuengaKid Author Profile Page at February 18, 2009 5:37 PM

comment #4

cinefan Author Profile Page says ...

"A subject of this depth and scope is beyond his abilities"

Yeah, the guy who directed Schindler's List and Munich surely isn't capable of making a film about Lincoln's presidency...

Posted by cinefan Author Profile Page at February 18, 2009 5:53 PM

comment #5

bmcintire Author Profile Page says ...

The Slate piece also states that ". . .if Paramount passes, another studio - including Disney - could step up. Disney's theme park in Orlando, FL features Lincoln in the Hall of Presidents, while the Great Moments With Mr. Lincoln attraction at the original Disneyland hasn't been on display since 2005 but is expected to return."

Posted by bmcintire Author Profile Page at February 18, 2009 5:59 PM

comment #6

DeafBrownTrashPunk Author Profile Page says ...

yeah, what about SCHINDLER'S LIST??????? since Speilberg directed that, he can surely pull off this Lincoln biopic, too.

Posted by DeafBrownTrashPunk Author Profile Page at February 18, 2009 6:00 PM

comment #7

bluetide Author Profile Page says ...

I had the same thought, cinefan. Spielberg has made some garbage commerical flicks in the past decade or two (Lost World, Indy IV) but Schindler's List is still a masterpiece. The first 3/4 of Munich was as sharp as anything he's ever done.

Posted by bluetide Author Profile Page at February 18, 2009 6:03 PM

comment #8

Geoff Author Profile Page says ...

I think Wells is probably right in saying that Spielberg can't handle this material. You guys all saw Amistad, right?

Posted by Geoff Author Profile Page at February 18, 2009 6:57 PM

comment #9

hunterd Author Profile Page says ...

RE:Cinefan

Considering that both Schindler's List and Munich were drivel...yes, it would be a good indicator.

Posted by hunterd Author Profile Page at February 18, 2009 7:02 PM

comment #10

CitizenKanedforChewingGum Author Profile Page says ...

um, care to enlighten us how they were "drivel" instead of just trollin' about?

overrated is one thing, "drivel?" silly hyperbole...

Posted by CitizenKanedforChewingGum Author Profile Page at February 18, 2009 7:07 PM

comment #11

Calraigh Bracken Author Profile Page says ...

Liam Neeson is giving a public interview at the Dublin Film Festival on Friday and he's going to be drilled about this. Among other things of course. The choice to do Taken , being one.

Posted by Calraigh Bracken Author Profile Page at February 18, 2009 8:27 PM

comment #12

roquentin Author Profile Page says ...

You would think from the volume and intensity of your vitriol towards Spielberg that a) you have an Oedipal hard-on for the man, or b) he had personally stolen your wife and poisoned your children. It's not even kosher for a movie lover/cinephile to dismiss Spielberg out of hand...it's like living in the sixties and saying, "why doesn't Hitchcock just go back to making those silly scary movies?" He's that influential and important a filmmaker. Even if you hate his movies.

Forget that the man made Schindler's List, Munich, and Saving Private Ryan. Forget that those "popcorn" movies he's made have all pretty much set the standard for how pop movies are made (The Dark Knight/insert your favorite post-80s action flick wouldn't exist without him). Take this: Spielberg, as opposed to Scorsese, De Palma, all those Raging Bulls of the 70s, has become MORE invested/political/interesting as he's gotten older.

I get people hating the pining-for-suburbia ethos of a lot of his movies...it's cloying, it gets under my skin. And I was worried after Munich's poor reception that Spielberg would feel the need to reassert his standing as pop maestro...only to falter with...well, drivel like Indy 4. Hell, I wish the man had burrowed deeper into that political mindset...but I'm aware that he wants to please people. If you want to hate the man for that, you might as well throw out every director who ever made a movie. They ALL want to please, especially the ones trying not to.

Your dismissal says much more about you Wells than it does Spielberg or the little naysayers on this talkback.

Posted by roquentin Author Profile Page at February 18, 2009 8:53 PM

comment #13

dogcatcher Author Profile Page says ...

They'll just make it at Disney.

Paramount doesn't own the rights to Abraham Lincoln do they? Did Honest Abe sign an exclusivity contract with Paramount before attending the Ford Theater that fateful night or something? Does Paramount own the exclusive rights to the $5 bill as well?

Speilberg will just make this film at Disney now, his new home.

Brad Grey is honestly the dumbest buisnessman in Hollywood. He lets personality conflicts interfer with buisness decisions and it's costing him. He's lost Dreamworks; he's lost David Fincher; and now he's lost this film as well. All because he needs to control everything and his "talent" rebels against that. Brad Grey's ego is destroying Paramount.

Posted by dogcatcher Author Profile Page at February 18, 2009 9:29 PM

comment #14

hunterd Author Profile Page says ...

Schindler's List is a profoundly antisemitic film. Not only does it whitewash the actions of Oskar Schindler, turning the man into some sort of Christ figure, it infantilizes the Jews, turning them into a massive, monolithic force of lemmings who frankly deserve what they get for being so totally useless.

And Munich? I know, lets make a movie about "an eye for an eye makes the whole world blind" except, lets make this point by juxtaposing real murder and brutality against fictionalized actions! Hooray for moral relativism.

Explanation enough?

Posted by hunterd Author Profile Page at February 18, 2009 9:32 PM

comment #15

cinefan Author Profile Page says ...

"Not only does it whitewash the actions of Oskar Schindler, turning the man into some sort of Christ figure, it infantilizes the Jews, turning them into a massive, monolithic force of lemmings who frankly deserve what they get for being so totally useless."

How exactly does the film whitewash Schindler? It establishes right at the beginning of the film that he's an adulterer and a sleazy businessman who exploited the Nazis for his own financial gain. Also, you need to provide specific examples from the film to support your "thesis" that the film infantilizes the Jews and is antisemitic. Just going by your post, you seem to be the one who's antisemitic by criticizing them for being "so totally useless."

Posted by cinefan Author Profile Page at February 18, 2009 9:40 PM

comment #16

hunterd Author Profile Page says ...

In the context of the film the Jewish characters are pretty much universally inert. They are children who need to be saved by a real man (insert daddy issues here).

I like some of the movies Spielberg has made. And I deeply respect Saving Private Ryan and consider it amongst the best films ever made, but the man needs to stay the hell away from history. He butchers the facts every time, often for no discernible reason beyond repeating his same old daddy issue shtick. We get it Steve, your parents divorce really hurt you deep down inside...can we have a new topic now?

Posted by hunterd Author Profile Page at February 18, 2009 10:02 PM

comment #17

D.Z. Author Profile Page says ...

roque: TDK wouldn't exist without Spielberg? Yeah, right. More like the Schumacher Batman films. Hell, footage of Rambo was friggin' inserted in one of the movies he produced-Gremlins 2! In fact, Spielberg owes more to Burton and Lynch for his recent "mature" films than, say, Snyder or Greengrass would owe to him.

Posted by D.Z. Author Profile Page at February 19, 2009 2:54 AM

comment #18

bents75 Author Profile Page says ...

"... it infantilizes the Jews, turning them into a massive, monolithic force of lemmings who frankly deserve what they get for being so totally useless."

I've seen you drop this line before Hunter, and it was bullshit then, and it's bullshit now. Even if he did "turn" them into a monlithic force of lemmings, which doesn't ring true to me because there's plenty of historical evidence to back up the movies depiction - it's your personal interpretation that they deserve what they get for being so useless, not Speilberg's. You should analyze yourself for a comment like that.

And most people would at least consider the context of Saving Private Ryan to be historical in nature - how are you going to tell him to stay away from the subject and call it one of the best movies ever made in the same paragraph?

Posted by bents75 Author Profile Page at February 19, 2009 7:58 AM

comment #19

SaveFarris Author Profile Page says ...

I guess Hollywood just couldn't bring itself to say anything nice about a Republican. Any Republican. Not that surprising, actually.

Posted by SaveFarris Author Profile Page at February 19, 2009 11:00 AM

comment #20

George Prager Author Profile Page says ...

Schindler's List is the Mississippi Burning of Holocaust movies.

Posted by George Prager Author Profile Page at February 19, 2009 11:08 AM

comment #21

CitizenKanedforChewingGum Author Profile Page says ...

George Prager is the Mississippi Burning of film analogies.

Posted by CitizenKanedforChewingGum Author Profile Page at February 19, 2009 11:51 AM

comment #22

hunterd Author Profile Page says ...

Munich utterly fails morally, and since the movie was a message film, it is fair to judge it based on its morals and I think its morals suck.

As for the claims of antisemitism. I am Jewish myself, and a survivor of several hate crimes as a result of this fact. I know what antisemitism looks like. I've seen it shove a gun barrel in my mouth.

Posted by hunterd Author Profile Page at February 19, 2009 2:39 PM

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