Most Wanted
Email here for additions & corrections.

Ishtar
(May, 1987)
The Seven-Per-Cent Solution (OOP)
(Ross, 1976)
The Devils
(Russell, 1974)
The Pirates of Penzance
(Papp/Leach, 1983)
The Fortune
(Nichols, 1975)
-30-
(Webb, 1959)
Betrayal
(Jones, 1983)
Play It As It Lays
(Perry, 1972)
The Outfit
(Flynn, 1973)
Alex in Wonderland
(Mazursky, 1969)
The Legend of Lylah Clare
(Aldrich, 1968)
In The Cool of the Day
(Stevens, 1963)
That Cold Day in the Park
(Altman, 1969)
Thumb Trippin'
(Masters, 1972)
Midas Run
(Kjellin, 1969)
At Long Last Love
(Bogdanovich, 1973)
Brewster McCloud
(Altman, 1972)
Outcast of the Islands
(Reed, 1951)

Reader Submissions

1930's-1950's
The Moon's Our Home
(Seiter, 1936)
Sh! The Octopus
(McGann, 1937)
The Mating Season
(Leisen, 1951)
Bad for Each Other
(Rapper, 1953)
The Phenix City Story
(Karlson, 1955)
Run of the Arrow
(Fuller, 1956)
House of Secrets
(Green, 1956)
Saint Joan
(Preminger, 1957)
Macabre
(Castle, 1958)
The Fiend Who Walked the West
(G. Douglas, 1958
Five Gates to Hell
(Clavell, 1959)
1960's
Key Witness
(Karlson, 1960)
Summer and Smoke
(Glenville, 1961)
The Chapman Report
(Cukor,1962)
Bachelor Flat
(Tashlin, 1962) [on Hulu]
The L Shaped Room
(Forbes, 1963)
The Chalk Garden
(Neame, 1964)
A Thousand Clowns
(Coe, 1965)
You're a Big Boy Now
(Coppola, 1966)
The Whisperers
(Forbes, 1967)
Dark of the Sun
(Cardiff, 1968)
Skidoo
(Preminger, 1968)
Last Summer
(Perry, 1969)
The Comic
(C. Reiner, 1969)
1970-1974
The Revolutionary
(Williams, 1970)
The Landlord
(Ashby, 1970)
Diary of a Mad Housewife
(Perry, 1970)
Tropic of Cancer
(Strick, 1970)
I Never Sang for My Father
(Cates, 1970)
Sometimes a Great Notion
(Newman, 1971)
Marriage of a Young Stockbroker
(Turman, 1971)
The Music Lovers
(Russell, 1971)
Drive, He Said
(Nicholson, 1971)
The Steagle
(Sylbert, 1971)
The Last Movie
(Hopper, 1971)
Made For Each Other
(Bean, 1971)
The Day the Clown Cried
(Lewis, 1972)
Hickey & Boggs (OOP)
(Culp, 1972)
The Carey Treatment
(Edwards, 1972)
Pete 'n' Tillie
(Ritt, 1972)
Slither
(Zieff, 1973)
Man on a Swing
(Perry, 1974)
Open Season
(Collinson, 1974)
The Tamarind Seed
(Edwards, 1974)
Law and Disorder
(Passer, 1974)
Homebodies
(Yust, 1974)
Stardust
(Apted, 1974)
Celine and Julie Go Boating
(Rivette, 1974)
1975-1979
Rafferty and the Gold Dust Twins
(Richards, 1975
At Long Last Love
(Bogdanovich, 1975)
Hearts of the West
(Zieff, 1975)
Welcome to L.A.
(Rudolph, 1976)
W.C. Fields and Me
(Hiller, 1976)
Citizens Band
(Demme, 1977)
Twilight's Last Gleaming
(Aldrich, 1977)
Looking for Mr. Goodbar
(Brooks, 1977)
Girlfriends
(Weill, 1978)
Movie Movie
(Donen, 1978)
The Medusa Touch
(Gold, 1978)
American Hot Wax
(Mutrux, 1978)
Hot Stuff
(DeLuise, 1979)
Scavenger Hunt
(Schultz , 1979)
Players
(Harvey, 1979)
Rich Kids
(Young, 1979)
Nightwing
(Hiller, 1979)
Screams of a Winter's Night
(Wilson, 1979
When You Comin' Back Red Ryder?
(Katselas, 1979
1980's
Resurrection
(Petrie, 1980)
The Awakening
(Newell, 1980)
Simon
(Brickman, 1980)
God's Angry Man
(Herzog, 1980)
Fast-Walking
(Harris, 1982)
Twice Upon a Time
(Korty & Swenson, 1983)
Trouble in Mind
(Rudolph, 1985)
When the Wind Blows
(Murikami, 1986)
Housekeeping
(Forsyth, 1987)
The Glass Menagerie
(Newman, 1987)
Patty Hearst
(Schrader, 1988)
Drowning by Numbers
(Greenaway, 1988)
Haunted Summer
(Passer, 1988)
The Decline of Western Civilization Part II: The Metal Years
(Spheeris, 1988)
1990's
Old Times
(Curtis, 1991)
Prospero's Books
(Greenaway, 1991)
City of Hope
(Sayles, 1991)
The Baby of Macon
(Greenaway, 1993)
King of the Hill
(Soderbergh, 1993)
Dadetown
(Hexter, 1995)
SubUrbia
(Linklater, 1997)

August War Glut?

Coming Soon's Ed Douglas reports that during a Hurt Locker presentation at last weekend's New York ComicCon, someone from the audience yelled out to star Jeremy Renner when the movie was coming out, and he yelled back "late August!"

If this is true (and I do say "if"), Summit has decided to release the only Iraq War film that really works in an audience-popcorn sense -- it's Aliens -- in a month that has two other big-time, hot-ticket war films -- Paramount and Stephen Sommers' G.I. Joe: The Rise of Cobra (8.7.09) and Quentin Tarantino's Inglorious Basterds (8.21.09). And If Renner's late August projection is accurate, he would be speaking of Friday, 8.28, which would make The Hurt Locker third in line that month and facing an audience that will be almost certainly be feeling well-fed if not sated as far as bullets, tanks and helmets are concerned.

Could Summit really be contemplating opening The Hurt Locker this way? I can't believe any smallish distributor would willingly put its own war film in competition with two other high-profile, sure-to-be-aggressively-marketed war films within a three-week period. Am I missing something? Is jumping into a genre congestion situation a strategy that has worked before, or which makes any sense to anyone?

Summit must at least be considering a Friday, 8.14 opening, which will put them second in line (right after G.I. Joe) but will also probably ensure a sharp fall-off in business when Tarantino's film comes along a week later. Opening directly against the Tarantino would be death, of course, but if I were Summit I'd want to be far, far away from it.

I wouldn't dream of coming out this August. All along The Hurt Locker has been a movie that has screamed (a) spring, (b) counter-programming in an especially empty or puerile mid-summer period, or (c) between Labor Day and late November. Summit has been so flaky and indecisive and under-energized about this film all along, and now this. It would be well and good if Renner was passing along bad info. Let's hope so.

Note: Apologies for the disappearance of this and other stories earlier today.

Posted by Jeffrey Wells on February 10, 2009 at 7:23 PM

comment #1

D.Z. Author Profile Page says ...

G.I. Joe looks a little too much like Watchmen with bullet-time. Plus, the cartoon wasn't really as big as Transformers, even in its heyday, so it might not score as well at the box office as Paramount hopes. Basterds is probably going to suffer from the opposite problem of not being enough of an action movie. So if Hurt Locker can deliver in its ads on promising to give audiences what the other two flicks lack, it might just at least be able to steal their PTA.

Posted by D.Z. Author Profile Page at February 10, 2009 9:58 PM

comment #2

Reint Author Profile Page says ...

It's coming out August 20th in Holland... so maybe in the US as well?

Posted by Reint Author Profile Page at February 11, 2009 2:19 AM

comment #3

PastePotPete Author Profile Page says ...

GI Joe isn't remotely a war movie aside from a pretense that some of the characters are in the military, it's more like a more comic book-like James Bond flick, from everything I've seen. Which is probably overrating it. For your own sanity Wells you should probably ignore it. It's kind of the embodiment of things you hate about studio films. It looks like Sommers just took Transformers and put ninjas where the robots were. He also managed to steal imagery from Iron Man and Dark Knight(the Joes' armor suits).

I don't think Inglorious Basterds will be a hit and thus suck the air from war films, but I don't think Hurt Locker will be successful either...I'm thinking Iraq movies won't be any more popular under Obama than Bush. Even IF they can function as an action piece.

I'm really just wondering WTF The Hurt Locker is doing at a comic con in the first place.

Posted by PastePotPete Author Profile Page at February 11, 2009 3:33 AM

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