Most Wanted
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Ishtar
(May, 1987)
The Seven-Per-Cent Solution (OOP)
(Ross, 1976)
The Devils
(Russell, 1974)
The Pirates of Penzance
(Papp/Leach, 1983)
The Fortune
(Nichols, 1975)
-30-
(Webb, 1959)
Betrayal
(Jones, 1983)
Play It As It Lays
(Perry, 1972)
The Outfit
(Flynn, 1973)
Alex in Wonderland
(Mazursky, 1969)
The Legend of Lylah Clare
(Aldrich, 1968)
In The Cool of the Day
(Stevens, 1963)
That Cold Day in the Park
(Altman, 1969)
Thumb Trippin'
(Masters, 1972)
Midas Run
(Kjellin, 1969)
At Long Last Love
(Bogdanovich, 1973)
Brewster McCloud
(Altman, 1972)
Outcast of the Islands
(Reed, 1951)

Reader Submissions

1930's-1950's
The Moon's Our Home
(Seiter, 1936)
Sh! The Octopus
(McGann, 1937)
The Mating Season
(Leisen, 1951)
Bad for Each Other
(Rapper, 1953)
The Phenix City Story
(Karlson, 1955)
Run of the Arrow
(Fuller, 1956)
House of Secrets
(Green, 1956)
Saint Joan
(Preminger, 1957)
Macabre
(Castle, 1958)
The Fiend Who Walked the West
(G. Douglas, 1958
Five Gates to Hell
(Clavell, 1959)
1960's
Key Witness
(Karlson, 1960)
Summer and Smoke
(Glenville, 1961)
The Chapman Report
(Cukor,1962)
Bachelor Flat
(Tashlin, 1962) [on Hulu]
The L Shaped Room
(Forbes, 1963)
The Chalk Garden
(Neame, 1964)
A Thousand Clowns
(Coe, 1965)
You're a Big Boy Now
(Coppola, 1966)
The Whisperers
(Forbes, 1967)
Dark of the Sun
(Cardiff, 1968)
Skidoo
(Preminger, 1968)
Last Summer
(Perry, 1969)
The Comic
(C. Reiner, 1969)
1970-1974
The Revolutionary
(Williams, 1970)
The Landlord
(Ashby, 1970)
Diary of a Mad Housewife
(Perry, 1970)
Tropic of Cancer
(Strick, 1970)
I Never Sang for My Father
(Cates, 1970)
Sometimes a Great Notion
(Newman, 1971)
Marriage of a Young Stockbroker
(Turman, 1971)
The Music Lovers
(Russell, 1971)
Drive, He Said
(Nicholson, 1971)
The Steagle
(Sylbert, 1971)
The Last Movie
(Hopper, 1971)
Made For Each Other
(Bean, 1971)
The Day the Clown Cried
(Lewis, 1972)
Hickey & Boggs (OOP)
(Culp, 1972)
The Carey Treatment
(Edwards, 1972)
Pete 'n' Tillie
(Ritt, 1972)
Slither
(Zieff, 1973)
Man on a Swing
(Perry, 1974)
Open Season
(Collinson, 1974)
The Tamarind Seed
(Edwards, 1974)
Law and Disorder
(Passer, 1974)
Homebodies
(Yust, 1974)
Stardust
(Apted, 1974)
Celine and Julie Go Boating
(Rivette, 1974)
1975-1979
Rafferty and the Gold Dust Twins
(Richards, 1975
At Long Last Love
(Bogdanovich, 1975)
Hearts of the West
(Zieff, 1975)
Welcome to L.A.
(Rudolph, 1976)
W.C. Fields and Me
(Hiller, 1976)
Citizens Band
(Demme, 1977)
Twilight's Last Gleaming
(Aldrich, 1977)
Looking for Mr. Goodbar
(Brooks, 1977)
Girlfriends
(Weill, 1978)
Movie Movie
(Donen, 1978)
The Medusa Touch
(Gold, 1978)
American Hot Wax
(Mutrux, 1978)
Hot Stuff
(DeLuise, 1979)
Scavenger Hunt
(Schultz , 1979)
Players
(Harvey, 1979)
Rich Kids
(Young, 1979)
Nightwing
(Hiller, 1979)
Screams of a Winter's Night
(Wilson, 1979
When You Comin' Back Red Ryder?
(Katselas, 1979
1980's
Resurrection
(Petrie, 1980)
The Awakening
(Newell, 1980)
Simon
(Brickman, 1980)
God's Angry Man
(Herzog, 1980)
Fast-Walking
(Harris, 1982)
Twice Upon a Time
(Korty & Swenson, 1983)
Trouble in Mind
(Rudolph, 1985)
When the Wind Blows
(Murikami, 1986)
Housekeeping
(Forsyth, 1987)
The Glass Menagerie
(Newman, 1987)
Patty Hearst
(Schrader, 1988)
Drowning by Numbers
(Greenaway, 1988)
Haunted Summer
(Passer, 1988)
The Decline of Western Civilization Part II: The Metal Years
(Spheeris, 1988)
1990's
Old Times
(Curtis, 1991)
Prospero's Books
(Greenaway, 1991)
City of Hope
(Sayles, 1991)
The Baby of Macon
(Greenaway, 1993)
King of the Hill
(Soderbergh, 1993)
Dadetown
(Hexter, 1995)
SubUrbia
(Linklater, 1997)

DreamWorks/Disney

N.Y. Times reporters Brooks Barnes and Michael Cieply reported a few minutes ago that Universal Pictures "has issued a statement acknowledging that DreamWorks [is] shopping elsewhere" for a distribution deal. That means Disney. "Universal Pictures has ended discussions with DreamWorks for a distribution agreement," it said. "It is clear that DreamWorks' needs and Universal's business interests are no longer in alignment. We wish them luck in their pursuit of funding and distribution of their future endeavors."

Honest, really...who cares? What does it matter? How much better can DreamWorks partner Steven Spielberg, whom I sometimes think of as the bearded and beaming Noah Cross of modern Hollywood, live or eat or dress? What has this deal have to do with the price of rice and the basic nutrients that we all need from good movies on a regular basis? I'll tell you what it has to do with them. Not much.

What effect will this have, if any, upon Spielberg's finally stepping up and directing his Lincoln movie, if in fact he intends to direct it (which many people doubt). None, I'm guessing. Spielberg has blown the magic moment on the Lincoln project anyway. It should have been filmed last year and come out just after Barack Obama's election, or sometime in December and into January. The timing would have been perfect.

And yes, now that I've thought it over, Daniel Day Lewis should play Mr. Lincoln. It would break Liam Neeson's heart to lose the role, but when a friend suggested Lewis the other day, I knew it was the right call.

Posted by Jeffrey Wells on February 6, 2009 at 11:06 AM

comment #1

actionman Author Profile Page says ...

Off topic, and I hate pulling a D.Z., but here's Bale's apology:

http://www.slashfilm.com/2009/02/06/christian-bale-apologizes-for-tirade/#more-19462

Posted by actionman Author Profile Page at February 6, 2009 12:07 PM

comment #2

corey3rd Author Profile Page says ...

Sam Arkoff never had to raise this much cash.

Posted by corey3rd Author Profile Page at February 6, 2009 12:10 PM

comment #3

Rich S. Author Profile Page says ...

Roger Corman would have knocked out a Lincoln biopic starring Dick Miller (standing on a box) in six weeks for under $100K, and also had Coppola direct a southern gothic melodrama on the same sets at night. These kids today.

Posted by Rich S. Author Profile Page at February 6, 2009 12:21 PM

comment #4

Breedlove Author Profile Page says ...

Well, DDL could probably play Marilyn Monroe he's so good, but I think Neeson is perfect. It's the height thing.

Posted by Breedlove Author Profile Page at February 6, 2009 1:45 PM

comment #5

D.Z. Author Profile Page says ...

Good idea. There won't be any egotistical head-butting with *that* partnership...Strange that Disney thinks DW is less risky than a Narnia 3, considering how worthless they were until Paramount came along. Stevie's a total jerk to Universal, though, making them think that he wanted to deal with them, and then forcing them to take a higher loss on distribution.

Posted by D.Z. Author Profile Page at February 6, 2009 3:39 PM

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