Email here for additions & corrections.
Ishtar (May,
1987)
The Seven-Per-Cent Solution (OOP)
(Ross,
1976)
The Devils (Russell,
1974)
The Pirates of Penzance (Papp/Leach,
1983)
The Fortune (Nichols,
1975)
-30- (Webb,
1959)
Betrayal (Jones,
1983)
Play It As It Lays (Perry,
1972)
The Outfit (Flynn,
1973)
Alex in Wonderland (Mazursky,
1969)
The Legend of Lylah Clare (Aldrich,
1968)
In The Cool of the Day (Stevens,
1963)
That Cold Day in the Park (Altman,
1969)
Thumb Trippin' (Masters,
1972)
Midas Run (Kjellin,
1969)
At Long Last Love (Bogdanovich,
1973)
Brewster McCloud (Altman,
1972)
Outcast of the Islands (Reed,
1951)
Reader Submissions
1930's-1950's
The Moon's Our Home (Seiter,
1936)
Sh! The Octopus (McGann,
1937)
The Mating Season (Leisen,
1951)
Bad for Each Other (Rapper,
1953)
The Phenix City Story (Karlson,
1955)
Run of the Arrow (Fuller,
1956)
House of Secrets (Green,
1956)
Saint Joan (Preminger,
1957)
Macabre (Castle,
1958)
The Fiend Who Walked the West (G. Douglas,
1958
Five Gates to Hell (Clavell,
1959)
1960's
Key Witness (Karlson,
1960)
Summer and Smoke (Glenville,
1961)
The Chapman Report (Cukor,
1962)
Bachelor Flat (Tashlin,
1962) [on Hulu]
The L Shaped Room (Forbes,
1963)
The Chalk Garden (Neame,
1964)
A Thousand Clowns (Coe,
1965)
You're a Big Boy Now (Coppola,
1966)
The Whisperers (Forbes,
1967)
Dark of the Sun (Cardiff,
1968)
Skidoo (Preminger,
1968)
Last Summer (Perry,
1969)
The Comic (C. Reiner,
1969)
1970-1974
The Revolutionary (Williams,
1970)
The Landlord (Ashby,
1970)
Diary of a Mad Housewife (Perry,
1970)
Tropic of Cancer (Strick,
1970)
I Never Sang for My Father (Cates,
1970)
Sometimes a Great Notion (Newman,
1971)
Marriage of a Young Stockbroker (Turman,
1971)
The Music Lovers (Russell,
1971)
Drive, He Said (Nicholson,
1971)
The Steagle (Sylbert,
1971)
The Last Movie (Hopper,
1971)
Made For Each Other (Bean,
1971)
The Day the Clown Cried (Lewis,
1972)
Hickey & Boggs (OOP)
(Culp,
1972)
The Carey Treatment (Edwards,
1972)
Pete 'n' Tillie (Ritt,
1972)
Slither (Zieff,
1973)
Man on a Swing (Perry,
1974)
Open Season (Collinson,
1974)
The Tamarind Seed (Edwards,
1974)
Law and Disorder (Passer,
1974)
Homebodies (Yust,
1974)
Stardust (Apted,
1974)
Celine and Julie Go Boating (Rivette,
1974)
1975-1979
Rafferty and the Gold Dust Twins (Richards,
1975
At Long Last Love (Bogdanovich,
1975)
Hearts of the West (Zieff,
1975)
Welcome to L.A. (Rudolph,
1976)
W.C. Fields and Me (Hiller,
1976)
Citizens Band (Demme,
1977)
Twilight's Last Gleaming (Aldrich,
1977)
Looking for Mr. Goodbar (Brooks,
1977)
Girlfriends (Weill,
1978)
Movie Movie (Donen,
1978)
The Medusa Touch (Gold,
1978)
American Hot Wax (Mutrux,
1978)
Hot Stuff (DeLuise,
1979)
Scavenger Hunt (Schultz ,
1979)
Players (Harvey,
1979)
Rich Kids (Young,
1979)
Nightwing (Hiller,
1979)
Screams of a Winter's Night (Wilson,
1979
When You Comin' Back Red Ryder? (Katselas,
1979
1980's
Resurrection (Petrie,
1980)
The Awakening (Newell,
1980)
Simon (Brickman,
1980)
God's Angry Man (Herzog,
1980)
Fast-Walking (Harris,
1982)
Twice Upon a Time (Korty & Swenson,
1983)
Trouble in Mind (Rudolph,
1985)
When the Wind Blows (Murikami,
1986)
Housekeeping (Forsyth,
1987)
The Glass Menagerie (Newman,
1987)
Patty Hearst (Schrader,
1988)
Drowning by Numbers (Greenaway,
1988)
Haunted Summer (Passer,
1988)
The Decline of Western Civilization Part II: The Metal Years(Spheeris,
1988)
1990's
Old Times (Curtis,
1991)
Prospero's Books (Greenaway,
1991)
City of Hope (Sayles,
1991)
The Baby of Macon (Greenaway,
1993)
King of the Hill (Soderbergh,
1993)
Dadetown (Hexter,
1995)
SubUrbia (Linklater,
1997)
comment #1
George Prager
says ...
Tbogg has a weekly rundown of Big Hollywood highlights. Very entertaining:
I specifically avoided Andy Breitbart's Sandbox of Stoopid, but now it's Friday and that means that it's time to muck out the stalls again. Gee, I hope I didn't miss a post on the Ten Most Conservative Infomericials.
Mr. Wrestling IV:
If thy friends offend thee, fuck them up.
Gary Graham:
People who don't exist are asking me to write more because it pisses off people who don't know that I even exist and couldn't pick me out in a one person line-up. So by popular demand...
John Nolte:
We will claim every film to be conservative .We can't be reasoned with. We don't feel embarrassment, understand logic, or fear being mocked. And we absolutely will not stop, ever, until all your film are belong to us.
Doug TenNapel:
Octomom Nadya Suleman should totally be the spokesperson for the pro-life movement. Right? Anyone? Where'd everyone go?
Bill Willingham:
If I avoid heated conversations about race it's not because I'm a coward. I'm just...discerning.
John Romano:
Nobody is making fun of my music even though it makes Hootie and the Blowfish sound like Black Flag, so I must be doing something right.
Tim Slagle:
None of the successful late night comedians are making jokes about Obama. What's up with that?
Robert Avrech:
Despite the graphic, this is just another un-hot post about women behind bars so you can just put your penis away, okay?
Endre Balogh:
Everything I know about history, like the fact that the Nazis' were socialists, I learned from Jonah Goldberg's book.
John Nolte:
As an admitted connoisseur of the Deuce Bigelow movies I hate to admit that I have never seen The Battle of Algiers so I should probably watch it so I can call dibs on it for conservatives.
Mike Long:
My commenters and I will now commence a very awkward discussion of the merits of the film Milk while making it abundantly clear that none of us are homos.
Maggie Malone:
Women shouldn't possess the right to do legally what I did illegally.
Michael van der Galien:
It is a little know fact that African-Americans introduced hip-hop, the slam dunk, and domestic violence to America
Charles Winecoff:
I am Spartacus Shlomo Rabinowitz!
http://tbogg.firedoglake.com/2009/02/20/tales-from-the-bigho-2/
Posted by George Prager
at February 21, 2009 10:37 AM
comment #2
byanyother
says ...
Um, this is funny but sorry, no contest. Nikki Finke wins by a long, long way. The Wrap is dull and bitchy, The Daily Beast is not making headlines at all. And besides, the Wrap and the Daily Beast are top-heavy sites, more akin to Huffington Post than Deadline Hollywood Daily. Anyway, re: taking on Finke, good luck with that.
Posted by byanyother
at February 21, 2009 10:45 AM
comment #3
dogcatcher
says ...
I think Nikki Finke is best when it comes to actually breaking stories, but her outright shilling for those idiots in Membership First (during the SAG wars) and her neverending snarkiness and cynicism about everything is kind of grating.
Posted by dogcatcher
at February 22, 2009 3:12 AM
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