Most Wanted
Email here for additions & corrections.

Ishtar
(May, 1987)
The Seven-Per-Cent Solution (OOP)
(Ross, 1976)
The Devils
(Russell, 1974)
The Pirates of Penzance
(Papp/Leach, 1983)
The Fortune
(Nichols, 1975)
-30-
(Webb, 1959)
Betrayal
(Jones, 1983)
Play It As It Lays
(Perry, 1972)
The Outfit
(Flynn, 1973)
Alex in Wonderland
(Mazursky, 1969)
The Legend of Lylah Clare
(Aldrich, 1968)
In The Cool of the Day
(Stevens, 1963)
That Cold Day in the Park
(Altman, 1969)
Thumb Trippin'
(Masters, 1972)
Midas Run
(Kjellin, 1969)
At Long Last Love
(Bogdanovich, 1973)
Brewster McCloud
(Altman, 1972)
Outcast of the Islands
(Reed, 1951)

Reader Submissions

1930's-1950's
The Moon's Our Home
(Seiter, 1936)
Sh! The Octopus
(McGann, 1937)
The Mating Season
(Leisen, 1951)
Bad for Each Other
(Rapper, 1953)
The Phenix City Story
(Karlson, 1955)
Run of the Arrow
(Fuller, 1956)
House of Secrets
(Green, 1956)
Saint Joan
(Preminger, 1957)
Macabre
(Castle, 1958)
The Fiend Who Walked the West
(G. Douglas, 1958
Five Gates to Hell
(Clavell, 1959)
1960's
Key Witness
(Karlson, 1960)
Summer and Smoke
(Glenville, 1961)
The Chapman Report
(Cukor,1962)
Bachelor Flat
(Tashlin, 1962) [on Hulu]
The L Shaped Room
(Forbes, 1963)
The Chalk Garden
(Neame, 1964)
A Thousand Clowns
(Coe, 1965)
You're a Big Boy Now
(Coppola, 1966)
The Whisperers
(Forbes, 1967)
Dark of the Sun
(Cardiff, 1968)
Skidoo
(Preminger, 1968)
Last Summer
(Perry, 1969)
The Comic
(C. Reiner, 1969)
1970-1974
The Revolutionary
(Williams, 1970)
The Landlord
(Ashby, 1970)
Diary of a Mad Housewife
(Perry, 1970)
Tropic of Cancer
(Strick, 1970)
I Never Sang for My Father
(Cates, 1970)
Sometimes a Great Notion
(Newman, 1971)
Marriage of a Young Stockbroker
(Turman, 1971)
The Music Lovers
(Russell, 1971)
Drive, He Said
(Nicholson, 1971)
The Steagle
(Sylbert, 1971)
The Last Movie
(Hopper, 1971)
Made For Each Other
(Bean, 1971)
The Day the Clown Cried
(Lewis, 1972)
Hickey & Boggs (OOP)
(Culp, 1972)
The Carey Treatment
(Edwards, 1972)
Pete 'n' Tillie
(Ritt, 1972)
Slither
(Zieff, 1973)
Man on a Swing
(Perry, 1974)
Open Season
(Collinson, 1974)
The Tamarind Seed
(Edwards, 1974)
Law and Disorder
(Passer, 1974)
Homebodies
(Yust, 1974)
Stardust
(Apted, 1974)
Celine and Julie Go Boating
(Rivette, 1974)
1975-1979
Rafferty and the Gold Dust Twins
(Richards, 1975
At Long Last Love
(Bogdanovich, 1975)
Hearts of the West
(Zieff, 1975)
Welcome to L.A.
(Rudolph, 1976)
W.C. Fields and Me
(Hiller, 1976)
Citizens Band
(Demme, 1977)
Twilight's Last Gleaming
(Aldrich, 1977)
Looking for Mr. Goodbar
(Brooks, 1977)
Girlfriends
(Weill, 1978)
Movie Movie
(Donen, 1978)
The Medusa Touch
(Gold, 1978)
American Hot Wax
(Mutrux, 1978)
Hot Stuff
(DeLuise, 1979)
Scavenger Hunt
(Schultz , 1979)
Players
(Harvey, 1979)
Rich Kids
(Young, 1979)
Nightwing
(Hiller, 1979)
Screams of a Winter's Night
(Wilson, 1979
When You Comin' Back Red Ryder?
(Katselas, 1979
1980's
Resurrection
(Petrie, 1980)
The Awakening
(Newell, 1980)
Simon
(Brickman, 1980)
God's Angry Man
(Herzog, 1980)
Fast-Walking
(Harris, 1982)
Twice Upon a Time
(Korty & Swenson, 1983)
Trouble in Mind
(Rudolph, 1985)
When the Wind Blows
(Murikami, 1986)
Housekeeping
(Forsyth, 1987)
The Glass Menagerie
(Newman, 1987)
Patty Hearst
(Schrader, 1988)
Drowning by Numbers
(Greenaway, 1988)
Haunted Summer
(Passer, 1988)
The Decline of Western Civilization Part II: The Metal Years
(Spheeris, 1988)
1990's
Old Times
(Curtis, 1991)
Prospero's Books
(Greenaway, 1991)
City of Hope
(Sayles, 1991)
The Baby of Macon
(Greenaway, 1993)
King of the Hill
(Soderbergh, 1993)
Dadetown
(Hexter, 1995)
SubUrbia
(Linklater, 1997)

Wank

Last night I watched William Friedkin's new color-desaturated, de-focused, reduced and blended with black-and-white French Connection Blu-ray, which comes out next Tuesday.


From the standard 2005 DVD. Stark, blueish, unprettified.

The Blu-ray image -- lighter, quasi-bleachy, snowier, more grain.

I don't care if this makes me sound unhip -- it's awful, a rip-off, a desecration and a five-alarm burn. The original film (i.e., the version that played in theatres in '71 and which was captured for the 2005 standard DVD) is plenty gritty and muddy-looking on its own without Friedkin futzing around. Please, I'm telling you -- don't buy this friggin' thing. Unless you're a purist monk it'll just piss you off. Trust me on this one.

Note: Some Came Running's Glenn Kenny is not a monk on this matter, as a recently posted essay makes clear.

Fart Vistas<< previous | next >>Off The Ground

Posted by Jeffrey Wells on February 18, 2009 at 9:22 AM

comment #1

actionman Author Profile Page says ...

When will there be a good DVD release of Sorcerer?

Posted by actionman Author Profile Page at February 18, 2009 9:50 AM

comment #2

Glenn Kenny Author Profile Page says ...

I wouldn't exactly call my write-up of the Blu-ray a rave, Jeff:

http://somecamerunning.typepad.com/some_came_running/2009/02/what-hath-friedkin-wrought.html

Even allowing for notions of artistic license and creator's rights, I think there's something at least slightly perverse about only including Friedkin's gritted-up re-vision and eschewing a solid high-def rendering of its theatrical version. It's almost as if Friedkin wants to kneecap the whole format or something!

In any case, I imagine the shitstorm is just beginning.

Posted by Glenn Kenny Author Profile Page at February 18, 2009 10:01 AM

comment #3

Chase Kahn Author Profile Page says ...

meanwhile, Criterion just announced 'Ran' on Blu-ray for May 12th -- rejoice.

http://www.highdefdigest.com/news/show/Criterion/Disc_Announcements/Criterion_to_Bring_Ran_to_Blu-ray_this_May/2503

Posted by Chase Kahn Author Profile Page at February 18, 2009 10:10 AM

comment #4

televisiontears Author Profile Page says ...

"Please, I'm telling you -- don't use this link I've conveniently provided and buy this friggin' thing. You see the link up there? For the love of God, do not click on it and purchase the item on that page. That link right there, underlined and in a different color. Whatever you do, don't click on it."

Posted by televisiontears Author Profile Page at February 18, 2009 11:03 AM

comment #5

televisiontears Author Profile Page says ...

Ran on BD? Man, I just bought the Criterion DVD a few months ago. For years, all I had was the old bare-bones disc, which has one letterbox bar on the bottom and looks like someone smeared bacon grease on the print before the transfer. This is one that will look fantastic on Blu-Ray.

Posted by televisiontears Author Profile Page at February 18, 2009 11:08 AM

comment #6

CitizenKanedforChewingGum Author Profile Page says ...

Sorcerer is a pretty badass Friedkin flick. Nice call there, Am.

Posted by CitizenKanedforChewingGum Author Profile Page at February 18, 2009 11:20 AM

comment #7

YND Author Profile Page says ...

There's a review with lots of screen shots over at DVD Beaver:

http://www.dvdbeaver.com/film2/DVDReviews44/the_french_connection_blu-ray.htm

Their reviewer says "...keep in mind this was never a high-resolution film to begin with. Friedkin insists this is better than his movie has ever looked, and once you accept its alternating film stocks, tight and heavy film grain, high and moderate contrast as all being in keeping its faux-documentary look, you'll be just fine."

Posted by YND Author Profile Page at February 18, 2009 11:44 AM

comment #8

actionman Author Profile Page says ...

Thanks, Kaned. I love that flick. It's not as good as Wages of Fear but it's damn impressive. It really needs the widescreen treatment on a new bells-and-whistles DVD.

Posted by actionman Author Profile Page at February 18, 2009 11:46 AM

comment #9

mutinyco Author Profile Page says ...

He simulated a bleach skip, that's all.

It's a very common aesthetic. Every major working cinematographer today has has either done that or used a retention/re-silvering process like ENR: Storaro, Savides, Khondji, Kaminski, Richardson, Deakins, Toll, etc. It was even simulated in DI for Children of Men.

The controversy here is simply that it was applied to a nearly 40-year old film that didn't originally have this aesthetic.

From the ASC: http://www.theasc.com/magazine/nov98/soupdujour/pg2.htm

Or here. As a test, I just blended a color track at 50% opacity with a monochrome track (top image is unaltered): http://mutinycompany.com/unimaginative/lumetsilver.jpg

Posted by mutinyco Author Profile Page at February 18, 2009 1:08 PM

comment #10

Edward Author Profile Page says ...

That's a great look mutiny. You use Photoshop?

Posted by Edward Author Profile Page at February 18, 2009 2:53 PM

comment #11

corey3rd Author Profile Page says ...

The last time I saw a 35mm of French Connection projected, it had red shifted.

Posted by corey3rd Author Profile Page at February 18, 2009 3:39 PM

comment #12

mutinyco Author Profile Page says ...

Thanks. No, I did it in Final Cut Pro. I had originally mastered the Lumet video in B&W, so I simply layered a second video track over the existing one in its native color, then I took the opacity of the color track down 50%. This way, the color image blended with the B&W that was below it.

Posted by mutinyco Author Profile Page at February 18, 2009 4:10 PM

comment #13

arturobandini2 Author Profile Page says ...

Why does Hurricane Billy keep pissing all over his best work? Crabwalk restoration notwithstanding, I hated the recent changes he made to The Exorcist. The Pazuzu fright mask was a shocking subliminal flash in the original. What did he gain by superimposing it over refrigerator doors in the recut? We should probably be grateful he wasn't allowed to do Cruising Redux. The anal penetration shot would've flickered all through those Central Park tunnels.

Posted by arturobandini2 Author Profile Page at February 18, 2009 7:54 PM

comment #14

TheJeff Author Profile Page says ...

You won't find any "monks" on this one, Jeff. It's a fucking travesty.

Posted by TheJeff Author Profile Page at February 18, 2009 8:46 PM

comment #15

frankbooth Author Profile Page says ...

I agree with arturo. I've only seen the revamped version once, but all those excess not-quite-subliminal shots were a huge distraction. Even the crabwalk was a little silly-looking after all the hype.

Is there an unadulterated DVD available? I've never checked.

And from everything I've seen and read so far, the FC Blu-Ray looks like shit, and not because of grain.

Posted by frankbooth Author Profile Page at February 18, 2009 10:19 PM

comment #16

Gordon27 Author Profile Page says ...

"Is there an unadulterated DVD available? I've never checked."

The 25th Anniversary Edition is, I believe, technically still in print, but difficult to find in most stores. It's still reasonably cheap on Ebay, though. It has a great documentary, but no commentary (I think)

The "Version You've Never Seen Before" is much more widely available. This has the aforementioned commentary.

Posted by Gordon27 Author Profile Page at February 25, 2009 3:00 PM

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