Most Wanted
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Ishtar
(May, 1987)
The Seven-Per-Cent Solution (OOP)
(Ross, 1976)
The Devils
(Russell, 1974)
The Pirates of Penzance
(Papp/Leach, 1983)
The Fortune
(Nichols, 1975)
-30-
(Webb, 1959)
Betrayal
(Jones, 1983)
Play It As It Lays
(Perry, 1972)
The Outfit
(Flynn, 1973)
Alex in Wonderland
(Mazursky, 1969)
The Legend of Lylah Clare
(Aldrich, 1968)
In The Cool of the Day
(Stevens, 1963)
That Cold Day in the Park
(Altman, 1969)
Thumb Trippin'
(Masters, 1972)
Midas Run
(Kjellin, 1969)
At Long Last Love
(Bogdanovich, 1973)
Brewster McCloud
(Altman, 1972)
Outcast of the Islands
(Reed, 1951)

Reader Submissions

1930's-1950's
The Moon's Our Home
(Seiter, 1936)
Sh! The Octopus
(McGann, 1937)
The Mating Season
(Leisen, 1951)
Bad for Each Other
(Rapper, 1953)
The Phenix City Story
(Karlson, 1955)
Run of the Arrow
(Fuller, 1956)
House of Secrets
(Green, 1956)
Saint Joan
(Preminger, 1957)
Macabre
(Castle, 1958)
The Fiend Who Walked the West
(G. Douglas, 1958
Five Gates to Hell
(Clavell, 1959)
1960's
Key Witness
(Karlson, 1960)
Summer and Smoke
(Glenville, 1961)
The Chapman Report
(Cukor,1962)
Bachelor Flat
(Tashlin, 1962) [on Hulu]
The L Shaped Room
(Forbes, 1963)
The Chalk Garden
(Neame, 1964)
A Thousand Clowns
(Coe, 1965)
You're a Big Boy Now
(Coppola, 1966)
The Whisperers
(Forbes, 1967)
Dark of the Sun
(Cardiff, 1968)
Skidoo
(Preminger, 1968)
Last Summer
(Perry, 1969)
The Comic
(C. Reiner, 1969)
1970-1974
The Revolutionary
(Williams, 1970)
The Landlord
(Ashby, 1970)
Diary of a Mad Housewife
(Perry, 1970)
Tropic of Cancer
(Strick, 1970)
I Never Sang for My Father
(Cates, 1970)
Sometimes a Great Notion
(Newman, 1971)
Marriage of a Young Stockbroker
(Turman, 1971)
The Music Lovers
(Russell, 1971)
Drive, He Said
(Nicholson, 1971)
The Steagle
(Sylbert, 1971)
The Last Movie
(Hopper, 1971)
Made For Each Other
(Bean, 1971)
The Day the Clown Cried
(Lewis, 1972)
Hickey & Boggs (OOP)
(Culp, 1972)
The Carey Treatment
(Edwards, 1972)
Pete 'n' Tillie
(Ritt, 1972)
Slither
(Zieff, 1973)
Man on a Swing
(Perry, 1974)
Open Season
(Collinson, 1974)
The Tamarind Seed
(Edwards, 1974)
Law and Disorder
(Passer, 1974)
Homebodies
(Yust, 1974)
Stardust
(Apted, 1974)
Celine and Julie Go Boating
(Rivette, 1974)
1975-1979
Rafferty and the Gold Dust Twins
(Richards, 1975
At Long Last Love
(Bogdanovich, 1975)
Hearts of the West
(Zieff, 1975)
Welcome to L.A.
(Rudolph, 1976)
W.C. Fields and Me
(Hiller, 1976)
Citizens Band
(Demme, 1977)
Twilight's Last Gleaming
(Aldrich, 1977)
Looking for Mr. Goodbar
(Brooks, 1977)
Girlfriends
(Weill, 1978)
Movie Movie
(Donen, 1978)
The Medusa Touch
(Gold, 1978)
American Hot Wax
(Mutrux, 1978)
Hot Stuff
(DeLuise, 1979)
Scavenger Hunt
(Schultz , 1979)
Players
(Harvey, 1979)
Rich Kids
(Young, 1979)
Nightwing
(Hiller, 1979)
Screams of a Winter's Night
(Wilson, 1979
When You Comin' Back Red Ryder?
(Katselas, 1979
1980's
Resurrection
(Petrie, 1980)
The Awakening
(Newell, 1980)
Simon
(Brickman, 1980)
God's Angry Man
(Herzog, 1980)
Fast-Walking
(Harris, 1982)
Twice Upon a Time
(Korty & Swenson, 1983)
Trouble in Mind
(Rudolph, 1985)
When the Wind Blows
(Murikami, 1986)
Housekeeping
(Forsyth, 1987)
The Glass Menagerie
(Newman, 1987)
Patty Hearst
(Schrader, 1988)
Drowning by Numbers
(Greenaway, 1988)
Haunted Summer
(Passer, 1988)
The Decline of Western Civilization Part II: The Metal Years
(Spheeris, 1988)
1990's
Old Times
(Curtis, 1991)
Prospero's Books
(Greenaway, 1991)
City of Hope
(Sayles, 1991)
The Baby of Macon
(Greenaway, 1993)
King of the Hill
(Soderbergh, 1993)
Dadetown
(Hexter, 1995)
SubUrbia
(Linklater, 1997)

Drag My Ass To Hell

Universal will open Sam Raimi's latest film, which is about the joy of making heartless bank officers suffer, on May 29th. Alison Lohman's character is apparently less heartless than her boss.

Posted by Jeffrey Wells on March 11, 2009 at 3:08 PM

comment #1

nemo Author Profile Page says ...

It looked a lot more interesting before all the conventional horror movie stuff kicked in.

Posted by nemo Author Profile Page at March 11, 2009 3:20 PM

comment #2

The InSneider Author Profile Page says ...

It's great to have Raimi back in the horror business BUT... this movie just doesn't look very good. It just makes me think of Thinner, which was horrible. And the PG-13 rating has to raise eyeballs. I mean, I AM the target audience member for this but there's no way I'd see this over UP. If they wanted to go after a different audience, they should've gone all the way and made it R. And losing Ellen Page and replacing her with Ali Lohman is a HUGE step down. I've liked Lohman's past work but none of it has really stood out and announced her as one to watch. She's more talented than say, Megan Fox, but does she really have the chops to pull this off? This doesn't look like some arbitrary slasher movie like MBV or Friday the 13th where it doesn't matter which good-looing WB/CW kids you cast because the acting doesn't matter, the focus is on the killer. DMTH doesn't have that luxury. It'll work if Lohman pulls it off and I'm just not convinced she can. And she reminds me too much of Jenna Fischer in this trailer. And Justin Long is great in comedies but how much impact can he have on a movie like this? I'll be shocked if he's not thoroughly wasted. I'm glad Raimi is returning to the genre that made him famous but I highly doubt this will be a return to form. And besides, the question we're all asking is, will we ever see The Evil Dead 4?

Posted by The InSneider Author Profile Page at March 11, 2009 3:59 PM

comment #3

actionman Author Profile Page says ...

It looks a'ight.

Posted by actionman Author Profile Page at March 11, 2009 4:05 PM

comment #4

Carl Kolchak Author Profile Page says ...

I don't know....but it seems to me that if you have the power to unleash demons from Hell....you wouldn't need to beg for an extension on your mortgage payments.

Posted by Carl Kolchak Author Profile Page at March 11, 2009 4:14 PM

comment #5

Josh Massey Author Profile Page says ...

Yeah, seriously - because some lady can't pay her loan after two extensions, somebody has to go to Hell? What a bitch.

This looks more like Spider-Man 3 Raimi than Evil Dead 2 Raimi.

Posted by Josh Massey Author Profile Page at March 11, 2009 4:22 PM

comment #6

Scott Mendelson Author Profile Page says ...

It's a little late, I know... But I have seen this film at a test screening, and I'd advise anyone who is interested to not watch the trailer. It gives away a shocking amount of third-act content, including stuff that, without going into details, has no business being in a trailer. Just so you know...

Posted by Scott Mendelson Author Profile Page at March 11, 2009 4:23 PM

comment #7

Ryansi51 Author Profile Page says ...

cool title, but looks pretty lame to me.

Posted by Ryansi51 Author Profile Page at March 11, 2009 4:24 PM

comment #8

BurmaShave Author Profile Page says ...

Sneider, have you seen MATCHSTICK MEN? Lohman more than proved herself in that.

Posted by BurmaShave Author Profile Page at March 11, 2009 5:50 PM

comment #9

D.Z. Author Profile Page says ...

Scott: Third-act content? It's explaining the whole friggin' story!

Posted by D.Z. Author Profile Page at March 11, 2009 6:10 PM

comment #10

CarloDennis Author Profile Page says ...

Script's a blast, cliches and conventions aside. And the ending's a jaw-dropper.

Posted by CarloDennis Author Profile Page at March 11, 2009 6:34 PM

comment #11

actionman Author Profile Page says ...

lohman was fantastic in matchstick men, an underrated filck if there ever was one.

Posted by actionman Author Profile Page at March 11, 2009 7:41 PM

comment #12

CitizenKanedforChewingGum Author Profile Page says ...

The Evil Deads will always be Raimi's legacy, for better or (and?) worse. Outside of that, A Simple Plan is a minor masterpiece, and The Gift is very interesting (what a cast!). I enjoy SM2 as much as the next comic-lovin' guy, but does he realize how much time he's spending making these things? A quick rundown of his filmography reveals that of his 15 studio films (including two future projects), 8 have been Spider-Man or Evil Dead-related...Chris Nolan, let this serve as a warning -- get out now!

Love Matchstick Men, and Lohman in it...recommend Where the Truth Lies to any Lohman lovers out there.

Posted by CitizenKanedforChewingGum Author Profile Page at March 11, 2009 9:41 PM

comment #13

Aladdin Sane Author Profile Page says ...

I dunno, i have no expectations...I like the Evil Dead films and A Simple Plan. I hope this is somewhere in the vein of that kinda quality...

Posted by Aladdin Sane Author Profile Page at March 11, 2009 10:59 PM

comment #14

Gordon27 Author Profile Page says ...

"And besides, the question we're all asking is, will we ever see The Evil Dead 4?"

From what I understand, Bruce Campbell is no longer interested; he said he's too old, and "Who really wanted to see another Indiana Jones movie?" was the comparison he made. Not sure where I read that.

So, no love for 'Quick and the Dead'? The script is so terrible, but the style is so insane that, at the very least, the gunfights are worth watching. And talk about what a cast! (I mean, other than Sharon Stone, who's terrible in it.) Raimi abuses Russell Crowe like he was Bruce Campbell.

Posted by Gordon27 Author Profile Page at March 11, 2009 11:25 PM

comment #15

Rich S. Author Profile Page says ...

I was hoping this was going to be Raimi's return to his Evil Dead form. Not Evil Dead 2. Not Army of Darkness.

I want to see a nasty, bloody film with lots of milk-eyed demons running around plunging pencils into peoples ankles, etc. This at least looks like it's not going to be played for laughs.

Posted by Rich S. Author Profile Page at March 12, 2009 5:31 AM

comment #16

actionman Author Profile Page says ...

Where the Truth Lies -- have been meaning to catch up with that one.

A Simple Plan is just about perfect. The Quick and the Dead is dumb fun and sooooo stylish -- Spinotti shooting a western was fun to see.

I still have a hard-on for Army of Darkness.

Posted by actionman Author Profile Page at March 12, 2009 6:47 AM

comment #17

Ray Author Profile Page says ...

Sam Raimi managed a minor miracle with EVIL DEAD, which is actually scary and a lot of fun as well. Stylistically, it's my favorite film in his filmography.

The SPIDERMAN films blunted him somehow, turning him into a slightly creative studio hack. The Spidey films show some life (in some cases, unfortunately), but they are mostly paint-by-the-numbers.

This this looks the same. Paint-by-the-numbers. I think Raimi sold his soul a long time ago.

Posted by Ray Author Profile Page at March 12, 2009 7:38 AM

comment #18

actionman Author Profile Page says ...

Spiderman 2 is one of the best superhero movies of all time. The first one was solid, but Spidey 3 sucked big time. Hated that film.

Posted by actionman Author Profile Page at March 12, 2009 8:11 AM

comment #19

CitizenKanedforChewingGum Author Profile Page says ...

I agree with actionman about The Quick and the Dead.

And I agree with Raygo about the state of Raimi (and his general lack of cinema mojo) today.

After Spider-Man 3, I just don't think there's any turning back to a quickly-paced, fun, stylish movie like TQ&TD or even Darkman.

I hope I'm wrong, but I sort of doubt it. This trailer really isn't very encouraging.

It looks like a Sci-Fi original directed by one of those generic X-Files directors.

Posted by CitizenKanedforChewingGum Author Profile Page at March 12, 2009 11:29 AM

comment #20

Doug Author Profile Page says ...

Alison is also fun as a pop star in "Delirious."

Posted by Doug Author Profile Page at March 13, 2009 3:28 AM

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