Most Wanted
Email here for additions & corrections.

Ishtar
(May, 1987)
The Seven-Per-Cent Solution (OOP)
(Ross, 1976)
The Devils
(Russell, 1974)
The Pirates of Penzance
(Papp/Leach, 1983)
The Fortune
(Nichols, 1975)
-30-
(Webb, 1959)
Betrayal
(Jones, 1983)
Play It As It Lays
(Perry, 1972)
The Outfit
(Flynn, 1973)
Alex in Wonderland
(Mazursky, 1969)
The Legend of Lylah Clare
(Aldrich, 1968)
In The Cool of the Day
(Stevens, 1963)
That Cold Day in the Park
(Altman, 1969)
Thumb Trippin'
(Masters, 1972)
Midas Run
(Kjellin, 1969)
At Long Last Love
(Bogdanovich, 1973)
Brewster McCloud
(Altman, 1972)
Outcast of the Islands
(Reed, 1951)

Reader Submissions

1930's-1950's
The Moon's Our Home
(Seiter, 1936)
Sh! The Octopus
(McGann, 1937)
The Mating Season
(Leisen, 1951)
Bad for Each Other
(Rapper, 1953)
The Phenix City Story
(Karlson, 1955)
Run of the Arrow
(Fuller, 1956)
House of Secrets
(Green, 1956)
Saint Joan
(Preminger, 1957)
Macabre
(Castle, 1958)
The Fiend Who Walked the West
(G. Douglas, 1958
Five Gates to Hell
(Clavell, 1959)
1960's
Key Witness
(Karlson, 1960)
Summer and Smoke
(Glenville, 1961)
The Chapman Report
(Cukor,1962)
Bachelor Flat
(Tashlin, 1962) [on Hulu]
The L Shaped Room
(Forbes, 1963)
The Chalk Garden
(Neame, 1964)
A Thousand Clowns
(Coe, 1965)
You're a Big Boy Now
(Coppola, 1966)
The Whisperers
(Forbes, 1967)
Dark of the Sun
(Cardiff, 1968)
Skidoo
(Preminger, 1968)
Last Summer
(Perry, 1969)
The Comic
(C. Reiner, 1969)
1970-1974
The Revolutionary
(Williams, 1970)
The Landlord
(Ashby, 1970)
Diary of a Mad Housewife
(Perry, 1970)
Tropic of Cancer
(Strick, 1970)
I Never Sang for My Father
(Cates, 1970)
Sometimes a Great Notion
(Newman, 1971)
Marriage of a Young Stockbroker
(Turman, 1971)
The Music Lovers
(Russell, 1971)
Drive, He Said
(Nicholson, 1971)
The Steagle
(Sylbert, 1971)
The Last Movie
(Hopper, 1971)
Made For Each Other
(Bean, 1971)
The Day the Clown Cried
(Lewis, 1972)
Hickey & Boggs (OOP)
(Culp, 1972)
The Carey Treatment
(Edwards, 1972)
Pete 'n' Tillie
(Ritt, 1972)
Slither
(Zieff, 1973)
Man on a Swing
(Perry, 1974)
Open Season
(Collinson, 1974)
The Tamarind Seed
(Edwards, 1974)
Law and Disorder
(Passer, 1974)
Homebodies
(Yust, 1974)
Stardust
(Apted, 1974)
Celine and Julie Go Boating
(Rivette, 1974)
1975-1979
Rafferty and the Gold Dust Twins
(Richards, 1975
At Long Last Love
(Bogdanovich, 1975)
Hearts of the West
(Zieff, 1975)
Welcome to L.A.
(Rudolph, 1976)
W.C. Fields and Me
(Hiller, 1976)
Citizens Band
(Demme, 1977)
Twilight's Last Gleaming
(Aldrich, 1977)
Looking for Mr. Goodbar
(Brooks, 1977)
Girlfriends
(Weill, 1978)
Movie Movie
(Donen, 1978)
The Medusa Touch
(Gold, 1978)
American Hot Wax
(Mutrux, 1978)
Hot Stuff
(DeLuise, 1979)
Scavenger Hunt
(Schultz , 1979)
Players
(Harvey, 1979)
Rich Kids
(Young, 1979)
Nightwing
(Hiller, 1979)
Screams of a Winter's Night
(Wilson, 1979
When You Comin' Back Red Ryder?
(Katselas, 1979
1980's
Resurrection
(Petrie, 1980)
The Awakening
(Newell, 1980)
Simon
(Brickman, 1980)
God's Angry Man
(Herzog, 1980)
Fast-Walking
(Harris, 1982)
Twice Upon a Time
(Korty & Swenson, 1983)
Trouble in Mind
(Rudolph, 1985)
When the Wind Blows
(Murikami, 1986)
Housekeeping
(Forsyth, 1987)
The Glass Menagerie
(Newman, 1987)
Patty Hearst
(Schrader, 1988)
Drowning by Numbers
(Greenaway, 1988)
Haunted Summer
(Passer, 1988)
The Decline of Western Civilization Part II: The Metal Years
(Spheeris, 1988)
1990's
Old Times
(Curtis, 1991)
Prospero's Books
(Greenaway, 1991)
City of Hope
(Sayles, 1991)
The Baby of Macon
(Greenaway, 1993)
King of the Hill
(Soderbergh, 1993)
Dadetown
(Hexter, 1995)
SubUrbia
(Linklater, 1997)

Full Of It

In a disconnect-from-reality interview that will live in the annals of psychedelia, French Connection director William Friedkin has waved off cinematographer Owen Roizman's very sharp disparaging of the recently-released French Connection Blu-ray, which Friedkin supervised. The result was an abomination that made this classic 1971 cop drama look (and this is me talking) bleachy, blotchy, ultra-grainy and, by any visual standard, degraded. And Friedkin, not unexpectedly, thinks it's just peachy.

In an online audio interview last week with Back By Midnight's Aaron Aradillas , Roizman called the transfer "atrocious" and "horrifying." Freidkin, talking with Aradillas last night, said that Roizman "happens to be wrong" and called the French Connection Blu-ray "by far the best print that's ever been made for that picture. You're hearing this from the director. Not a frame has been changed, but the process is deeper and richer than anything that's come before....[it's been made] as good as we could make it look using the new home technology."

Whuh-whuh-whuh...what?

If your definition of "best" means the closest restoration of the original theatrical print that was approved in '71 by Friedkin and Roizman and seen by first-run audiences, then Friedkin, no offense, is completely full of shit. If your definition of "best" means a sharper, cleaner, less scratchy, and more visually vivid DVD or Blu-ray of an older film, then Friedkin, no offense, is completely full of shit. If your definition of "best" means re-imagined, revised and altered in a nearly monochromed and sand-stormed way according to a whim in Friedkin's head, then Friedkin is totally correct.

Aradillas, of course, let Friedkin get away with this. He took forever to raise the subject of the French Connection Blu-ray in their interview, and when the subject came up and Friedkin callled it "deeper and richer than anything that's come before," Aradillas didn't challenge him a bit. He wussed out.

When Friedkin asked Aradillas what he thought of the French Connection Blu-ray, Aradillas manned-up and said it was "pretty impressive...pretty impressive." What does that mean? I'll tell you what it means. It means Aradillas wants Friedkin to come back on the show.

At one point Friedkin compared the French Connection Blu-ray scorn to the boos of the folky faithful who tore into Bob Dylan for going electric at the 1965 Newport Folk Festival. Nice try, Billy.

Some Came Running's Glenn Kenny came on the show after Friedkin and he, too, tap-danced around the elephant in the room, which is that the French Connection Blu-ray is an unmistakable desecration. That's my view anyway, and the view of many Blu-ray fans out there. The vast majority, I suspect.

Posted by Jeffrey Wells on March 3, 2009 at 9:00 AM

comment #1

moorish Author Profile Page says ...

"The best print that has ever been made..." Friedkin used the exact same phrase at the Q&A screening of the blu-ray print I went to in London. Which was a bit surprising to us in the audience, who had just sat through the movie and been surprised by how grainy and shitty it looked. Friedkin also boasted that the print was "80% black and white", with just a bit of colour put back in.

Posted by moorish Author Profile Page at March 3, 2009 9:56 AM

comment #2

Gnome de Guerre Author Profile Page says ...

Shouldn't the question to Friedkin be whether this was his 1971-self's idea, and if not, when he came up with the idea to do this? Would his 1971-self approve? And if not, why is it not relevant to him today?

If this was his original intent in 1971 (and I'm aware he had the ability back then to make the film look this way, which argues against this, but still, IF...) then does that make it ok?

Posted by Gnome de Guerre Author Profile Page at March 3, 2009 10:06 AM

comment #3

Krazy Eyes Author Profile Page says ...

Clearly there are some disagreements on the quality of this transfer. I haven't seen the Blur-ay yet but David Poland reviewed the release last week and couldn't stop raving about how fantastic he thought the transfer looked.

Posted by Krazy Eyes Author Profile Page at March 3, 2009 10:38 AM

comment #4

actionman Author Profile Page says ...

I just wish someone could answer when Sorcerer is going to come out in proper widescreen format on DVD.

Posted by actionman Author Profile Page at March 3, 2009 10:47 AM

comment #5

Jack South P.I. Author Profile Page says ...

Poor William Freidkin. Like Francis Ford Coppola with Apocalypse Now Redux and George Lucas with the original Star Wars triliogy, he has gone back and fiddled with a masterpiece and diminished it by injecting it with bad ideas his younger self never would have allowed to see the light of day. With very few exceptions, artists lose their mojo with age. Their ideas get worse or less inspired or relevent. The smart ones retreat and allow their best work to carry them into history. Others make the mistake to trying to prove they are still as great an artist now as they were in their heyday. But it is a mirage. Freidkin's tinkering is yet another classic example of an artist well past his prime not being able to recognize that their current talent is a pale comparison to their peak artistic years.

Posted by Jack South P.I. Author Profile Page at March 3, 2009 10:51 AM

comment #6

Jack South P.I. Author Profile Page says ...

Perhaps it is a bit strong to say the entire Star Wars trilogy is a masterpiece. 'Beloved' would have been a better choice of words.

Posted by Jack South P.I. Author Profile Page at March 3, 2009 10:53 AM

comment #7

jesse Author Profile Page says ...

I'm actually a little puzzled by this debate. Not in theory -- it is kind of sketchy that Friedkin essentially made a new version of his movie and isn't providing the original -- but in the negative terms that the new transfer is being described. Granted, I had never seen French Connection all the way through before I watched my review copy of the Blu-Ray, but I thought the picture, independent of whether it faithfully reproduces the original version, looked terrific. Bleached-out, yes. "Bleachy" or "blotchy," no. Gritty, yes. Grainy, I dunno, I thought it looked, if not slick, certainly crisp and eye-filling.

Maybe it's because I don't have a high-def TV? I'm just running a basic Sony Blu-Ray player on a 24-inch (I think? 20something) non-flat, regular-def ol' tube TV. Maybe in high def, the intentional grittiness of the print is more clear (and therefore even more imperfect looking). But on my TV, the movie looked pretty damn terrific.

I wonder about high-def TVs in general, though. I saw a Blu-Ray demo reel at Best Buy and the movies looked frighteningly real. Not just bright and vivid and clear, but like a high-def sports broadcast -- it looked like Ben Stiller or Will Smith or whoever had been filmed live on location. I guess people like this because it looks more "real," but to me it didn't look much like a movie with its own texture and feel. Granted, these were just FX-heavy snippets from mainstrea titles but they still didn't look right.

Posted by jesse Author Profile Page at March 3, 2009 11:07 AM

comment #8

York "Budd" Durden Author Profile Page says ...

>Maybe it's because I don't have a high-def TV? I'm just running a basic Sony Blu-Ray player on a 24-inch (I think? 20something) non-flat, regular-def ol' tube TV.

Nothing personal, but your opinion is meaningless.

Posted by York "Budd" Durden Author Profile Page at March 3, 2009 11:11 AM

comment #9

NotImpressed1Yet Author Profile Page says ...

">Maybe it's because I don't have a high-def TV? I'm just running a basic Sony Blu-Ray player on a 24-inch (I think? 20something) non-flat, regular-def ol' tube TV."

Why would you buy a blu ray player if that's your TV? A plain old DVD played on an HD TV will look better than a blu-ray on an old standard definition set like yours.

And Durden is right, it does render your opinion on this matter meaningless.

Posted by NotImpressed1Yet Author Profile Page at March 3, 2009 11:18 AM

comment #10

raygo Author Profile Page says ...

jesse says ... "I saw a Blu-Ray demo reel at Best Buy and the movies looked frighteningly real. "

I saw the same demo at my local Best Buy. I didn't like it. You are correct to compare it to an HD sports cast. HD is more unnecessary consumerism that is hyped by people who wouldn't know an HD turd from a tootsie roll.

I'll pass.

Posted by raygo Author Profile Page at March 3, 2009 11:24 AM

comment #11

storymark Author Profile Page says ...

Saying someone's opinion is invalid bacause they didn't watch in HD is the dumbest think I've read here in a while. (and let's remember DZ posts here). If we were only discussing the sharpness of the transfer, that might be one thing, but since the point of contention here is the change to the color, which would be just as noticible in SD, it's just a stupid position to take.

Posted by storymark Author Profile Page at March 3, 2009 11:31 AM

comment #12

York "Budd" Durden Author Profile Page says ...

Bullshi, story. Has more to do with the grain reproduction, which is a crucial part of this controversy.

Posted by York "Budd" Durden Author Profile Page at March 3, 2009 11:36 AM

comment #13

NotImpressed1Yet Author Profile Page says ...

Durden is right. The effect of the "washout" is highly dependent on resolution, and I'd suspect an old standard defintiion tv set will be far more forgiving of the extreme measures Friedkin took here.

Posted by NotImpressed1Yet Author Profile Page at March 3, 2009 11:49 AM

comment #14

jesse Author Profile Page says ...

I guess my larger point is that maybe high-def is so powerful that it's going to mess with a lot of movies, intentionally or not. On my non-high-def TV, I saw a gorgeous transfer with some subtle color alteration (there's a feature on the disc doing some side-by-sides; I don't entirely trust it as it's just a few short bits shown briefly, but it gives an idea, at least). On high-def, you're getting (supposedly) crazy grain, blotchiness, and newer movies looking like football games.

NotImpressed, I received a Blu-Ray player as a gift, and I assumed I'd get a nice TV at some point... but now I'm not so sure that's a priority. I do find that even regular DVDs look crisper and clearer on the Blu-Ray machine.

Also, I'm a part-time critic (for a not particularly techie film/video/etc site), so the ability to watch Blu-Ray screener copies is a major advantage.

Posted by jesse Author Profile Page at March 3, 2009 11:50 AM

comment #15

NotImpressed1Yet Author Profile Page says ...

jessie what you're telling me is that you could buy an hd set and arguably write it off as a business expense!

but you are right that hd is messing with films in a way - it demands better source material, which in turn requires better restoration of the old film. when done right, it can be magnificant.

Posted by NotImpressed1Yet Author Profile Page at March 3, 2009 11:57 AM

comment #16

kneelbeforezod Author Profile Page says ...

Sounds to me like a couple of people don't really understand HD? "High def is so powerful it's going to mess with movies"?! Er, no... Done right, it's a much more faithful version of the film you saw in the cinema than if it was on an old tv or a dvd. If you didn't like some hi def demo in a store, then it probably wasn't calibrated right (they tend to set their tvs up with maximum colour, contrast and brightness, which is not how films are meant to be watched).

Posted by kneelbeforezod Author Profile Page at March 3, 2009 2:01 PM

comment #17

CitizenKanedforChewingGum Author Profile Page says ...

"If you didn't like some hi def demo in a store, then it probably wasn't calibrated right (they tend to set their tvs up with maximum colour, contrast and brightness, which is not how films are meant to be watched)."

I've heard this argument before, and while there is some truth to it (surely these Best Buys demos crank up the brightness/contrast levels to nearly intolerable levels), there is nothing wrong with being skeptical about the ability of HD to, as you say, "replicate a more faithful version of the film you saw in the cinema." That's a valid opinion to hold. As of now, I have to side with the people who instinctually feel it just doesn't look right, no matter how much tinkering with the settings one does.

Now getting back on topic, Friedkin had a great run in the 70s, directed some real overlooked gems in the 80s (TL&D in LA, Rampage), and, hell, I even enjoyed Blue Chips and Rules of Engagement.

But with Bug, wow...that is truly jumping the shark in only the way a former master filmmaker can.

Posted by CitizenKanedforChewingGum Author Profile Page at March 3, 2009 3:29 PM

comment #18

HarryMoseby Author Profile Page says ...

No one who's watched a well-mastered Blu-Ray disc on a properly calibrated HD TV (at least choose the "Cinema" setting if nothing else) would doubt the major leap it makes toward replicating the theatrical viewing experience; whether that means investing in the format when Apple TV and the like herald the eventual end of DVD's in general, I don't know. But don't go by what you see in Best Buy -- some loop of special effects scenes from King Kong and The Mummy movies that come off looking like CGI product reels. They give you no indication of the format's potential.

Posted by HarryMoseby Author Profile Page at March 3, 2009 5:12 PM

comment #19

h.krinkle Author Profile Page says ...

I'm not quite as disappointed in this as some, but I do agree the grain is over the top in darker scenes. It's definitely distracting and takes you out of the movie. And the color bleed makes it feel like you're looking at something shot in an alternate reality. That's a big blow that has been dealt to a film that was ALL about reality.

The bonus feature shots of the unaltered scenes look great. Friedkin should have included that along with his revised version, all would be forgiven. The REALLY bad news is Friedkin mentions this process is being applied to 4 of his other films. It's a virtual certainty The Exorcist and To Live and in L.A. are among those.

Posted by h.krinkle Author Profile Page at March 3, 2009 6:53 PM

comment #20

BurmaShave Author Profile Page says ...

BUG was Friedkin's best film in 20 years. Very misunderstood movie and very underrated.

Posted by BurmaShave Author Profile Page at March 3, 2009 6:57 PM

comment #21

NotImpressed1Yet Author Profile Page says ...

I recently watched Chungking Express on blu ray and think it might be the most film like viewing experience I've ever had on my TV.

Also, I haven't yet watched it, but this review of the new Kramer v Kramer blu ray does a good job of explaining how blu ray can make an older movie shine:

http://bluray.highdefdigest.com/1991/kramervskramer.html

Posted by NotImpressed1Yet Author Profile Page at March 3, 2009 7:39 PM

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