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Housekeeping
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Haunted Summer
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Hugh Hefner: Playboy, Activist and Rebel

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Who Killed Nancy

Mumblecore Plus

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I've watched two South by Southwest movies on disc today (on top of banging out that piece called "Things Change"). I'll let the first one go but Joe Swanberg's Alexander The Last, which will show simultaneously at SXSW and on IFC Demand on Saturday, 3.14, is the shit. Seriously. I knew something a cut above was underway within two or three minutes.

Jess Weixler

Talk about your platinum calling-card movie for Swanberg and his two lead actresses, Jess Weixler (who won a 2007 Sundance Special Jury prize for her performance in Teeth) and Amy Seimetz.

The two guys they're sort of paired off with, Justin Rice and Barlow Jacobs, are, for me, almost staggeringly nothing (I kept asking myself "why were these vessels of boredom even cast?" until I just gave up and put them out of my mind) but Josh Hamilton and Jane Adams add distinction with their small but intriguing supporting roles. But the movie itself is the thing. There's a current going on that's hard to describe. Something in the way it plays and breathes and almost looks the viewer in the eye. I couldn't tear myself away.

It's one of those rare mumblecore pieces in which you're suddenly struck with a reality vibe that tells you right off the top that something else is happening. I was so into the feel and touch and naturalness of this film that I didn't really care where Swanberg's story, such as it is, was headed. I knew that something would manifest sooner or later, but mumblecore never really builds or develops or plants seeds in a North by Northwest-ian or Third Man-ish way so who cares in the first place? Either you find the actors intriguing and possessed of something more than manner, or you don't.

Alexander the Last is more or less about a young blonde actress (Weixler, who looks a bit like Alicia Silverstone but is six or seven times more talented), and her nice, dorky, funny-looking musician husband (Rice) and a meant-to-be-hunky guy she's performing with in a play (Jacobs, who has one of the worst haircuts I've ever seen on any actor in any movie in my entire life) and the emergence /appearance of infidelity. Seimetz plays Weixler's sister, and it's obvious from the first scene of (a pretend wedding ceremony) that they're Bergman/Persona close. I thought there was a lesbian thing going on before I realized they were related.

Amy Seimetz, Weixler in Alexander The Last

But it's not what happens in a storytelling sense as much as how it feels when this and that behavior manifests. We're basically talking about a little movie made with a lot more skill and emotional realism and acting that sinks in much deeper than usual. It's kind of a mumblecore-meets-dogma deal, which I'm tossing out as an eternal lifelong admirer of dogma movies and who never accepted or listened, even, to those who began trashing this movement starting about six or seven years ago.

I knew something good might happen when I saw that director-writer Noah Baumbach (Greenberg, Margot at the Wedding, The Squid and the Whale) is one of the producers along with Anish Savjani, who produced Wendy and Lucy, Nights and Weekends, Me, Myself, & I and Hannah Takes the Stairs.

Weixler is a well-respected, gainfully employed indie star waiting to happen in the bigtime. She needs to be cast in something alongside Jake Gyllenhaal or Brad Pitt or Sean Penn or somebody in that realm. She's got it, that's for sure. Seimetz is every bit her equal (and with fantastic gams, by the way), but I paid more attention to Weixler after that first kick-ass wedding vow scene. No offense.

And Swanberg is as good as it gets at this sort of thing, i.e., movies in which nothing happens except random attractions and couplings that aren't quite right or holy and need to be kept under wraps. I just thought of something. You know who was also quite expert at making films about interesting, attractive people with wandering libidos in which nothing really happens? Michelangelo Antonioni. Swanberg isn't close to his level, but the last time I was this absorbed by a film of this general type with almost no "story" was L'Eclisse. Which I'll bet Swanberg has never seen.

I have no idea why this film is called Alexander The Last. I guess I'll have to watch it again and listen more closely.

Things Change<< previous | next >>Blu-ray Robe

Posted by Jeffrey Wells on March 10, 2009 at 11:37 AM

comment #1

actionman says ...

Sounds good, Wells. Was a big fan of Weixler's work in Teeth. Did you see that one, Wells?

Posted by actionman at March 10, 2009 1:21 PM

comment #2

Jeffrey Wells says ...

I didn't want to imagine what it would be like to have my gross animal member bitten off, so I skipped it at Sundance. I'd like to see it now, though.

Posted by Jeffrey Wells at March 10, 2009 1:27 PM

comment #3

jesse says ...

Second the recommendation of Teeth. It's a little repetitive, and certainly has some seat-shifting moments for the male audience, but Weixler is terrific and the movie is actually pretty fun -- one of those inventive horror comedies that never catches on because it doesn't have easy jump scares or torture sequences.

Posted by jesse at March 10, 2009 1:35 PM

comment #4

actionman says ...

Teeth, overall, was a mixed bag. But Weixler's performance is worth checking out. The opening scene in the kiddie pool is pretty funny.

Posted by actionman at March 10, 2009 1:37 PM

comment #5

jesse says ...

RE: mumblecore, I'm intrigued that this movie is apparently so good and that Baumbach (a favorite of mine) is producing. I've seen a bunch of the mumblecore movies, and though I've seen the least of Swanberg's (having yet to catch up with LOL or Kissing on the Mouth or Nights & Weekends), he's struck me as the weakest of this crew. He also comes off as a douchebag in his acting in Quiet City; I guess he's supposed to be playing one, but everything I've read about him since then makes him sound an awful lot like that character. That said, he did produce a hilarious extra on the Quiet City DVD. Quiet City is one of the best mumblecore movies I've seen -- that and Baghead are the tops so far for me. I'd love it if this movie turned out to be in that league, especially with Josh Hamilton thrown into the mix. He's so great in Baumbach's Kicking & Screaming. Jane Adams, too!

I've only seen Justin Rice in Mutual Appreciation, which was pretty good, but his real value is as one of the singers/songwriters in Bishop Allen, an awesome little band putting out an album today, in fact.

Posted by jesse at March 10, 2009 1:39 PM

comment #6

GiveMeTheMapScott says ...

Your reaction is very indicative of how that movie did not cross over. Serious moviegoers thought it was just a ridiculous "Vagina Bites Dick Off" horror movie and didnt go. The horror fans curious about such ridiculousness saw it and when they were confronted with an actual movie and not something fun to have on with your friends and laugh and have fun with, they tossed it out muttering, "That sucked." Hence, no word of mouth.

I myself was among the first group of people and caught it on dvd a few months ago because it kept getting mentioned in random places and the casual horror movie fan in me won out and I placed in my netflix queue.

Basically, I highly recommend it...solid B+ in my humble opinion

Posted by GiveMeTheMapScott at March 10, 2009 1:41 PM

comment #7

bmcintire says ...

Holy crap, Jeff, you weren't kidding. Looking at the trailer, it looks like a competeition between oddly miscast dorks to see who can manage the worst haircut. The women in this would have to be INCREDIBLE to make me watch more than fifteen minutes of that.

Posted by bmcintire at March 10, 2009 1:45 PM

comment #8

lazarus says ...

I can't wait until Glenn Kenny shows up here, and wish I could see his face when he reads the names of Swanberg and Antonioni in the same sentence.

Posted by lazarus at March 10, 2009 1:46 PM

comment #9

Ryansi51 says ...

GiveMeTheMapScott-

Man you are the king of run-on sentences and i was wondering why your post was annoying and it felt like you talked and talked without going anywhere and i couldn't put my finger on it and then i did.

Basically, I highly recommend not reading it... flaccid D- in my not so humble opinion.

Posted by Ryansi51 at March 10, 2009 1:50 PM

comment #10

DeafBrownTrashPunk says ...

whoa, wait, what? Someone got an acting award at Sundance for TEETH? Now I really need to add that to my Netflix queue.

Posted by DeafBrownTrashPunk at March 10, 2009 1:53 PM

comment #11

TM says ...

Jacobs clearly goes to the same hairdresser that Zac Effron does -- it's the same hairstyle -- or maybe the same wig.

Posted by TM at March 10, 2009 1:59 PM

comment #12

JohnCope says ...

Well, I'll try and give this the benefit of the doubt and I'm sure I'll probably end up seeing it at some point but it's very hard for me to believe it could possibly be good at all with Swanberg at the helm. You may think he "is as good as it gets at this sort of thing, i.e., movies in which nothing happens except random attractions and couplings that aren't quite right or holy and need to be kept under wraps" but I'm not sure how much it matters to be really good at that. Swanberg in particular has been nauseatingly self-absorbed in a genre then which is, by your own definition, tailor made to legitimize the worth of naval gazing. And let's not even get started on his half assed, inept aesthetic, which is also meant to be defended through the emphasis on "caught on the fly" video photography (though I admit I have not caught his last two features so maybe his eye has improved ; if so, though, it would be some kind of miracle as he has evidenced zero capacity or even curiosity before). There's simply no excuse for that though when Aaron Katz and Andrew Bujalski can find interesting compositions which at least suggest they are trying to be artists and are not just satisfied with shallow narcissism.

In terms of "this sort of thing" then I infinitely prefer Katz and Bujalski. But even there, what they are doing is so slight and innocuous as to be very difficult to get enthused over. At best these moments or relationships resonate with some recognizable truth but there is never any intention of any larger ambition or deeper insight than that surface authenticity and that's okay as long as we don't confuse them with anything profound. The Antonioni comparison, for instance, is too absurd to even discuss.

Posted by JohnCope at March 10, 2009 2:02 PM

comment #13

topbroker says ...

This is some week for Swanberg, being compared to Rohmer (by Denby) and Antonioni (by Wells).

A poster at Some Came Running suggested that Swanberg is good at self-promotion. Well, no kidding. But the vast majority of people you have ever heard of in the arts are good at that. It's rare for a wallflower to "make it" (although occasionally a non-self-promoting talent gets discovered and becomes a coterie favorite). When you think about it, artists should push their own work hard. If they don't think it's something special, why should anyone else? Why are they making it?

So bully for Joe, I say. Now I have to catch up with his movies! (And see, all this attention has made me want to do just that -- even Glenn Kenny's epic dismissal of Swanberg exerts an attractive force, as I'm sure Kenny must realize.)

Posted by topbroker at March 10, 2009 2:06 PM

comment #14

nemo says ...

"(Jacobs, who has one of the worst fucking haircuts I've ever seen on any actor in any movie in my entire life)"

Ugh, he looks like a 3-year-old who has been Benjamin Button style CGI morphed into a 23-year-old.

Posted by nemo at March 10, 2009 2:13 PM

comment #15

Joshua Mooney says ...

For Ryansi51:

Only then did we dare go in without attacking the crumbling walls of reinforced stone, as the more resolute had wished, and without using oxbows to knock the main door off its hinges, as others had proposed, because all that was needed was for someone to give a push and the great armored doors that had resisted the lombards of William Dampier during the building's heroic days gave way. It was like entering the atmosphere of another age, because the air was thinner in the rubble pits of the vast lair of power, and the silence was more ancient, and things were hard to see in the decrepit light. All across the first courtyard, where the paving stones had given way to the underground thrust of weeds, we saw the disorder of the post of the guard who had fled, the weapons abandoned in their racks, the big, long rough-planked tables and plates containing the leftovers of the Sunday lunch that had been interrupted by panic, in shadows we saw the annex where government house had been, colored fungi and pale irises among the unresolved briefs whose normal course had been slower than the pace of the driest of lives, in the center of the courtyard we saw the baptismal font where more than five generations had been christened with martial sacraments, in the rear we saw the ancient viceregal stable which had been transformed into a coach house, and among the camellias and butterflies we saw the berlin from stirring days, the wagon from the time of the plague, the coach from the year of the comet, the hearse from progress in order, the sleep-walking limousine of the first century of peace, all in good shape under the dusty cobwebs and all painted with the colors of the flag.

Posted by Joshua Mooney at March 10, 2009 2:37 PM

comment #16

The Playlist says ...

Weixler is a neighborhood pal. Haven't seen her in ages, but glad she's doing so well.

Posted by The Playlist at March 10, 2009 3:00 PM

comment #17

George Prager says ...

There are guys in Brooklyn with dorky haircuts that make his look like George Clooney's.

Posted by George Prager at March 10, 2009 3:29 PM

comment #18

bmcintire says ...

. . . And their doppelgangers are in Silver Lake/Eagle Rock.
Somehow this decade's foray into a multitude of shitty haircuts makes the Mullet significantly less embarassing.

Posted by bmcintire at March 10, 2009 3:39 PM

comment #19

MilkMan says ...

Joe Swanberg is Eric Schaeffer dipped in mayo.

Posted by MilkMan at March 10, 2009 4:28 PM

comment #20

kingofnails says ...

Ouch, MilkMan, ouch.

Posted by kingofnails at March 10, 2009 6:04 PM

comment #21

GiveMeTheMapScott says ...

ryansi51 -- I am sorry to have offended your delicate sensibilities.

"i highly recommend not reading it... flaccid D- in my not so humble opinion."

Did you just grade my post, you pretentious ass? Was that sentence short enough?

Posted by GiveMeTheMapScott at March 10, 2009 7:30 PM

comment #22

Ryansi51 says ...

yes.

and, yes.

"That's a map of Illinois, which we're in. On the border of Iowa. Which is where Davenport is, 45 milezzzzzz away.

You're in the wrong state. Get yourself a new map."

Posted by Ryansi51 at March 10, 2009 7:37 PM

comment #23

Glenn Kenny says ...

Lazarus, if I could post a picture of my face here, I would. Alas.

My advice to Jeff is to look at the Criterion DVD of "LEclisse" again as soon as possible. I have yet to see "Alexander," but, you know, as a betting man....

Of course, Jeff himself even admits that Joe isn't at Michelangelo's level artistically. But one thing even Joe's detractors agree on is his ability to get game and attractive female talent into his movies. Of course, Rockets Redglare was picking up hotties at 7B pretty regularly before he shuffled off this mortal coil, so what does THAT tell you...

Posted by Glenn Kenny at March 10, 2009 9:06 PM

comment #24

mpneeb says ...

Good to hear things are onward and upward for Jess Weixler.
I saw TEETH in San Diego on a week night (I was the only one in the audience) and liked it. Not perfect, but I recommend it.
Mainly because it's a complete inversion and put down of the comic book superhero movie trend / mania currently dominating the box office charts.

Posted by mpneeb at March 10, 2009 11:45 PM

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gave

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