Most Wanted
Email here for additions & corrections.

Ishtar
(May, 1987)
The Seven-Per-Cent Solution (OOP)
(Ross, 1976)
The Devils
(Russell, 1974)
The Pirates of Penzance
(Papp/Leach, 1983)
The Fortune
(Nichols, 1975)
-30-
(Webb, 1959)
Betrayal
(Jones, 1983)
Play It As It Lays
(Perry, 1972)
The Outfit
(Flynn, 1973)
Alex in Wonderland
(Mazursky, 1969)
The Legend of Lylah Clare
(Aldrich, 1968)
In The Cool of the Day
(Stevens, 1963)
That Cold Day in the Park
(Altman, 1969)
Thumb Trippin'
(Masters, 1972)
Midas Run
(Kjellin, 1969)
At Long Last Love
(Bogdanovich, 1973)
Brewster McCloud
(Altman, 1972)
Outcast of the Islands
(Reed, 1951)

Reader Submissions

1930's-1950's
The Moon's Our Home
(Seiter, 1936)
Sh! The Octopus
(McGann, 1937)
The Mating Season
(Leisen, 1951)
Bad for Each Other
(Rapper, 1953)
The Phenix City Story
(Karlson, 1955)
Run of the Arrow
(Fuller, 1956)
House of Secrets
(Green, 1956)
Saint Joan
(Preminger, 1957)
Macabre
(Castle, 1958)
The Fiend Who Walked the West
(G. Douglas, 1958
Five Gates to Hell
(Clavell, 1959)
1960's
Key Witness
(Karlson, 1960)
Summer and Smoke
(Glenville, 1961)
The Chapman Report
(Cukor,1962)
Bachelor Flat
(Tashlin, 1962) [on Hulu]
The L Shaped Room
(Forbes, 1963)
The Chalk Garden
(Neame, 1964)
A Thousand Clowns
(Coe, 1965)
You're a Big Boy Now
(Coppola, 1966)
The Whisperers
(Forbes, 1967)
Dark of the Sun
(Cardiff, 1968)
Skidoo
(Preminger, 1968)
Last Summer
(Perry, 1969)
The Comic
(C. Reiner, 1969)
1970-1974
The Revolutionary
(Williams, 1970)
The Landlord
(Ashby, 1970)
Diary of a Mad Housewife
(Perry, 1970)
Tropic of Cancer
(Strick, 1970)
I Never Sang for My Father
(Cates, 1970)
Sometimes a Great Notion
(Newman, 1971)
Marriage of a Young Stockbroker
(Turman, 1971)
The Music Lovers
(Russell, 1971)
Drive, He Said
(Nicholson, 1971)
The Steagle
(Sylbert, 1971)
The Last Movie
(Hopper, 1971)
Made For Each Other
(Bean, 1971)
The Day the Clown Cried
(Lewis, 1972)
Hickey & Boggs (OOP)
(Culp, 1972)
The Carey Treatment
(Edwards, 1972)
Pete 'n' Tillie
(Ritt, 1972)
Slither
(Zieff, 1973)
Man on a Swing
(Perry, 1974)
Open Season
(Collinson, 1974)
The Tamarind Seed
(Edwards, 1974)
Law and Disorder
(Passer, 1974)
Homebodies
(Yust, 1974)
Stardust
(Apted, 1974)
Celine and Julie Go Boating
(Rivette, 1974)
1975-1979
Rafferty and the Gold Dust Twins
(Richards, 1975
At Long Last Love
(Bogdanovich, 1975)
Hearts of the West
(Zieff, 1975)
Welcome to L.A.
(Rudolph, 1976)
W.C. Fields and Me
(Hiller, 1976)
Citizens Band
(Demme, 1977)
Twilight's Last Gleaming
(Aldrich, 1977)
Looking for Mr. Goodbar
(Brooks, 1977)
Girlfriends
(Weill, 1978)
Movie Movie
(Donen, 1978)
The Medusa Touch
(Gold, 1978)
American Hot Wax
(Mutrux, 1978)
Hot Stuff
(DeLuise, 1979)
Scavenger Hunt
(Schultz , 1979)
Players
(Harvey, 1979)
Rich Kids
(Young, 1979)
Nightwing
(Hiller, 1979)
Screams of a Winter's Night
(Wilson, 1979
When You Comin' Back Red Ryder?
(Katselas, 1979
1980's
Resurrection
(Petrie, 1980)
The Awakening
(Newell, 1980)
Simon
(Brickman, 1980)
God's Angry Man
(Herzog, 1980)
Fast-Walking
(Harris, 1982)
Twice Upon a Time
(Korty & Swenson, 1983)
Trouble in Mind
(Rudolph, 1985)
When the Wind Blows
(Murikami, 1986)
Housekeeping
(Forsyth, 1987)
The Glass Menagerie
(Newman, 1987)
Patty Hearst
(Schrader, 1988)
Drowning by Numbers
(Greenaway, 1988)
Haunted Summer
(Passer, 1988)
The Decline of Western Civilization Part II: The Metal Years
(Spheeris, 1988)
1990's
Old Times
(Curtis, 1991)
Prospero's Books
(Greenaway, 1991)
City of Hope
(Sayles, 1991)
The Baby of Macon
(Greenaway, 1993)
King of the Hill
(Soderbergh, 1993)
Dadetown
(Hexter, 1995)
SubUrbia
(Linklater, 1997)

Old Dog vs. Tough Cookies

In a special Daily Beast article called "Hollywood's Most Threatening Blog," Kim Masters explains why Variety and the Los Angeles Times have so much to lose in their battle to bring down Deadline Hollywood Daily's Nikki Finke. But Masters reporting doesn't suggest, much less contend, that the Times is trying to wound or disparage Finke. Her piece is pretty much a gender-war-barricades attack upon Variety editor Peter Bart, whom she calls an "old-media dinosaur" who "doesn't get it."

Finke "has broken some controversial stories in Hollywood, so it's not surprising to see her become one herself," Masters begins. "This weekend, Variety launched an extraordinary three-pronged attack that was ostensibly aimed at blogging in general but clearly was aimed at [Finke] in particular.

"The package included a column by Bart under the headline 'Hollywood's Blog Smog' that bemoans the fact that blogs are sometimes used as weapons of intimidation by players in the industry who know how to manipulate them.

"Then there was a Cynthia Littleton article that seemed to be little more than an extension of Bart's editorial; the headline -- 'Tempest of the Toldja! Journalists' -- was clearly aimed at Finke because a screaming 'TOLDJA!!' in her headlines is one of her signatures. '

"And Finke was [also] blasted in a piece from columnist Michael Fleming ('How I Got Blogged Down') about the difficulty of maintaining journalistic standards given the overheated online competition.

"Bart's coordinated attack -- indeed the whole whiny Variety package -- sounds too much like the enraged cry of an old-media dinosaur trying to defend what's left of its terrain.

"Whatever Finke may have to say about Variety, Bart did a lot to damage himself in one of the closing paragraphs of his column. He allows that he admires Finke's energy and dedication while bemoaning 'her dissing of fellow news gatherers, her personal vendettas and her use of intimidation.' And then he continues: 'She once attended Miss Hewitt's classes in New York, which taught upscale girls how to be warm and cuddly. I'd like her to take a warm-and-cuddly refresher course.'

"If that line doesn't show how profoundly Bart just doesn't get it, it's hard to imagine what would."

In other words, if Finke was a guy -- some kind of tough-talking, finger-poking Walter Winchell-like internet gunslinger -- Bart would never have written about how he needs to watch his manners or be more respectul of his elders.

Update: Finke posted a response to the brouhaha at 2:32 pm, or six minutes ago. She discloses that on 2.27 Variety president/publisher Neil Stiles "called me saying Reed Business Information CEO Tad Smith was pushing him to discuss an acquisition of my site." But the deal was dead two days later, she says, because Bart heard about it third-hand (from Variety-hosted columnist Anne Thompson) and threw a fit over "not [being] consulted by his overlords about the overture."

Bergmanesque << previous | next >>Hathaway-Garland

Posted by Jeffrey Wells on March 23, 2009 at 12:15 PM

comment #1

Phatang! Author Profile Page says ...

Finke has way more integrity (journalistic and otherwise) then Variety, which is little more than a PR extension of the entertainment industry. I mean, Variety wouldn't write about the WMA/Endeavor merger (for example) until it was cool with the agencies for them to do so. They can conveniently call not printing "rumor," but in fact it's the ultimate in journalistic laziness and irresponsibility.

Posted by Phatang! Author Profile Page at March 23, 2009 3:19 PM

comment #2

byanyother Author Profile Page says ...

Reading Nikki Finke, interesting.

Reading Kim Masters, occasionally interesting.

Reading Kim Masters writing about Nikki Finke, or any outlet for that matter writing about Nikki Finke -- BORING.

First rule of having a great site: never be boring. No one cares about this nonsense. Write more interesting blogs, people will read them. End of story.

Posted by byanyother Author Profile Page at March 23, 2009 6:29 PM

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