Most Wanted
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Ishtar
(May, 1987)
The Seven-Per-Cent Solution (OOP)
(Ross, 1976)
The Devils
(Russell, 1974)
The Pirates of Penzance
(Papp/Leach, 1983)
The Fortune
(Nichols, 1975)
-30-
(Webb, 1959)
Betrayal
(Jones, 1983)
Play It As It Lays
(Perry, 1972)
The Outfit
(Flynn, 1973)
Alex in Wonderland
(Mazursky, 1969)
The Legend of Lylah Clare
(Aldrich, 1968)
In The Cool of the Day
(Stevens, 1963)
That Cold Day in the Park
(Altman, 1969)
Thumb Trippin'
(Masters, 1972)
Midas Run
(Kjellin, 1969)
At Long Last Love
(Bogdanovich, 1973)
Brewster McCloud
(Altman, 1972)
Outcast of the Islands
(Reed, 1951)

Reader Submissions

1930's-1950's
The Moon's Our Home
(Seiter, 1936)
Sh! The Octopus
(McGann, 1937)
The Mating Season
(Leisen, 1951)
Bad for Each Other
(Rapper, 1953)
The Phenix City Story
(Karlson, 1955)
Run of the Arrow
(Fuller, 1956)
House of Secrets
(Green, 1956)
Saint Joan
(Preminger, 1957)
Macabre
(Castle, 1958)
The Fiend Who Walked the West
(G. Douglas, 1958
Five Gates to Hell
(Clavell, 1959)
1960's
Key Witness
(Karlson, 1960)
Summer and Smoke
(Glenville, 1961)
The Chapman Report
(Cukor,1962)
Bachelor Flat
(Tashlin, 1962) [on Hulu]
The L Shaped Room
(Forbes, 1963)
The Chalk Garden
(Neame, 1964)
A Thousand Clowns
(Coe, 1965)
You're a Big Boy Now
(Coppola, 1966)
The Whisperers
(Forbes, 1967)
Dark of the Sun
(Cardiff, 1968)
Skidoo
(Preminger, 1968)
Last Summer
(Perry, 1969)
The Comic
(C. Reiner, 1969)
1970-1974
The Revolutionary
(Williams, 1970)
The Landlord
(Ashby, 1970)
Diary of a Mad Housewife
(Perry, 1970)
Tropic of Cancer
(Strick, 1970)
I Never Sang for My Father
(Cates, 1970)
Sometimes a Great Notion
(Newman, 1971)
Marriage of a Young Stockbroker
(Turman, 1971)
The Music Lovers
(Russell, 1971)
Drive, He Said
(Nicholson, 1971)
The Steagle
(Sylbert, 1971)
The Last Movie
(Hopper, 1971)
Made For Each Other
(Bean, 1971)
The Day the Clown Cried
(Lewis, 1972)
Hickey & Boggs (OOP)
(Culp, 1972)
The Carey Treatment
(Edwards, 1972)
Pete 'n' Tillie
(Ritt, 1972)
Slither
(Zieff, 1973)
Man on a Swing
(Perry, 1974)
Open Season
(Collinson, 1974)
The Tamarind Seed
(Edwards, 1974)
Law and Disorder
(Passer, 1974)
Homebodies
(Yust, 1974)
Stardust
(Apted, 1974)
Celine and Julie Go Boating
(Rivette, 1974)
1975-1979
Rafferty and the Gold Dust Twins
(Richards, 1975
At Long Last Love
(Bogdanovich, 1975)
Hearts of the West
(Zieff, 1975)
Welcome to L.A.
(Rudolph, 1976)
W.C. Fields and Me
(Hiller, 1976)
Citizens Band
(Demme, 1977)
Twilight's Last Gleaming
(Aldrich, 1977)
Looking for Mr. Goodbar
(Brooks, 1977)
Girlfriends
(Weill, 1978)
Movie Movie
(Donen, 1978)
The Medusa Touch
(Gold, 1978)
American Hot Wax
(Mutrux, 1978)
Hot Stuff
(DeLuise, 1979)
Scavenger Hunt
(Schultz , 1979)
Players
(Harvey, 1979)
Rich Kids
(Young, 1979)
Nightwing
(Hiller, 1979)
Screams of a Winter's Night
(Wilson, 1979
When You Comin' Back Red Ryder?
(Katselas, 1979
1980's
Resurrection
(Petrie, 1980)
The Awakening
(Newell, 1980)
Simon
(Brickman, 1980)
God's Angry Man
(Herzog, 1980)
Fast-Walking
(Harris, 1982)
Twice Upon a Time
(Korty & Swenson, 1983)
Trouble in Mind
(Rudolph, 1985)
When the Wind Blows
(Murikami, 1986)
Housekeeping
(Forsyth, 1987)
The Glass Menagerie
(Newman, 1987)
Patty Hearst
(Schrader, 1988)
Drowning by Numbers
(Greenaway, 1988)
Haunted Summer
(Passer, 1988)
The Decline of Western Civilization Part II: The Metal Years
(Spheeris, 1988)
1990's
Old Times
(Curtis, 1991)
Prospero's Books
(Greenaway, 1991)
City of Hope
(Sayles, 1991)
The Baby of Macon
(Greenaway, 1993)
King of the Hill
(Soderbergh, 1993)
Dadetown
(Hexter, 1995)
SubUrbia
(Linklater, 1997)

"Noisy, Impersonal, Dull-Witted"

Already the yay-or-nay shorthand verdict for X-Men Origins: Wolverine has been decided upon, and that's whether or not it's better or worse than Brett Ratner's X-Men: The Last Stand. Which is why Justin Chang's Variety review could slightly encourage Fox marketers since he says that Wolverine "overpowers" X-Men 3. This reminds me of the first instant analysis about Waterworld after the first press screening -- i.e., "It doesn't suck."


Hugh Jackman, Liev Schreiber in X-Men Origins: Wolverine.

"Heavily fortified with adamantium, testosterone and CGI, X-Men Origins: Wolverine is a sharp-clawed, dull-witted actioner that falls short of the two Bryan Singer-directed pics in the franchise but still overpowers 2006's X-Men: The Last Stand. For all its attempts to probe the physiological and psychological roots of its tortured antihero, this brawny but none-too-brainy prequel sustains interest mainly -- if only fitfully -- as a nonstop slice-and-dice vehicle for Hugh Jackman.

"Jackman just about holds things together with his reliable but hardly revelatory all-brooding-all-the-time act; for sheer bellowing rage, he's occasionally upstaged by Schreiber, whose grisly, vampiric presence has some interesting points of overlap with his role as another volatile bad-seed brother in Ed Zwick's recent Defiance.

"Noisy and impersonal, X-Men Origins: Wolverine bears all the marks of a work for hire, conceived and executed with a big budget but little imagination -- an exception being Barry Robison's intriguing production design for Stryker's island compound. Shot in Jackman's native Australia, the pic is apparently set in the 1970s, though one would have to read the press materials to realize this.

"An unfinished print leaked online weeks before the film's May 1 Stateside release will prove a mere flesh wound to Fox's B.O. haul, which should be muscular locally and abroad."

Acronyms<< previous | next >>Expected

Posted by Jeffrey Wells on April 29, 2009 at 10:32 AM

comment #1

DeafBrownTrashPunk Author Profile Page says ...

Wolverine is worth watching for Hugh Jackman's body, mmmm. Excuse me while I wipe the drool off my chin.

Posted by DeafBrownTrashPunk Author Profile Page at April 29, 2009 11:15 AM

comment #2

DeafBrownTrashPunk Author Profile Page says ...

and Wells, I think you forgot to turn off the italics.

Posted by DeafBrownTrashPunk Author Profile Page at April 29, 2009 11:16 AM

comment #3

Ryansi51 Author Profile Page says ...

maybe you drooled (command + i)

Posted by Ryansi51 Author Profile Page at April 29, 2009 11:37 AM

comment #4

wildphantom Author Profile Page says ...

I have just got back from seeing it
Opened in the UK today.

I was a big fan of Bryan Singer's X-Men films, and loathed what Fox did with the third one when he left to make Superman Returns.

The contempt they showed for the potentially enormous opus Singer had set up was appalling and should never be forgotten. The idea being they could milk the franchise for all its worth with films dedicated to individual, popular characters.

Here's the first one then...and its just ok.
Nothing particularly wrong with it as such. It is what it is. A relatively straight-forward mutant versus the establishment effort that doesn't even attempt to put any kind of complexity into the mix.
X2 was a relative challenge for its audience. Clever and involving, inviting us to second-guess what we were seeing, with a broad range of characters and number of plot-stands. That's what an X-Men film should do with such an enormous universe.

Wolverine has such a lack of ambition as a story we already half know from the flashbacks earlier in the film series.
This could be forgiven if it worked as a spectacle; but even there it falls short of the mark for a $100 million summer movie. Save an inspired starting titles sequence and terrific motor-bike set-piece there really isn't much here to rock any popcorn-muncher's world. Its TV series stuff to be honest.

Its fine. First half is solid, then it meanders to its predictable conclusion. Better than X3 for sure; but time for Fox to give the rights back to Marvel.

Did Gavin Hood really have much say here?
Definitely not.

Posted by wildphantom Author Profile Page at April 29, 2009 11:38 AM

comment #5

Kristopher Tapley Author Profile Page says ...

Frankly, "It doesn't suck" was my one-off when I saw "Wolverine" yesterday.

Posted by Kristopher Tapley Author Profile Page at April 29, 2009 12:08 PM

comment #6

Jason Author Profile Page says ...

I've heard that Jackman stretches his arms out wide and roars while the camera pulls back at four different times in the movie. One of those RAAARRRs is in the trailer. You have to pay to see the other three.

Posted by Jason Author Profile Page at April 29, 2009 3:07 PM

comment #7

Daniel Zelter Author Profile Page says ...

phantom: "and loathed what Fox did with the third one when he left to make Superman Returns."

Well, I loathed what Singer did with the fifth Superman movie. And he had a bigger budget than FOX.

"The idea being they could milk the franchise for all its worth with films dedicated to individual, popular characters."

Um, Marvel does that all the time.

Posted by Daniel Zelter Author Profile Page at April 29, 2009 6:43 PM

comment #8

Gordon27 Author Profile Page says ...

"And he had a bigger budget than FOX. "

This is absolutely, demonstrably false. The reason you think that is because the quoted budget for 'Superman Returns' includes all of the money that was spent on all of the different 'Superman 5's. So to say that Singer's budget on 'Superman' was bigger than the budget on 'X3' is absolutely false. Why, stranger, whose name I don't recognize, you're as dumb as this guy who posts here all the time, name of "D.Z."

Posted by Gordon27 Author Profile Page at April 29, 2009 8:33 PM

comment #9

Carl Kolchak Author Profile Page says ...

Saw this last month and I'll be damned if I can remember anything about it.

Posted by Carl Kolchak Author Profile Page at April 29, 2009 8:46 PM

comment #10

Daniel Zelter Author Profile Page says ...

With or without the aborted Nick Cage/Tim Burton version, I could tell SR was over-budget, just by its running time.

Posted by Daniel Zelter Author Profile Page at April 29, 2009 10:48 PM

comment #11

Gordon27 Author Profile Page says ...

I'm not saying 'Superman Returns' didn't go over its initially approved budget. I'm saying that that initially approved budget was lower than the budget on 'X-Men: The Last Stand' a movie which, despite its short running time, went vastly over budget because Fox continued to approve incredible spending in order to meet its contractually guaranteed release dates.

Posted by Gordon27 Author Profile Page at April 30, 2009 11:28 PM

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