Most Wanted
Email here for additions & corrections.

Ishtar
(May, 1987)
The Seven-Per-Cent Solution (OOP)
(Ross, 1976)
The Devils
(Russell, 1974)
The Pirates of Penzance
(Papp/Leach, 1983)
The Fortune
(Nichols, 1975)
-30-
(Webb, 1959)
Betrayal
(Jones, 1983)
Play It As It Lays
(Perry, 1972)
The Outfit
(Flynn, 1973)
Alex in Wonderland
(Mazursky, 1969)
The Legend of Lylah Clare
(Aldrich, 1968)
In The Cool of the Day
(Stevens, 1963)
That Cold Day in the Park
(Altman, 1969)
Thumb Trippin'
(Masters, 1972)
Midas Run
(Kjellin, 1969)
At Long Last Love
(Bogdanovich, 1973)
Brewster McCloud
(Altman, 1972)
Outcast of the Islands
(Reed, 1951)

Reader Submissions

1930's-1950's
The Moon's Our Home
(Seiter, 1936)
Sh! The Octopus
(McGann, 1937)
The Mating Season
(Leisen, 1951)
Bad for Each Other
(Rapper, 1953)
The Phenix City Story
(Karlson, 1955)
Run of the Arrow
(Fuller, 1956)
House of Secrets
(Green, 1956)
Saint Joan
(Preminger, 1957)
Macabre
(Castle, 1958)
The Fiend Who Walked the West
(G. Douglas, 1958
Five Gates to Hell
(Clavell, 1959)
1960's
Key Witness
(Karlson, 1960)
Summer and Smoke
(Glenville, 1961)
The Chapman Report
(Cukor,1962)
Bachelor Flat
(Tashlin, 1962) [on Hulu]
The L Shaped Room
(Forbes, 1963)
The Chalk Garden
(Neame, 1964)
A Thousand Clowns
(Coe, 1965)
You're a Big Boy Now
(Coppola, 1966)
The Whisperers
(Forbes, 1967)
Dark of the Sun
(Cardiff, 1968)
Skidoo
(Preminger, 1968)
Last Summer
(Perry, 1969)
The Comic
(C. Reiner, 1969)
1970-1974
The Revolutionary
(Williams, 1970)
The Landlord
(Ashby, 1970)
Diary of a Mad Housewife
(Perry, 1970)
Tropic of Cancer
(Strick, 1970)
I Never Sang for My Father
(Cates, 1970)
Sometimes a Great Notion
(Newman, 1971)
Marriage of a Young Stockbroker
(Turman, 1971)
The Music Lovers
(Russell, 1971)
Drive, He Said
(Nicholson, 1971)
The Steagle
(Sylbert, 1971)
The Last Movie
(Hopper, 1971)
Made For Each Other
(Bean, 1971)
The Day the Clown Cried
(Lewis, 1972)
Hickey & Boggs (OOP)
(Culp, 1972)
The Carey Treatment
(Edwards, 1972)
Pete 'n' Tillie
(Ritt, 1972)
Slither
(Zieff, 1973)
Man on a Swing
(Perry, 1974)
Open Season
(Collinson, 1974)
The Tamarind Seed
(Edwards, 1974)
Law and Disorder
(Passer, 1974)
Homebodies
(Yust, 1974)
Stardust
(Apted, 1974)
Celine and Julie Go Boating
(Rivette, 1974)
1975-1979
Rafferty and the Gold Dust Twins
(Richards, 1975
At Long Last Love
(Bogdanovich, 1975)
Hearts of the West
(Zieff, 1975)
Welcome to L.A.
(Rudolph, 1976)
W.C. Fields and Me
(Hiller, 1976)
Citizens Band
(Demme, 1977)
Twilight's Last Gleaming
(Aldrich, 1977)
Looking for Mr. Goodbar
(Brooks, 1977)
Girlfriends
(Weill, 1978)
Movie Movie
(Donen, 1978)
The Medusa Touch
(Gold, 1978)
American Hot Wax
(Mutrux, 1978)
Hot Stuff
(DeLuise, 1979)
Scavenger Hunt
(Schultz , 1979)
Players
(Harvey, 1979)
Rich Kids
(Young, 1979)
Nightwing
(Hiller, 1979)
Screams of a Winter's Night
(Wilson, 1979
When You Comin' Back Red Ryder?
(Katselas, 1979
1980's
Resurrection
(Petrie, 1980)
The Awakening
(Newell, 1980)
Simon
(Brickman, 1980)
God's Angry Man
(Herzog, 1980)
Fast-Walking
(Harris, 1982)
Twice Upon a Time
(Korty & Swenson, 1983)
Trouble in Mind
(Rudolph, 1985)
When the Wind Blows
(Murikami, 1986)
Housekeeping
(Forsyth, 1987)
The Glass Menagerie
(Newman, 1987)
Patty Hearst
(Schrader, 1988)
Drowning by Numbers
(Greenaway, 1988)
Haunted Summer
(Passer, 1988)
The Decline of Western Civilization Part II: The Metal Years
(Spheeris, 1988)
1990's
Old Times
(Curtis, 1991)
Prospero's Books
(Greenaway, 1991)
City of Hope
(Sayles, 1991)
The Baby of Macon
(Greenaway, 1993)
King of the Hill
(Soderbergh, 1993)
Dadetown
(Hexter, 1995)
SubUrbia
(Linklater, 1997)

"The Rebellion"..."This Shift"

"Perhaps more than anyone else in the business, Zach Galifianakis embodies the rebellion against the outmoded Comedy Club circuit -- the exposed brick, the two-drink minimum, the indifferent audience, the 'regular guy with an attitude' routine -- which has come to be labeled the 'indie comedy' movement. 'Zach is so conceptual,' Sarah Silverman, who has known and worked with Galifianakis since the mid-'90s, told me. 'He's definitely part of the excitement of this shift, this idea of comedy as art. Whether he's at his piano, offering deadpan one-liners, or trying out some brand-new conceptual piece -- like the ways he uses musicians, or flip-board messages, or the first thing that comes into his head -- he is so totally original and thrilling to watch." -- from Jon Wray's 5.28 profile of in the N.Y. Times.

Once Again...<< previous | next >>Men Peeing in Mouths

Posted by Jeffrey Wells on June 2, 2009 at 4:06 AM

comment #1

LexG Author Profile Page says ...

Oh, PLEASE.

Nothing against Zack, but that whole Silverman, Cho, Griffin, Paul F. Thompkins, David Cross, Greg Behrendt, Scott Thompson, Largo, Luna Park anti-comedy comedy thing is *1997 AS HELL*. I should know, I did open mikes on the very fringes of that scene since '96, at coffee shops, laundromats and sushi restaurants around town that trafficked in that tiresome brand of masturbatory irony. Everyone going up on stage with their NOTES and COMMENTING on their act as they did their act.

M Bar? Buzz? Amagi? BrewCo? I've done 'em all, in addition to the more mainstream Store, Factory and Ha Ha. And you know what? Give me the hackdom of a real comedy club any day over the snide above-it-all bullshit.

And as MANY have pointed out, all those ANTICOMEDY pricks have sold out harder than ANYONE. Paul Thompkins doing VH1 bullshit, Odenkirk doing beer ads, and that unpleasant, hateful prick Cross don't get to say JACK or SHIT about Dane Cook, who's at least an honest artist who respects his audience.

Posted by LexG Author Profile Page at June 2, 2009 4:27 AM

comment #2

btwnproductions Author Profile Page says ...

Steve Martin did all this 30 years ago. And funnier.

Posted by btwnproductions Author Profile Page at June 2, 2009 5:33 AM

comment #3

OtownRog Author Profile Page says ...

Dear Sarah;
Bullshit.

Posted by OtownRog Author Profile Page at June 2, 2009 5:37 AM

comment #4

Tom Brazelton Author Profile Page says ...

Sounds to me like LexG has a personal axe to grind...

Posted by Tom Brazelton Author Profile Page at June 2, 2009 6:26 AM

comment #5

Admiral82 Author Profile Page says ...

Dane Cook sucks mang, he's 'zany' and thats his whole schtick.

All his fans are 16-18 year old girls...

Posted by Admiral82 Author Profile Page at June 2, 2009 7:22 AM

comment #6

Admiral82 Author Profile Page says ...

Artist? That's just classic comedy.

Posted by Admiral82 Author Profile Page at June 2, 2009 7:23 AM

comment #7

maxfm Author Profile Page says ...

Dane Cook? Please. (Though I actually kind of liked his performance in Mr. Brooks.)

I've been on the Zach bandwagon since his brilliant VH1 talk show. It's about time he hits the mainstream. But I bet people will react to him like Will Ferrell -- you either get it or you don't...and if you don't, you loathe the guy.

Posted by maxfm Author Profile Page at June 2, 2009 8:01 AM

comment #8

BurmaShave Author Profile Page says ...

Zach is a singular talent, as is Patton Oswalt, whose greatness is so indisputable I noticed Lex didn't even include him in his bitchy rant.

Posted by BurmaShave Author Profile Page at June 2, 2009 8:54 PM

comment #9

Hallick Author Profile Page says ...

Patton Oswalt's soul belongs in a comedian's Valhalla just for his Stella D'Oro breakfast treats bit alone. And if he didn't have that one, he'd still have the Black Angus gravy hose, KFC Famous Bowls ("Jesus, move my jaw for me..."), Tom Carvel, Robert Evans, Dr. Pepper at the Toronto Open Mic Night, etc.

Posted by Hallick Author Profile Page at June 2, 2009 9:48 PM

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