Most Wanted
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Ishtar
(May, 1987)
The Seven-Per-Cent Solution (OOP)
(Ross, 1976)
The Devils
(Russell, 1974)
The Pirates of Penzance
(Papp/Leach, 1983)
The Fortune
(Nichols, 1975)
-30-
(Webb, 1959)
Betrayal
(Jones, 1983)
Play It As It Lays
(Perry, 1972)
The Outfit
(Flynn, 1973)
Alex in Wonderland
(Mazursky, 1969)
The Legend of Lylah Clare
(Aldrich, 1968)
In The Cool of the Day
(Stevens, 1963)
That Cold Day in the Park
(Altman, 1969)
Thumb Trippin'
(Masters, 1972)
Midas Run
(Kjellin, 1969)
At Long Last Love
(Bogdanovich, 1973)
Brewster McCloud
(Altman, 1972)
Outcast of the Islands
(Reed, 1951)

Reader Submissions

1930's-1950's
The Moon's Our Home
(Seiter, 1936)
Sh! The Octopus
(McGann, 1937)
The Mating Season
(Leisen, 1951)
Bad for Each Other
(Rapper, 1953)
The Phenix City Story
(Karlson, 1955)
Run of the Arrow
(Fuller, 1956)
House of Secrets
(Green, 1956)
Saint Joan
(Preminger, 1957)
Macabre
(Castle, 1958)
The Fiend Who Walked the West
(G. Douglas, 1958
Five Gates to Hell
(Clavell, 1959)
1960's
Key Witness
(Karlson, 1960)
Summer and Smoke
(Glenville, 1961)
The Chapman Report
(Cukor,1962)
Bachelor Flat
(Tashlin, 1962) [on Hulu]
The L Shaped Room
(Forbes, 1963)
The Chalk Garden
(Neame, 1964)
A Thousand Clowns
(Coe, 1965)
You're a Big Boy Now
(Coppola, 1966)
The Whisperers
(Forbes, 1967)
Dark of the Sun
(Cardiff, 1968)
Skidoo
(Preminger, 1968)
Last Summer
(Perry, 1969)
The Comic
(C. Reiner, 1969)
1970-1974
The Revolutionary
(Williams, 1970)
The Landlord
(Ashby, 1970)
Diary of a Mad Housewife
(Perry, 1970)
Tropic of Cancer
(Strick, 1970)
I Never Sang for My Father
(Cates, 1970)
Sometimes a Great Notion
(Newman, 1971)
Marriage of a Young Stockbroker
(Turman, 1971)
The Music Lovers
(Russell, 1971)
Drive, He Said
(Nicholson, 1971)
The Steagle
(Sylbert, 1971)
The Last Movie
(Hopper, 1971)
Made For Each Other
(Bean, 1971)
The Day the Clown Cried
(Lewis, 1972)
Hickey & Boggs (OOP)
(Culp, 1972)
The Carey Treatment
(Edwards, 1972)
Pete 'n' Tillie
(Ritt, 1972)
Slither
(Zieff, 1973)
Man on a Swing
(Perry, 1974)
Open Season
(Collinson, 1974)
The Tamarind Seed
(Edwards, 1974)
Law and Disorder
(Passer, 1974)
Homebodies
(Yust, 1974)
Stardust
(Apted, 1974)
Celine and Julie Go Boating
(Rivette, 1974)
1975-1979
Rafferty and the Gold Dust Twins
(Richards, 1975
At Long Last Love
(Bogdanovich, 1975)
Hearts of the West
(Zieff, 1975)
Welcome to L.A.
(Rudolph, 1976)
W.C. Fields and Me
(Hiller, 1976)
Citizens Band
(Demme, 1977)
Twilight's Last Gleaming
(Aldrich, 1977)
Looking for Mr. Goodbar
(Brooks, 1977)
Girlfriends
(Weill, 1978)
Movie Movie
(Donen, 1978)
The Medusa Touch
(Gold, 1978)
American Hot Wax
(Mutrux, 1978)
Hot Stuff
(DeLuise, 1979)
Scavenger Hunt
(Schultz , 1979)
Players
(Harvey, 1979)
Rich Kids
(Young, 1979)
Nightwing
(Hiller, 1979)
Screams of a Winter's Night
(Wilson, 1979
When You Comin' Back Red Ryder?
(Katselas, 1979
1980's
Resurrection
(Petrie, 1980)
The Awakening
(Newell, 1980)
Simon
(Brickman, 1980)
God's Angry Man
(Herzog, 1980)
Fast-Walking
(Harris, 1982)
Twice Upon a Time
(Korty & Swenson, 1983)
Trouble in Mind
(Rudolph, 1985)
When the Wind Blows
(Murikami, 1986)
Housekeeping
(Forsyth, 1987)
The Glass Menagerie
(Newman, 1987)
Patty Hearst
(Schrader, 1988)
Drowning by Numbers
(Greenaway, 1988)
Haunted Summer
(Passer, 1988)
The Decline of Western Civilization Part II: The Metal Years
(Spheeris, 1988)
1990's
Old Times
(Curtis, 1991)
Prospero's Books
(Greenaway, 1991)
City of Hope
(Sayles, 1991)
The Baby of Macon
(Greenaway, 1993)
King of the Hill
(Soderbergh, 1993)
Dadetown
(Hexter, 1995)
SubUrbia
(Linklater, 1997)

20th Century Biopic

My London adventure also diverted me from Pete Hammond's 10.14 "Notes on a Season" piece about Amelia, which asked whether Fox Searchlight has something to hide given the lack of screenings. The answer is that it doesn't. Amelia isn't just set in the 1930s but plays, apparently, like a film made with semi-schmaltzy 20th Century chops, which should be an allowable thing. And yet there's a guarded feeling about it.


Hillary Swank in Mira Mair's Amelia.

"There were two screenings on the Fox lot Oct. 7 that were projected digitally because film prints were not even ready yet," " Hammond reported. "It seems post-production came down to the wire on this one, with director Mira Nair putting the final touches on Gabriel Yared's (superb) music score in Paris just a week earlier.

"In reality the film has been a work in progress for some time. And in July a top studio exec very involved in the production told me somewhat ominously that they didn't think the movie was 'Academy,' a statement that immediately put my expectations in check.

"That's changed. Some added flashback sequences with the young Amelia give the story an emotional layer that apparently make a big difference for many who saw the earlier cuts. A studio source who finally saw the finished film for the first time told me his worst fears were not realized, saying, 'I didn't like it, I LOVED it.' That newfound enthusiasm was shared by other staffers I ran into on the lot who had also just seen it.

"The fact is Amelia is a beautifully crafted and very traditional epic drama that's aimed at an older, more discerning audience. That's the kind of crowd that's slow to show up at the multiplex, but if they do, they will be treated to the kind of fine adult biographical story movie studios generally just don't seem to be making anymore.

"In some ways Amelia is reminiscent of Out Of Africa, which has the same combination of sweep, adventure and romance this film incorporates. Indeed, if this were 40, or even 20 years ago, Mira Nair's meticulously mounted effort would be deemed a front-runner for awards and a certain thing at the box office. But now we live in a post-Slumdog world, and the blueprint for a Best Picture is more likely to favor indie dramas like Precious than the old-style craft of an Amelia.

"So now, while its parent company is more concerned with the more obviously commercial Avatar and the Alvin and the Chipmunks Squeakquel, Searchlight must find a way to effectively sell the kind of faithful biopic that big Fox did so well in the, uh, 20th century.

"Searchlight is a studio used to nurturing quirky unexpected awards contenders like their Oscar babies, Slumdog Millionaire, Juno, The Wrestler and Little Miss Sunshine. With Amelia they suddenly find themselves with an old-fashioned, sweeping Hollywood biography that stars a two-time Academy Award-winning best actress, Hilary Swank (the first of those Oscars ironically came from another Searchlight underdog, "Boys Don't Cry").

"The strategy seems to be to let the picture open in about 700 screens and find its audience in the major markets before widening out. If it can hang in there, an Oscar campaign can follow where there would seem to be great potential in nominations at the very least for Stuart Dryburgh's stunning aerial cinematography, Yared's gorgeous score and Swank's right-on interpretation of Earhart. She definitely has the look and accent down pat (the real newsreel footage Nair incorporates prove that), but she's even better in the quieter moments behind the controls of the plane -- particularly in a suspenseful sequence toward the end where she and her navigator (expertly played by Christopher Eccleston) try to fly their way out of trouble.

"If ever there was a picture that should have great appeal to the older constituency that frequents these screenings, particularly the matinees, this will be the one.

"Whether Amelia even has a chance to fly into the expanded 10 Best Picture list based on box office, critical and Academy reaction is a question Oscar watchers will likely be answering before the end of the month."

Posted by Jeffrey Wells on October 17, 2009 at 12:01 PM

comment #1

George Prager Author Profile Page says ...

No blowjobs, no gay guys and no Jonah Hill miming a blowjob...my parents are SO THERE!!!!!!!

Posted by George Prager Author Profile Page at October 17, 2009 12:33 PM

comment #2

George Prager Author Profile Page says ...

It'll get the SEABUSCUIT audience, and you won't have to suffer through any bullshit about the ARABIAN NIGHTS. I might have to go see in the theaters myself.

Posted by George Prager Author Profile Page at October 17, 2009 12:37 PM

comment #3

scooterzz Author Profile Page says ...

there was a screening yesterday morning on the lot...i think it's got a pretty good shot at a nomination now that the list is ten (certainly a more realistic shot than 'pelham').....it's definately old school but i also think it'll play as well to men as it will to women (which should help it a bit)...... press conference yesterday on the east coast, press day here in l.a. next week.....

Posted by scooterzz Author Profile Page at October 17, 2009 1:18 PM

comment #4

DeafEars Author Profile Page says ...

I don't understand why they cast Jon Bon Jovi in this picture.

Posted by DeafEars Author Profile Page at October 17, 2009 2:42 PM

comment #5

televisiontears Author Profile Page says ...

Another biopic is way up there on my list of things I want to see more of. Others include (but are not limited to):

remakes
sequels
reality shows
Lady Gaga
tea party protests
Saw movies
cancer
Jay Leno
autotune
past-due notices
nuclear weapons
fat, ginger Hispanics named Danny
natural disasters
Bill Maher
carbon emissions

Posted by televisiontears Author Profile Page at October 17, 2009 3:25 PM

comment #6

raquelswell Author Profile Page says ...

They sure are optimistic the movie will find its audience. I don't think people, especially women, are interested in "girl power" right now.

Posted by raquelswell Author Profile Page at October 17, 2009 7:33 PM

comment #7

berkguru Author Profile Page says ...

Hillary Swank is annoying as fuck

Posted by berkguru Author Profile Page at October 17, 2009 8:24 PM

comment #8

COCO Author Profile Page says ...

This film is needed.....Hollywood stands out when
they try a little harder....and win. The epic is a
required view at this time of year......beats the crap
out of ghosts, aliens and Eloi.

Posted by COCO Author Profile Page at October 18, 2009 6:04 AM

comment #9

Edward Author Profile Page says ...

I'm sure the wife will want to see this and I won't mind going, but the "Out of Africa" comparison scares me: that was a pretty, but empty film for me.

Posted by Edward Author Profile Page at October 18, 2009 10:54 AM

comment #10

kamichojin Author Profile Page says ...

Jon Bon Jovi? My first thought was that its nice to see Gary Busey getting work again

Posted by kamichojin Author Profile Page at October 18, 2009 11:10 AM

comment #11

teeem Author Profile Page says ...

saw it a month ago, hated it. completely uninspired, lousy script, no personality in the direction. if you like cinematography... maybe there's something there... but personally i need more.
and it must not have had the music yet, I HOPE!, because the soundtrack at my screening was horrible.
pretty pictures, and a big actress gets her pic of bio-treatments. what-, as they say, -ever.

Posted by teeem Author Profile Page at October 18, 2009 5:37 PM

comment #12

Stringer Bell Author Profile Page says ...

Can't Swank afford to get better choppers? Man, those teeth are like watching a 3D movie where her teeth stick out so much, it feels like she's actually biting me.

Posted by Stringer Bell Author Profile Page at October 18, 2009 5:46 PM

comment #13

Manitoba Author Profile Page says ...

Variety's Justin Chang has posted a downbeat review of :"Ameilia" dated Oct. 18 while The Hollywood Reporter's Ray Bennett has another much more favorable verdict also posted Oct. 18. Bennett calls "Amelia" a top-flight portrayl and an instant bio classic. He also thinks Swank is a possible Oscar nominee.

Posted by Manitoba Author Profile Page at October 18, 2009 6:49 PM

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