Most Wanted
Email here for additions & corrections.

Ishtar
(May, 1987)
The Seven-Per-Cent Solution (OOP)
(Ross, 1976)
The Devils
(Russell, 1974)
The Pirates of Penzance
(Papp/Leach, 1983)
The Fortune
(Nichols, 1975)
-30-
(Webb, 1959)
Betrayal
(Jones, 1983)
Play It As It Lays
(Perry, 1972)
The Outfit
(Flynn, 1973)
Alex in Wonderland
(Mazursky, 1969)
The Legend of Lylah Clare
(Aldrich, 1968)
In The Cool of the Day
(Stevens, 1963)
That Cold Day in the Park
(Altman, 1969)
Thumb Trippin'
(Masters, 1972)
Midas Run
(Kjellin, 1969)
At Long Last Love
(Bogdanovich, 1973)
Brewster McCloud
(Altman, 1972)
Outcast of the Islands
(Reed, 1951)

Reader Submissions

1930's-1950's
The Moon's Our Home
(Seiter, 1936)
Sh! The Octopus
(McGann, 1937)
The Mating Season
(Leisen, 1951)
Bad for Each Other
(Rapper, 1953)
The Phenix City Story
(Karlson, 1955)
Run of the Arrow
(Fuller, 1956)
House of Secrets
(Green, 1956)
Saint Joan
(Preminger, 1957)
Macabre
(Castle, 1958)
The Fiend Who Walked the West
(G. Douglas, 1958
Five Gates to Hell
(Clavell, 1959)
1960's
Key Witness
(Karlson, 1960)
Summer and Smoke
(Glenville, 1961)
The Chapman Report
(Cukor,1962)
Bachelor Flat
(Tashlin, 1962) [on Hulu]
The L Shaped Room
(Forbes, 1963)
The Chalk Garden
(Neame, 1964)
A Thousand Clowns
(Coe, 1965)
You're a Big Boy Now
(Coppola, 1966)
The Whisperers
(Forbes, 1967)
Dark of the Sun
(Cardiff, 1968)
Skidoo
(Preminger, 1968)
Last Summer
(Perry, 1969)
The Comic
(C. Reiner, 1969)
1970-1974
The Revolutionary
(Williams, 1970)
The Landlord
(Ashby, 1970)
Diary of a Mad Housewife
(Perry, 1970)
Tropic of Cancer
(Strick, 1970)
I Never Sang for My Father
(Cates, 1970)
Sometimes a Great Notion
(Newman, 1971)
Marriage of a Young Stockbroker
(Turman, 1971)
The Music Lovers
(Russell, 1971)
Drive, He Said
(Nicholson, 1971)
The Steagle
(Sylbert, 1971)
The Last Movie
(Hopper, 1971)
Made For Each Other
(Bean, 1971)
The Day the Clown Cried
(Lewis, 1972)
Hickey & Boggs (OOP)
(Culp, 1972)
The Carey Treatment
(Edwards, 1972)
Pete 'n' Tillie
(Ritt, 1972)
Slither
(Zieff, 1973)
Man on a Swing
(Perry, 1974)
Open Season
(Collinson, 1974)
The Tamarind Seed
(Edwards, 1974)
Law and Disorder
(Passer, 1974)
Homebodies
(Yust, 1974)
Stardust
(Apted, 1974)
Celine and Julie Go Boating
(Rivette, 1974)
1975-1979
Rafferty and the Gold Dust Twins
(Richards, 1975
At Long Last Love
(Bogdanovich, 1975)
Hearts of the West
(Zieff, 1975)
Welcome to L.A.
(Rudolph, 1976)
W.C. Fields and Me
(Hiller, 1976)
Citizens Band
(Demme, 1977)
Twilight's Last Gleaming
(Aldrich, 1977)
Looking for Mr. Goodbar
(Brooks, 1977)
Girlfriends
(Weill, 1978)
Movie Movie
(Donen, 1978)
The Medusa Touch
(Gold, 1978)
American Hot Wax
(Mutrux, 1978)
Hot Stuff
(DeLuise, 1979)
Scavenger Hunt
(Schultz , 1979)
Players
(Harvey, 1979)
Rich Kids
(Young, 1979)
Nightwing
(Hiller, 1979)
Screams of a Winter's Night
(Wilson, 1979
When You Comin' Back Red Ryder?
(Katselas, 1979
1980's
Resurrection
(Petrie, 1980)
The Awakening
(Newell, 1980)
Simon
(Brickman, 1980)
God's Angry Man
(Herzog, 1980)
Fast-Walking
(Harris, 1982)
Twice Upon a Time
(Korty & Swenson, 1983)
Trouble in Mind
(Rudolph, 1985)
When the Wind Blows
(Murikami, 1986)
Housekeeping
(Forsyth, 1987)
The Glass Menagerie
(Newman, 1987)
Patty Hearst
(Schrader, 1988)
Drowning by Numbers
(Greenaway, 1988)
Haunted Summer
(Passer, 1988)
The Decline of Western Civilization Part II: The Metal Years
(Spheeris, 1988)
1990's
Old Times
(Curtis, 1991)
Prospero's Books
(Greenaway, 1991)
City of Hope
(Sayles, 1991)
The Baby of Macon
(Greenaway, 1993)
King of the Hill
(Soderbergh, 1993)
Dadetown
(Hexter, 1995)
SubUrbia
(Linklater, 1997)

Battsek Goes Down

Miramax president Daniel Battsek, a good man, has been given the boot. As part of a late September announcement about streamlining/downsizing the company, Disney management stated that Battsek would "continue to oversee all aspects of creative, development, production and business and legal affairs" out of New York. Nikki Finke is reporting that Miramax's NY office will now be closed, and that the whole operation will now move to the Disney lot.

A studio spokesperson told L.A. Times reporter Claudia Eller on 9.24 that "we continue to look at the best way to run our lines of businesses most efficiently." I said in a 9.26 posting that "rhetorical references to 'efficiency' by management are usually cause for concern." So there you go.

Sorry for Daniel -- a longtime supporter and friend of Hollywood Elsewhere -- and for anyone else at Miramax who may also be thrown over the side. It's tough rowing out there.

Posted by Jeffrey Wells on October 30, 2009 at 12:05 PM

comment #1

Wrecktem Author Profile Page says ...

If only he released better movies, things may be different. But his track record at MMX is SHIT, so there you go.

Posted by Wrecktem Author Profile Page at October 30, 2009 12:52 PM

comment #2

Gordon27 Author Profile Page says ...

Without the Weinsteins, how much does Disney care about Miramax anyway? Don't they have other in-house production companies to cover all that ground?

Posted by Gordon27 Author Profile Page at October 30, 2009 12:54 PM

comment #3

The InSneider Author Profile Page says ...

A piece of No Country, a piece of There Will Be Blood, plus The Queen and Diving Bell and the Butterfly. I'd say that's not too shabby, Wrecktum.

Posted by The InSneider Author Profile Page at October 30, 2009 12:57 PM

comment #4

Wrecktem Author Profile Page says ...

So three good movies in four years. You're kidding, right?

Posted by Wrecktem Author Profile Page at October 30, 2009 12:59 PM

comment #5

Stringer Bell Author Profile Page says ...

What's Miramax without the Weinstein's?

Its not even a brand anymore. Most people know Bob & Harvey left.

Posted by Stringer Bell Author Profile Page at October 30, 2009 1:08 PM

comment #6

lawnorder Author Profile Page says ...

Miramax kicked Weinstein Company's ass consistently since the Weinsteins left Disney. And add GONE BABY GONE to that list of great releases. Fuck Disney for selling out the adult film market - and fuck the Weinsteins because the world needs reminding what talentless pricks they are.

Posted by lawnorder Author Profile Page at October 30, 2009 1:24 PM

comment #7

Gordon27 Author Profile Page says ...

lawn - I don't dispute the track record of their respective companies, but Disney has brands that it's more associated with that it would rather have making the prestige pictures.

Posted by Gordon27 Author Profile Page at October 30, 2009 1:26 PM

comment #8

Colin Author Profile Page says ...

Don't forget Adventureland and part of Revolutionary Road and Doubt as well.

Posted by Colin Author Profile Page at October 30, 2009 1:32 PM

comment #9

The InSneider Author Profile Page says ...

Wrecktum, if TWBB and Diving Bell are only "good" films for you, I don't know what to tell you. Sure Miramax has released some shitty movies. But you can't take away their awards season success and the fact that that success was deserved because the movies were excellent.

Posted by The InSneider Author Profile Page at October 30, 2009 4:38 PM

comment #10

corey3rd Author Profile Page says ...

Sony Classics has a worst ratio than Miramax. Don't see them getting shuttered.

Disney didn't know what to do with Miramax and feared having another Harvey and Bob on their hands if they allowed it to gain a true identity.

New Line and Miramax are now dead. So much for the Dependies in the 21st Century

Posted by corey3rd Author Profile Page at October 30, 2009 4:56 PM

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