Most Wanted
Email here for additions & corrections.

Ishtar
(May, 1987)
The Seven-Per-Cent Solution (OOP)
(Ross, 1976)
The Devils
(Russell, 1974)
The Pirates of Penzance
(Papp/Leach, 1983)
The Fortune
(Nichols, 1975)
-30-
(Webb, 1959)
Betrayal
(Jones, 1983)
Play It As It Lays
(Perry, 1972)
The Outfit
(Flynn, 1973)
Alex in Wonderland
(Mazursky, 1969)
The Legend of Lylah Clare
(Aldrich, 1968)
In The Cool of the Day
(Stevens, 1963)
That Cold Day in the Park
(Altman, 1969)
Thumb Trippin'
(Masters, 1972)
Midas Run
(Kjellin, 1969)
At Long Last Love
(Bogdanovich, 1973)
Brewster McCloud
(Altman, 1972)
Outcast of the Islands
(Reed, 1951)

Reader Submissions

1930's-1950's
The Moon's Our Home
(Seiter, 1936)
Sh! The Octopus
(McGann, 1937)
The Mating Season
(Leisen, 1951)
Bad for Each Other
(Rapper, 1953)
The Phenix City Story
(Karlson, 1955)
Run of the Arrow
(Fuller, 1956)
House of Secrets
(Green, 1956)
Saint Joan
(Preminger, 1957)
Macabre
(Castle, 1958)
The Fiend Who Walked the West
(G. Douglas, 1958
Five Gates to Hell
(Clavell, 1959)
1960's
Key Witness
(Karlson, 1960)
Summer and Smoke
(Glenville, 1961)
The Chapman Report
(Cukor,1962)
Bachelor Flat
(Tashlin, 1962) [on Hulu]
The L Shaped Room
(Forbes, 1963)
The Chalk Garden
(Neame, 1964)
A Thousand Clowns
(Coe, 1965)
You're a Big Boy Now
(Coppola, 1966)
The Whisperers
(Forbes, 1967)
Dark of the Sun
(Cardiff, 1968)
Skidoo
(Preminger, 1968)
Last Summer
(Perry, 1969)
The Comic
(C. Reiner, 1969)
1970-1974
The Revolutionary
(Williams, 1970)
The Landlord
(Ashby, 1970)
Diary of a Mad Housewife
(Perry, 1970)
Tropic of Cancer
(Strick, 1970)
I Never Sang for My Father
(Cates, 1970)
Sometimes a Great Notion
(Newman, 1971)
Marriage of a Young Stockbroker
(Turman, 1971)
The Music Lovers
(Russell, 1971)
Drive, He Said
(Nicholson, 1971)
The Steagle
(Sylbert, 1971)
The Last Movie
(Hopper, 1971)
Made For Each Other
(Bean, 1971)
The Day the Clown Cried
(Lewis, 1972)
Hickey & Boggs (OOP)
(Culp, 1972)
The Carey Treatment
(Edwards, 1972)
Pete 'n' Tillie
(Ritt, 1972)
Slither
(Zieff, 1973)
Man on a Swing
(Perry, 1974)
Open Season
(Collinson, 1974)
The Tamarind Seed
(Edwards, 1974)
Law and Disorder
(Passer, 1974)
Homebodies
(Yust, 1974)
Stardust
(Apted, 1974)
Celine and Julie Go Boating
(Rivette, 1974)
1975-1979
Rafferty and the Gold Dust Twins
(Richards, 1975
At Long Last Love
(Bogdanovich, 1975)
Hearts of the West
(Zieff, 1975)
Welcome to L.A.
(Rudolph, 1976)
W.C. Fields and Me
(Hiller, 1976)
Citizens Band
(Demme, 1977)
Twilight's Last Gleaming
(Aldrich, 1977)
Looking for Mr. Goodbar
(Brooks, 1977)
Girlfriends
(Weill, 1978)
Movie Movie
(Donen, 1978)
The Medusa Touch
(Gold, 1978)
American Hot Wax
(Mutrux, 1978)
Hot Stuff
(DeLuise, 1979)
Scavenger Hunt
(Schultz , 1979)
Players
(Harvey, 1979)
Rich Kids
(Young, 1979)
Nightwing
(Hiller, 1979)
Screams of a Winter's Night
(Wilson, 1979
When You Comin' Back Red Ryder?
(Katselas, 1979
1980's
Resurrection
(Petrie, 1980)
The Awakening
(Newell, 1980)
Simon
(Brickman, 1980)
God's Angry Man
(Herzog, 1980)
Fast-Walking
(Harris, 1982)
Twice Upon a Time
(Korty & Swenson, 1983)
Trouble in Mind
(Rudolph, 1985)
When the Wind Blows
(Murikami, 1986)
Housekeeping
(Forsyth, 1987)
The Glass Menagerie
(Newman, 1987)
Patty Hearst
(Schrader, 1988)
Drowning by Numbers
(Greenaway, 1988)
Haunted Summer
(Passer, 1988)
The Decline of Western Civilization Part II: The Metal Years
(Spheeris, 1988)
1990's
Old Times
(Curtis, 1991)
Prospero's Books
(Greenaway, 1991)
City of Hope
(Sayles, 1991)
The Baby of Macon
(Greenaway, 1993)
King of the Hill
(Soderbergh, 1993)
Dadetown
(Hexter, 1995)
SubUrbia
(Linklater, 1997)

Full Fox Press

An interesting thought and a diverting question for Wes Anderson came to me during this afternoon's Fantastic Mr. Fox press conference (held inside the Dorchester Hotel's grand ballroom) but moderator Dave Gritten shut things down before I had a chance to ask it. So I followed the talent -- Anderson and voice actors George Clooney, Bill Murray, Jason Schwartzman, etc. -- into a reception room and popped it straight to Wes.

"The great malady or affliction of modern cinema," I said, "is conspicuous CG because all conspicuous CG, in the end, is essentially the same visual effect. The ultimate example of this today is Roland Emmerich's forthcoming 2012. Emmerich-styled CG distracts and dazzles, but it's finally monotonous because it's all one big digital maul, and so your eyes can't trust it and in fact immediately reject it, resulting in a certain kind of emotional removal and cynicism." (Inconspicuous or invisible CG is another matter entirely, and is often glorious.) "Werner Herzog has said the same thing, that perhaps the biggest challenge facing filmmakers today is to persuade audiences to trust their eyes again.

"And the thing I like the most about Fantastic Mr. Fox," I continued, "is that even though it's fanciful fakery, it's fakery you can trust because it was made the old-fashioned organic way with stop-motion photography -- the same technique that was used by Willis O'Brien and Merian C. Cooper in the making of the original King Kong -- and is therefore, in the realm of movies about unreal things, selling something that is totally and honorably divorced from the 2012 aesthetic. So it's entirely true and fair to call Fantastic Mr. Fox the anti-2012."

Wes's first response was, "What's 2012?" Oh, you know...it's that Roland Emmerich end-of-the-world movie, I said. Worldwide destruction, CG up the wazoo, coming out next month. "Gee, I haven't heard of that one," he said. "But yeah...it sounds like we're the anti-2012."

Posted by Jeffrey Wells on October 14, 2009 at 6:00 AM

comment #1

Eloi Manning Author Profile Page says ...

Photographers are such bellowing twats.

Posted by Eloi Manning Author Profile Page at October 14, 2009 6:23 AM

comment #2

GKLondon Author Profile Page says ...

How did last nights drinks go? Know the pub well and sorry I couldn't make it. Would have enjoyed buying you a pint.

Posted by GKLondon Author Profile Page at October 14, 2009 6:32 AM

comment #3

BurmaShave Author Profile Page says ...

Can this cast please reassemble pronto for a real Wes Anderson movie?

Posted by BurmaShave Author Profile Page at October 14, 2009 6:59 AM

comment #4

Stringer Bell Author Profile Page says ...

Schwartzman is shorter than my 8 month old son.

Posted by Stringer Bell Author Profile Page at October 14, 2009 6:59 AM

comment #5

Gogocrank Author Profile Page says ...

I think I missed the question in your question, unless your question was "Are you the anti-2012?" Which I'd more accurately call begging the question. Just sayin'.

Also, just asking, but what makes stop-animated foxes any more "trustworthy" than CGI? Or is it the point that this tactile illusion isn't pretending to be anything but an illusion, and is therefore, ironically, less distracting?

Posted by Gogocrank Author Profile Page at October 14, 2009 7:26 AM

comment #6

Jeffrey Wells Author Profile Page says ...

Wells to Gogocrank: Yes.

Posted by Jeffrey Wells Author Profile Page at October 14, 2009 7:33 AM

comment #7

Ray Author Profile Page says ...

Jeff, that was a question??? Did Anderson need to take the day off so that you could pose that monolithic question to him?

He was probably thinking it was the year 2012 by the time you'd finished.

Posted by Ray Author Profile Page at October 14, 2009 7:38 AM

comment #8

JD Author Profile Page says ...

Sounds like you were interviewing for a job. Be honest, what did you care more about: getting his response or asking your question?

Posted by JD Author Profile Page at October 14, 2009 8:24 AM

comment #9

loyal Author Profile Page says ...

You can't really compare 2012 to Fantastic Mr Fox in terms of what they mean visually or strive to mean.

A more appropiate comparison would be something like Over The Hedge or even G-Force.

Posted by loyal Author Profile Page at October 14, 2009 8:47 AM

comment #10

longrunner Author Profile Page says ...

Hahahaha, JD FTW!

Posted by longrunner Author Profile Page at October 14, 2009 9:27 AM

comment #11

Ryansi51 Author Profile Page says ...

how many times did Wes check his watch during that question?

Posted by Ryansi51 Author Profile Page at October 14, 2009 9:32 AM

comment #12

Joshua Mooney Author Profile Page says ...

Only Jeff Wells can ask a question almost 200 words long, which doesn't include interrogative punctuation but DOES include the phrase "Werner Herzog has said the same thing...".

Posted by Joshua Mooney Author Profile Page at October 14, 2009 9:40 AM

comment #13

mtgilchrist Author Profile Page says ...

This is exactly why I'm grateful that folks like yourself get 1:1s. What was said here was NOT a question, and in any kind of press conference or roundtable setting, this sort of opinion-offering is a massive time-waster for the folks who are more interested in hearing the talent talk than themselves. Especially since there is no real response to this - yeah, you're right? Unless he offered some kind of spectacular answer or insight you haven't shared, this sort of chit-chat with talent is more about telling them what you know than finding out what they know - up to and including this post, which doesn't include any meaningful response from him if he provided one.

Posted by mtgilchrist Author Profile Page at October 14, 2009 4:58 PM

comment #14

Ugg Author Profile Page says ...

You can't really compare 2012 to Fantastic Mr Fox in terms of what they mean visually or strive to mean.

Posted by Ugg Author Profile Page at October 31, 2009 11:25 AM

comment #15

Ugg Author Profile Page says ...

and in any kind of press conference or roundtable setting, this sort of opinion-offering is a massive time-waster for the folks who are more interested in hearing the talent talk

Posted by Ugg Author Profile Page at October 31, 2009 11:26 AM

comment #16

bony Author Profile Page says ...

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