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The Fortune
(Nichols, 1975)
-30-
(Webb, 1959)
Betrayal
(Jones, 1983)
Play It As It Lays
(Perry, 1972)
The Outfit
(Flynn, 1973)
Alex in Wonderland
(Mazursky, 1969)
The Legend of Lylah Clare
(Aldrich, 1968)
In The Cool of the Day
(Stevens, 1963)
That Cold Day in the Park
(Altman, 1969)
The Fox
(Rydell, 1967)
Thumb Trippin'
(Masters, 1972)
Midas Run
(Kjellin, 1969)
At Long Last Love
(Bogdanovich, 1973)
Outcast of the Islands
(Reed, 1951)
Mike's Murder
(Bridges, 1984)
Reader Submissions
1930's-1950's
The Moon's Our Home
(Seiter, 1936)
Sh! The Octopus
(McGann, 1937)
The Mating Season
(Leisen, 1951)
Bad for Each Other
(Rapper, 1953)
The Phenix City Story
(Karlson, 1955)
Run of the Arrow
(Fuller, 1956)
House of Secrets
(Green, 1956)
Macabre
(Castle, 1958)
The Fiend Who Walked the West
(G. Douglas, 1958
Five Gates to Hell
(Clavell, 1959)
1960's
Key Witness
(Karlson, 1960)
Summer and Smoke
(Glenville, 1961)
The Chapman Report
(Cukor,1962)
Bachelor Flat
(Tashlin, 1962) [on Hulu]
The L Shaped Room
(Forbes, 1963)
A Thousand Clowns
(Coe, 1965)
You're a Big Boy Now
(Coppola, 1966)
Dark of the Sun
(Cardiff, 1968)
Skidoo
(Preminger, 1968)
Last Summer
(Perry, 1969)
The Comic
(C. Reiner, 1969)
1970-1974
The Revolutionary
(Williams, 1970)
Diary of a Mad Housewife
(Perry, 1970)
Tropic of Cancer
(Strick, 1970)
I Never Sang for My Father
(Cates, 1970)
Sometimes a Great Notion
(Newman, 1971)
Marriage of a Young Stockbroker
(Turman, 1971)
'Doc'
(Perry, 1971)
The Music Lovers
(Russell, 1971)
Drive, He Said
(Nicholson, 1971)
The Steagle
(Sylbert, 1971)
The Last Movie
(Hopper, 1971)
Made For Each Other
(Bean, 1971)
The Day the Clown Cried
(Lewis, 1972)
Hickey & Boggs
(Culp, 1972)
The Carey Treatment
(Edwards, 1972)
Pete 'n' Tillie
(Ritt, 1972)
Love and Pain and the Whole Damn Thing
(Pakula, 1973)
Man on a Swing
(Perry, 1974)
Open Season
(Collinson, 1974)
The Tamarind Seed
(Edwards, 1974)
Law and Disorder
(Passer, 1974)
Homebodies
(Yust, 1974)
Stardust
(Apted, 1974)
Celine and Julie Go Boating
(Rivette, 1974)
1975-1979
Rafferty and the Gold Dust Twins
(Richards, 1975
At Long Last Love
(Bogdanovich, 1975)
Hearts of the West
(Zieff, 1975)
Welcome to L.A.
(Rudolph, 1976)
W.C. Fields and Me
(Hiller, 1976)
Citizens Band
(Demme, 1977)
Twilight's Last Gleaming
(Aldrich, 1977)
Looking for Mr. Goodbar
(Brooks, 1977)
Movie Movie
(Donen, 1978)
The Medusa Touch
(Gold, 1978)
American Hot Wax
(Mutrux, 1978)
Hot Stuff
(DeLuise, 1979)
Scavenger Hunt
(Schultz , 1979)
Players
(Harvey, 1979)
Rich Kids
(Young, 1979)
Nightwing
(Hiller, 1979)
Screams of a Winter's Night
(Wilson, 1979
When You Comin' Back Red Ryder?
(Katselas, 1979
1980's
The Awakening
(Newell, 1980)
Simon
(Brickman, 1980)
God's Angry Man
(Herzog, 1980)
Twice Upon a Time
(Korty & Swenson, 1983)
Trouble in Mind
(Rudolph, 1985)
When the Wind Blows
(Murikami, 1986)
Housekeeping
(Forsyth, 1987)
The Glass Menagerie
(Newman, 1987)
Patty Hearst
(Schrader, 1988)
Running on Empty
(Lumet, 1988)
Drowning by Numbers
(Greenaway, 1988)
Haunted Summer
(Passer, 1988)
The Decline of Western Civilization Part II: The Metal Years
(Spheeris, 1988)
1990's
Men Don't Leave
(Brickman, 1990)
Old Times
(Curtis, 1991)
Prospero's Books
(Greenaway, 1991)
City of Hope
(Sayles, 1991)
The Baby of Macon
(Greenaway, 1993)
King of the Hill
(Soderbergh, 1993)
Dadetown
(Hexter, 1995)
SubUrbia
(Linklater, 1997)

Upcoming

July 30

Cats & Dogs: The Revenge of Kitty Galore

Charlie St. Cloud

The Concert

Dinner for Shmucks

The Dry Land

The Extra Man

Get Low

Helen

Hugh Hefner: Playboy, Activist and Rebel

Smash His Camera

What's the Matter with Kansas?

Who Killed Nancy

"Oh, No...It's The Japanese!"

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Aahh, Youth<< previous | next >>The Hangover

Posted by Jeffrey Wells on October 27, 2009 at 7:19 AM

comment #1

Chase Kahn says ...

Ha. Good to see Trey Parker and Matt Stone have seen "The Cove"...

Posted by Chase Kahn at October 27, 2009 7:41 AM

comment #2

Jonathan Spuij says ...

When it's on Southpark you know the movie matters.

Posted by Jonathan Spuij at October 27, 2009 9:50 AM

comment #3

Eloi Manning says ...

Jason Bourne goes to Iraq: http://theplaylist.blogspot.com/2009/10/trailer-paul-greengrass-green-zone.html

Posted by Eloi Manning at October 27, 2009 10:21 AM

comment #4

actionman says ...

wow. that looks outfuckingstanding.

Posted by actionman at October 27, 2009 10:40 AM

comment #5

Eloi Manning says ...

Amazing how much they're trying to sell it as Bourne film. Even the typeface is similar. Plus lots of talk of Damon going rogue, tracking him with satellites, etc. Even some of the Bourne hand-to-hand combat stuff in the opening scene.

Posted by Eloi Manning at October 27, 2009 10:47 AM

comment #6

MovieBob says ...

Haven't had the chance to watch it yet, but knowing Parker & Stone's penchant for contrarianism; aren't there kinda better-than-average odds that this turns out to be an ANTI-"Cove" gag and that the Dolphins are somehow evil and "the Japanese" are saving animal-rights folks from themselves?

Posted by MovieBob at October 27, 2009 10:51 AM

comment #7

Colin says ...

Wow. I'm glad Parker and Stone are around to kick some people in the balls when they need it.

Just fucking stop hunting dolphins!

Posted by Colin at October 27, 2009 10:54 AM

comment #8

Gabriel says ...

I bet you're half right, MovieBob. The dolphin killing almost certainly won't be depicted as "wrong", for whatever reason. But I have to believe the "Japanese people have no souls" bit will make a return.

Posted by Gabriel at October 27, 2009 11:00 AM

comment #9

DeeZee says ...

I wonder if this episode will air unscathed in Japan.

Posted by DeeZee at October 27, 2009 11:08 AM

comment #10

MovieBob says ...

Gabriel-
"The dolphin killing almost certainly won't be depicted as "wrong", for whatever reason. But I have to believe the "Japanese people have no souls" bit will make a return."

It probably depends who they think will get more - enjoyably - pissed at them. My read of P&S has been for a long time that they NEED to be outsiders, that they thrive above all else on being the guys at the party everyone else is avoiding because they just blurted out something in defiance of whatever the given room's conventional wisom is. One of them tells a story on some documentary about how he was a reflexive Reagan/Bush hater as a kid because "that's how you were Punk Rock in my town," but then going to college and being miserable because "suddenly all these assholes AGREED with me." I imagine that's the key to the whole South Park "thing." Are they "really" pro-smoking, anti-global-warming, etc? Who knows - the point is, making jokes on the "other side" of that makes them instant-rebels in "the business."

In this particular case, I imagine it's a matter of whether they'll have more fun at the "outrage" of dolphin-lovers or the "outrage" of their fellow Japanophile nerds...

Posted by MovieBob at October 27, 2009 12:36 PM

comment #11

Terry McCarty says ...

Re MovieBob's comment:
Not sure about Matt Stone, but from the interviews I've seen with Trey Parker, the latter comes off like a braying asshole who believes in nothing more than money.

Posted by Terry McCarty at October 27, 2009 1:54 PM

comment #12

DeeZee says ...

Terry: If I couldn't find work for five years, 'cus Hollywood doesn't know shit about comedy, I'd be pissed, too.

Posted by DeeZee at October 27, 2009 4:14 PM

comment #13

CitizenKanedforChewingGum says ...

No wonder Fake DeeZee is always so pissed (not to mention crazy).

Posted by CitizenKanedforChewingGum at October 27, 2009 5:16 PM

comment #14

Terry McCarty says ...

Take it back partially about Trey Parker: he does love musical comedy and I'm sure that, a decade from now, he and Marc Shaiman will come up with something suitably MOR for Broadway.

Posted by Terry McCarty at October 27, 2009 7:52 PM

comment #15