Most Wanted
Email here for additions & corrections.

Ishtar
(May, 1987)
The Seven-Per-Cent Solution (OOP)
(Ross, 1976)
The Devils
(Russell, 1974)
The Pirates of Penzance
(Papp/Leach, 1983)
The Fortune
(Nichols, 1975)
-30-
(Webb, 1959)
Betrayal
(Jones, 1983)
Play It As It Lays
(Perry, 1972)
The Outfit
(Flynn, 1973)
Alex in Wonderland
(Mazursky, 1969)
The Legend of Lylah Clare
(Aldrich, 1968)
In The Cool of the Day
(Stevens, 1963)
That Cold Day in the Park
(Altman, 1969)
Thumb Trippin'
(Masters, 1972)
Midas Run
(Kjellin, 1969)
At Long Last Love
(Bogdanovich, 1973)
Brewster McCloud
(Altman, 1972)
Outcast of the Islands
(Reed, 1951)

Reader Submissions

1930's-1950's
The Moon's Our Home
(Seiter, 1936)
Sh! The Octopus
(McGann, 1937)
The Mating Season
(Leisen, 1951)
Bad for Each Other
(Rapper, 1953)
The Phenix City Story
(Karlson, 1955)
Run of the Arrow
(Fuller, 1956)
House of Secrets
(Green, 1956)
Saint Joan
(Preminger, 1957)
Macabre
(Castle, 1958)
The Fiend Who Walked the West
(G. Douglas, 1958
Five Gates to Hell
(Clavell, 1959)
1960's
Key Witness
(Karlson, 1960)
Summer and Smoke
(Glenville, 1961)
The Chapman Report
(Cukor,1962)
Bachelor Flat
(Tashlin, 1962) [on Hulu]
The L Shaped Room
(Forbes, 1963)
The Chalk Garden
(Neame, 1964)
A Thousand Clowns
(Coe, 1965)
You're a Big Boy Now
(Coppola, 1966)
The Whisperers
(Forbes, 1967)
Dark of the Sun
(Cardiff, 1968)
Skidoo
(Preminger, 1968)
Last Summer
(Perry, 1969)
The Comic
(C. Reiner, 1969)
1970-1974
The Revolutionary
(Williams, 1970)
The Landlord
(Ashby, 1970)
Diary of a Mad Housewife
(Perry, 1970)
Tropic of Cancer
(Strick, 1970)
I Never Sang for My Father
(Cates, 1970)
Sometimes a Great Notion
(Newman, 1971)
Marriage of a Young Stockbroker
(Turman, 1971)
The Music Lovers
(Russell, 1971)
Drive, He Said
(Nicholson, 1971)
The Steagle
(Sylbert, 1971)
The Last Movie
(Hopper, 1971)
Made For Each Other
(Bean, 1971)
The Day the Clown Cried
(Lewis, 1972)
Hickey & Boggs (OOP)
(Culp, 1972)
The Carey Treatment
(Edwards, 1972)
Pete 'n' Tillie
(Ritt, 1972)
Slither
(Zieff, 1973)
Man on a Swing
(Perry, 1974)
Open Season
(Collinson, 1974)
The Tamarind Seed
(Edwards, 1974)
Law and Disorder
(Passer, 1974)
Homebodies
(Yust, 1974)
Stardust
(Apted, 1974)
Celine and Julie Go Boating
(Rivette, 1974)
1975-1979
Rafferty and the Gold Dust Twins
(Richards, 1975
At Long Last Love
(Bogdanovich, 1975)
Hearts of the West
(Zieff, 1975)
Welcome to L.A.
(Rudolph, 1976)
W.C. Fields and Me
(Hiller, 1976)
Citizens Band
(Demme, 1977)
Twilight's Last Gleaming
(Aldrich, 1977)
Looking for Mr. Goodbar
(Brooks, 1977)
Girlfriends
(Weill, 1978)
Movie Movie
(Donen, 1978)
The Medusa Touch
(Gold, 1978)
American Hot Wax
(Mutrux, 1978)
Hot Stuff
(DeLuise, 1979)
Scavenger Hunt
(Schultz , 1979)
Players
(Harvey, 1979)
Rich Kids
(Young, 1979)
Nightwing
(Hiller, 1979)
Screams of a Winter's Night
(Wilson, 1979
When You Comin' Back Red Ryder?
(Katselas, 1979
1980's
Resurrection
(Petrie, 1980)
The Awakening
(Newell, 1980)
Simon
(Brickman, 1980)
God's Angry Man
(Herzog, 1980)
Fast-Walking
(Harris, 1982)
Twice Upon a Time
(Korty & Swenson, 1983)
Trouble in Mind
(Rudolph, 1985)
When the Wind Blows
(Murikami, 1986)
Housekeeping
(Forsyth, 1987)
The Glass Menagerie
(Newman, 1987)
Patty Hearst
(Schrader, 1988)
Drowning by Numbers
(Greenaway, 1988)
Haunted Summer
(Passer, 1988)
The Decline of Western Civilization Part II: The Metal Years
(Spheeris, 1988)
1990's
Old Times
(Curtis, 1991)
Prospero's Books
(Greenaway, 1991)
City of Hope
(Sayles, 1991)
The Baby of Macon
(Greenaway, 1993)
King of the Hill
(Soderbergh, 1993)
Dadetown
(Hexter, 1995)
SubUrbia
(Linklater, 1997)

Astute

"Finally, I'd like to step out of my pundit shoes for a moment, if I may, and make a bold suggestion: Academy, if you're reading, please consider nominating Fantastic Mr. Fox for best costumes. Where does it say costumes have to be human sized?"-- Vanity Fair.com's Julian Sancton in an 11.18 Oscar-nom handicap piece.


Scowler<< previous | next >>Dither Adlai?

Posted by Jeffrey Wells on November 20, 2009 at 3:28 PM

comment #1

Ulysses Author Profile Page says ...

I can just see the ghastly sequence during the Oscar-cast featuring the June Taylor dancers "interpreting" the Best Costuming Nominees.

Posted by Ulysses Author Profile Page at November 20, 2009 3:40 PM

comment #2

CitizenKanedforChewingGum Author Profile Page says ...

Assuming for half a second this could happen, who would even be in line to accept the award? The animators ("I'd like to thank my mouse for being right there for me while drawing this tweedy jacket...")? Mr. Absentee himself, Wes Anderson?

I'm all in favor of animated films being given more love by the Academy (I'm actually hoping Coraline slides in as a #10 BP nominee, but I know it ain't happenin'), but this is just a dumb idea.

Posted by CitizenKanedforChewingGum Author Profile Page at November 20, 2009 3:53 PM

comment #3

corey3rd Author Profile Page says ...

When will Jeff give us pics of the puppets in the storefront in Manhattan?

Posted by corey3rd Author Profile Page at November 20, 2009 4:00 PM

comment #4

DeeZee Author Profile Page says ...

Personally, I'd like Black Dynamite to win Best Costume, and Best Set Design, but I know that ain't happening.

Ulysses: Furry-capades? I think they've already planned for it, actually. http://www.youtube.com/watch?v=BCcaMIcwz30
NSFW, of course.

Anyway, Digital Bits notes the UK BD of "Let The Right One In" has the accurate subs, for those interested. And after seeing Bad Lieutenant: Port of Call: New Orleans, I've come to realize that Inglorious Basterds is for man-children desperate to appear debonaire and sophisticated, while BL is for adults who want to see movies with real-life situations which aren't just re-enacted in people's basements. And I seriously hope the former pulls a BP upset over IB, because it fucking deserves it a lot more, just like Shawshank deserved PF's box office and WOM.

Posted by DeeZee Author Profile Page at November 20, 2009 4:47 PM

comment #5

TheJeff Author Profile Page says ...

"Assuming for half a second this could happen, who would even be in line to accept the award? The animators ("I'd like to thank my mouse for being right there for me while drawing this tweedy jacket...")?"

This is not a CGI film, and the costumes are not drawings. This is a stop-motion film made with puppets, sets, and models. That includes 285 handmade costumes. Mr. Fox's costume was cut from one of Anderson's corduroy suits. They had special miniature needles custom-made to knit some of the costumes. Anderson and his model supervisors designed the look, which is truly remarkable.

Posted by TheJeff Author Profile Page at November 20, 2009 5:47 PM

comment #6

Doug Pratt Author Profile Page says ...

No, Coraline deserves a best costumes nomination

Posted by Doug Pratt Author Profile Page at November 20, 2009 6:48 PM

comment #7

CitizenKanedforChewingGum Author Profile Page says ...

I stand corrected. You're right, Jeff, and my bad. It should definitely be in awards consideration seeing how those are actually physically-designed costumes.

And Dee, you're high as usual if you think a Bad Lieutenant re-imagining has a real shot at a BP nomination.

Posted by CitizenKanedforChewingGum Author Profile Page at November 20, 2009 6:56 PM

comment #8

DeeZee Author Profile Page says ...

Kane: It has a better chance than IB, especially since Herzog's overdue for one, and his flick's artsier than IB.

Posted by DeeZee Author Profile Page at November 20, 2009 7:33 PM

comment #9

CitizenKanedforChewingGum Author Profile Page says ...

You're clearly out of your mind, and have been for quite some time.

Having said that, I am looking forward to seeing BL: PoC.

Posted by CitizenKanedforChewingGum Author Profile Page at November 20, 2009 7:44 PM

comment #10

TheJeff Author Profile Page says ...

^ Since when is "artsier" helpful in getting a BP nomination? Herzog and AMPAS go together like chalk and cheese. Bad Lieutenant wouldn't be nominated if there were 30 nominees. I love Herzog, but that's absurd.

Posted by TheJeff Author Profile Page at November 20, 2009 7:45 PM

comment #11

The Winchester Author Profile Page says ...

DeeZee: Bad Lieutenant would have a shot at BP if it didn't fall apart at the end. A nice ride while it lasts, but with a DVD release date set for early February, I don't think there's much of a chance of derailing the Inglorious Basterds juggernaut.

(But I would love to see the iguana scene to represent the film during a montage)

Posted by The Winchester Author Profile Page at November 20, 2009 9:17 PM

comment #12

The Winchester Author Profile Page says ...

Isn't Wes Anderson's tailor the man who designed the costumes? At least for Mr. Fox, I believe, is what he said.

Posted by The Winchester Author Profile Page at November 20, 2009 9:18 PM

comment #13

DeeZee Author Profile Page says ...

TheJeff: "^ Since when is "artsier" helpful in getting a BP nomination?"

It's been fairly helpful with The English Patient, Shakespeare in Love, and CTHD.

Winchester: I kind of like where it finishes, for some reason. It feels like an existential adaptation of GTA. Speaking of which, I think Jeff should suggest to Herzog, the next time he sees him, that they try to pitch a video game tie-in, since Cage has financial issues ATM.

Posted by DeeZee Author Profile Page at November 20, 2009 9:34 PM

comment #14

LexG Author Profile Page says ...

Considering he posted rather early in the day about just having seen BAD LT, and it's only on a couple screens in LA, it is entirely possible I was in the same room with DeeZee today at the Chinese. I don't know how to feel about that.

I wonder if he was the weird bald guy by himself who switched seats every 10 minutes within his row for no reason.

Also: BAD LIEUTENANT is pure awesomeness. And it has nothing to do with this thread, so...

I see no reason why the FANTASTIC costumes couldn't be nominated. None.

Posted by LexG Author Profile Page at November 20, 2009 10:08 PM

comment #15

TheJeff Author Profile Page says ...

"It's been fairly helpful with The English Patient, Shakespeare in Love, and CTHD."

The English Patient and Shakespeare in Love aren't "artsy," so much as they are middlebrow pablum Oscar bait. Would you really consider those of a piece with Bad Lieutenant: Port of Call: New Orleans? Crouching Tiger is a lot closer to being "artsy" but a wuxia film seems kind of odd to cite as precedent. In fact, I can't think of three more bizarre choices to rationalize the idea that Bad Lieutenant could get an Oscar nom.

Posted by TheJeff Author Profile Page at November 20, 2009 10:11 PM

comment #16

DeeZee Author Profile Page says ...

Lex: I ain't bald, and I saw the matinee. If you were there at that time, they fucked up the stage curtains to close near the beginning of the film, and somehow managed to play their clip of the theater's promotional cartoon upside down and backwards. And I'll be nice and mention the Egyptian's screening Parnassus early next month, along with Gilliam's other stuff, which hopefully means he'll do an appearance. [Their schedule's not clickable ATM.]

TheJeff: They're pseudo-artsy, so it's a start. But how about Chocolat? Does that count?

Posted by DeeZee Author Profile Page at November 20, 2009 10:25 PM

comment #17

LexG Author Profile Page says ...

I was indeed at that very show, at 1:20, and the curtains closed for 30 secs. during Cage and Kilmer bickering over rescuing the prisoner in the flooded wing.

So I guess I can semi-confirm to the readership that DeeZee exists and actually sees movies.

Yay! FWIW, BAD LT would easily make my 5 or 10 for the year. And Herzog's work is being undervalued by the people saying he half-asses the procedural elements or skimps on style. In hindsight, every choice is sort of brilliant. Good movie.

Posted by LexG Author Profile Page at November 20, 2009 10:43 PM

comment #18

DeeZee Author Profile Page says ...

Lex: BTW, whatever happened to the tentpole movies premierin' at the Chinese? Ever since the management let the Sucklight steal Sith on opening weekend, so that Adam Sandler sports movie could play an extra week, the people running tha place appear to intentionally ignore just about every banner flick since then, while only screening the low-profile stuff like BL.The sound, projection and seating are so much better at the Grauman than at the Pacific Theater monopoly, and it's being wasted on shit you'd catch at one of those Landmark or Laemmle off-shoots. I'm just wondering how you stay in business that way.

And yeah, Bad Lieutenant was what a crime drama was like, before they started being saddled with comic book and noir homage geek bullshit, anti-hero cops, and expository dialogue and extraneous supporting characters. Man, if only Herzog adapted A History of Violence, it would suck so much less.

Posted by DeeZee Author Profile Page at November 20, 2009 11:11 PM

comment #19

Gordon27 Author Profile Page says ...

That last sentence is the first time I've ever agreed with DZ. I'm sure 'History of Violence' is popular 'round these parts, but I was not a fan at all. And I dig Cronenberg. And all the stuff he said in the sentence before that one.

Hey, wait a second, are you saying Cage isn't an anti-hero cop? I haven't seen it yet, but that's strange.

Posted by Gordon27 Author Profile Page at November 20, 2009 11:43 PM

comment #20

LexG Author Profile Page says ...

DZ: I love the Arclight usually, but at least at the Chinese I CAN CHOOSE WHO I HAVE TO SIT NEXT TO.

I realize I'm a minority of one on this, and every LA film geek swears by "I can buy my favorite seat and show up at the last minute!", but to me NOT BEING ASSIGNED TO SIT NEXT TO AN ANNOYING ASSHOLE is more important than sitting dead center.

Posted by LexG Author Profile Page at November 21, 2009 12:29 AM

comment #21

DeeZee Author Profile Page says ...

Gordon: AHOV sucks, because of how it deviates from the source material. And yeah, I know the trailers make Cage look like an anti-hero, but he's not like that in the movie. He's too much of a fuck-up and an asshole to be respectable. But that's sort of what I like about the flick. Too many of these psycho cops in other flicks always come off like they got their shit together. And their unorthodox methods tend to be validated, to boot. But BL's more about the everyday pressures of Cage's character than it is about him "fighting" crime.

Lex: You can't even call in advance for the Sucklight anymore. They've changed the system so you have to be there at least two days before opening day, thus defeating the whole purpose of assigned seating. And I hear you. I didn't like having to sit in front of the dickhead who had his PDA/cell phone on during "Capitalism", either. Shit, I just came from the midnight screening of Easy Rider where this annoying bitch tried to dress up like Peter Fonda, but came off more like Joey Ramone, and he wouldn't stop talking and texting during the entire fuckin' flick.

Posted by DeeZee Author Profile Page at November 21, 2009 2:12 AM

comment #22

CitizenKanedforChewingGum Author Profile Page says ...

Must you always compare everybody/everything to somebody/something else, DeeZ? Good Lawd.

In other news, this is off-topic, but I know you're a big Zodiac fan, Jeff, so I thought I'd let you know Michael Phillips just put it #6 on his list of 10 best of the decade.

Posted by CitizenKanedforChewingGum Author Profile Page at November 21, 2009 2:28 AM

comment #23

The Winchester Author Profile Page says ...

New Moon made $72 million yesterday alone. This is sad news for all of us.

Posted by The Winchester Author Profile Page at November 21, 2009 10:28 AM

comment #24

Charlie Horse Author Profile Page says ...

My own favorite off the wall nomination would be Paul Rudd for I LOVE YOU MAN. Kinda the male equivalent of ANNIE HALL.

Posted by Charlie Horse Author Profile Page at November 21, 2009 11:28 AM

comment #25

Gordon27 Author Profile Page says ...

"AHOV sucks, because of how it deviates from the source material."

Whew, the world makes sense again; in all the ways 'A History of Violence' wasn't good, the original comic book was significantly worse.

Posted by Gordon27 Author Profile Page at November 21, 2009 11:40 AM

comment #26

bluefugue Author Profile Page says ...

>while BL is for adults who want to see movies with real-life situations

I dug Bad Lieutenant, but "real-life situations" is not exactly how I'd describe the action that unfolds. It's just a stylized and artificial as Inglourious Basterds, in its way. Anyway, anyone who limits the acceptable aesthetic experience of adults to simulations of "real-life situations" is being way too limiting. Is the Iliad not good enough for adults, or Paradise Lost, or a Midsummer Night's Dream?

Posted by bluefugue Author Profile Page at November 21, 2009 1:47 PM

comment #27

DeeZee Author Profile Page says ...

blue: "It's just a stylized and artificial as Inglourious Basterds, in its way."

Perhaps, but it has a sense of tangibility to it which IB does not.

"Anyway, anyone who limits the acceptable aesthetic experience of adults to simulations of "real-life situations" is being way too limiting. Is the Iliad not good enough for adults, or Paradise Lost, or a Midsummer Night's Dream?"

Most of those stories aren't for adults, though. They're just stories adults can appreciate. And while I appreciate fantasy, too, that artform works better with some sense of realism, or at least a pesonal connection with the concept. That's why I just walked out of "Where the Wild Things Are" tonight: Because BL's close-ups of the iguanas and fish demonstrate a better sense of childlike wonderment than that entire Jonze film. I wanted a decent adaptation of the Wild Things book, not some shitty hipster hybrid of the Smurfs and H.R. Pufnstuf.

Posted by DeeZee Author Profile Page at November 21, 2009 5:15 PM

comment #28

mtgilchrist Author Profile Page says ...

what the fuck does inglourious basterds have to do with bad lieutenant except as a completely arbitrary point of reference? and lex, who is criticizing bad lieutenant for "skimping on procedure?" that's like saying people didn't like speed racer because it didn't get into the pit crew stuff enough. bad lieutenant is NEVER going to get a best picture nomination - it's entertaining as hell but it's batshit crazy, and by herzog's own admission it's not about anything at all - and championing it as some sort of substantive or remotely authentic look at grown-up behavior is equally batshit. let's see - what else? oh yeah, hating history of violence because it deviates from the source material is just as shitty and hipsterish as you accuse spike jonze of being. and if you don't think that cage's character is an antihero you have no clue what that word means.

Posted by mtgilchrist Author Profile Page at November 21, 2009 7:14 PM

comment #29

DeeZee Author Profile Page says ...

gil: "what the fuck does inglourious basterds have to do with bad lieutenant except as a completely arbitrary point of reference?"

They're both R-rated sdrama featuring corrupt leads, and getting lots of buzz?

"it's entertaining as hell but it's batshit crazy,"

That didn't stop The Exorcist.

"oh yeah, hating history of violence because it deviates from the source material is just as shitty and hipsterish as you accuse spike jonze of being. "

Except hipsters don't give a fuck about the source material, or they wouldn't jerk off to the Kubrick Clockwork Orange.

"and if you don't think that cage's character is an antihero you have no clue what that word means."

He's not an antihero, since you don't root for him, in spite of him being an asshole. Nor does he do anything noble in spite of his shitty behavior.

Posted by DeeZee Author Profile Page at November 21, 2009 9:38 PM

comment #30

DeeZee Author Profile Page says ...

*dramas*

Posted by DeeZee Author Profile Page at November 21, 2009 9:38 PM

comment #31

Gordon27 Author Profile Page says ...

I always think it's funny when DZ finds one thing is his post that he needs to correct, as opposed to all the other stuff.

Posted by Gordon27 Author Profile Page at November 22, 2009 12:30 AM

comment #32

Gordon27 Author Profile Page says ...

"Except hipsters don't give a fuck about the source material"

Yeah, not like Werner Herzog, showing so much fidelity to 'Bad Lieutenant'.

Posted by Gordon27 Author Profile Page at November 22, 2009 12:56 AM

comment #33

DeeZee Author Profile Page says ...

Gordon: BLPCOFNO is intentionally meant to be a different take on the source material. Herzog does not try to make you think it has anything to do with the Ferrara film.

Posted by DeeZee Author Profile Page at November 22, 2009 2:09 AM

comment #34

DeeZee Author Profile Page says ...

Oh, and Digital Bits was wrong about the "Let the Right One" UK BD having accurate subs.

Posted by DeeZee Author Profile Page at November 22, 2009 2:12 AM

comment #35

Gordon27 Author Profile Page says ...

So it's okay to deviate from the source material, as long as its intentional?

Posted by Gordon27 Author Profile Page at November 22, 2009 2:42 AM

comment #36

Colin Author Profile Page says ...

Herzog should have done the right thing and called it: Nawleans is Fuckin' Nuts.

Although it does serve to remind the public what a great actor Keitel was in the original.

Posted by Colin Author Profile Page at November 22, 2009 12:45 PM

comment #37

DeeZee Author Profile Page says ...

Gordon: It's ok to deviate from the source material if you don't imply otherwise.

Posted by DeeZee Author Profile Page at November 22, 2009 2:19 PM

Post a comment