Most Wanted
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Ishtar
(May, 1987)
The Seven-Per-Cent Solution (OOP)
(Ross, 1976)
The Devils
(Russell, 1974)
The Pirates of Penzance
(Papp/Leach, 1983)
The Fortune
(Nichols, 1975)
-30-
(Webb, 1959)
Betrayal
(Jones, 1983)
Play It As It Lays
(Perry, 1972)
The Outfit
(Flynn, 1973)
Alex in Wonderland
(Mazursky, 1969)
The Legend of Lylah Clare
(Aldrich, 1968)
In The Cool of the Day
(Stevens, 1963)
That Cold Day in the Park
(Altman, 1969)
Thumb Trippin'
(Masters, 1972)
Midas Run
(Kjellin, 1969)
At Long Last Love
(Bogdanovich, 1973)
Brewster McCloud
(Altman, 1972)
Outcast of the Islands
(Reed, 1951)

Reader Submissions

1930's-1950's
The Moon's Our Home
(Seiter, 1936)
Sh! The Octopus
(McGann, 1937)
The Mating Season
(Leisen, 1951)
Bad for Each Other
(Rapper, 1953)
The Phenix City Story
(Karlson, 1955)
Run of the Arrow
(Fuller, 1956)
House of Secrets
(Green, 1956)
Saint Joan
(Preminger, 1957)
Macabre
(Castle, 1958)
The Fiend Who Walked the West
(G. Douglas, 1958
Five Gates to Hell
(Clavell, 1959)
1960's
Key Witness
(Karlson, 1960)
Summer and Smoke
(Glenville, 1961)
The Chapman Report
(Cukor,1962)
Bachelor Flat
(Tashlin, 1962) [on Hulu]
The L Shaped Room
(Forbes, 1963)
The Chalk Garden
(Neame, 1964)
A Thousand Clowns
(Coe, 1965)
You're a Big Boy Now
(Coppola, 1966)
The Whisperers
(Forbes, 1967)
Dark of the Sun
(Cardiff, 1968)
Skidoo
(Preminger, 1968)
Last Summer
(Perry, 1969)
The Comic
(C. Reiner, 1969)
1970-1974
The Revolutionary
(Williams, 1970)
The Landlord
(Ashby, 1970)
Diary of a Mad Housewife
(Perry, 1970)
Tropic of Cancer
(Strick, 1970)
I Never Sang for My Father
(Cates, 1970)
Sometimes a Great Notion
(Newman, 1971)
Marriage of a Young Stockbroker
(Turman, 1971)
The Music Lovers
(Russell, 1971)
Drive, He Said
(Nicholson, 1971)
The Steagle
(Sylbert, 1971)
The Last Movie
(Hopper, 1971)
Made For Each Other
(Bean, 1971)
The Day the Clown Cried
(Lewis, 1972)
Hickey & Boggs (OOP)
(Culp, 1972)
The Carey Treatment
(Edwards, 1972)
Pete 'n' Tillie
(Ritt, 1972)
Slither
(Zieff, 1973)
Man on a Swing
(Perry, 1974)
Open Season
(Collinson, 1974)
The Tamarind Seed
(Edwards, 1974)
Law and Disorder
(Passer, 1974)
Homebodies
(Yust, 1974)
Stardust
(Apted, 1974)
Celine and Julie Go Boating
(Rivette, 1974)
1975-1979
Rafferty and the Gold Dust Twins
(Richards, 1975
At Long Last Love
(Bogdanovich, 1975)
Hearts of the West
(Zieff, 1975)
Welcome to L.A.
(Rudolph, 1976)
W.C. Fields and Me
(Hiller, 1976)
Citizens Band
(Demme, 1977)
Twilight's Last Gleaming
(Aldrich, 1977)
Looking for Mr. Goodbar
(Brooks, 1977)
Girlfriends
(Weill, 1978)
Movie Movie
(Donen, 1978)
The Medusa Touch
(Gold, 1978)
American Hot Wax
(Mutrux, 1978)
Hot Stuff
(DeLuise, 1979)
Scavenger Hunt
(Schultz , 1979)
Players
(Harvey, 1979)
Rich Kids
(Young, 1979)
Nightwing
(Hiller, 1979)
Screams of a Winter's Night
(Wilson, 1979
When You Comin' Back Red Ryder?
(Katselas, 1979
1980's
Resurrection
(Petrie, 1980)
The Awakening
(Newell, 1980)
Simon
(Brickman, 1980)
God's Angry Man
(Herzog, 1980)
Fast-Walking
(Harris, 1982)
Twice Upon a Time
(Korty & Swenson, 1983)
Trouble in Mind
(Rudolph, 1985)
When the Wind Blows
(Murikami, 1986)
Housekeeping
(Forsyth, 1987)
The Glass Menagerie
(Newman, 1987)
Patty Hearst
(Schrader, 1988)
Drowning by Numbers
(Greenaway, 1988)
Haunted Summer
(Passer, 1988)
The Decline of Western Civilization Part II: The Metal Years
(Spheeris, 1988)
1990's
Old Times
(Curtis, 1991)
Prospero's Books
(Greenaway, 1991)
City of Hope
(Sayles, 1991)
The Baby of Macon
(Greenaway, 1993)
King of the Hill
(Soderbergh, 1993)
Dadetown
(Hexter, 1995)
SubUrbia
(Linklater, 1997)

Dead Box (Which I'm Sorry About)

Richard Kelly's The Box, which opens today, was shooting in the Boston area two years ago; that in itself should tell you it has problems. The failing-grade RT reviews (44% hoi-polloi, 25% creme de la creme) are another. It's Friday morning and the film is all but dead in the water -- let's face it. WB marketers knew it was a ruptured duck ages ago; that's one reason why they took so long to open it.

So why did Media Rights Capital agree to fund the film after reading Kelly's script? They had to know he's not McG or Michael Bay, that his rep is that of a fringe-type guy who caught a wave off the video sales of Donnie Darko, and that he tends to make trippy head-bender flicks with labrynthian, multi-layered plots -- any film geek could have told them that.

So there was no way he was going to make a quietly creepy, less-is-more, Ingmar Bergmanesque thriller out of the simple 1970 Richard Matheson short story that later became a Twilight Zone episode in the mid '80s. (Which is what I would have preferred.) They had to know Kelly would take the story into the outer stratosphere. They also had to know that no matter what they may say in production meetings, brainy cult directors don't make films for the Eloi.

The main problem, to go by just about every review, is that Kelly took a simple premise (if you could get rich by pushing a button that will cause a total stranger's death, would you push it?) and loaded it down with waay too many oddball tangents and byzantine plot elements and metaphorical layers. In other words, he did exactly what any semi-aware, semi-comatose Media Rights Capital execs could have easily predicted would have happened when the project was green-lighted in early '07.

I love Kelly's stuff myself but he's not "box office" -- even his friends agree he's not that. He's off on his own beam. The problem with Kelly isn't what he writes or directs; it's the fact that the budgets for his films so far haven't been set as realistically proportionate.

Friday Morning<< previous | next >>"This Is The Case"

Posted by Jeffrey Wells on November 6, 2009 at 9:26 AM

comment #1

actionman Author Profile Page says ...

I have read plenty of reviews that suggest that The Box is a fun, trippy, totally preposterous movie that works if you're in the mood for this sort of asinine thriller. I'll be Netflixing this one.

Posted by actionman Author Profile Page at November 6, 2009 10:28 AM

comment #2

CitizenKanedforChewingGum Author Profile Page says ...

I hate to say it (because he's possibly got a few good future movies left in him), but this may already be the end of Kelly. I know it seems way early for a career obituary (esp. given his age), but if this puppy tanks after Southland Tales super-tanked, I don't know where he goes from here.

Helming direct-to-video sequels?
Assistant director on big projects?
Porn auteur?

All of the above?

It's been a very strange run for him thus far, and -- for better or worse -- I get the distinct feeling he's just going to promptly disappear into the Hollywood ether.

Posted by CitizenKanedforChewingGum Author Profile Page at November 6, 2009 10:32 AM

comment #3

Mark Author Profile Page says ...

So Langella shows the million during the initial proposal? Just press the button right then and there, and usher him out of your house sans suitcase. End of story. What's the rest of the movie even about?

Posted by Mark Author Profile Page at November 6, 2009 10:36 AM

comment #4

actionman Author Profile Page says ...

I could see him doing a bang-up job on Pirates 4. I bet he talks his way into a tentpole/franchise movie.

Posted by actionman Author Profile Page at November 6, 2009 10:36 AM

comment #5

Rich S. Author Profile Page says ...

The story, and the earlier Twilight Zone ep, are essentially just a brief, twisted joke to set up the final punch line. Even the 22 minute TZ ep felt padded. I'm shocked anyone thought they could make a 90 minute movie out of it, particularly since it sounds like they've jettisoned the punch line.

Posted by Rich S. Author Profile Page at November 6, 2009 10:36 AM

comment #6

lazarus Author Profile Page says ...

I don't even understand why this would need a high price tag. For what?

Posted by lazarus Author Profile Page at November 6, 2009 10:40 AM

comment #7

HarveyLime Author Profile Page says ...

I sincerely hope this isn't the case. I've always been a fan of Kelly's directorial efforts. Darko was a promising debut, weak on narrative but strong atmospherically. If anything, I'm a bigger fan of Southland. Messy as it may be, there's too many great aspects and moments to write it off. Watching it for a second time, it's easier to appreciate the hallucinatory madness of it all. (I particularly love the long steadicam shot in the mega zeppelin)

That said, his script to Domino was probably the worst aspect of that film; one of the greatest missed opportunities in recent memory.

Posted by HarveyLime Author Profile Page at November 6, 2009 10:42 AM

comment #8

Josh Massey Author Profile Page says ...

I would only push the button 200, 300 times tops. I'm not a monster.

Posted by Josh Massey Author Profile Page at November 6, 2009 10:49 AM

comment #9

Eloi Manning Author Profile Page says ...

Are we so sure it's going to tank? Looks like a relatively cheaply made thriller that audiences might fancy on a fairly quiet weekend. Law Abiding Citizen made money - is The Box totally doomed?

Posted by Eloi Manning Author Profile Page at November 6, 2009 10:49 AM

comment #10

JD Author Profile Page says ...

I read the script and, for better or worse, it seemed totally commercial to me. Sure, it has oddball moments/ideas, but so do most mainstream action, horror and sci-fi films.

Posted by JD Author Profile Page at November 6, 2009 10:51 AM

comment #11

matt cousens Author Profile Page says ...

Hold the phone. Why is a movie doomed if it films in or around Boston??

Posted by matt cousens Author Profile Page at November 6, 2009 10:54 AM

comment #12

Mark Author Profile Page says ...

$30M budget, right? That'll get you the first act of Zodiac.

I'm suggesting that overall, Zodiac lost a lot more money than The Box will, yet Fincher still got his Benji Button budget. Kelly's future depends on whether he continues to be able to draw talent. Actors tend to have spotty yet long memories. Terry Gilliam still gets talent, and thus budgets, even though he's given no reason for anyone to believe in him over the last decade.

Posted by Mark Author Profile Page at November 6, 2009 11:00 AM

comment #13

Joel Author Profile Page says ...

Matt, I think the problem was that they were filming two years ago, not that it was filming in Boston.

Posted by Joel Author Profile Page at November 6, 2009 11:00 AM

comment #14

matt cousens Author Profile Page says ...

You know, it seems i misread that. Looks like i was wrong. Getting overly defensive of Boston is part of what makes you from Boston, i suppose.

Posted by matt cousens Author Profile Page at November 6, 2009 11:03 AM

comment #15

HarveyLime Author Profile Page says ...

I think this will at least outdo both Men Who Stare at Goats and The Fouth Kind in the weekend haul (Christmas Carol will be the victor, without doubt).

Posted by HarveyLime Author Profile Page at November 6, 2009 11:06 AM

comment #16

Chase Kahn Author Profile Page says ...

There's no question it will do better than "The Fourth Kind" -- I've seen the trailer two times and read several news articles about it and I still don't know what the hell it is.

Posted by Chase Kahn Author Profile Page at November 6, 2009 11:43 AM

comment #17

btwnproductions Author Profile Page says ...

GOATS is awful. As for Kelly, he's far from over--maybe an HBO/SHO show?

Posted by btwnproductions Author Profile Page at November 6, 2009 11:52 AM

comment #18

Krazy Eyes Author Profile Page says ...

I'll probably catch The Box on Netflix at some point but I still haven't forgiven Kelly for Southland Tales, which is still one of the most miserable theatergoing experiences i've ever had.

Posted by Krazy Eyes Author Profile Page at November 6, 2009 11:56 AM

comment #19

jmevans Author Profile Page says ...

Jeff,

What exactly are you trying to say by your reference to it being shot in Boston? The film was destined to fail due to this fact? You do realize that "Shutter Island" and "Edge of Darkness" were also filmed in Massachusetts? The current Cruise/Diaz film "Knight & Day" is also currently shooting in Boston. So is "The Town" with Affleck and Jon Hamn. Adam Sandler's "Grown Ups" wrapped this summer.

Plymouth may be getting a huge sound stage in a few years which will mean even more movies shot in Boston/Mass. So you may want to hold off on dissing that area when it comes to a film being shot there.

Posted by jmevans Author Profile Page at November 6, 2009 1:22 PM

comment #20

jmevans Author Profile Page says ...

I'll follow up by saying that if Jeff's point was that it was being shot 2 years ago, and not the fact that it was in Boston, then I apologize.

Posted by jmevans Author Profile Page at November 6, 2009 1:25 PM

comment #21

Michael Author Profile Page says ...

I think this looks like a fun movie and a nice alternative to what is being released now (I have no interest at all to see A Christmas Carol and Precious and An Education haven't been released in my area.) I think that Richard Kelly will be able to survive this if it does turn out to be a bad movie that fails miserably, he will just have to be given an appropriate budget next time (a la Darren Arronofsky after The Fountain who then made The Wrestler.) And I agree with HarveyLime - I actually preferred Southland Tales over Donnie Darko, but I find both to be entertaining movies.

Posted by Michael Author Profile Page at November 6, 2009 1:53 PM

comment #22

Colin Author Profile Page says ...

Giving this a shot over Goats. McGregor ruins films for me and I'm sure Goats will be no different.

Posted by Colin Author Profile Page at November 6, 2009 2:04 PM

comment #23

DeeZee Author Profile Page says ...

Mark: Outside of Fight Club and Zodiac, Fincher's movies make money. And Pitt was attached, so Button would at least break even, if nothing else. And Gilliam's got good will from his legacy as a filmmaker, while Kelly is currently a one-cult hit wonder.

Posted by DeeZee Author Profile Page at November 6, 2009 2:07 PM

comment #24

HarveyLime Author Profile Page says ...

Hell, Proyas and company brought Knowing to nearly $80 million, and the reviews on that were even more savage. (granted that had somewhat weaker competition)

Posted by HarveyLime Author Profile Page at November 6, 2009 2:22 PM

comment #25

Eloi Manning Author Profile Page says ...

Goats looks like another one of those crap Clooney comedies like Leatherheads and Welcome to Collinwood. It will tank.

Posted by Eloi Manning Author Profile Page at November 6, 2009 2:29 PM

comment #26

Josh Massey Author Profile Page says ...

Jesus, you Boston guys are thin-skinned.

(Pssst - Larry Bird was way overrated).

Posted by Josh Massey Author Profile Page at November 6, 2009 2:39 PM

comment #27

DeeZee Author Profile Page says ...

Josh: Not as overrated as The Departed.

Posted by DeeZee Author Profile Page at November 6, 2009 4:26 PM

comment #28

Cde. Author Profile Page says ...

The biggest problem with this film is that it's 80% padding. Everything between the set-up and the conclusion adds little but convoluted sci-fi insanity. Some people will enjoy the crazy ride, but I found it a little flat, and very awkward to watch.

Then again...
Mark: Terry Gilliam still gets talent, and thus budgets, even though he's given no reason for anyone to believe in him over the last decade.

...I loved The Imaginarium of Doctor Parnassus, about which many would make the same criticism.

Posted by Cde. Author Profile Page at November 6, 2009 5:30 PM

comment #29

JulesWinnfield Author Profile Page says ...

Still can't believe they got this idea from a youtube vid.

Posted by JulesWinnfield Author Profile Page at November 6, 2009 5:37 PM

comment #30

BanksAreForRivers Author Profile Page says ...

I have absolutely no faith in Richard Kelly.

He thought backing I Hope They Serve Beer In Hell would be a good idea.

I think Donnie Darko was a lucky strike. One I don't think he can replicate. And it wasn't a movie without it's problems. It worked as an under the radar cult hit, but wouldn't work any other way.

I think he's destined for television at this point. And looking at his work, that might be where he belongs.

Posted by BanksAreForRivers Author Profile Page at November 6, 2009 7:51 PM

comment #31

Michael Author Profile Page says ...

I left the theater entertained by The Box, which was all I was hoping for. It was a fun, strange ride and it never bored me once. Not the best movie of the year, but a lot better than I was expecting. Richard Kelly showed a lot more restraint than Southland Tales led me to believe he had the capability of showing. Of course, that means he showed very little restraint at all, but it was a lot better contained than Southland Tales.

Posted by Michael Author Profile Page at November 6, 2009 9:33 PM

comment #32

raquelswell Author Profile Page says ...

The way Kelly expresses himself is completely at odds with being known as someone who makes trippy movies. I know it shouldn't matter but I can't ignore the lack of a distinguishing personality. He tries hard to set himself apart from other young directors/writers but I don't think he has what it takes to just make a movie, much less a trippy one.

Posted by raquelswell Author Profile Page at November 6, 2009 9:42 PM

comment #33

Gordon27 Author Profile Page says ...

"Terry Gilliam still gets talent, and thus budgets, even though he's given no reason for anyone to believe in him over the last decade."

I like Richard Kelly, but Terry Gilliam has (1) Monty Python based good will, (2) several successful movies, and (3) gotten multiple actors Academy Award nominations. And Fincher has two of those as well.

The Aronofsky comparison is apt -- Kelly needs to do something like 'The Wrestler'. But I don't think he's got it in him.

Posted by Gordon27 Author Profile Page at November 6, 2009 10:34 PM

comment #34

A Facebook User Author Profile Page says ...

This will do good business on DVD/BR, I bet.

Posted by A Facebook User Author Profile Page at November 7, 2009 12:01 AM

comment #35

drbob Author Profile Page says ...

I know he aspires to be a brainy cult director, but I don't know if he belongs in the club yet. Kelly's best film, Donnie Darko, is practically a loose remake of Jacob's Ladder. And, Andrian Lynn is no art house auteur.

Posted by drbob Author Profile Page at November 7, 2009 10:20 AM

comment #36

DeafEars Author Profile Page says ...

I thought DONNIE DARKO was pretty good, but it's starting to look like Kelly, like M. Night Shammalammadingdong, should probably consider directing a film that he doesn't write. Both have a real knack for atmosphere and building tension - M. Night, when he's cooking, is almost Lynch's equal at these things - but they've both been hobbled by the terrible scripts they've written for themselves.

Posted by DeafEars Author Profile Page at November 7, 2009 11:24 AM

comment #37

kamichojin Author Profile Page says ...

I'll give the Box a chance based on the good will I have for Kelly due to the theatrical version of Donnie Darko & Southland Tales. Southland was a deeply flawed film but there are moments that really work brilliantly. If he had someone to rein him in, it might have been more than an ambitious failure. The biggest reservations I have about Kelly come from the "Director's Cut" of Donnie Darko he released a few years ago. Complete ruination of everything that worked in the original.

Posted by kamichojin Author Profile Page at November 7, 2009 3:21 PM

comment #38

Doug Pratt Author Profile Page says ...

Michael Cimino for a new generation

Posted by Doug Pratt Author Profile Page at November 7, 2009 4:44 PM

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