Most Wanted
Email here for additions & corrections.

Ishtar
(May, 1987)
The Seven-Per-Cent Solution (OOP)
(Ross, 1976)
The Devils
(Russell, 1974)
The Pirates of Penzance
(Papp/Leach, 1983)
The Fortune
(Nichols, 1975)
-30-
(Webb, 1959)
Betrayal
(Jones, 1983)
Play It As It Lays
(Perry, 1972)
The Outfit
(Flynn, 1973)
Alex in Wonderland
(Mazursky, 1969)
The Legend of Lylah Clare
(Aldrich, 1968)
In The Cool of the Day
(Stevens, 1963)
That Cold Day in the Park
(Altman, 1969)
Thumb Trippin'
(Masters, 1972)
Midas Run
(Kjellin, 1969)
At Long Last Love
(Bogdanovich, 1973)
Brewster McCloud
(Altman, 1972)
Outcast of the Islands
(Reed, 1951)

Reader Submissions

1930's-1950's
The Moon's Our Home
(Seiter, 1936)
Sh! The Octopus
(McGann, 1937)
The Mating Season
(Leisen, 1951)
Bad for Each Other
(Rapper, 1953)
The Phenix City Story
(Karlson, 1955)
Run of the Arrow
(Fuller, 1956)
House of Secrets
(Green, 1956)
Saint Joan
(Preminger, 1957)
Macabre
(Castle, 1958)
The Fiend Who Walked the West
(G. Douglas, 1958
Five Gates to Hell
(Clavell, 1959)
1960's
Key Witness
(Karlson, 1960)
Summer and Smoke
(Glenville, 1961)
The Chapman Report
(Cukor,1962)
Bachelor Flat
(Tashlin, 1962) [on Hulu]
The L Shaped Room
(Forbes, 1963)
The Chalk Garden
(Neame, 1964)
A Thousand Clowns
(Coe, 1965)
You're a Big Boy Now
(Coppola, 1966)
The Whisperers
(Forbes, 1967)
Dark of the Sun
(Cardiff, 1968)
Skidoo
(Preminger, 1968)
Last Summer
(Perry, 1969)
The Comic
(C. Reiner, 1969)
1970-1974
The Revolutionary
(Williams, 1970)
The Landlord
(Ashby, 1970)
Diary of a Mad Housewife
(Perry, 1970)
Tropic of Cancer
(Strick, 1970)
I Never Sang for My Father
(Cates, 1970)
Sometimes a Great Notion
(Newman, 1971)
Marriage of a Young Stockbroker
(Turman, 1971)
The Music Lovers
(Russell, 1971)
Drive, He Said
(Nicholson, 1971)
The Steagle
(Sylbert, 1971)
The Last Movie
(Hopper, 1971)
Made For Each Other
(Bean, 1971)
The Day the Clown Cried
(Lewis, 1972)
Hickey & Boggs (OOP)
(Culp, 1972)
The Carey Treatment
(Edwards, 1972)
Pete 'n' Tillie
(Ritt, 1972)
Slither
(Zieff, 1973)
Man on a Swing
(Perry, 1974)
Open Season
(Collinson, 1974)
The Tamarind Seed
(Edwards, 1974)
Law and Disorder
(Passer, 1974)
Homebodies
(Yust, 1974)
Stardust
(Apted, 1974)
Celine and Julie Go Boating
(Rivette, 1974)
1975-1979
Rafferty and the Gold Dust Twins
(Richards, 1975
At Long Last Love
(Bogdanovich, 1975)
Hearts of the West
(Zieff, 1975)
Welcome to L.A.
(Rudolph, 1976)
W.C. Fields and Me
(Hiller, 1976)
Citizens Band
(Demme, 1977)
Twilight's Last Gleaming
(Aldrich, 1977)
Looking for Mr. Goodbar
(Brooks, 1977)
Girlfriends
(Weill, 1978)
Movie Movie
(Donen, 1978)
The Medusa Touch
(Gold, 1978)
American Hot Wax
(Mutrux, 1978)
Hot Stuff
(DeLuise, 1979)
Scavenger Hunt
(Schultz , 1979)
Players
(Harvey, 1979)
Rich Kids
(Young, 1979)
Nightwing
(Hiller, 1979)
Screams of a Winter's Night
(Wilson, 1979
When You Comin' Back Red Ryder?
(Katselas, 1979
1980's
Resurrection
(Petrie, 1980)
The Awakening
(Newell, 1980)
Simon
(Brickman, 1980)
God's Angry Man
(Herzog, 1980)
Fast-Walking
(Harris, 1982)
Twice Upon a Time
(Korty & Swenson, 1983)
Trouble in Mind
(Rudolph, 1985)
When the Wind Blows
(Murikami, 1986)
Housekeeping
(Forsyth, 1987)
The Glass Menagerie
(Newman, 1987)
Patty Hearst
(Schrader, 1988)
Drowning by Numbers
(Greenaway, 1988)
Haunted Summer
(Passer, 1988)
The Decline of Western Civilization Part II: The Metal Years
(Spheeris, 1988)
1990's
Old Times
(Curtis, 1991)
Prospero's Books
(Greenaway, 1991)
City of Hope
(Sayles, 1991)
The Baby of Macon
(Greenaway, 1993)
King of the Hill
(Soderbergh, 1993)
Dadetown
(Hexter, 1995)
SubUrbia
(Linklater, 1997)

"Eight Dollars? That's Not Bad!"

Jeez, I haven't seen the original Bottle Rocket short in 15 or 16 years. L.M.Kit Carson, who helped Wes Anderson and Owen Wilson with the funding to complete it (and who got it into Sundance and showed the short to Polly Platt, etc.) showed me a tape of it, as I recall. And this isn't even the whole thing.

Posted by Jeffrey Wells on November 18, 2009 at 1:50 PM

comment #1

Anthony Thorne Author Profile Page says ...

A kick to see these guys looking so young.

An apology to Baron Munchausen by proxy is waiting back in the Angel Heart thread. I'm posting this in a couple of places (not too many) so he'll hopefully see it. Sorry Baron, I'm a dumbass.

Posted by Anthony Thorne Author Profile Page at November 18, 2009 2:01 PM

comment #2

Rich S. Author Profile Page says ...

Speaking of which, Happy Birthday, Owen. 41 years old today.

Posted by Rich S. Author Profile Page at November 18, 2009 2:02 PM

comment #3

LexG Author Profile Page says ...

Holy shit, chick out Luke's ultra-early-90s Tim Roth mushroom cut.

Posted by LexG Author Profile Page at November 18, 2009 2:12 PM

comment #4

Umberto Deeznuts Author Profile Page says ...

Wesley Wales Anderson is a manipulative narcissist who steals from his friends and then betrays them. He should die in a car crash.

Posted by Umberto Deeznuts Author Profile Page at November 18, 2009 2:52 PM

comment #5

YRG Author Profile Page says ...

Found part 2:
http://www.youtube.com/watch?v=oHiV9PexYzA

Posted by YRG Author Profile Page at November 18, 2009 3:13 PM

comment #6

YRG Author Profile Page says ...

It shows what you can do with a great story and a limited budget. I also like what James L. Brooks has to say about discovering this new voice (from the Criterion website: http://www.criterion.com/current/posts/886). It helps me understand why Wes stuck to his vision for Fantastic Mr. Fox.
When I first saw the thirteen-minute video I was dazzled-- the language and rhythms of the piece made it clear Wes and Owen were genuine voices. The possession of a real voice is always a marvel, and almost religious thing. When you have one, it not only means you see things from a slightly different perspective than the billions of other ants on the hill, but that you also necessarily possess such equally rare qualities as integrity and humility. It's part of the package of being a real voice, 'cause what your voice is real, you can't screw around. The voice must be served; all other exit doors, marked "expediencey" or "solid career move," are sealed over, and the only way out of your inner torment is genuine self-expression.

Posted by YRG Author Profile Page at November 18, 2009 3:20 PM

comment #7

YRG Author Profile Page says ...

that should be "cause when your voice is real" and "expediency". I had to retype the whole thing into the comment box as every time I cut and paste I got an "invalid for UTF-8" error and lost it all...

Posted by YRG Author Profile Page at November 18, 2009 3:23 PM

comment #8

AnimalStructure Author Profile Page says ...

Sorry, couldn't get through it. Awful.

Posted by AnimalStructure Author Profile Page at November 18, 2009 6:50 PM

comment #9

Steven Kar Author Profile Page says ...

Neither could I.

Posted by Steven Kar Author Profile Page at November 18, 2009 10:32 PM

comment #10

mccool Author Profile Page says ...

Not that this should sway your opinion, but you might be interested to know that martin scorsese named the full-length Bottle Rocket one of the ten favrotie films of the 90's.

I know people who don't like the film. In fact, they hate it. These people don't have particularly active imaginations or patience for anything beyond obvious humor. They watch American Idol.

Posted by mccool Author Profile Page at November 19, 2009 7:56 AM

comment #11

mccool Author Profile Page says ...

christ, i mangled that .... one of his ten favorite films....

Posted by mccool Author Profile Page at November 19, 2009 7:57 AM

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