Most Wanted
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Ishtar
(May, 1987)
The Seven-Per-Cent Solution (OOP)
(Ross, 1976)
The Devils
(Russell, 1974)
The Pirates of Penzance
(Papp/Leach, 1983)
The Fortune
(Nichols, 1975)
-30-
(Webb, 1959)
Betrayal
(Jones, 1983)
Play It As It Lays
(Perry, 1972)
The Outfit
(Flynn, 1973)
Alex in Wonderland
(Mazursky, 1969)
The Legend of Lylah Clare
(Aldrich, 1968)
In The Cool of the Day
(Stevens, 1963)
That Cold Day in the Park
(Altman, 1969)
Thumb Trippin'
(Masters, 1972)
Midas Run
(Kjellin, 1969)
At Long Last Love
(Bogdanovich, 1973)
Brewster McCloud
(Altman, 1972)
Outcast of the Islands
(Reed, 1951)

Reader Submissions

1930's-1950's
The Moon's Our Home
(Seiter, 1936)
Sh! The Octopus
(McGann, 1937)
The Mating Season
(Leisen, 1951)
Bad for Each Other
(Rapper, 1953)
The Phenix City Story
(Karlson, 1955)
Run of the Arrow
(Fuller, 1956)
House of Secrets
(Green, 1956)
Saint Joan
(Preminger, 1957)
Macabre
(Castle, 1958)
The Fiend Who Walked the West
(G. Douglas, 1958
Five Gates to Hell
(Clavell, 1959)
1960's
Key Witness
(Karlson, 1960)
Summer and Smoke
(Glenville, 1961)
The Chapman Report
(Cukor,1962)
Bachelor Flat
(Tashlin, 1962) [on Hulu]
The L Shaped Room
(Forbes, 1963)
The Chalk Garden
(Neame, 1964)
A Thousand Clowns
(Coe, 1965)
You're a Big Boy Now
(Coppola, 1966)
The Whisperers
(Forbes, 1967)
Dark of the Sun
(Cardiff, 1968)
Skidoo
(Preminger, 1968)
Last Summer
(Perry, 1969)
The Comic
(C. Reiner, 1969)
1970-1974
The Revolutionary
(Williams, 1970)
The Landlord
(Ashby, 1970)
Diary of a Mad Housewife
(Perry, 1970)
Tropic of Cancer
(Strick, 1970)
I Never Sang for My Father
(Cates, 1970)
Sometimes a Great Notion
(Newman, 1971)
Marriage of a Young Stockbroker
(Turman, 1971)
The Music Lovers
(Russell, 1971)
Drive, He Said
(Nicholson, 1971)
The Steagle
(Sylbert, 1971)
The Last Movie
(Hopper, 1971)
Made For Each Other
(Bean, 1971)
The Day the Clown Cried
(Lewis, 1972)
Hickey & Boggs (OOP)
(Culp, 1972)
The Carey Treatment
(Edwards, 1972)
Pete 'n' Tillie
(Ritt, 1972)
Slither
(Zieff, 1973)
Man on a Swing
(Perry, 1974)
Open Season
(Collinson, 1974)
The Tamarind Seed
(Edwards, 1974)
Law and Disorder
(Passer, 1974)
Homebodies
(Yust, 1974)
Stardust
(Apted, 1974)
Celine and Julie Go Boating
(Rivette, 1974)
1975-1979
Rafferty and the Gold Dust Twins
(Richards, 1975
At Long Last Love
(Bogdanovich, 1975)
Hearts of the West
(Zieff, 1975)
Welcome to L.A.
(Rudolph, 1976)
W.C. Fields and Me
(Hiller, 1976)
Citizens Band
(Demme, 1977)
Twilight's Last Gleaming
(Aldrich, 1977)
Looking for Mr. Goodbar
(Brooks, 1977)
Girlfriends
(Weill, 1978)
Movie Movie
(Donen, 1978)
The Medusa Touch
(Gold, 1978)
American Hot Wax
(Mutrux, 1978)
Hot Stuff
(DeLuise, 1979)
Scavenger Hunt
(Schultz , 1979)
Players
(Harvey, 1979)
Rich Kids
(Young, 1979)
Nightwing
(Hiller, 1979)
Screams of a Winter's Night
(Wilson, 1979
When You Comin' Back Red Ryder?
(Katselas, 1979
1980's
Resurrection
(Petrie, 1980)
The Awakening
(Newell, 1980)
Simon
(Brickman, 1980)
God's Angry Man
(Herzog, 1980)
Fast-Walking
(Harris, 1982)
Twice Upon a Time
(Korty & Swenson, 1983)
Trouble in Mind
(Rudolph, 1985)
When the Wind Blows
(Murikami, 1986)
Housekeeping
(Forsyth, 1987)
The Glass Menagerie
(Newman, 1987)
Patty Hearst
(Schrader, 1988)
Drowning by Numbers
(Greenaway, 1988)
Haunted Summer
(Passer, 1988)
The Decline of Western Civilization Part II: The Metal Years
(Spheeris, 1988)
1990's
Old Times
(Curtis, 1991)
Prospero's Books
(Greenaway, 1991)
City of Hope
(Sayles, 1991)
The Baby of Macon
(Greenaway, 1993)
King of the Hill
(Soderbergh, 1993)
Dadetown
(Hexter, 1995)
SubUrbia
(Linklater, 1997)

Hello, Stranger

A little movie about a middle-aged guy getting to know his neighbors by sleeping over at their homes sounds very appealing. Julia Roberts' Red Om intends to make such a film, using Peter Lovenheim's In the Neighborhood, a forthcoming non-fiction book based on the author's June '09 N.Y. Times Op-Ed piece (called "Won't You Be My Neighbor?"). It sounds like a perfect role for some agreeably seasoned older type -- Richard Gere, Jerry Seinfeld, Richard Jenkins, Daniel Day Lewis, etc. (But not George Clooney!)

The "but" factor is in the routine presumption that Roberts sees a role for herself in the film.

The shlumpy, low-key charm of the thing will be compromised (if not lost) if the yet-to-be-announced screenwriter performs a sex-change so Roberts can play the Lovenheim part. Julia Roberts asking a neighbor if she can sleep over obviously presents a whole different dynamic than some graying 40-something guy suggesting the same. And if Roberts portrays one of the neighbors who says "sure, okay, you can stay in the guest room," that opens the door to one of those intriguing mature-relationship stories that Roberts is known for, which would give the film a formulaic feeling.

This isn't directly related, but one way of getting to know strangers that has entirely disappeared from the American landscape is hitchhiking. I used to thumb around all the time during my wayward youth, and I can still remember intriguing conversations and faces -- vividly -- from numerous mobile encounters. (Some of them, okay, involved middle-aged gay guys looking to get lucky. I remember rolling my eyes and muttering "oh, Christ" as one gray-haired dude suggestively stroked the stick shift of his Mustang fastback.) I only know that open and friendly chats with strangers in that context is over and done with. You used to see kids with their thumb out on highway entrance ramps in the '70s and '80s, even. No more.

There's actually one place where you can still hitchhike with a reasonable hope of getting a lift -- i.e., in Park City during the Sundance Film Festival. Especially if you're wearing a prominent press badge and a cowboy hat.

Posted by Jeffrey Wells on November 2, 2009 at 7:14 AM

comment #1

Phreaker Author Profile Page says ...

Serial killers put the kybosh on hitchhiking.

Posted by Phreaker Author Profile Page at November 2, 2009 8:46 AM

comment #2

Travis Crabtree Author Profile Page says ...

Oh right, Phreaker. It's all serial killer's fault.
- J. W. Gacy

Posted by Travis Crabtree Author Profile Page at November 2, 2009 8:48 AM

comment #3

arturobandini2 Author Profile Page says ...

Sounds dangerously like a Goldie Hawn-Steve Martin movie to me.

Posted by arturobandini2 Author Profile Page at November 2, 2009 9:33 AM

comment #4

thebuddha Author Profile Page says ...

Almost all resort / ski towns have tons of hitchhikers during the winter season, bumming along from party to party and bar to bar. But yes, hitchhiking seemed to hit its zenith in the late 60's - early 70's.
Then again, the thought of the suggestive stick shifingt might actually frighten me more than a bloody axe in the back seat.

Posted by thebuddha Author Profile Page at November 2, 2009 11:30 AM

comment #5

Colin Author Profile Page says ...

When you have had to dive out of a moving car to avoid a dangerous situation you can complain.

Posted by Colin Author Profile Page at November 2, 2009 12:00 PM

comment #6

longrunner Author Profile Page says ...

Colin says...
When you have had to dive out of a moving car to avoid a dangerous situation you can complain.

Does getting thrown out of David Poland's Sundance carpool count?

Posted by longrunner Author Profile Page at November 2, 2009 1:03 PM

comment #7

Michael Author Profile Page says ...

I've always filed hitchhiking under the 'Asking for Trouble' tab of the Hidden Law. There are exceptions (car breaks down, etc.), but the type of people who pick up hitchhikers are not the type of people with which I'd hitch a ride.

Posted by Michael Author Profile Page at November 2, 2009 1:04 PM

comment #8

dkaye Author Profile Page says ...

Oddly enough, my lady and I were driving around Big Sur a couple of weeks ago and saw at least three hitchhikers up there -- including a couple wearing, I kid you not, tie-dyed T-shirts. We didn't pull over and give them a lift -- I don't know how they might have felt about us, but we sure weren't letting them in the car.

Posted by dkaye Author Profile Page at November 2, 2009 3:40 PM

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