Most Wanted
Email here for additions & corrections.

Ishtar
(May, 1987)
The Seven-Per-Cent Solution (OOP)
(Ross, 1976)
The Devils
(Russell, 1974)
The Pirates of Penzance
(Papp/Leach, 1983)
The Fortune
(Nichols, 1975)
-30-
(Webb, 1959)
Betrayal
(Jones, 1983)
Play It As It Lays
(Perry, 1972)
The Outfit
(Flynn, 1973)
Alex in Wonderland
(Mazursky, 1969)
The Legend of Lylah Clare
(Aldrich, 1968)
In The Cool of the Day
(Stevens, 1963)
That Cold Day in the Park
(Altman, 1969)
Thumb Trippin'
(Masters, 1972)
Midas Run
(Kjellin, 1969)
At Long Last Love
(Bogdanovich, 1973)
Brewster McCloud
(Altman, 1972)
Outcast of the Islands
(Reed, 1951)

Reader Submissions

1930's-1950's
The Moon's Our Home
(Seiter, 1936)
Sh! The Octopus
(McGann, 1937)
The Mating Season
(Leisen, 1951)
Bad for Each Other
(Rapper, 1953)
The Phenix City Story
(Karlson, 1955)
Run of the Arrow
(Fuller, 1956)
House of Secrets
(Green, 1956)
Saint Joan
(Preminger, 1957)
Macabre
(Castle, 1958)
The Fiend Who Walked the West
(G. Douglas, 1958
Five Gates to Hell
(Clavell, 1959)
1960's
Key Witness
(Karlson, 1960)
Summer and Smoke
(Glenville, 1961)
The Chapman Report
(Cukor,1962)
Bachelor Flat
(Tashlin, 1962) [on Hulu]
The L Shaped Room
(Forbes, 1963)
The Chalk Garden
(Neame, 1964)
A Thousand Clowns
(Coe, 1965)
You're a Big Boy Now
(Coppola, 1966)
The Whisperers
(Forbes, 1967)
Dark of the Sun
(Cardiff, 1968)
Skidoo
(Preminger, 1968)
Last Summer
(Perry, 1969)
The Comic
(C. Reiner, 1969)
1970-1974
The Revolutionary
(Williams, 1970)
The Landlord
(Ashby, 1970)
Diary of a Mad Housewife
(Perry, 1970)
Tropic of Cancer
(Strick, 1970)
I Never Sang for My Father
(Cates, 1970)
Sometimes a Great Notion
(Newman, 1971)
Marriage of a Young Stockbroker
(Turman, 1971)
The Music Lovers
(Russell, 1971)
Drive, He Said
(Nicholson, 1971)
The Steagle
(Sylbert, 1971)
The Last Movie
(Hopper, 1971)
Made For Each Other
(Bean, 1971)
The Day the Clown Cried
(Lewis, 1972)
Hickey & Boggs (OOP)
(Culp, 1972)
The Carey Treatment
(Edwards, 1972)
Pete 'n' Tillie
(Ritt, 1972)
Slither
(Zieff, 1973)
Man on a Swing
(Perry, 1974)
Open Season
(Collinson, 1974)
The Tamarind Seed
(Edwards, 1974)
Law and Disorder
(Passer, 1974)
Homebodies
(Yust, 1974)
Stardust
(Apted, 1974)
Celine and Julie Go Boating
(Rivette, 1974)
1975-1979
Rafferty and the Gold Dust Twins
(Richards, 1975
At Long Last Love
(Bogdanovich, 1975)
Hearts of the West
(Zieff, 1975)
Welcome to L.A.
(Rudolph, 1976)
W.C. Fields and Me
(Hiller, 1976)
Citizens Band
(Demme, 1977)
Twilight's Last Gleaming
(Aldrich, 1977)
Looking for Mr. Goodbar
(Brooks, 1977)
Girlfriends
(Weill, 1978)
Movie Movie
(Donen, 1978)
The Medusa Touch
(Gold, 1978)
American Hot Wax
(Mutrux, 1978)
Hot Stuff
(DeLuise, 1979)
Scavenger Hunt
(Schultz , 1979)
Players
(Harvey, 1979)
Rich Kids
(Young, 1979)
Nightwing
(Hiller, 1979)
Screams of a Winter's Night
(Wilson, 1979
When You Comin' Back Red Ryder?
(Katselas, 1979
1980's
Resurrection
(Petrie, 1980)
The Awakening
(Newell, 1980)
Simon
(Brickman, 1980)
God's Angry Man
(Herzog, 1980)
Fast-Walking
(Harris, 1982)
Twice Upon a Time
(Korty & Swenson, 1983)
Trouble in Mind
(Rudolph, 1985)
When the Wind Blows
(Murikami, 1986)
Housekeeping
(Forsyth, 1987)
The Glass Menagerie
(Newman, 1987)
Patty Hearst
(Schrader, 1988)
Drowning by Numbers
(Greenaway, 1988)
Haunted Summer
(Passer, 1988)
The Decline of Western Civilization Part II: The Metal Years
(Spheeris, 1988)
1990's
Old Times
(Curtis, 1991)
Prospero's Books
(Greenaway, 1991)
City of Hope
(Sayles, 1991)
The Baby of Macon
(Greenaway, 1993)
King of the Hill
(Soderbergh, 1993)
Dadetown
(Hexter, 1995)
SubUrbia
(Linklater, 1997)

It Ain't Fair

Fox Searchlight is suddenly screening Crazy Heart, the Jeff Bridges character drama that Hollywood Reporter columnist Steven Zeitchik has described as a country-music version of The Wrestler, and frequently -- two showings today and a couple more tomorrow and/or Friday, a friend reports. But so far no screenings are slated for the New York crowd. Or so I'm concluding due to a lack of response after writing Fox Searchlight's Manhattan p.r. crew this morning.


Jeff Bridges, Maggie Gyllenhaal in Jeff Cooper's Crazy Heart.

L.A. Times columnist Patrick Goldstein reported yesterday that the film, directed and written by Jeff Cooper, is opening limited in NY and LA on 12.11. FS is looking for reactions from key blogger/columnists to see if it has the heft and the chops to be an awards competitor. Look for posts later today from the usual online suspects.

I know if I was running the Fox Searchlight show I'd want to hear from the Manhattan crowd concurrently. I probably speak for many of us in expressing a feeling of being under-appreciated.

This episode underlines the unfortunate fact that New York-based handicappers are often at a distinct advantage at this time of year. If I could have swung it I would have bunked in Los Angeles all during November and into early December, because that's where most of the action is during this awards-contention period. Bicoastal-ness is too often a myth in this respect. Apart from the long-lead monthly screenings for big-time editors and feature-profile writers, the New York pulsebeat crowd often seems to get sloppy seconds, certainly around this time of year.

Adapted from Thomas Cobb's 1989 book, the downbeat drama (country music, alcoholism, parenting, looking for closure) costars Bridges, Colin Farrell, Maggie Gyllenhaal and Robert Duvall.

The film was produced by Cooper, Duvall, Judy Cairo and Rob Carliner. The film has an original soundtrack by T-Bone Burnett.

Here's a Library Journal summary of Cobb's book, which may or may not have been strictly followed by Cooper's script:

"Singer and guitarist Bad Blake (Bridges) was once a first-rate country-and-western star, but now he's 57, an alcoholic, a failure at four marriages, and playing in third-rate clubs. The biggest gig he can get is opening for Tommy Sweet (Farrell), the kid Bad got started and whose career has now eclipsed Bad's.

"Bad meets Jean Craddock (Gyllenhaal) when she comes to interview him and they fall in love. Her little boy, Buddy, inspires Bad to search for his own long-lost son, but there's no happy ending there. And when Bad, hungry for a drink, loses Jean's son, things take a downturn, despite Bad's fling with AA."

Black and White<< previous | next >>Helping Hands

Posted by Jeffrey Wells on November 4, 2009 at 9:08 AM

comment #1

MikeSchaeferSF Author Profile Page says ...

But Bridges will win his Oscar next year, for True Grit.

Posted by MikeSchaeferSF Author Profile Page at November 4, 2009 11:17 AM

comment #2

dggunz Author Profile Page says ...

This kind of reminds me of Duvall's previous film "Tender Mercies" from many years back. Hope this is good!

Posted by dggunz Author Profile Page at November 4, 2009 11:17 AM

comment #3

kingofnails Author Profile Page says ...

I hate knee jerk dismissals as much as the next guy, but a movie in which washed-up alcoholic country singer Jeff Bridges gets her sould saved by Maggie G's young vagina? Pass.

Posted by kingofnails Author Profile Page at November 4, 2009 11:37 AM

comment #4

ErrantElan Author Profile Page says ...

"the New York pulsebeat crowd"

Phrases like that (and the people, obviously) give me full-body shivers.

Posted by ErrantElan Author Profile Page at November 4, 2009 12:00 PM

comment #5

kingofnails Author Profile Page says ...

*gets HIS SOUL SAVED. Argh. Must proof-read.

Posted by kingofnails Author Profile Page at November 4, 2009 12:12 PM

comment #6

Carl Kolchak Author Profile Page says ...

Somebody photoshop an eye patch onto Bridges and you will get a sneak peak at his Rooster Cogburn look.

Posted by Carl Kolchak Author Profile Page at November 4, 2009 3:20 PM

comment #7

Griff Author Profile Page says ...

The could be a bookend film for Jeff Bridges. One of his earliest films was, I believe, "Hearts of the West," a low key, funny film where he was a hick Iowa kid who wants to write Westerns, and ends up in Hollywood B Movies. With great turns by young Blythe Danner, Andy Griffith, and Adam Arkin. Deserves a great DVD release.

Posted by Griff Author Profile Page at November 4, 2009 4:35 PM

comment #8

EDouglasCS Author Profile Page says ...

They show it to the L.A. crowd first because they're more known for giving ridiculously hyperbolic reactions right out of the gate... while New Yorkers tend to be more critical/analytical. I'm sure everyone on the West Coast will bitch about me saying so, but it's the truth. That's why most studios wait until Weds to screen movies for the NY critics.

Posted by EDouglasCS Author Profile Page at November 5, 2009 4:51 AM

comment #9

AtlantaMan3 Author Profile Page says ...

kingofnails. What he said.

Posted by AtlantaMan3 Author Profile Page at November 7, 2009 1:06 PM

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