Most Wanted
Email here for additions & corrections.

Ishtar
(May, 1987)
The Seven-Per-Cent Solution (OOP)
(Ross, 1976)
The Devils
(Russell, 1974)
The Pirates of Penzance
(Papp/Leach, 1983)
The Fortune
(Nichols, 1975)
-30-
(Webb, 1959)
Betrayal
(Jones, 1983)
Play It As It Lays
(Perry, 1972)
The Outfit
(Flynn, 1973)
Alex in Wonderland
(Mazursky, 1969)
The Legend of Lylah Clare
(Aldrich, 1968)
In The Cool of the Day
(Stevens, 1963)
That Cold Day in the Park
(Altman, 1969)
Thumb Trippin'
(Masters, 1972)
Midas Run
(Kjellin, 1969)
At Long Last Love
(Bogdanovich, 1973)
Brewster McCloud
(Altman, 1972)
Outcast of the Islands
(Reed, 1951)

Reader Submissions

1930's-1950's
The Moon's Our Home
(Seiter, 1936)
Sh! The Octopus
(McGann, 1937)
The Mating Season
(Leisen, 1951)
Bad for Each Other
(Rapper, 1953)
The Phenix City Story
(Karlson, 1955)
Run of the Arrow
(Fuller, 1956)
House of Secrets
(Green, 1956)
Saint Joan
(Preminger, 1957)
Macabre
(Castle, 1958)
The Fiend Who Walked the West
(G. Douglas, 1958
Five Gates to Hell
(Clavell, 1959)
1960's
Key Witness
(Karlson, 1960)
Summer and Smoke
(Glenville, 1961)
The Chapman Report
(Cukor,1962)
Bachelor Flat
(Tashlin, 1962) [on Hulu]
The L Shaped Room
(Forbes, 1963)
The Chalk Garden
(Neame, 1964)
A Thousand Clowns
(Coe, 1965)
You're a Big Boy Now
(Coppola, 1966)
The Whisperers
(Forbes, 1967)
Dark of the Sun
(Cardiff, 1968)
Skidoo
(Preminger, 1968)
Last Summer
(Perry, 1969)
The Comic
(C. Reiner, 1969)
1970-1974
The Revolutionary
(Williams, 1970)
The Landlord
(Ashby, 1970)
Diary of a Mad Housewife
(Perry, 1970)
Tropic of Cancer
(Strick, 1970)
I Never Sang for My Father
(Cates, 1970)
Sometimes a Great Notion
(Newman, 1971)
Marriage of a Young Stockbroker
(Turman, 1971)
The Music Lovers
(Russell, 1971)
Drive, He Said
(Nicholson, 1971)
The Steagle
(Sylbert, 1971)
The Last Movie
(Hopper, 1971)
Made For Each Other
(Bean, 1971)
The Day the Clown Cried
(Lewis, 1972)
Hickey & Boggs (OOP)
(Culp, 1972)
The Carey Treatment
(Edwards, 1972)
Pete 'n' Tillie
(Ritt, 1972)
Slither
(Zieff, 1973)
Man on a Swing
(Perry, 1974)
Open Season
(Collinson, 1974)
The Tamarind Seed
(Edwards, 1974)
Law and Disorder
(Passer, 1974)
Homebodies
(Yust, 1974)
Stardust
(Apted, 1974)
Celine and Julie Go Boating
(Rivette, 1974)
1975-1979
Rafferty and the Gold Dust Twins
(Richards, 1975
At Long Last Love
(Bogdanovich, 1975)
Hearts of the West
(Zieff, 1975)
Welcome to L.A.
(Rudolph, 1976)
W.C. Fields and Me
(Hiller, 1976)
Citizens Band
(Demme, 1977)
Twilight's Last Gleaming
(Aldrich, 1977)
Looking for Mr. Goodbar
(Brooks, 1977)
Girlfriends
(Weill, 1978)
Movie Movie
(Donen, 1978)
The Medusa Touch
(Gold, 1978)
American Hot Wax
(Mutrux, 1978)
Hot Stuff
(DeLuise, 1979)
Scavenger Hunt
(Schultz , 1979)
Players
(Harvey, 1979)
Rich Kids
(Young, 1979)
Nightwing
(Hiller, 1979)
Screams of a Winter's Night
(Wilson, 1979
When You Comin' Back Red Ryder?
(Katselas, 1979
1980's
Resurrection
(Petrie, 1980)
The Awakening
(Newell, 1980)
Simon
(Brickman, 1980)
God's Angry Man
(Herzog, 1980)
Fast-Walking
(Harris, 1982)
Twice Upon a Time
(Korty & Swenson, 1983)
Trouble in Mind
(Rudolph, 1985)
When the Wind Blows
(Murikami, 1986)
Housekeeping
(Forsyth, 1987)
The Glass Menagerie
(Newman, 1987)
Patty Hearst
(Schrader, 1988)
Drowning by Numbers
(Greenaway, 1988)
Haunted Summer
(Passer, 1988)
The Decline of Western Civilization Part II: The Metal Years
(Spheeris, 1988)
1990's
Old Times
(Curtis, 1991)
Prospero's Books
(Greenaway, 1991)
City of Hope
(Sayles, 1991)
The Baby of Macon
(Greenaway, 1993)
King of the Hill
(Soderbergh, 1993)
Dadetown
(Hexter, 1995)
SubUrbia
(Linklater, 1997)

Jabbermouth

Now I have to see Bad Lieutenant: Port of Call New Orleans again just to re-absorb this little snippet straight. It passed right over (or through) me during my first viewing in Toronto. I watched about 40 minutes of The Rock last night. It was vaguely startling to see Cage (a) looking so young and (b) playing a more or less normal person.

Cage was 32 at the time. The Rock was his first move -- a cash-in -- after the acclaim of that Mike Figgis' Leaving Las Vegas ('95). He mainly starred in a series of crazy-kat super-salaried extreme action thrillers for the next four or five years (Con Air, Face/Off, Gone in Sixty Seconds, Snake Eyes) with the curious or slight or "meh" punctuations of Bringing Out The Dead, 8MM, and City of Angels.

Then came the disappointing, doleful and disorienting Family Man, Captain Corelli's Mandolin and Windtalkers, followed by two master-stroke performances in Spike Jonze's Adaptation and Ridley Scott's Matchstick Men -- Cage's last artistic glory period ('02 to '03). Because two or three years after this began Cage's full wackazoid streak (broken up only by the National Treasure movies) that continues to this day -- The Wicker Man, Ghost Rider, that Fu-Manchu Grindhouse walk-on, Bangkok Dangerous, Knowing and Bad Lieutenant.

Insult to Injury<< previous | next >>Best Actors Now

Posted by Jeffrey Wells on November 16, 2009 at 4:09 AM

comment #1

Josh Massey Author Profile Page says ...

Cue outraged voices at the labeling of Bringing Out the Dead as "meh" - though you're right.

Posted by Josh Massey Author Profile Page at November 16, 2009 5:01 AM

comment #2

Live for Films Author Profile Page says ...

Cage is a bit of an enigma to me. I enjoy watching him in many of his films as you are never quite sure what he is going to do. However, in recent years it gets tougher and tougher to like his films.

You missed out Next on his wackazoid streak. I actually loved the concept and some of the scenes allowed him to go full freak out, but again he just seems to be going stranger and stranger.

I am sure there is a correlation between the length of this hair/wig and the bizareness of the performance, but I have yet to sit down and work it out.

I have a feeling that with Bad Lieutenant and maybe Kick-Ass he will have a bit of a turn around. Who knows though.

This mashup of him watching The Wicker Man always makes me chuckle though.

Posted by Live for Films Author Profile Page at November 16, 2009 5:30 AM

comment #3

Eloi Manning Author Profile Page says ...

He was good in The Weather Man.

Posted by Eloi Manning Author Profile Page at November 16, 2009 6:06 AM

comment #4

Jeffrey Wells Author Profile Page says ...

The Weather Man? The movie that hung on the idea that you can't have a happy and fulfilling family life or give a kid a quality-level upbringing and education in New York City with a high-salaried lifestyle? And that the only dependable way (for Cage's character, I mean) to achieve same is to move back to ethnic New Jersey and sell tires?

Posted by Jeffrey Wells Author Profile Page at November 16, 2009 6:28 AM

comment #5

Pynchon8 Author Profile Page says ...

Partially owing to nostalgia, but, Cage has a lot of goodwill bc of that performance in The Rock. Con/Air and Face/Off to lesser extents. The guy was clearly having a blast and either knew to rein it in or the directors insisted, whatever the reason, the glimmers of madness worked.

Posted by Pynchon8 Author Profile Page at November 16, 2009 6:39 AM

comment #6

RSBrown Author Profile Page says ...

Massey,

I am one of those outraged voices.
I love that movie.

Posted by RSBrown Author Profile Page at November 16, 2009 7:06 AM

comment #7

jesse Author Profile Page says ...

Jeff, Eloi Manning is talking about The Weather Man (2005), the movie that hung on the idea that you may not be able to be happy or fulfilling life, period, but you do what you can. He's referring to the smart, funny-sad Gore Verbinski movie with Cage as the depressed, frequently milkshake-pelted Chicago weather guy. It's a wonderful (and well-shot) movie, with an excellent Cage performance. I'd argue that the 2002-3 period that brought us Adaptation/Matchstick Men had a slight echo in 2005 with Lord of War (not a great movie by any means, but very interesting material and a reined-in Cage) and The Weather Man (which I pretty much love).

I'd also object to Wells and Massey both characterizing Bringing Out the Dead as "meh." It's one of Scorsese's and Cage's most overlooked; at the time, I feel like it got attention mostly for being Cage's biggest flop since breaking through as a movie star. (Snake Eyes and 8MM both made OK dough mostly off of his name.) But it's one of those movies, like 25th Hour, that seems to have had its rep grow over time, and deservedly so.

I don't get why Cage (mostly) stopped doing fun trashy movies, which he's generally been great in -- Face/Off, The Rock, Con Air, Gone in 60 Seconds, etc. -- and started doing this lower-rent, non-Bruckheimer stuff like Bangkok Dangerous, Next, and Ghost Rider. The National Treasure movies are pretty fun; you'd think the money from those would be paycheck enough (although I guess we're seeing that he has money/spending problems).

I kinda liked Knowing, though -- at least he was working with a cool director in Proyas, even if the movie goes a little silly at times. It certainly has the courage of its ridiculous convictions, something I like about Cage himself.

Posted by jesse Author Profile Page at November 16, 2009 7:15 AM

comment #8

pchu Author Profile Page says ...

Cage is awesome in Bad Lieutenant. Just a masterful wacko performance.

The Rock is probably the best movie Michael Bay has ever made. Cage is good in it, but he is better in Face/Off.

Posted by pchu Author Profile Page at November 16, 2009 7:21 AM

comment #9

Chicago Joe Author Profile Page says ...

Yes, The Family Man is a wretched Brett Ratner movie that rings like a Chinese gong of insincerity for all the reasons Jeff mentioned. The WEATHER Man, on the other hand, is a decent, solid movie about a divorced Chicago weather guy dealing with some medium-level hell, and it was a solid performance and film (although somewhat overrated at the time.)

Posted by Chicago Joe Author Profile Page at November 16, 2009 7:28 AM

comment #10

btwnproductions Author Profile Page says ...

THE FAMILY MAN is the movie mistaken for THE WEATHER MAN. Brett Ratner's most "respectable" credit, too long but not bad despite the class issues. It leaves you feeling bad for the kids, though; will they ever get born?

Posted by btwnproductions Author Profile Page at November 16, 2009 7:29 AM

comment #11

poseidon72 Author Profile Page says ...

I agree The Rock is Bays very best.A great genre movie.

Posted by poseidon72 Author Profile Page at November 16, 2009 7:58 AM

comment #12

poseidon72 Author Profile Page says ...

The Family Man is another Cage film that has really grown on me and has built a nice following over the years.

Posted by poseidon72 Author Profile Page at November 16, 2009 7:59 AM

comment #13

googs Author Profile Page says ...

I would have to argue that The Weather Man is extremely underrated. A very funny dark comedy, which i would lump with Adaptation and Matchstick Men as his best three of the decade.

Posted by googs Author Profile Page at November 16, 2009 9:26 AM

comment #14

Jeffrey Wells Author Profile Page says ...

My error -- thanks for correcting -- but both The Family Man and The Weather Man were bad. The former was treacle, and the latter was nihilistic and went nowhere.

Posted by Jeffrey Wells Author Profile Page at November 16, 2009 11:07 AM

comment #15

Abbey Normal Author Profile Page says ...

Will no one defend Ghost Rider? Actually, I won't either. One of the worst movies I've ever seen, and I loved the comic book.

Posted by Abbey Normal Author Profile Page at November 16, 2009 11:10 AM

comment #16

RSBrown Author Profile Page says ...

This is ridiculous. Jesse and myself are the only ones defending 'Bringing Out the Dead'?!

Posted by RSBrown Author Profile Page at November 16, 2009 11:39 AM

comment #17

LarryGopnik Author Profile Page says ...

Nope, RSBrown. Consider me a full-on LOVER of "Bringing Out the Dead," as well as "The Weather Man" -- excellent Cage performances in both. "Lord of War" has problems, but Cage is terrific in it as well.

I stand by the fact that he's a fantastic actor, he just seems to have the inexplicable urge to do silly genre movies that allow him to indulge his craziest impulses. But I think it's undeniable that ability-wise, the man has very few equals in his field.

Posted by LarryGopnik Author Profile Page at November 16, 2009 4:58 PM

comment #18

Geoff Author Profile Page says ...

He was really good fun in those '90's action films - it was obvious that Travolta and him were just having a blast in Face/Off, probaby one of the five best action movies of the decade.

And I really dig Bringing Out the Dead - probably the most underrated Scorcese film, next to The King of Comedy.

I just saw Knowing on On Demand cable, the other day - I was surprised how strong it was. Kind of ridiculous, but the film really has a corker of an ending and Cage gives just the right kind of notes for his performance. I actually watched it late at night and was surprised how strongly the

SPOILER ALERT


end of the world scenes were pulled off at probably a fraction of the budget of 2012, which I had seen earlier in the day. Really effective stuff, the film would probalby make my Top 15 for the year, pretty effective sci fi.

But for me, my favorite performances from Cage (besides Adaptation and Leaving Las Vegas) would have to be his late '80's work. He was just great in Vampire's Kiss and I think he did as well as anybody in Moonstruck - sorry, that "I lost my hand!" monologue just makes me smile, can't imagine just about any other actor pulling off that scene.

Posted by Geoff Author Profile Page at November 16, 2009 6:20 PM

comment #19

Raden Beletz Author Profile Page says ...

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Posted by Raden Beletz Author Profile Page at January 7, 2010 3:41 PM

comment #20

gaintwee Author Profile Page says ...

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