Most Wanted
Email here for additions & corrections.

Ishtar
(May, 1987)
The Seven-Per-Cent Solution (OOP)
(Ross, 1976)
The Devils
(Russell, 1974)
The Pirates of Penzance
(Papp/Leach, 1983)
The Fortune
(Nichols, 1975)
-30-
(Webb, 1959)
Betrayal
(Jones, 1983)
Play It As It Lays
(Perry, 1972)
The Outfit
(Flynn, 1973)
Alex in Wonderland
(Mazursky, 1969)
The Legend of Lylah Clare
(Aldrich, 1968)
In The Cool of the Day
(Stevens, 1963)
That Cold Day in the Park
(Altman, 1969)
Thumb Trippin'
(Masters, 1972)
Midas Run
(Kjellin, 1969)
At Long Last Love
(Bogdanovich, 1973)
Brewster McCloud
(Altman, 1972)
Outcast of the Islands
(Reed, 1951)

Reader Submissions

1930's-1950's
The Moon's Our Home
(Seiter, 1936)
Sh! The Octopus
(McGann, 1937)
The Mating Season
(Leisen, 1951)
Bad for Each Other
(Rapper, 1953)
The Phenix City Story
(Karlson, 1955)
Run of the Arrow
(Fuller, 1956)
House of Secrets
(Green, 1956)
Saint Joan
(Preminger, 1957)
Macabre
(Castle, 1958)
The Fiend Who Walked the West
(G. Douglas, 1958
Five Gates to Hell
(Clavell, 1959)
1960's
Key Witness
(Karlson, 1960)
Summer and Smoke
(Glenville, 1961)
The Chapman Report
(Cukor,1962)
Bachelor Flat
(Tashlin, 1962) [on Hulu]
The L Shaped Room
(Forbes, 1963)
The Chalk Garden
(Neame, 1964)
A Thousand Clowns
(Coe, 1965)
You're a Big Boy Now
(Coppola, 1966)
The Whisperers
(Forbes, 1967)
Dark of the Sun
(Cardiff, 1968)
Skidoo
(Preminger, 1968)
Last Summer
(Perry, 1969)
The Comic
(C. Reiner, 1969)
1970-1974
The Revolutionary
(Williams, 1970)
The Landlord
(Ashby, 1970)
Diary of a Mad Housewife
(Perry, 1970)
Tropic of Cancer
(Strick, 1970)
I Never Sang for My Father
(Cates, 1970)
Sometimes a Great Notion
(Newman, 1971)
Marriage of a Young Stockbroker
(Turman, 1971)
The Music Lovers
(Russell, 1971)
Drive, He Said
(Nicholson, 1971)
The Steagle
(Sylbert, 1971)
The Last Movie
(Hopper, 1971)
Made For Each Other
(Bean, 1971)
The Day the Clown Cried
(Lewis, 1972)
Hickey & Boggs (OOP)
(Culp, 1972)
The Carey Treatment
(Edwards, 1972)
Pete 'n' Tillie
(Ritt, 1972)
Slither
(Zieff, 1973)
Man on a Swing
(Perry, 1974)
Open Season
(Collinson, 1974)
The Tamarind Seed
(Edwards, 1974)
Law and Disorder
(Passer, 1974)
Homebodies
(Yust, 1974)
Stardust
(Apted, 1974)
Celine and Julie Go Boating
(Rivette, 1974)
1975-1979
Rafferty and the Gold Dust Twins
(Richards, 1975
At Long Last Love
(Bogdanovich, 1975)
Hearts of the West
(Zieff, 1975)
Welcome to L.A.
(Rudolph, 1976)
W.C. Fields and Me
(Hiller, 1976)
Citizens Band
(Demme, 1977)
Twilight's Last Gleaming
(Aldrich, 1977)
Looking for Mr. Goodbar
(Brooks, 1977)
Girlfriends
(Weill, 1978)
Movie Movie
(Donen, 1978)
The Medusa Touch
(Gold, 1978)
American Hot Wax
(Mutrux, 1978)
Hot Stuff
(DeLuise, 1979)
Scavenger Hunt
(Schultz , 1979)
Players
(Harvey, 1979)
Rich Kids
(Young, 1979)
Nightwing
(Hiller, 1979)
Screams of a Winter's Night
(Wilson, 1979
When You Comin' Back Red Ryder?
(Katselas, 1979
1980's
Resurrection
(Petrie, 1980)
The Awakening
(Newell, 1980)
Simon
(Brickman, 1980)
God's Angry Man
(Herzog, 1980)
Fast-Walking
(Harris, 1982)
Twice Upon a Time
(Korty & Swenson, 1983)
Trouble in Mind
(Rudolph, 1985)
When the Wind Blows
(Murikami, 1986)
Housekeeping
(Forsyth, 1987)
The Glass Menagerie
(Newman, 1987)
Patty Hearst
(Schrader, 1988)
Drowning by Numbers
(Greenaway, 1988)
Haunted Summer
(Passer, 1988)
The Decline of Western Civilization Part II: The Metal Years
(Spheeris, 1988)
1990's
Old Times
(Curtis, 1991)
Prospero's Books
(Greenaway, 1991)
City of Hope
(Sayles, 1991)
The Baby of Macon
(Greenaway, 1993)
King of the Hill
(Soderbergh, 1993)
Dadetown
(Hexter, 1995)
SubUrbia
(Linklater, 1997)

"Lovely" and "Powerful"

Just as it can be argued that I tend to approach any Peter Jackson film with a guarded attitude (which really isn't directed against Jackson as much as any director who incessantly underlines, over-emphasizes and over-cranks the visual razmatazz element as a way of beating his/her chest and saying "look at brilliant me!...look at what I can do!"), it can also be argued or at least suspected that AICN's Harry Knowles is in the tank for Jackson, and has been there for many, many years.

Knowles has called The Lovely Bones an "incredibly lovely film." He later says it "will be one of the films of the year," adding that "some of Peter's choices in adaptation could very well be hotly debated amongst readers of the book." He also calls it "an incredibly powerful film, masterfully told and captured as only cinema in the hands of a consummate storyteller can tell it."

High praise indeed. Harry clearly liked, admired, was touched. And yet I sense a certain caution in the choice of the word "lovely." I know that on those rare occasions when I see a film that has really knocked me down and turned me around, the word "lovely" never comes to mind. Calling a film 'lovely" is like saying the girl you went on a blind date last night with has "a terrific personality."

A little man inside Harry's chest is telling him, "Go for it, man...you were touched by the film and you should say that. Definitely. Just don't....well, you know what I mean. Don't write a full-bodied ecstatic cartwheel rolling-orgasm flutter rave. Save that shit for when you're feeling it 110% on something really and truly over-the-mountain awesome. We love Peter and Bones is so touching and sad...it is, really...but just, you know, keep things in proportion."

Damn Dogs<< previous | next >>"Occasional Blogging"?

Posted by Jeffrey Wells on November 24, 2009 at 8:33 AM

comment #1

Rich S. Author Profile Page says ...

"Save that shit for when you're feeling it 110% on something really and truly over-the-mountain awesome."

Like when he said he "loved" Attack of the Clones "desperately."

I figure I'll take your pan and Harry's rave and split the difference down the middle.

Posted by Rich S. Author Profile Page at November 24, 2009 9:34 AM

comment #2

squealy Author Profile Page says ...

Isn't it obvious that he used "lovely" because the movie is called "The Lovely Bones"?

Posted by squealy Author Profile Page at November 24, 2009 9:35 AM

comment #3

sumo-pop Author Profile Page says ...

Jeff,

It's a pretty big tank and not everyone who's in it is stupid. For the record, I like LOTR and Heavenly Creatures a lot. The rest I could take or leave.

Posted by sumo-pop Author Profile Page at November 24, 2009 9:44 AM

comment #4

Jonathan Spuij Author Profile Page says ...

Isn't Knowles just the laughing stock of every critic in the world?

Posted by Jonathan Spuij Author Profile Page at November 24, 2009 10:36 AM

comment #5

Edward Author Profile Page says ...

I visit Ain't It Cool, but find Knowles to be a horrible writer.

Posted by Edward Author Profile Page at November 24, 2009 10:48 AM

comment #6

Josh Massey Author Profile Page says ...

Yeah, considering the film's title, delving into his use of "lovely" is not necessary. Of course, it should be a red flag when any real critic tries to get cutesy like that.

Crazy Heart is full of heart! The Fantastic Mr. Fox is fantastic! Where the Wild Things Are is wild!

Posted by Josh Massey Author Profile Page at November 24, 2009 10:49 AM

comment #7

Eloi Manning Author Profile Page says ...

As I said in another thread, the fact he hasn't mentioned that it's one of his all-time favorite movies means it's likely mediocre.

Posted by Eloi Manning Author Profile Page at November 24, 2009 10:50 AM

comment #8

dogcatcher Author Profile Page says ...

With the exception of Terminator Salvation I have never read a negative review from Knowles.

I agree he's the laughing stock of reviewers. I'm not sure why anyone cares what he thinks.

Posted by dogcatcher Author Profile Page at November 24, 2009 11:12 AM

comment #9

Renfield Author Profile Page says ...

Knowles has to be one of the worst movie reviewers in history. Why would you take any stock in his opinion? I sure as heck don't and, judging by talkbacks on his own site, neither does anyone else.

Posted by Renfield Author Profile Page at November 24, 2009 11:54 AM

comment #10

Eloi Manning Author Profile Page says ...

The talkbacks are the sole reason AICN still has a readership. They barely update the front page anymore, and even when they do it's old news. How long ago did the trades have that story about Jackman in Real Steel? Finally today it plops onto AICN.

Talkbacks are an easy way to scan the fanboy reaction. I'm sure Stallone's recent decision to ditch the sci-fi aspect of Rambo V was influenced heavily by the AICN talkback reaction.

Posted by Eloi Manning Author Profile Page at November 24, 2009 12:21 PM

comment #11

Terry McCarty Author Profile Page says ...

Xan Brooks reviewed THE LOVELY BONES for the London GUARDIAN; his major complaint was the softening and/or elimination of some of the novel's more dark elements. But that could also be attributed to Spielberg/DreamWorks.

Posted by Terry McCarty Author Profile Page at November 24, 2009 12:55 PM

comment #12

Astral Weeks Author Profile Page says ...

Brooks found it overly coy,sweet and insubstantial. He gave a two star review.

http://www.guardian.co.uk/film/2009/nov/24/the-lovely-bones-film-review

Looks like Jeff will be validated on this one.

Posted by Astral Weeks Author Profile Page at November 24, 2009 1:04 PM

comment #13

Eloi Manning Author Profile Page says ...

Xan Brooks is also a moron so I wouldn't read too much into that.

Posted by Eloi Manning Author Profile Page at November 24, 2009 1:16 PM

comment #14

COCO Author Profile Page says ...

Harry is the ultimate fan boy....he does bring up some good talking points from time to time....I plan to see that film anyway.

Posted by COCO Author Profile Page at November 24, 2009 1:38 PM

comment #15

reno rambler Author Profile Page says ...

"it can be argued that I tend to approach any Peter Jackson film with a guarded attitude"

Understatement of the year.

Posted by reno rambler Author Profile Page at November 24, 2009 2:03 PM

comment #16

Gordon27 Author Profile Page says ...

Jeff must need subtext really really badly; that explains why he dislikes Peter Jackson movies and why he's over-analyzing a Harry Knowles review, trying to read what he isn't saying out loud.

Posted by Gordon27 Author Profile Page at November 24, 2009 4:34 PM

comment #17

The Winchester Author Profile Page says ...

I was just figuring out how Knowles could slip in his "I grew up on ____" that he puts in every fanboy movie "review" he writes. The guy's got a lot of heart, but brains, and writing prowess are not among his skills.

Posted by The Winchester Author Profile Page at November 24, 2009 5:45 PM

comment #18

Yuval Author Profile Page says ...

Gordon, are you saying you think Peter Jackson movies don't have subtext? I think the subtext is usally an over simplified view of the world, but no subtext seems a bit far.

Posted by Yuval Author Profile Page at November 25, 2009 2:41 PM

Post a comment