Most Wanted
Email here for additions & corrections.

Ishtar
(May, 1987)
The Seven-Per-Cent Solution (OOP)
(Ross, 1976)
The Devils
(Russell, 1974)
The Pirates of Penzance
(Papp/Leach, 1983)
The Fortune
(Nichols, 1975)
-30-
(Webb, 1959)
Betrayal
(Jones, 1983)
Play It As It Lays
(Perry, 1972)
The Outfit
(Flynn, 1973)
Alex in Wonderland
(Mazursky, 1969)
The Legend of Lylah Clare
(Aldrich, 1968)
In The Cool of the Day
(Stevens, 1963)
That Cold Day in the Park
(Altman, 1969)
Thumb Trippin'
(Masters, 1972)
Midas Run
(Kjellin, 1969)
At Long Last Love
(Bogdanovich, 1973)
Brewster McCloud
(Altman, 1972)
Outcast of the Islands
(Reed, 1951)

Reader Submissions

1930's-1950's
The Moon's Our Home
(Seiter, 1936)
Sh! The Octopus
(McGann, 1937)
The Mating Season
(Leisen, 1951)
Bad for Each Other
(Rapper, 1953)
The Phenix City Story
(Karlson, 1955)
Run of the Arrow
(Fuller, 1956)
House of Secrets
(Green, 1956)
Saint Joan
(Preminger, 1957)
Macabre
(Castle, 1958)
The Fiend Who Walked the West
(G. Douglas, 1958
Five Gates to Hell
(Clavell, 1959)
1960's
Key Witness
(Karlson, 1960)
Summer and Smoke
(Glenville, 1961)
The Chapman Report
(Cukor,1962)
Bachelor Flat
(Tashlin, 1962) [on Hulu]
The L Shaped Room
(Forbes, 1963)
The Chalk Garden
(Neame, 1964)
A Thousand Clowns
(Coe, 1965)
You're a Big Boy Now
(Coppola, 1966)
The Whisperers
(Forbes, 1967)
Dark of the Sun
(Cardiff, 1968)
Skidoo
(Preminger, 1968)
Last Summer
(Perry, 1969)
The Comic
(C. Reiner, 1969)
1970-1974
The Revolutionary
(Williams, 1970)
The Landlord
(Ashby, 1970)
Diary of a Mad Housewife
(Perry, 1970)
Tropic of Cancer
(Strick, 1970)
I Never Sang for My Father
(Cates, 1970)
Sometimes a Great Notion
(Newman, 1971)
Marriage of a Young Stockbroker
(Turman, 1971)
The Music Lovers
(Russell, 1971)
Drive, He Said
(Nicholson, 1971)
The Steagle
(Sylbert, 1971)
The Last Movie
(Hopper, 1971)
Made For Each Other
(Bean, 1971)
The Day the Clown Cried
(Lewis, 1972)
Hickey & Boggs (OOP)
(Culp, 1972)
The Carey Treatment
(Edwards, 1972)
Pete 'n' Tillie
(Ritt, 1972)
Slither
(Zieff, 1973)
Man on a Swing
(Perry, 1974)
Open Season
(Collinson, 1974)
The Tamarind Seed
(Edwards, 1974)
Law and Disorder
(Passer, 1974)
Homebodies
(Yust, 1974)
Stardust
(Apted, 1974)
Celine and Julie Go Boating
(Rivette, 1974)
1975-1979
Rafferty and the Gold Dust Twins
(Richards, 1975
At Long Last Love
(Bogdanovich, 1975)
Hearts of the West
(Zieff, 1975)
Welcome to L.A.
(Rudolph, 1976)
W.C. Fields and Me
(Hiller, 1976)
Citizens Band
(Demme, 1977)
Twilight's Last Gleaming
(Aldrich, 1977)
Looking for Mr. Goodbar
(Brooks, 1977)
Girlfriends
(Weill, 1978)
Movie Movie
(Donen, 1978)
The Medusa Touch
(Gold, 1978)
American Hot Wax
(Mutrux, 1978)
Hot Stuff
(DeLuise, 1979)
Scavenger Hunt
(Schultz , 1979)
Players
(Harvey, 1979)
Rich Kids
(Young, 1979)
Nightwing
(Hiller, 1979)
Screams of a Winter's Night
(Wilson, 1979
When You Comin' Back Red Ryder?
(Katselas, 1979
1980's
Resurrection
(Petrie, 1980)
The Awakening
(Newell, 1980)
Simon
(Brickman, 1980)
God's Angry Man
(Herzog, 1980)
Fast-Walking
(Harris, 1982)
Twice Upon a Time
(Korty & Swenson, 1983)
Trouble in Mind
(Rudolph, 1985)
When the Wind Blows
(Murikami, 1986)
Housekeeping
(Forsyth, 1987)
The Glass Menagerie
(Newman, 1987)
Patty Hearst
(Schrader, 1988)
Drowning by Numbers
(Greenaway, 1988)
Haunted Summer
(Passer, 1988)
The Decline of Western Civilization Part II: The Metal Years
(Spheeris, 1988)
1990's
Old Times
(Curtis, 1991)
Prospero's Books
(Greenaway, 1991)
City of Hope
(Sayles, 1991)
The Baby of Macon
(Greenaway, 1993)
King of the Hill
(Soderbergh, 1993)
Dadetown
(Hexter, 1995)
SubUrbia
(Linklater, 1997)

Malcolm/Capaldi Classic

"If this gets into the press, I will know it came from you...and I will rain down on you so hard, you'll have to be reassembled by fucking aircraft investigators. You breathe a word of this to anyone, you mincing fucking [expletive], and I will tear your fucking skin off, I will wear it to your mother's birthday party and I will rub your nuts up and down her leg...right?"

Peter Capaldi's Malcolm Tucker says this in response to a not-entirely-trusted team member who has accused Tucker's assistant of being a leaker himself with the following rant: "I could draw you a diagram if you like...it's like a fucking swine flu pandemic...you're like the man who fucked the monkey who gave us AIDS...monkey shit on your balls, not mine."

All of which reminds me that "the crowd" (as in King Vidor) never went along with my ardent suggestions that Capaldi be considered as a stone-cold nominee for Best Supporting Actor for his In The Loop ranting. (Not even the fair-minded Scott Feinberg went along with this.) Because, you know, In The Loop is essentially an Armando Ianucci British TV series made into a feature and because Capaldi's performance is all about profane tirades and it's hard to understand everything he says because of his Scottish accent and because Loop didn't make enough money and so on. Right?

But people will be talking about Capaldi's Malcom in pubs, columns and industry parties for years to come while whomever finally wins the Best Supporting Actor Oscar this year....well, I'm sure he'll be remembered.

Fair Shake<< previous | next >>Bottoms Up

Posted by Jeffrey Wells on November 22, 2009 at 6:48 AM

comment #1

TulseLuper Author Profile Page says ...

IFC should be ashamed for doing such a half-assed marketing job with In The Loop. I dragged two of my best friends to see it over the summer, neither of them knew anything about it, and they laughed all the way through. I've had my fingers crossed for a Best Adapted Screenplay nomination, but unless IFC spends the money on some screeners or FYC ads, it's bound to be snubbed.

The new series of The Thick of It is brilliant. It's on par with The Office now as one of the finest sitcoms of the decade, beautifully mixing comedy with tragedy as Malcolm Tucker finds his career hanging by a thread while the new Minister tries to balance her turbulent family life with her professional life. The episode which this clip comes from is the best thing attached to the names Iannucci and Capaldi etc.

Posted by TulseLuper Author Profile Page at November 22, 2009 8:07 AM

comment #2

Chase Kahn Author Profile Page says ...

I actually liked Tom Hollander a bit more in this, I thought he was genius.

Posted by Chase Kahn Author Profile Page at November 22, 2009 8:08 AM

comment #3

PopcornEyeglass Author Profile Page says ...

He's great, no question, but do you really think he's better than Christoph Waltz? I wouldn't say so.

Posted by PopcornEyeglass Author Profile Page at November 22, 2009 8:14 AM

comment #4

Jeffrey Wells Author Profile Page says ...

I would. They're both essentially doing personality bits, and Capaldi's is much livelier and more entertaining.

Posted by Jeffrey Wells Author Profile Page at November 22, 2009 9:24 AM

comment #5

WJ Author Profile Page says ...

Capaldi and Waltz are about neck-and-neck with me. But Capaldi left a much more distinct impression, and I have to admit, I'll be using some of those insults for years (decades?) to come. If only more people knew this film existed...

Posted by WJ Author Profile Page at November 22, 2009 9:45 AM

comment #6

SnarfTheFierce Author Profile Page says ...

This movie is an immediate classic. I saw it alone, then took the girlfriend, then OnDemanded it for a couple of friends. The response was across-the-board adoration, and it didn't once feel old to me (hell, (I've watched the "best of Malcolm Tucker" compilations on YouTube multiple times). Capaldi deserves at least a nomination, but even that's sadly a long shot. Whether he wins is immaterial--the exposure of a nom would at least get the film some press. It's so damn funny, and--in the end--fucking chilling.

Also, can we please get The Thick Of It on DVD in the States now? Pretty please?

Posted by SnarfTheFierce Author Profile Page at November 22, 2009 9:58 AM

comment #7

TulseLuper Author Profile Page says ...

Capaldi is definitely better than Waltz. I love Waltz's performance but he's no Malcolm Tucker. Plus, comedy performances that good deserve more accolades.

Posted by TulseLuper Author Profile Page at November 22, 2009 10:00 AM

comment #8

rayciscon Author Profile Page says ...

Did he say "James Fucking May"?

As a Top Gear fan, that made my day!

Posted by rayciscon Author Profile Page at November 22, 2009 10:29 AM

comment #9

LauraReeling Author Profile Page says ...

I'm totally behind Capaldi as a Best Supporting Actor nominee...

Posted by LauraReeling Author Profile Page at November 22, 2009 11:15 AM

comment #10

fattyhadaparty Author Profile Page says ...

Yawn. Capaldi's rants become tiresome after, oh, I don't know, the seventh or eighth one.

Honestly, do you know of anyone who behaved like this in the workplace and was allowed to get away with it more than twice? I could buy it (maybe) if he was a Hollywood director, a captain of industry or a third-world dictator, but those types generally have more than just a contemptuous attitude and harsh rhetoric to back them up.

By this point in his career, Malcolm would have taken a few physical beatings from his coworkers who just couldn't put up with the unending river of shit flowing out of his mouth. He would have never been allowed to rise to the position of mid-level bureaucrat, because all he knows how to do is threaten and intimidate. In fact, considering he works alongside with a lot military intelligence types, I'm surprised he didn't end up bleeding to death in some K street alley. But, they just don't make happy endings anymore. Sigh.

Posted by fattyhadaparty Author Profile Page at November 22, 2009 11:29 AM

comment #11

TulseLuper Author Profile Page says ...

Obviously, fattyhadaparty has never heard of Alistair Campbell.

Posted by TulseLuper Author Profile Page at November 22, 2009 11:42 AM

comment #12

Eloi Manning Author Profile Page says ...

Ultimately he's a sitcom character doing a sitcom character's schtick. He's excellent and entertaining, but give him an Emmy or Golden Globe or something for The Thick of It. It'd be like nominating Dan Castellaneta for The Simpsons Movie.

Posted by Eloi Manning Author Profile Page at November 22, 2009 1:04 PM

comment #13

TulseLuper Author Profile Page says ...

Great acting is great acting, period. If the second series of The Office had been a film, would you have dismissed his heartfelt turn at the very end when he begged for his job back on the grounds that it was just sitcom shtick? Malcolm's quiet breakdown in the meditation room towards the end of In the Loop is one of the finest pieces of acting I've seen this year. Nothing shtick-like about it.

Posted by TulseLuper Author Profile Page at November 22, 2009 1:18 PM

comment #14

polarbear Author Profile Page says ...

Give the award to Waltz or Alfred Molina. Peter Capaldi already has an Oscar.

Posted by polarbear Author Profile Page at November 22, 2009 7:53 PM

comment #15

arturobandini2 Author Profile Page says ...

Definitely give Capaldi the edge over Waltz. Both played one-note characters, but at least Capaldi's was consistent. Waltz's actions in his final scene made not one lick of sense. That was bad writing, not bad acting, but if you're going to penalize Kristin Scott Thomas for the same thing, I see no reason why Waltz shouldn't be held to the same standard. Molina was a lot of fun in An Education, but he's had better opportunities to shine.

Posted by arturobandini2 Author Profile Page at November 22, 2009 8:14 PM

comment #16

BurmaShave Author Profile Page says ...

I am on the fence about who is better, but people will certainly be talking about Hanz Landa for years to come as well.

Posted by BurmaShave Author Profile Page at November 22, 2009 9:53 PM

comment #17

Michcarey Author Profile Page says ...

He would have never been allowed to rise to the position of mid-level bureaucrat, because all he knows how to do is threaten and intimidate"

And he hasn''t. Tucker is not a bureaucrat he is a political fixer. In the pay of the party and ferocious in serving its interests (as he sees them). The role may be honed for satire but there are plenty of party animals who confuse toughness for abuse. And the genius of that episode is at the end when the minister tells Tucker that the violence of win at all costs is why people loath politics. And then she succumbs to his "no prisoners"view....

Posted by Michcarey Author Profile Page at November 23, 2009 12:54 AM

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