Most Wanted
Email here for additions & corrections.

Ishtar
(May, 1987)
The Seven-Per-Cent Solution (OOP)
(Ross, 1976)
The Devils
(Russell, 1974)
The Pirates of Penzance
(Papp/Leach, 1983)
The Fortune
(Nichols, 1975)
-30-
(Webb, 1959)
Betrayal
(Jones, 1983)
Play It As It Lays
(Perry, 1972)
The Outfit
(Flynn, 1973)
Alex in Wonderland
(Mazursky, 1969)
The Legend of Lylah Clare
(Aldrich, 1968)
In The Cool of the Day
(Stevens, 1963)
That Cold Day in the Park
(Altman, 1969)
Thumb Trippin'
(Masters, 1972)
Midas Run
(Kjellin, 1969)
At Long Last Love
(Bogdanovich, 1973)
Brewster McCloud
(Altman, 1972)
Outcast of the Islands
(Reed, 1951)

Reader Submissions

1930's-1950's
The Moon's Our Home
(Seiter, 1936)
Sh! The Octopus
(McGann, 1937)
The Mating Season
(Leisen, 1951)
Bad for Each Other
(Rapper, 1953)
The Phenix City Story
(Karlson, 1955)
Run of the Arrow
(Fuller, 1956)
House of Secrets
(Green, 1956)
Saint Joan
(Preminger, 1957)
Macabre
(Castle, 1958)
The Fiend Who Walked the West
(G. Douglas, 1958
Five Gates to Hell
(Clavell, 1959)
1960's
Key Witness
(Karlson, 1960)
Summer and Smoke
(Glenville, 1961)
The Chapman Report
(Cukor,1962)
Bachelor Flat
(Tashlin, 1962) [on Hulu]
The L Shaped Room
(Forbes, 1963)
The Chalk Garden
(Neame, 1964)
A Thousand Clowns
(Coe, 1965)
You're a Big Boy Now
(Coppola, 1966)
The Whisperers
(Forbes, 1967)
Dark of the Sun
(Cardiff, 1968)
Skidoo
(Preminger, 1968)
Last Summer
(Perry, 1969)
The Comic
(C. Reiner, 1969)
1970-1974
The Revolutionary
(Williams, 1970)
The Landlord
(Ashby, 1970)
Diary of a Mad Housewife
(Perry, 1970)
Tropic of Cancer
(Strick, 1970)
I Never Sang for My Father
(Cates, 1970)
Sometimes a Great Notion
(Newman, 1971)
Marriage of a Young Stockbroker
(Turman, 1971)
The Music Lovers
(Russell, 1971)
Drive, He Said
(Nicholson, 1971)
The Steagle
(Sylbert, 1971)
The Last Movie
(Hopper, 1971)
Made For Each Other
(Bean, 1971)
The Day the Clown Cried
(Lewis, 1972)
Hickey & Boggs (OOP)
(Culp, 1972)
The Carey Treatment
(Edwards, 1972)
Pete 'n' Tillie
(Ritt, 1972)
Slither
(Zieff, 1973)
Man on a Swing
(Perry, 1974)
Open Season
(Collinson, 1974)
The Tamarind Seed
(Edwards, 1974)
Law and Disorder
(Passer, 1974)
Homebodies
(Yust, 1974)
Stardust
(Apted, 1974)
Celine and Julie Go Boating
(Rivette, 1974)
1975-1979
Rafferty and the Gold Dust Twins
(Richards, 1975
At Long Last Love
(Bogdanovich, 1975)
Hearts of the West
(Zieff, 1975)
Welcome to L.A.
(Rudolph, 1976)
W.C. Fields and Me
(Hiller, 1976)
Citizens Band
(Demme, 1977)
Twilight's Last Gleaming
(Aldrich, 1977)
Looking for Mr. Goodbar
(Brooks, 1977)
Girlfriends
(Weill, 1978)
Movie Movie
(Donen, 1978)
The Medusa Touch
(Gold, 1978)
American Hot Wax
(Mutrux, 1978)
Hot Stuff
(DeLuise, 1979)
Scavenger Hunt
(Schultz , 1979)
Players
(Harvey, 1979)
Rich Kids
(Young, 1979)
Nightwing
(Hiller, 1979)
Screams of a Winter's Night
(Wilson, 1979
When You Comin' Back Red Ryder?
(Katselas, 1979
1980's
Resurrection
(Petrie, 1980)
The Awakening
(Newell, 1980)
Simon
(Brickman, 1980)
God's Angry Man
(Herzog, 1980)
Fast-Walking
(Harris, 1982)
Twice Upon a Time
(Korty & Swenson, 1983)
Trouble in Mind
(Rudolph, 1985)
When the Wind Blows
(Murikami, 1986)
Housekeeping
(Forsyth, 1987)
The Glass Menagerie
(Newman, 1987)
Patty Hearst
(Schrader, 1988)
Drowning by Numbers
(Greenaway, 1988)
Haunted Summer
(Passer, 1988)
The Decline of Western Civilization Part II: The Metal Years
(Spheeris, 1988)
1990's
Old Times
(Curtis, 1991)
Prospero's Books
(Greenaway, 1991)
City of Hope
(Sayles, 1991)
The Baby of Macon
(Greenaway, 1993)
King of the Hill
(Soderbergh, 1993)
Dadetown
(Hexter, 1995)
SubUrbia
(Linklater, 1997)

Mumblecore

The one thing that's always bothered me about The Hurt Locker. One scene, I mean. Actually a single line of dialogue. A jocular U.S. Colonel (David Morse) asks Jeremy Renner's Sgt. James, a bomb-defusal Jedi, "What's the best way to defuse one of these things?" And Renner answers, "Duhwayuhdohndyesuh." I've seen this over and over, and each time I've asked myself "what?...what is Renner saying, for God's sake? Has he ever tried speaking with marbles in his mouth, or taken elocution lessons? Twenty dwarves took turns doing handstands on the carpet."

It finally hit me the last time I saw it. Renner is saying "the way you don't die, sir."

Gilliam Hovering<< previous | next >>Wolfie

Posted by Jeffrey Wells on November 19, 2009 at 7:15 AM

comment #1

DeafBrownTrashPunk Author Profile Page says ...

Haven't you tried watching it with closed captioning, Wells?

Posted by DeafBrownTrashPunk Author Profile Page at November 19, 2009 7:33 AM

comment #2

Nick X Author Profile Page says ...

The line's in the trailer. It's clearly audible. The problem is some sort of cognitive twitch on your end, not a problem with Renner's speech.

Posted by Nick X Author Profile Page at November 19, 2009 7:35 AM

comment #3

Chase Kahn Author Profile Page says ...

No, I noticed this, too. When I saw it in Chicago in early July I didn't quite catch the line, but then when I saw it a second time back in Dallas, I understood it. It's definitely not "clearly audible".

Posted by Chase Kahn Author Profile Page at November 19, 2009 7:40 AM

comment #4

Matthew Starr Author Profile Page says ...

I heard it clearly the first time.

Posted by Matthew Starr Author Profile Page at November 19, 2009 7:44 AM

comment #5

Jeffrey Wells Author Profile Page says ...

That's how I finally heard it clearly -- by watching the trailer online. But it's not my fault -- it's Renner's. I know tons of guys who, when they're trying to say "would you like me to shine your shoes?," say "wahnmetoshaynyershews?" When I go into a store and say "May I have two Hershey bars with almonds?," I actually say those words, and I mean in a way that Iranians in an English language class in lower Manhattan could actually understand. So it is Renner's fault. Renner's and the speakers in most of the regular-ass theatres out there, which tend to be not so hot sounding.

Posted by Jeffrey Wells Author Profile Page at November 19, 2009 7:46 AM

comment #6

Irving Thalberg Author Profile Page says ...

I also heard it clearly the first time, which must mean I speak Eloi or something. For shame!

Posted by Irving Thalberg Author Profile Page at November 19, 2009 8:01 AM

comment #7

kamichojin Author Profile Page says ...

The attached video really undermines the argument. Just played it and it sounds perfectly clear, just like it did when I saw it theatrically back in April at the PFS. There have been a lot of lines in oft-repeated films that have baffled me for years ("I see you, Chocolate Man" in Romero's Dawn of the Dead comes 1st to mind), but this definitely wasn't one of those times.

Posted by kamichojin Author Profile Page at November 19, 2009 8:02 AM

comment #8

slithis Author Profile Page says ...

I've seen the film 3 times and got the line on the first viewing (and both subsequent) -- great line and sums up his deceptively simple approach to something very un-simple.

Posted by slithis Author Profile Page at November 19, 2009 8:03 AM

comment #9

Eloi Manning Author Profile Page says ...

I think it's perfectly clear. It's not Renner's "fault" that you didn't hear it. And besides, it suits his character to deliver it in that way. He's a rough and ready army man, not Laurence Olivier.

Posted by Eloi Manning Author Profile Page at November 19, 2009 8:12 AM

comment #10

Mark Author Profile Page says ...

Let this thread morph into the alltime what-did-he-say in movie history. No. 1 gotta to be "Urrrnn-est", Hanks last words to Private Ryan.

Posted by Mark Author Profile Page at November 19, 2009 8:52 AM

comment #11

Mr. F. Author Profile Page says ...

Eloi M. is absolutely right -- it's in keeping with his character. You can't fault Renner for that.

Posted by Mr. F. Author Profile Page at November 19, 2009 9:41 AM

comment #12

dinther Author Profile Page says ...

I loved this movie -- the directing, the great editing - but this scene was the one where credibility went out the window so much that it distracted me.

No way, no how, would any officer in that situation tolerate that cowboy mentality, much less condone it.

Posted by dinther Author Profile Page at November 19, 2009 10:26 AM

comment #13

Colin Author Profile Page says ...

Wells couldn't understand Renner; let the Hurt Locker takedown begin...

Posted by Colin Author Profile Page at November 19, 2009 10:51 AM

comment #14

Pynchon8 Author Profile Page says ...

Yeah, I don't see the problem.

I'm more interested in whether or not Bigelow can follow this up.

Posted by Pynchon8 Author Profile Page at November 19, 2009 11:17 AM

comment #15

Dzayson Author Profile Page says ...

Mark took the words from my mouth. I know Hanks was dying and everything, but I walked out of the theatre thinking his final statement was "earnest."

Posted by Dzayson Author Profile Page at November 19, 2009 12:17 PM

comment #16

TheCahuengaKid Author Profile Page says ...

Hanks says "Earn this..."

Posted by TheCahuengaKid Author Profile Page at November 19, 2009 12:39 PM

comment #17

reverent and free Author Profile Page says ...

I heard Renner.

If you want to talk about bad enunciation, turn to Jake Gyllenhaal in Donnie Darko. I couldn't hear the line in the theater, and had to turn on the closed captions on the video to see that he tells Patrick Swayze "I think you're the antichrist."

Later Drew Barrymore screams "fuuuuu!" without the k at the end.

Also, the entire film of Miami Vice. I couldn't understand one damn line.

Posted by reverent and free Author Profile Page at November 19, 2009 1:50 PM

comment #18

BurmaShave Author Profile Page says ...

yeah I heard Renner, in a shitty theater with subpar sound, so did everyone in the audience, because we all chuckled. No offense Wells, but I think it might be you. We all have these moments though, I couldn't hear a lot of PUBLIC ENEMIES the first time.

Posted by BurmaShave Author Profile Page at November 19, 2009 4:50 PM

comment #19

Fortunesfool Author Profile Page says ...

The sound on Public Enemies was appaling, I couldn't make out the dialogue for most of the film.

Also 'the way you don't die, sir' is a grammatically clunky line which doesn't help.

Posted by Fortunesfool Author Profile Page at November 20, 2009 12:16 AM

comment #20

DeeZee Author Profile Page says ...

The worst mumbling I've heard so far was in Brokeback Mountain.

Posted by DeeZee Author Profile Page at November 20, 2009 3:16 AM

comment #21

Ronald McFirbank Author Profile Page says ...

Sometimes you just get a line like that. I was watching an old movie (Vidor's Texas Rangers) and there's a line where a guy tells a girl another guy's in love with her and I swore she said "Whaddaya want me to do, sit in urine?" I had to play it three times before I finally got "sit and yearn?"

Posted by Ronald McFirbank Author Profile Page at November 21, 2009 2:06 PM

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