Most Wanted
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Ishtar
(May, 1987)
The Seven-Per-Cent Solution (OOP)
(Ross, 1976)
The Devils
(Russell, 1974)
The Pirates of Penzance
(Papp/Leach, 1983)
The Fortune
(Nichols, 1975)
-30-
(Webb, 1959)
Betrayal
(Jones, 1983)
Play It As It Lays
(Perry, 1972)
The Outfit
(Flynn, 1973)
Alex in Wonderland
(Mazursky, 1969)
The Legend of Lylah Clare
(Aldrich, 1968)
In The Cool of the Day
(Stevens, 1963)
That Cold Day in the Park
(Altman, 1969)
Thumb Trippin'
(Masters, 1972)
Midas Run
(Kjellin, 1969)
At Long Last Love
(Bogdanovich, 1973)
Brewster McCloud
(Altman, 1972)
Outcast of the Islands
(Reed, 1951)

Reader Submissions

1930's-1950's
The Moon's Our Home
(Seiter, 1936)
Sh! The Octopus
(McGann, 1937)
The Mating Season
(Leisen, 1951)
Bad for Each Other
(Rapper, 1953)
The Phenix City Story
(Karlson, 1955)
Run of the Arrow
(Fuller, 1956)
House of Secrets
(Green, 1956)
Saint Joan
(Preminger, 1957)
Macabre
(Castle, 1958)
The Fiend Who Walked the West
(G. Douglas, 1958
Five Gates to Hell
(Clavell, 1959)
1960's
Key Witness
(Karlson, 1960)
Summer and Smoke
(Glenville, 1961)
The Chapman Report
(Cukor,1962)
Bachelor Flat
(Tashlin, 1962) [on Hulu]
The L Shaped Room
(Forbes, 1963)
The Chalk Garden
(Neame, 1964)
A Thousand Clowns
(Coe, 1965)
You're a Big Boy Now
(Coppola, 1966)
The Whisperers
(Forbes, 1967)
Dark of the Sun
(Cardiff, 1968)
Skidoo
(Preminger, 1968)
Last Summer
(Perry, 1969)
The Comic
(C. Reiner, 1969)
1970-1974
The Revolutionary
(Williams, 1970)
The Landlord
(Ashby, 1970)
Diary of a Mad Housewife
(Perry, 1970)
Tropic of Cancer
(Strick, 1970)
I Never Sang for My Father
(Cates, 1970)
Sometimes a Great Notion
(Newman, 1971)
Marriage of a Young Stockbroker
(Turman, 1971)
The Music Lovers
(Russell, 1971)
Drive, He Said
(Nicholson, 1971)
The Steagle
(Sylbert, 1971)
The Last Movie
(Hopper, 1971)
Made For Each Other
(Bean, 1971)
The Day the Clown Cried
(Lewis, 1972)
Hickey & Boggs (OOP)
(Culp, 1972)
The Carey Treatment
(Edwards, 1972)
Pete 'n' Tillie
(Ritt, 1972)
Slither
(Zieff, 1973)
Man on a Swing
(Perry, 1974)
Open Season
(Collinson, 1974)
The Tamarind Seed
(Edwards, 1974)
Law and Disorder
(Passer, 1974)
Homebodies
(Yust, 1974)
Stardust
(Apted, 1974)
Celine and Julie Go Boating
(Rivette, 1974)
1975-1979
Rafferty and the Gold Dust Twins
(Richards, 1975
At Long Last Love
(Bogdanovich, 1975)
Hearts of the West
(Zieff, 1975)
Welcome to L.A.
(Rudolph, 1976)
W.C. Fields and Me
(Hiller, 1976)
Citizens Band
(Demme, 1977)
Twilight's Last Gleaming
(Aldrich, 1977)
Looking for Mr. Goodbar
(Brooks, 1977)
Girlfriends
(Weill, 1978)
Movie Movie
(Donen, 1978)
The Medusa Touch
(Gold, 1978)
American Hot Wax
(Mutrux, 1978)
Hot Stuff
(DeLuise, 1979)
Scavenger Hunt
(Schultz , 1979)
Players
(Harvey, 1979)
Rich Kids
(Young, 1979)
Nightwing
(Hiller, 1979)
Screams of a Winter's Night
(Wilson, 1979
When You Comin' Back Red Ryder?
(Katselas, 1979
1980's
Resurrection
(Petrie, 1980)
The Awakening
(Newell, 1980)
Simon
(Brickman, 1980)
God's Angry Man
(Herzog, 1980)
Fast-Walking
(Harris, 1982)
Twice Upon a Time
(Korty & Swenson, 1983)
Trouble in Mind
(Rudolph, 1985)
When the Wind Blows
(Murikami, 1986)
Housekeeping
(Forsyth, 1987)
The Glass Menagerie
(Newman, 1987)
Patty Hearst
(Schrader, 1988)
Drowning by Numbers
(Greenaway, 1988)
Haunted Summer
(Passer, 1988)
The Decline of Western Civilization Part II: The Metal Years
(Spheeris, 1988)
1990's
Old Times
(Curtis, 1991)
Prospero's Books
(Greenaway, 1991)
City of Hope
(Sayles, 1991)
The Baby of Macon
(Greenaway, 1993)
King of the Hill
(Soderbergh, 1993)
Dadetown
(Hexter, 1995)
SubUrbia
(Linklater, 1997)

Not Worth Bothering

Vanityfair.com's Julian Sancton noted yesterday that a brief scene of violence in The Men Who Stare at Goats recalls the recent Fort Hood tragedy. The scene (actually a self-contained clip in a montage) shows a disturbed soldier running amok in Fort Bragg, firing at troops during their morning exercises. Sancton is wondering if Overture Films should omit the scene from future prints.

HE verdict: It happened, move on, let it ride. No one is going to blame Goats for goading the grief. All chickenshit Monday-morning-quarterback censorship calls need to be ignored. It was lame for filmmakers to talk about digitally removing the twin towers in cityscape shots used for films shot in 2000 and early '01. I was watching the Three Days of the Condor Bluray the other day, and it has shots of the towers and the World Trade Center lobby that are truly wonderful for their time-capsule quality. Don't erase -- watch films in their proper context.

"The associations are inevitable, and they're not only distracting but detractive to the movie," Sancton writes. " When Michael Jackson died, Universal cut a scene from Bruno in which Sacha Baron Cohen rifles through Latoya Jackson's Blackberry to find Michael's number. It was the right move to cut it, not because it would have been tasteless -- that's never stopped Cohen -- but because the joke would have fallen flat.

"But then Michael died two weeks before Bruno's release, so there was time to swap the prints before distributing them. Logistically, it would be much more difficult to alter The Men Who Stare at Goats, now that the film is already in theaters.

Goats at Nuremberg<< previous | next >>Numbers

Posted by Jeffrey Wells on November 8, 2009 at 8:14 AM

comment #1

Eloi Manning Author Profile Page says ...

They delayed the release of Gone Baby Gone in the UK after Madeleine McCann went missing. Absurd.

Posted by Eloi Manning Author Profile Page at November 8, 2009 8:57 AM

comment #2

Film Misery Alex Author Profile Page says ...

I'll admit, that scene made me a bit uncomfortable because it seemed like it was meant to be played for laughs.

Then again, the whole movie is kind of crap, with or without that moment.

Posted by Film Misery Alex Author Profile Page at November 8, 2009 9:43 AM

comment #3

lipranzer Author Profile Page says ...

I have to confess, I didn't even think of that when the scene showed in the movie. I don't know how the rest of the theater felt (there were no walkouts, anyway), but since I didn't think much of the movie to begin with...

Posted by lipranzer Author Profile Page at November 8, 2009 11:12 AM

comment #4

Chase Kahn Author Profile Page says ...

I thought of it immediately when I saw it on Friday. The fact that it was accidentally ill-timed overshadowed the fact that it wasn't any funny to begin with.

What an aimless, shitty film.

Posted by Chase Kahn Author Profile Page at November 8, 2009 1:04 PM

comment #5

Scott Mendelson Author Profile Page says ...

SPOILERS -
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That scene was vitally important to the narrative of the movie. In terms specific to this film, cutting that scene would be cutting the death of Mace Windu from Revenge of the Sith. It's the major act of violence that causes everything else to go to hell and allows Spacey/Palpentine to take control and purge the 'Jedis'.

Posted by Scott Mendelson Author Profile Page at November 8, 2009 2:05 PM

comment #6

DeeZee Author Profile Page says ...

There was a similar reaction when Die Hard 3 got released right after the Oklahoma City bombing.

Posted by DeeZee Author Profile Page at November 8, 2009 10:50 PM

comment #7

Jonathan Spuij Author Profile Page says ...

Eloi Manning, you should perhaps know how big an issue Maddie McCann was here in Europe and especially in Britain. That movie simply would be too painful for many and totally tank. It was an understandable decision, but just a delayed release. Not any change to the movie itself, which was great btw.

Posted by Jonathan Spuij Author Profile Page at November 9, 2009 1:16 AM

comment #8

actionman Author Profile Page says ...

yeah, I mean (sem-spoiler warning), wasn't the character in Goats tripping on acid when he was firing at his fellow soldiers? I could be wrong but that's what I thought was going on...

Posted by actionman Author Profile Page at November 9, 2009 6:38 AM

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