Most Wanted
Email here for additions & corrections.

The Fortune
(Nichols, 1975)
-30-
(Webb, 1959)
Betrayal
(Jones, 1983)
Play It As It Lays
(Perry, 1972)
The Outfit
(Flynn, 1973)
Alex in Wonderland
(Mazursky, 1969)
The Legend of Lylah Clare
(Aldrich, 1968)
In The Cool of the Day
(Stevens, 1963)
That Cold Day in the Park
(Altman, 1969)
The Fox
(Rydell, 1967)
Thumb Trippin'
(Masters, 1972)
Midas Run
(Kjellin, 1969)
At Long Last Love
(Bogdanovich, 1973)
Outcast of the Islands
(Reed, 1951)
Mike's Murder
(Bridges, 1984)
Reader Submissions

1930's-1950's
The Moon's Our Home
(Seiter, 1936)
Sh! The Octopus
(McGann, 1937)
The Mating Season
(Leisen, 1951)
Bad for Each Other
(Rapper, 1953)
The Phenix City Story
(Karlson, 1955)
Run of the Arrow
(Fuller, 1956)
House of Secrets
(Green, 1956)
Macabre
(Castle, 1958)
The Fiend Who Walked the West
(G. Douglas, 1958
Five Gates to Hell
(Clavell, 1959)
1960's
Key Witness
(Karlson, 1960)
Summer and Smoke
(Glenville, 1961)
The Chapman Report
(Cukor,1962)
Bachelor Flat
(Tashlin, 1962) [on Hulu]
The L Shaped Room
(Forbes, 1963)
A Thousand Clowns
(Coe, 1965)
You're a Big Boy Now
(Coppola, 1966)
Dark of the Sun
(Cardiff, 1968)
Skidoo
(Preminger, 1968)
Last Summer
(Perry, 1969)
The Comic
(C. Reiner, 1969)
1970-1974
The Revolutionary
(Williams, 1970)
Diary of a Mad Housewife
(Perry, 1970)
Tropic of Cancer
(Strick, 1970)
I Never Sang for My Father
(Cates, 1970)
Sometimes a Great Notion
(Newman, 1971)
Marriage of a Young Stockbroker
(Turman, 1971)
'Doc'
(Perry, 1971)
The Music Lovers
(Russell, 1971)
Drive, He Said
(Nicholson, 1971)
The Steagle
(Sylbert, 1971)
The Last Movie
(Hopper, 1971)
Made For Each Other
(Bean, 1971)
The Day the Clown Cried
(Lewis, 1972)
Hickey & Boggs
(Culp, 1972)
The Carey Treatment
(Edwards, 1972)
Pete 'n' Tillie
(Ritt, 1972)
Love and Pain and the Whole Damn Thing
(Pakula, 1973)
Man on a Swing
(Perry, 1974)
Open Season
(Collinson, 1974)
The Tamarind Seed
(Edwards, 1974)
Law and Disorder
(Passer, 1974)
Homebodies
(Yust, 1974)
Stardust
(Apted, 1974)
Celine and Julie Go Boating
(Rivette, 1974)
1975-1979
Rafferty and the Gold Dust Twins
(Richards, 1975
At Long Last Love
(Bogdanovich, 1975)
Hearts of the West
(Zieff, 1975)
Welcome to L.A.
(Rudolph, 1976)
W.C. Fields and Me
(Hiller, 1976)
Citizens Band
(Demme, 1977)
Twilight's Last Gleaming
(Aldrich, 1977)
Looking for Mr. Goodbar
(Brooks, 1977)
Movie Movie
(Donen, 1978)
The Medusa Touch
(Gold, 1978)
American Hot Wax
(Mutrux, 1978)
Hot Stuff
(DeLuise, 1979)
Scavenger Hunt
(Schultz , 1979)
Players
(Harvey, 1979)
Rich Kids
(Young, 1979)
Nightwing
(Hiller, 1979)
Screams of a Winter's Night
(Wilson, 1979
When You Comin' Back Red Ryder?
(Katselas, 1979
1980's
The Awakening
(Newell, 1980)
Simon
(Brickman, 1980)
God's Angry Man
(Herzog, 1980)
Twice Upon a Time
(Korty & Swenson, 1983)
Trouble in Mind
(Rudolph, 1985)
When the Wind Blows
(Murikami, 1986)
Housekeeping
(Forsyth, 1987)
The Glass Menagerie
(Newman, 1987)
Patty Hearst
(Schrader, 1988)
Running on Empty
(Lumet, 1988)
Drowning by Numbers
(Greenaway, 1988)
Haunted Summer
(Passer, 1988)
The Decline of Western Civilization Part II: The Metal Years
(Spheeris, 1988)
1990's
Men Don't Leave
(Brickman, 1990)
Old Times
(Curtis, 1991)
Prospero's Books
(Greenaway, 1991)
City of Hope
(Sayles, 1991)
The Baby of Macon
(Greenaway, 1993)
King of the Hill
(Soderbergh, 1993)
Dadetown
(Hexter, 1995)
SubUrbia
(Linklater, 1997)

Upcoming

July 30

Cats & Dogs: The Revenge of Kitty Galore

Charlie St. Cloud

The Concert

Dinner for Shmucks

The Dry Land

The Extra Man

Get Low

Helen

Hugh Hefner: Playboy, Activist and Rebel

Smash His Camera

What's the Matter with Kansas?

Who Killed Nancy

Avatar Uptick

"I spoke to a person who saw Avatar and he said the action scenes delivered everything you'd expect from Cameron, even in this digital form. Visceral, detailed, a 'first-person shooter' experience on the biggest game screen ever hoisted.

"The simple, predictable story was deemed as almost perfunctory, as if adding too much storytelling and exposition would have amounted to a sensory overload. After all, no one discusses 2001: A Space Odyssey in relation to its plot. Star Wars either.

"What we have is: Boy meets alien through marines, boy loses aliens and marines, boy fights marines and gets girl.

"And I was also told that despite all the trappings of special effects, blue people and CGI skies, Sigourney Weaver still manages to register strongly with warmth and a commanding presence." -- an HE friend who gets around and knows people.

Mad-Dog Maguire<< previous | next >>Decade

Posted by Jeffrey Wells on December 5, 2009 at 1:49 PM

comment #1

HanekeFanBoyNumberOne Author Profile Page says ...

So when taken in as a whole, the film is...

Posted by HanekeFanBoyNumberOne Author Profile Page at December 5, 2009 2:08 PM

comment #2

Jeffrey Wells Author Profile Page says ...

...one of the best, most highly detailed and most expensive video games ever made. Only experienced in a theatre.

Posted by Jeffrey Wells Author Profile Page at December 5, 2009 2:15 PM

comment #3

Rich S. Author Profile Page says ...

Which is pretty much what it looked like from that first trailer. Curious, did this person see it in 3D? Would that matter?

Posted by Rich S. Author Profile Page at December 5, 2009 2:30 PM

comment #4

Gogocrank Author Profile Page says ...

I'm honestly wary of anyone that puts 2001 and Star Wars on the same "plotless" plane, considering the former is about so much and the latter so little.

Posted by Gogocrank Author Profile Page at December 5, 2009 2:30 PM

comment #5

Chase Kahn Author Profile Page says ...

Doesn't this particular review pretty much confirm the worries that we've all had about this thing?

Usually, when I hear something looks "like a video game", it's an insult.

Posted by Chase Kahn Author Profile Page at December 5, 2009 2:32 PM

comment #6

loyal Author Profile Page says ...

Will they nominate a video game (even the best, most highly detailed, and most expensive) for Best Picture Jeff? Can it win?

Posted by loyal Author Profile Page at December 5, 2009 2:35 PM

comment #7

jsayson15 Author Profile Page says ...

So Jeff, do you think the majority of critics will react positively to this film? Or will they bash it?

Posted by jsayson15 Author Profile Page at December 5, 2009 2:48 PM

comment #8

Josh Massey Author Profile Page says ...

"After all, no one discusses 2001: A Space Odyssey in relation to its plot."

Very, very, very much disagree. On Star Wars too, in fact.

Posted by Josh Massey Author Profile Page at December 5, 2009 2:48 PM

comment #9

Fortunesfool Author Profile Page says ...

I'm confused. Surely video games are, for the most part, based on, and use cinematic techniques. As Cameron has said 'Halo was a rip-off of Aliens'. I just want to know if i'm in for a thrilling, spectacular and engaging two and half hours of my life, without it pissing me off like Star Trek, Terminator Salvation etc.

Posted by Fortunesfool Author Profile Page at December 5, 2009 2:50 PM

comment #10

BRob Author Profile Page says ...

Gogocrank, you are not seriously suggesting 2001 has more plot than Star Wars? A deeper, though difficult, narrative with more ideas then yes. More plot? In no uncertain circumstances.

Posted by BRob Author Profile Page at December 5, 2009 3:06 PM

comment #11

Chase Kahn Author Profile Page says ...

"no one discusses 2001: A Space Odyssey in relation to its plot"

yeah -- what?

Posted by Chase Kahn Author Profile Page at December 5, 2009 3:07 PM

comment #12

Alexander Author Profile Page says ...

That is a truly bizarre statement.

2001: A Space Odyssey and Star Wars are both heavily discussed about in direct relation to their respective plots. 2001 inspires assiduous philosophical analysis and Star Wars is frequently viewed as a cinematic treatise of postmodernist deconstruction.

Posted by Alexander Author Profile Page at December 5, 2009 3:19 PM

comment #13

Gogocrank Author Profile Page says ...

"you are not seriously suggesting 2001 has more plot than Star Wars?"

No, not at all. Though I'd say the former is a much deeper flick, which is something different and also why I thought it so weird the guy would invoke both those flicks as an Avatar comparison. I mean, if you say a movie is sort of like 2001, I'd take something totally different from that than if you'd compared a film to Star Wars. So again, so strange that anonymous dude would invoke those two polar opposite flicks that share so little in common beyond setting.

Oh:

"Star Wars is frequently viewed as a cinematic treatise of postmodernist deconstruction."

Frequently? Really? What is being deconstructed? If anything it's a literal invocation of the ur-hero myth.

Posted by Gogocrank Author Profile Page at December 5, 2009 3:33 PM

comment #14

Ray Author Profile Page says ...

Not sure if I agree with the idea that STAR WARS is postmodernist deconstruction. That analysis sounds like someone who buys overpriced brie to impress his friends.

What we need to remember is that Lucas spent several years examining plot structure and archetypes while writing STAR WARS. The film is a brilliant example of plotting, and it succeeds despite all the weirdness on display for precisely that reason.

Posted by Ray Author Profile Page at December 5, 2009 3:55 PM

comment #15

LanceMc Author Profile Page says ...

Video Games are fun.

Posted by LanceMc Author Profile Page at December 5, 2009 4:08 PM

comment #16

erniesouchak Author Profile Page says ...

Beg to differ about "Star Wars." People do talk about the plot.

Posted by erniesouchak Author Profile Page at December 5, 2009 4:09 PM

comment #17

Wretched Excess Author Profile Page says ...

It's all semantics, I suppose. I interpreted it to mean that while the themes and symbolism of 2001 are complex and yielded endless interpretation and debate, the actual narrative wasn't all that complicated... especially if distilled into a beat by beat synopsis of the second half of the film, squaring off against HAL and the psychedelic journey the movie climaxes with. As far as its meaning, that's something else altogether. STAR WARS follows familiar archetypes that hereto hadn't been set in space, so it's also easy to describe the basic plot points without much elaboration. The characters and their respective arc can be discussed independently of the act one, two and three overall narrative. At least it sounds like someobyd callling AVATAR a more visual journey than a narrative one. Personally, I think it looks like LAST OF THE MO CAPTURE.

Posted by Wretched Excess Author Profile Page at December 5, 2009 4:18 PM

comment #18

Sams Author Profile Page says ...

So it's a good choice for those who need / want to take a break from War Craft and would like to see how Jim Cameron spends $400 M -- give or take $100 M.

Posted by Sams Author Profile Page at December 5, 2009 4:22 PM

comment #19

Telemachos Author Profile Page says ...

STAR WARS and 2001 *do* have really simple plots. STAR WARS: naive innocent farmboy goes on a grand adventure to rescue a princess from an evil warlord. 2001: Several men are sent on an expedition to find out what the purpose of an alien artifact is.

These movies are enduring because of the nuances in character, how various details are done, the kineticism of the action (for STAR WARS) or the philosophical elements (of 2001) -- that's why saying AVATAR has a simple plot is almost meaningless. It's what's done (or isn't done) within the framework of the basic story that'll make it interesting (or boring).

Posted by Telemachos Author Profile Page at December 5, 2009 4:31 PM

comment #20

DeeZee Author Profile Page says ...

"Visceral, detailed, a 'first-person shooter' experience on the biggest game screen ever hoisted."

Um, you *don't* want to compare it to a video game, because when there is a difference between imitating the format and adapting an example of the format.

"...one of the best, most highly detailed and most expensive video games ever made. Only experienced in a theatre."

So it's a Spirits Within remake?

loyal: If they wanted to nominate anything, it should've been Silent Hill.

Fortune: Well, sort of. I generally hate to side with Ebert on trashing the genre, but games generally still provide an artificial experience which, even done well, can't convey the same feeling as connecting to the situation as with cinema.
http://www.youtube.com/watch?v=AjCND6oubqs

Posted by DeeZee Author Profile Page at December 5, 2009 4:36 PM

comment #21

Zac Bertschy Author Profile Page says ...

Well, here's the plot of the highest grossing film of all time, directed by the same guy:

Girl meets boy
Ship sinks
Girl loses boy

...billy zane

So I think Avatar will be OK.

Posted by Zac Bertschy Author Profile Page at December 5, 2009 4:50 PM

comment #22

jimtheindiefilmmaker Author Profile Page says ...

Reducing "2001" (still the greatest sci-fi movie of all time) to a bare-bones plot is like saying that "Citizen Kane" is about what happens to a boy's sled after he grows up. The genius of Kubrick is that he used groundbreaking special effects to raise more questions than he answered in his movie; the banality of Cameron is that all of his movies never raise any questions in a viewer's mind except, "What's all the fuss about?"

Posted by jimtheindiefilmmaker Author Profile Page at December 5, 2009 5:01 PM

comment #23

BRob Author Profile Page says ...

Gogocrank - I may have gotten the wrong end of yout stick. But I hope my point is still there.

Telemachos - No, that's story, not plot. How Luke SKywalker gets from sweeping Owen Lars floor to his medal is the plot. You know, all the bits inbetween. 2001's plot is more simple. The story and its connotations are far deeper. To my simple brain at any rate. But let's not get caught up in arguments about plot point so we can get all big about what really counts as science fiction. Fuck genre, Look past it to the story.

Anyway, this should be about Avatar. Lets not get all AICN TB about this.

Posted by BRob Author Profile Page at December 5, 2009 5:40 PM

comment #24

coxcable Author Profile Page says ...

It'll also be interesting to see if Cameron can top JJ Abrams and Michael Bay, two directors having career highs in the theaters this year and who are both clearly influenced by the action auteur (one adopting Cameron's slick sense of story structure and character; the other, Cameron's technological machismo).

Can the master beat the apprentices?

Posted by coxcable Author Profile Page at December 5, 2009 6:35 PM

comment #25

DeeZee Author Profile Page says ...

Zac: You forgot to mention that Titanic was fairly hoakey and full of itself, and the only reason that people looked the other way on it was because it was an excuse to score a date. If someone in Lex's position were to catch it now, they'd wait to get to the Cate Blanchett nude scene and bad PG-13 softcore porn scene and then fall asleep afterwards. So I'm not sure the rest of us have patience to sit through an over-priced Dances with Smurfs fanfic, just to get to the sci-fi video game remake of Braveheart's battle scenes.

cox: Bay's in a career low, actually. Yeah, his ass is rich as hell, but he'll never be able to associate himself with a project with a pretense of quality, like The Rock, again. He's in Emmerich post-Godzilla, Steve Sommers post-Van Helsing, and Spielberg post-WOTW territory right now.

Posted by DeeZee Author Profile Page at December 5, 2009 6:58 PM

comment #26

Circumvrent Author Profile Page says ...

Whatever, still looking forward to the first showing Friday at midnight at the IMAX in Lincoln Square, and nothing's going to change that.

For what it's worth, we could probably go article-for-article with doomsaying articles and bad reviews written about TITANIC.

Posted by Circumvrent Author Profile Page at December 5, 2009 6:58 PM

comment #27

DeeZee Author Profile Page says ...

Er, Kate Winslet.

Posted by DeeZee Author Profile Page at December 5, 2009 7:02 PM

comment #28

Matthew Starr Author Profile Page says ...

I will be there opening night Lincoln Square as well. An amazing IMAX screen.

Posted by Matthew Starr Author Profile Page at December 5, 2009 8:09 PM

comment #29

Circumvrent Author Profile Page says ...

Matthew: it was absolutely stunning on AVATAR day. We bought our tickets immediately after.

Posted by Circumvrent Author Profile Page at December 5, 2009 8:22 PM

comment #30

Atticus Grinch Author Profile Page says ...

I don't doubt that the film will be an incredible experience. I'd never bet against Cameron on that front.

But what's most interesting about the marketing is that Fox seems to have released enough material to create both incredible awareness in the public, as well as a somewhat predictable backlash given the motion capture look of the film. And now, as the movie actually starts to be seen, expectations have been lowered from "here comes the motherfucking future of all cinema" to simply "will it be good?" To have this incredibly high public awareness with just this level of lowered expectations is exactly where Fox wants the public before releasing the movie...that is, if it's as good as Jeffrey's pal says it is. The result will be a positive backlash against negative backlash we've seen in the past few months.

If Fox did that on purpose, it's a stunning demonstration of marketing genius. And with so much money on the line, I wouldn't bet that it was an accident.

Posted by Atticus Grinch Author Profile Page at December 5, 2009 9:14 PM

comment #31

DeeZee Author Profile Page says ...

Atticus: I don't think FOX is smart enough to dabble in that kind of reverse psychology, or it wouldn't send in the next Chipmunks movie to cannibalize Avatar's sales a week later.

Anyway, courtesy of Scott Green @ AICN Anime, QT has apparently seen Caligula. http://www.flicksnews.net/2009/11/wtf-quentin-tarantino-joins-softbank.html
The opening of the movie.
http://www.youtube.com/watch?v=ximzxs7ELII
The disco version used inappropriately.
http://www.youtube.com/watch?v=gQBZhwhUjxc
English Solomon Kane trailer.
http://www.kungfucinema.com/solomon-kane-french-poster-and-english-trailer-12004

Posted by DeeZee Author Profile Page at December 5, 2009 9:50 PM

comment #32

Atticus Grinch Author Profile Page says ...

Atticus: I don't think FOX is smart enough to dabble in that kind of reverse psychology, or it wouldn't send in the next Chipmunks movie to cannibalize Avatar's sales a week later.

You mean the way the first huge-hit Chipmunks movie ate into the box office of the record-setting I Am Legend when they opened against each other in 07? Different audiences DeeZee.

Fox may not care about the quality of their movies, but their marketing is top tier. They know exactly what they're doing.

Posted by Atticus Grinch Author Profile Page at December 5, 2009 10:35 PM

comment #33

Dan Revill (formerly Aladdin Sane) Author Profile Page says ...

If there's any real depth to this film, I'd be surprised. That doesn't mean it won't be fun and entertaining. I don't think anybody is going in thinking this is the sci-fi answer to No Country For Old Men.

Posted by Dan Revill (formerly Aladdin Sane) Author Profile Page at December 5, 2009 10:42 PM

comment #34

DeeZee Author Profile Page says ...

Atticus: "I Am Legend" had Will Smith and targeted an older audience than the Chipmunks. Avatar has no one, and, as Cameron himself has noted, is targeting everyone who's "8 to 80".

"Fox may not care about the quality of their movies, but their marketing is top tier. "

*cough* Die Hard 2, Speed 2, Lake Placid, Swimfan, LXG, John Tucker, AVP, Dragonball: Evolution, Chun-Li, and Jennifer's Body, *cough* Oh, and Zardoz.

Posted by DeeZee Author Profile Page at December 5, 2009 11:03 PM

comment #35

Gordon27 Author Profile Page says ...

It's funny how the same exact people who handled the marketing of 'Zardoz' are all still employed by Fox, making that comparison completely relevant.

Posted by Gordon27 Author Profile Page at December 5, 2009 11:18 PM

comment #36

DeeZee Author Profile Page says ...

Oh, yeah. Forgot to add Myra Brekinridge,too.

Posted by DeeZee Author Profile Page at December 5, 2009 11:18 PM

comment #37

DeeZee Author Profile Page says ...

Gordon: Considering how DB: E turned out, they probably are still working there.

Posted by DeeZee Author Profile Page at December 6, 2009 12:26 AM

comment #38

Gordon27 Author Profile Page says ...

The funny thing is that you're the only person I've ever heard discussing that movie as if it is in any way related to any other movie. Yet I've seen you do it so much, I know immediately what you mean.

The funny thing isn't so much "Why do you need to compare things to other things?" as it is "Why are the things you compare them to so random and from such a small list of things?" I mean, you've compared fifteen or twenty movies in the past year to 'Dragonball: Evolution', and I'm betting not a single person here knew what the fuck you were talking about. And any time anybody compares a movie to any video game ever, you'll jump in with a reference to 'Final Fantasy'. For somebody who pretends to have really good taste, you have the shallowest, shittiest pool of movies you're actually familiar enough with to reference.

Posted by Gordon27 Author Profile Page at December 6, 2009 12:32 AM

comment #39

markj Author Profile Page says ...

DeeeeZeeee: Are you suggesting that Munich is on the same level as 2012 and G.I. Joe?

Posted by markj Author Profile Page at December 6, 2009 1:25 AM

comment #40

DeeZee Author Profile Page says ...

Gordon: "For somebody who pretends to have really good taste, you have the shallowest, shittiest pool of movies you're actually familiar enough with to reference."

At least they're not remade by QT.

markj: He shot Munich around the same time as WOTW, so that depends, especially since I haven't seen the former. Of course, if Munich is anything like what I imagined he was gonna to do Oldboy, then maybe.

Posted by DeeZee Author Profile Page at December 6, 2009 2:25 AM

comment #41

Fortunesfool Author Profile Page says ...

If Cameron can't deliver a movie better than Michael Bay or JJ Abrams I'm gonna stop watching movies. It's a sure sign that the quality of movie-making has dropped really far in the last decade that JJ Abrams is even mentioned at all. He's a TV director who got lucky and has little to no knowledge of the art of film.

Posted by Fortunesfool Author Profile Page at December 6, 2009 2:36 AM

comment #42

btwnproductions Author Profile Page says ...

What was wrong with the marketing of DIE HARD 2 and the first AVP? Like them or not they made money.

Posted by btwnproductions Author Profile Page at December 6, 2009 5:08 AM

comment #43

Atticus Grinch Author Profile Page says ...

That response is so inane, I'm tempted to think it's a joke.

Why don't you add Fox's 1951 "The Elephant Mouse" and 1938 "Timber Toppers" to your list of Fox duds released under an entirely different regime?

Posted by Atticus Grinch Author Profile Page at December 6, 2009 8:46 AM

comment #44

CameronIsHMFIC Author Profile Page says ...

"the action scenes delivered everything you'd expect from Cameron, even in this digital form. Visceral, detailed, a 'first-person shooter' experience on the biggest game screen ever hoisted."

THis sounds good. Also, isn`t the main complaint about video game adaptations that they don`t capture the first-person shooter experience but feel like watching someone else play the game? Now there`s a movie that gives the game experience to gamers and non-gamers alike. Cameron style.

"And I was also told that despite all the trappings of special effects, blue people and CGI skies, Sigourney Weaver still manages to register strongly with warmth and a commanding presence."

Means one can connect with the chaarcters. Typical Cameron. This is so not like Michael Bay movie.

Maybe I`m reading too much into these snippets but sounds really good.

Posted by CameronIsHMFIC Author Profile Page at December 6, 2009 10:23 AM

comment #45

Colin Author Profile Page says ...

"At least they're not remade by QT."

I guess not. They're shite.

Posted by Colin Author Profile Page at December 6, 2009 12:24 PM

comment #46

Colin Author Profile Page says ...

BTW DC Critics jumpstart the Inglourious Basterds campaign quite a bit.
http://incontention.com/?p=18664

Posted by Colin Author Profile Page at December 6, 2009 12:28 PM

comment #47

DeeZee Author Profile Page says ...

btwn: Actually, Die Hard 2 didn't make money. At least not the same kind of money the studio probably expected, anyway. http://www.boxofficemojo.com/movies/?id=diehard2.htm And AVP's similarly overpriced for a movie based on two different R-rated films gutted for PG-13. http://www.boxofficemojo.com/movies/?id=avp.htm

Colin: You're right. My Best Friend's Birthday is a masterpiece.

Posted by DeeZee Author Profile Page at December 6, 2009 2:49 PM

comment #48

Gordon27 Author Profile Page says ...

You know your blind hatred of Tarantino has gone too far when the only thing you can bring up is an unfinished movie that he disowned. But that puts us all on an even playing field; usually, you're the only person in the conversation who hasn't seen the specific Tarantino movie which you're criticizing.

Posted by Gordon27 Author Profile Page at December 6, 2009 7:05 PM

comment #49

DeeZee Author Profile Page says ...

Gordon: The guy's only disowned it, because it got leaked on the internet. Otherwise, he'd be calling it his unappreciated masterpiece.

Posted by DeeZee Author Profile Page at December 6, 2009 11:19 PM

comment #50

Gordon27 Author Profile Page says ...

As usual, your guessing conflicts with the facts that, as far back as 'True Romance', he was saying it had never finished, and was mostly not that good, but that he had taken the stuff he felt was good and used it in other scripts.

Still, I definitely agree with you that the person you've imagined Tarantino to be tends to be a pretty awful guy.

Posted by Gordon27 Author Profile Page at December 7, 2009 12:42 AM

comment #51

DeeZee Author Profile Page says ...

Gordon: If QT's willing to recycle it, he thinks it's good enough.

Posted by DeeZee Author Profile Page at December 7, 2009 10:12 PM

comment #52

Gordon27 Author Profile Page says ...

Well, I can't argue with that, since it makes absolutely no sense whatsoever. You do realize that recycling little bits out of a script does not mean the movie was well-acted, well-shot, or well-edited, right? No, of course you don't, that would require the ability to think.

Posted by Gordon27 Author Profile Page at December 7, 2009 10:27 PM

comment #53

DeeZee Author Profile Page says ...

"You do realize that recycling little bits out of a script does not mean the movie was well-acted, well-shot, or well-edited, right?"

Considering what he did to City on Fire, you never know.

Posted by DeeZee Author Profile Page at December 8, 2009 12:14 PM

comment #54

Gordon27 Author Profile Page says ...

You always go for petty points that make sense only to you (perhaps that's a generous assumption), sacrificing any actual coherent argument you can make. For instance, what you just wrote above directly contradicts your general assertion that Tarantino stole the entire style of "City on Fire' -- whereas now, you're accusing him of ignoring all that and stealing only the script, which is the stupidest thing you can say, because the dialogue in 'City on Fire' is terrible compared to an Ed Wood movie, let alone a Tarantino one.

It's fun to watch how your dumb, dumb mind works.

Posted by Gordon27 Author Profile Page at December 9, 2009 12:46 AM

comment #55

aris Author Profile Page says ...

Thank you for share it

Nulis Pena Kehidupan

Posted by aris Author Profile Page at January 31, 2010 11:35 PM

comment #56

jimb12345 Author Profile Page says ...

Avatar is so good to see. This is such an amazing movie to see. You will not get any better then this.
fort lauderdale motorcycle accident attorney

Posted by jimb12345 Author Profile Page at February 11, 2010 1:10 PM

Posted by teayneverdie Author Profile Page at February 27, 2010 1:30 AM

comment #58

Alex09 Author Profile Page says ...

A film critic from a major east-coast city wrote this morning about new potential pressures that may be visited upon N.Y. Times critic A.O. Scott in his new capacity as costar (along with Chicago Tribune critic Michael Phillips) of At The Movies. "Remember the old days when almost every movie ad had a 'two thumbs...way up' quote from Gene Siskel and Roger Ebert?," he wrote. He meant that Siskel/Ebert didn't start out as black-or-white, yes-or-no, positively-inclined thumb critics, but they seemed to lean in that direction after their show took off. "I'm saying this because TV audiences don't like people who are perceived as 'negative' or 'mean' or 'elitist,'" my critic pal said. "i don't want to be part of this discussion, but i'd like to hear what you and your readers might have to say." Degree AND Online early education degree AND adult education degree
Teaching learning degree AND Special Education degree

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