Most Wanted
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Ishtar
(May, 1987)
The Seven-Per-Cent Solution (OOP)
(Ross, 1976)
The Devils
(Russell, 1974)
The Pirates of Penzance
(Papp/Leach, 1983)
The Fortune
(Nichols, 1975)
-30-
(Webb, 1959)
Betrayal
(Jones, 1983)
Play It As It Lays
(Perry, 1972)
The Outfit
(Flynn, 1973)
Alex in Wonderland
(Mazursky, 1969)
The Legend of Lylah Clare
(Aldrich, 1968)
In The Cool of the Day
(Stevens, 1963)
That Cold Day in the Park
(Altman, 1969)
Thumb Trippin'
(Masters, 1972)
Midas Run
(Kjellin, 1969)
At Long Last Love
(Bogdanovich, 1973)
Brewster McCloud
(Altman, 1972)
Outcast of the Islands
(Reed, 1951)

Reader Submissions

1930's-1950's
The Moon's Our Home
(Seiter, 1936)
Sh! The Octopus
(McGann, 1937)
The Mating Season
(Leisen, 1951)
Bad for Each Other
(Rapper, 1953)
The Phenix City Story
(Karlson, 1955)
Run of the Arrow
(Fuller, 1956)
House of Secrets
(Green, 1956)
Saint Joan
(Preminger, 1957)
Macabre
(Castle, 1958)
The Fiend Who Walked the West
(G. Douglas, 1958
Five Gates to Hell
(Clavell, 1959)
1960's
Key Witness
(Karlson, 1960)
Summer and Smoke
(Glenville, 1961)
The Chapman Report
(Cukor,1962)
Bachelor Flat
(Tashlin, 1962) [on Hulu]
The L Shaped Room
(Forbes, 1963)
The Chalk Garden
(Neame, 1964)
A Thousand Clowns
(Coe, 1965)
You're a Big Boy Now
(Coppola, 1966)
The Whisperers
(Forbes, 1967)
Dark of the Sun
(Cardiff, 1968)
Skidoo
(Preminger, 1968)
Last Summer
(Perry, 1969)
The Comic
(C. Reiner, 1969)
1970-1974
The Revolutionary
(Williams, 1970)
The Landlord
(Ashby, 1970)
Diary of a Mad Housewife
(Perry, 1970)
Tropic of Cancer
(Strick, 1970)
I Never Sang for My Father
(Cates, 1970)
Sometimes a Great Notion
(Newman, 1971)
Marriage of a Young Stockbroker
(Turman, 1971)
The Music Lovers
(Russell, 1971)
Drive, He Said
(Nicholson, 1971)
The Steagle
(Sylbert, 1971)
The Last Movie
(Hopper, 1971)
Made For Each Other
(Bean, 1971)
The Day the Clown Cried
(Lewis, 1972)
Hickey & Boggs (OOP)
(Culp, 1972)
The Carey Treatment
(Edwards, 1972)
Pete 'n' Tillie
(Ritt, 1972)
Slither
(Zieff, 1973)
Man on a Swing
(Perry, 1974)
Open Season
(Collinson, 1974)
The Tamarind Seed
(Edwards, 1974)
Law and Disorder
(Passer, 1974)
Homebodies
(Yust, 1974)
Stardust
(Apted, 1974)
Celine and Julie Go Boating
(Rivette, 1974)
1975-1979
Rafferty and the Gold Dust Twins
(Richards, 1975
At Long Last Love
(Bogdanovich, 1975)
Hearts of the West
(Zieff, 1975)
Welcome to L.A.
(Rudolph, 1976)
W.C. Fields and Me
(Hiller, 1976)
Citizens Band
(Demme, 1977)
Twilight's Last Gleaming
(Aldrich, 1977)
Looking for Mr. Goodbar
(Brooks, 1977)
Girlfriends
(Weill, 1978)
Movie Movie
(Donen, 1978)
The Medusa Touch
(Gold, 1978)
American Hot Wax
(Mutrux, 1978)
Hot Stuff
(DeLuise, 1979)
Scavenger Hunt
(Schultz , 1979)
Players
(Harvey, 1979)
Rich Kids
(Young, 1979)
Nightwing
(Hiller, 1979)
Screams of a Winter's Night
(Wilson, 1979
When You Comin' Back Red Ryder?
(Katselas, 1979
1980's
Resurrection
(Petrie, 1980)
The Awakening
(Newell, 1980)
Simon
(Brickman, 1980)
God's Angry Man
(Herzog, 1980)
Fast-Walking
(Harris, 1982)
Twice Upon a Time
(Korty & Swenson, 1983)
Trouble in Mind
(Rudolph, 1985)
When the Wind Blows
(Murikami, 1986)
Housekeeping
(Forsyth, 1987)
The Glass Menagerie
(Newman, 1987)
Patty Hearst
(Schrader, 1988)
Drowning by Numbers
(Greenaway, 1988)
Haunted Summer
(Passer, 1988)
The Decline of Western Civilization Part II: The Metal Years
(Spheeris, 1988)
1990's
Old Times
(Curtis, 1991)
Prospero's Books
(Greenaway, 1991)
City of Hope
(Sayles, 1991)
The Baby of Macon
(Greenaway, 1993)
King of the Hill
(Soderbergh, 1993)
Dadetown
(Hexter, 1995)
SubUrbia
(Linklater, 1997)

VF Streep

"The evidence is indisputable, writes Vanity Fair's Leslie Bennetts, "that Meryl Streep, at age 60, has become the industry's new box-office queen." Absolutely, yes...for over-35s who go to the movies. Educated couples, singles, women in groups, etc. It's a different story with most of the under-25 Eloi, of course. They know Streep as the white-haired bitch in The Devil Wears Prada, I would presume, but she's not of their own and therefore a "meh" in terms of marquee value.


The Eloi are not just another age group -- they're another species.

But yes, of course -- Streep matters big-time with older viewers. The mostly grotesque Mamma Mia!, Bennetts reminds, has grossed $601 million worldwide. Prada has earned $324 million around the world. This year Julie & Julia has tallied $121 million. And everyone knows that It's Complicated is going to clean up.

Streep "broke the glass ceiling of an older woman being a big star -- it has never, never happened before," says director Mike Nichols.

Posted by Jeffrey Wells on December 1, 2009 at 5:02 AM

comment #1

Mark Author Profile Page says ...

"But yes, of course -- Streep matters big-time with older viewers."

Don't dismiss the gay demo. She's become their icon. Does VF mention this? The box-office resurgence followed the foundation she laid for them in The Hours and Angels in America. Then Prada? Shut it down.

Posted by Mark Author Profile Page at December 1, 2009 10:17 AM

comment #2

Floyd Thursby Author Profile Page says ...

"The Eloi are not just another age group -- they're another species."

"It's deja vu all over again."--L. P. Berra

Posted by Floyd Thursby Author Profile Page at December 1, 2009 10:28 AM

comment #3

Jack South P.I. Author Profile Page says ...

She's the best actor on the planet, period.

Posted by Jack South P.I. Author Profile Page at December 1, 2009 10:37 AM

comment #4

DeafBrownTrashPunk Author Profile Page says ...

I love, love, love her so much.

Oh please, lots of people in my age group love her. I know one diehard Streep fan (who is 21) and has created a website devoted to Streep and her greatness.

Posted by DeafBrownTrashPunk Author Profile Page at December 1, 2009 10:44 AM

comment #5

QualityGibberish Author Profile Page says ...

Due respect, JW, but you're so full of it with this Eloi bullshit. Maybe try to dredge up another metaphor, something a bit more apt and original, with which to clothe your contempt of people you don't know and will never meet. It is not an authentically elite attitude, it's the opposite. Typically, it should become obvious that such recurrent loathing says something about oneself rather than anyone else, and to be submerged in the movie biz is not exactly the height of human endeavor, so there's that. Please chill on it. There are so many more things you don't know than things you do, and that is true for everyone. Understanding such a simple thing deters a world of problems.

Posted by QualityGibberish Author Profile Page at December 1, 2009 11:18 AM

comment #6

Colin Author Profile Page says ...

Doesn't everybody like Streep? There is no market that she doesn't draw: women, men, gay, straight, under/over 30.

Posted by Colin Author Profile Page at December 1, 2009 12:10 PM

comment #7

ElstonGunnAICN Author Profile Page says ...

Last year's doc Theater Of War was on either IFC or Sundance last night about The Public Theater's production of Bertolt Brecht's Mother Courage and her Children, (translated by Tony Kushner) in which Streep played the title role. It had some interesting moments, not the least of which were excerpts of Streep's performance.

Posted by ElstonGunnAICN Author Profile Page at December 1, 2009 3:27 PM

comment #8

Movie Watcher Author Profile Page says ...

It's that time of year again. The gushing over Streep. Colin, not everybody likes her. I hope it doesn't drag on thru the academy awards. If you're over 50, a woman, then she's the one for you. Overrated.

Posted by Movie Watcher Author Profile Page at December 1, 2009 3:44 PM

comment #9

Eloi Manning Author Profile Page says ...

"Doesn't everybody like Streep? There is no market that she doesn't draw: women, men, gay, straight, under/over 30."

I can almost guarantee that no straight man under or over 30 has gone to see a movie because of Meryl Streep.

Posted by Eloi Manning Author Profile Page at December 1, 2009 3:49 PM

comment #10

Ronald McFirbank Author Profile Page says ...

"Streep "broke the glass ceiling of an older woman being a big star -- it has never, never happened before," says director Mike Nichols."

Katharine Hepburn would like to have a word with you, Mr. Nichols. So would Marie Dressler.

Posted by Ronald McFirbank Author Profile Page at December 1, 2009 4:47 PM

comment #11

Colin Author Profile Page says ...

Sometimes Eloi I cannot figure out if your username is satirical or a spot-on description.

I wasn't interested in Doubt until I heard Streep and Hoffman were involved.

Posted by Colin Author Profile Page at December 2, 2009 11:32 AM

comment #12

shrivastav5 Author Profile Page says ...

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