Most Wanted
Email here for additions & corrections.

The Fortune
(Nichols, 1975)
-30-
(Webb, 1959)
Betrayal
(Jones, 1983)
Play It As It Lays
(Perry, 1972)
The Outfit
(Flynn, 1973)
Alex in Wonderland
(Mazursky, 1969)
The Legend of Lylah Clare
(Aldrich, 1968)
In The Cool of the Day
(Stevens, 1963)
That Cold Day in the Park
(Altman, 1969)
The Fox
(Rydell, 1967)
Thumb Trippin'
(Masters, 1972)
Midas Run
(Kjellin, 1969)
At Long Last Love
(Bogdanovich, 1973)
Outcast of the Islands
(Reed, 1951)
Mike's Murder
(Bridges, 1984)
Reader Submissions

1930's-1950's
The Moon's Our Home
(Seiter, 1936)
Sh! The Octopus
(McGann, 1937)
The Mating Season
(Leisen, 1951)
Bad for Each Other
(Rapper, 1953)
The Phenix City Story
(Karlson, 1955)
Run of the Arrow
(Fuller, 1956)
House of Secrets
(Green, 1956)
Macabre
(Castle, 1958)
The Fiend Who Walked the West
(G. Douglas, 1958
Five Gates to Hell
(Clavell, 1959)
1960's
Key Witness
(Karlson, 1960)
Summer and Smoke
(Glenville, 1961)
The Chapman Report
(Cukor,1962)
Bachelor Flat
(Tashlin, 1962) [on Hulu]
The L Shaped Room
(Forbes, 1963)
A Thousand Clowns
(Coe, 1965)
You're a Big Boy Now
(Coppola, 1966)
Dark of the Sun
(Cardiff, 1968)
Skidoo
(Preminger, 1968)
Last Summer
(Perry, 1969)
The Comic
(C. Reiner, 1969)
1970-1974
The Revolutionary
(Williams, 1970)
Diary of a Mad Housewife
(Perry, 1970)
Tropic of Cancer
(Strick, 1970)
I Never Sang for My Father
(Cates, 1970)
Sometimes a Great Notion
(Newman, 1971)
Marriage of a Young Stockbroker
(Turman, 1971)
'Doc'
(Perry, 1971)
The Music Lovers
(Russell, 1971)
Drive, He Said
(Nicholson, 1971)
The Steagle
(Sylbert, 1971)
The Last Movie
(Hopper, 1971)
Made For Each Other
(Bean, 1971)
The Day the Clown Cried
(Lewis, 1972)
Hickey & Boggs
(Culp, 1972)
The Carey Treatment
(Edwards, 1972)
Pete 'n' Tillie
(Ritt, 1972)
Love and Pain and the Whole Damn Thing
(Pakula, 1973)
Man on a Swing
(Perry, 1974)
Open Season
(Collinson, 1974)
The Tamarind Seed
(Edwards, 1974)
Law and Disorder
(Passer, 1974)
Homebodies
(Yust, 1974)
Stardust
(Apted, 1974)
Celine and Julie Go Boating
(Rivette, 1974)
1975-1979
Rafferty and the Gold Dust Twins
(Richards, 1975
At Long Last Love
(Bogdanovich, 1975)
Hearts of the West
(Zieff, 1975)
Welcome to L.A.
(Rudolph, 1976)
W.C. Fields and Me
(Hiller, 1976)
Citizens Band
(Demme, 1977)
Twilight's Last Gleaming
(Aldrich, 1977)
Looking for Mr. Goodbar
(Brooks, 1977)
Movie Movie
(Donen, 1978)
The Medusa Touch
(Gold, 1978)
American Hot Wax
(Mutrux, 1978)
Hot Stuff
(DeLuise, 1979)
Scavenger Hunt
(Schultz , 1979)
Players
(Harvey, 1979)
Rich Kids
(Young, 1979)
Nightwing
(Hiller, 1979)
Screams of a Winter's Night
(Wilson, 1979
When You Comin' Back Red Ryder?
(Katselas, 1979
1980's
The Awakening
(Newell, 1980)
Simon
(Brickman, 1980)
God's Angry Man
(Herzog, 1980)
Twice Upon a Time
(Korty & Swenson, 1983)
Trouble in Mind
(Rudolph, 1985)
When the Wind Blows
(Murikami, 1986)
Housekeeping
(Forsyth, 1987)
The Glass Menagerie
(Newman, 1987)
Patty Hearst
(Schrader, 1988)
Running on Empty
(Lumet, 1988)
Drowning by Numbers
(Greenaway, 1988)
Haunted Summer
(Passer, 1988)
The Decline of Western Civilization Part II: The Metal Years
(Spheeris, 1988)
1990's
Men Don't Leave
(Brickman, 1990)
Old Times
(Curtis, 1991)
Prospero's Books
(Greenaway, 1991)
City of Hope
(Sayles, 1991)
The Baby of Macon
(Greenaway, 1993)
King of the Hill
(Soderbergh, 1993)
Dadetown
(Hexter, 1995)
SubUrbia
(Linklater, 1997)

Upcoming

July 30

Cats & Dogs: The Revenge of Kitty Galore

Charlie St. Cloud

The Concert

Dinner for Shmucks

The Dry Land

The Extra Man

Get Low

Helen

Hugh Hefner: Playboy, Activist and Rebel

Smash His Camera

What's the Matter with Kansas?

Who Killed Nancy

If There's A God...

Having recently addressed Mo'Nique's decision to snub the New York Film Critics Circle awards ceremony, Newark Star Ledger critic Stephen Whitty summarized his thinking in an e-mail sent today:

"Have you noticed -- as I have -- that folks who don't bother to pick up their New York Film Critics Circle awards generally don't win the Oscar that year? Such as, in past years, Heath Ledger (Brokeback Mountain) or Julie Christie (Away From Her). I'm not sure, but I think Bill Murray may have skipped picking up his Lost in Translation NYFCC award. I do know Bill Hurt didn't show for A History of Violence.

"The Mo'Nique snub doesn't matter much to me. Really. If folks don't want to come to pick up an award, that's their choice. Because we're honoring the performance, not the performer. And most of us are, I suspect, way past getting starstruck by meeting the co-lead of Soul Plane.

"But it also seems to me that folks who aren't willing to do our high-profile yet very low-key events like the NYFCC are people who don't give much of a shit about the Oscars either, or the traditions surrounding them. Who are also the people who, unfairly or not, generally don't win.

"Yes, folks can be legitimately busy, and that's cool. And lots of nice folks pick up our little certificate and never get within miles of Oscar anyway. Appearing is no guarantee. But just blowing it off? Honestly? Bad decision, Mo'Nique."

Ohhh-din! Ohhh-din! Send a wind and turn the tide!

Posted by Jeffrey Wells on January 4, 2010 at 6:56 PM

comment #1

BoomerSooner Author Profile Page says ...

Picking up your reward > Family vacation?

Good to see bloggers have their priorities in order.

Posted by BoomerSooner Author Profile Page at January 4, 2010 7:20 PM

comment #2

EdHavens Author Profile Page says ...

Whether or not she wants the Oscar, the fact of the matter is, the award is important to the film and the people who put up the money to make it. Lee Daniels and his producers have every right and expectation for the stars of the film to participate in all aspects of publicity for the film, and yes, that includes the fucking Oscars, the fucking Golden Globes, the fucking New York Film Critics Circle and any other fucking award ceremony that a representative for the film could logically be expected to attend.

And you can't tell me Mo'Nique didn't know for close to a year now that she was going to be positioned as an award front runner, and she couldn't plan accordingly. Take a family vacation in September, a month before the awards season starts and two months before the film is even released. Don't take on a new television show just before the start of an awards season you know is coming.

Mo'Nique was blessed with the part of a lifetime, and she owes it to those who believed in her to help them keep the film relevant for years to come.

(For the record, I've had a screener sitting atop my entertainment stand for two months now and I have no desire to see the film.)

Posted by EdHavens Author Profile Page at January 4, 2010 7:30 PM

comment #3

sumo-pop Author Profile Page says ...

Oh for the love of god, I will be so glad when this awards season is over and you can move onto something else. I love your site, check it 2-3 times a day, but please give this a rest.

Posted by sumo-pop Author Profile Page at January 4, 2010 7:32 PM

comment #4

BoomerSooner Author Profile Page says ...

Quite frankly, if she rather spend time with her family and go on a holiday vacation, she has every right to do so.

If she honestly doesn't care about the award, or if she wants to let the performance speak for itself, then by all means, enjoy the time with your family and enjoy the relaxing time.

Just because some bratty film bloggers get pissed off that she doesn't put the utmost importance on an awards ceremony doesn't mean she's obligated to put everything on hold for it to pass.

If the voters are going to let the actions of the performer get in the way of the performance, then it's pretty clear that their credibility is shot to hell.

Posted by BoomerSooner Author Profile Page at January 4, 2010 7:36 PM

comment #5

lazarus Author Profile Page says ...

Kill the pig! Slit her throat! Bash her in!

Posted by lazarus Author Profile Page at January 4, 2010 7:41 PM

comment #6

Jeffrey Wells Author Profile Page says ...

What do you think, sumo-pop? That I leaned on Whitty to write what he wrote?

Posted by Jeffrey Wells Author Profile Page at January 4, 2010 7:42 PM

comment #7

EdHavens Author Profile Page says ...

Sorry, Boomer, but if you think Stephen Whitty is a mere "bratty film blogger," you clearly have zero idea of what you're talking about.

Posted by EdHavens Author Profile Page at January 4, 2010 7:44 PM

comment #8

austin111 Author Profile Page says ...

Ummm.....onceuponatime awards actually meant something. But now they're given out by every Tom, Dick, and Harriet who can form a group and call themselves judge/critic/arbiter of cultural taste and excellence. I mean maybe Mo'nique is just making a statement that these awards are just shite to her, given out by folks who want to use you to promote their self-importance. I dunno.......so maybe she don't want no stinkin' oscars --- she may or may not live to regret, but that's her choice at least.

Posted by austin111 Author Profile Page at January 4, 2010 7:49 PM

comment #9

Sams Author Profile Page says ...

Gauging who deserves to win is highly subjective and even emotional. And we have seen also very susceptible to the wiles of Harvey Weinstein. All is not yet lost, Jeff.

Posted by Sams Author Profile Page at January 4, 2010 7:52 PM

comment #10

BoomerSooner Author Profile Page says ...

EdHavens, I was talking more about Wells.

Posted by BoomerSooner Author Profile Page at January 4, 2010 7:55 PM

comment #11

Chase Kahn Author Profile Page says ...

"Oh for the love of god, I will be so glad when this awards season is over and you can move onto something else. I love your site, check it 2-3 times a day, but please give this a rest."

Are you talking about "Avatar?"

Posted by Chase Kahn Author Profile Page at January 4, 2010 8:00 PM

comment #12

EdHavens Author Profile Page says ...

Boomer... if you have such a low opinion of Wells, why do you come here? Seems to speak volumes about your own character.

Austin... we aren't talking about just any critics group. The NYFCC's been doing this for 75 years now. Hardly a fly-by-night organization.

Posted by EdHavens Author Profile Page at January 4, 2010 8:12 PM

comment #13

BoomerSooner Author Profile Page says ...

I come here because, oftentimes, Wells' hypocrisy, superiority complex, and demeaning and pretentious behavior prompts me to speak out.

Also, at the end of the day, if the NYFCC don't give Mo'Nique the award because she doesn't want to go to the ceremony (and this reason alone), they don't have the credibility to be taken seriously. Their history aside, if her actions affect her chances, it's hard to take that group of critics seriously.

And judging by Wells' incessant rambling and insults aimed at her, I can assume this is a possibility.

Posted by BoomerSooner Author Profile Page at January 4, 2010 8:20 PM

comment #14

BoomerSooner Author Profile Page says ...

Don't mind the typos, by the way. I didn't edit that post.

Posted by BoomerSooner Author Profile Page at January 4, 2010 8:21 PM

comment #15

Chris Willman Author Profile Page says ...

EdHavens: "Don't take on a new television show just before the start of an awards season you know is coming."

Seriously? Pass on getting your own talk show so you can prioritize going to critics' awards?

I just saw her on Kilborne a few nights ago. Not sure if it was a first-run or rerun. But it's not as if she blew off all publicity for the film.

The more shit Mo'Nique gets for this, the more I like her.

Posted by Chris Willman Author Profile Page at January 4, 2010 8:46 PM

comment #16

Phreaker Author Profile Page says ...

NYFCC = nobodys. All that matters is who gets their awards on paper so that it can be used in advertising. No one cares who goes to their dumb show. No one. Not a single person. Anyone who says it matters knows absolutely nothing.

Posted by Phreaker Author Profile Page at January 4, 2010 8:48 PM

comment #17

Chris Willman Author Profile Page says ...

Stephen Whitty: "...most of us are, I suspect, way past getting starstruck by meeting the co-lead of Soul Plane."

OUCH! THAT'LL TEACH HER! SNAP!

Thinking that Oscar voters are consciously keeping track of who does or doesn't show up at the New York critics' awards comes dangerously close to delusions of grandeur.

Posted by Chris Willman Author Profile Page at January 4, 2010 8:51 PM

comment #18

EdHavens Author Profile Page says ...

"Seriously? Pass on getting your own talk show so you can prioritize going to critics' awards?"

Because BET would have said "Fuck no" if she asked if they could wait a few months?

I'll give you a damn good example of how important critics awards can be... I've been playing The Hurt Locker for 20 weeks at my theatre now, and we've done as much business in the past two weeks on it as we did the first 18. Critics awards matter, because they kick people in the ass to check out films they might not have otherwise checked out. And in turn, critics groups do help Academy members separate the wheat from the chaff for many of the same reasons.

When the 1987 Academy Award nominees were announced, The Last Emperor had been out for three months and has grossed but $16M. By the time the Oscars were handed out April 11, 1988, they had grossed $25M. By the time it was done, the film had grossed $44M. Still one of the lowest grossing Best Picture winners of the modern era, but most people didn't go see the film until after it was showered with enough attention.

Jone Lone and Joan Chen had zero chance of getting nominated for Oscars that year, but they still hustled their asses off to support the film any way they can, because non-Hollywood blockbusters need every leg they can get up.

As does Precious.

Without Oprah Winfrey and Tyler Perry, the film only goes so far. With awards from highly respected critics groups, you get that much farther. With Oscar nominations, that much farther still. And with Oscar wins, still that much more farther.

This isn't about just Mo'Nique, no matter how much anyone would like to make it that. This is about a team effort from everyone involved. Oprah and Tyler had nothing to do with the movie, but they busted their ass to help get the word out about the film, because they felt it was an important story that needed to be seen and shared and discussed. Every Oscar nomination helps the film that much more. Shit, even Terrance Howard tried to explain that to her on her show back in November.

But here is the kicker... it was Mo'Nique, through her publicist, who started this whole brouhaha. She didn't have to make an announcement that she wasn't going to show. She could have just not shown up next week, nobody would have been the wiser and this wouldn't have been a topic of conversation for weeks now.

Posted by EdHavens Author Profile Page at January 4, 2010 9:25 PM

comment #19

LYT Author Profile Page says ...

Nice Vikings reference, Jeff.

Posted by LYT Author Profile Page at January 4, 2010 11:40 PM

comment #20

Sams Author Profile Page says ...

Well said, EdHavens.

Posted by Sams Author Profile Page at January 5, 2010 12:06 AM

comment #21

Gordon27 Author Profile Page says ...

"She could have just not shown up next week, nobody would have been the wiser and this wouldn't have been a topic of conversation for weeks now."

So, by the logic expressed in the entire rest of your post, she actually *did* help the movie by getting it discussed for multiple weeks, rather than only getting discussed when the announcement was made that she'd won, right?

Posted by Gordon27 Author Profile Page at January 5, 2010 4:18 AM

comment #22

Chicago48 Author Profile Page says ...

Obsessed Jeff?

Posted by Chicago48 Author Profile Page at January 5, 2010 4:22 AM

comment #23

TM Author Profile Page says ...

Stop for a second and consider who is the president of the NYFCC this year. A guy named Armond White. Remember his reaction to the movie? Maybe she just doesn't want to break bread with the guy or be in the same room with him?

Just a thought. And maybe she feels that by ignoring one award, she should just ignore the rest of them. Maybe deep down she doesn't give a rat's ass about awards.

Posted by TM Author Profile Page at January 5, 2010 4:57 AM

comment #24

Snookie Stackhouse Author Profile Page says ...

[Snookie Stackhouse has been banned for life.]

Posted by Snookie Stackhouse Author Profile Page at January 5, 2010 5:28 AM

comment #25

Chicago48 Author Profile Page says ...

The Oscar award only means something important to -- tada -- actors! If you're an actor and you're trying to get to the next salary level, or be considered for the next ACTING project, then yes, it's important. She's a comedian and now talk show host. It doesn't mean that much to her, because she's not going to be called to audition for the next GREAT MOVIE part, like Charlize or Penelope. She's honest. She cannot compete. So she stays where she's most comfortable.

Now if showing up means that she picks up a wider audience and makes more money, she'll be there.

However, I agree with EdHavens, she should at least give some consideration to Lee Daniels, the producers, and Oprah.

But then again, we don't know what cash payout she got for the role do we? She may be like Eddie Murphy, who proclaimed that he worked for free....maybe she made little money and didn't get a bonus afterward...we don't know, and maybe that's what's po'ing her off.

Posted by Chicago48 Author Profile Page at January 5, 2010 5:59 AM

comment #26

Jeffrey Wells Author Profile Page says ...

Wells to LYT: Thanks for noticing the Vikings line, Luke. Nobody else seemed to. Especially the charming Snookie Stackhouse, who is now in the Land of the Dead, and I don't mean Valhalla.

Posted by Jeffrey Wells Author Profile Page at January 5, 2010 6:40 AM

comment #27

moviemorlock Author Profile Page says ...

It is well known (and mentioned in the extras of Reds by Warren himself) that Warren Beatty refused to do any publicity for Reds when it came out because he felt the film should speak for itself. He won the Oscar for Best Director that year.

Posted by moviemorlock Author Profile Page at January 5, 2010 6:40 AM

comment #28

BoomerSooner Author Profile Page says ...

TM makes an excellent point about the NYCCG and White.

Posted by BoomerSooner Author Profile Page at January 5, 2010 6:44 AM

comment #29

BoomerSooner Author Profile Page says ...

Sorry, NYFCC.

Posted by BoomerSooner Author Profile Page at January 5, 2010 6:44 AM

comment #30

corey3rd Author Profile Page says ...

Mallick did show up for the NYFCC - didn't help him win

Bill Murray showed up for at least 1 of his 2 wins

Posted by corey3rd Author Profile Page at January 5, 2010 6:57 AM

comment #31

JulesWinnfield Author Profile Page says ...

EdHavens, very very well spoken. I do think that Mo'Nique should still get the award even if she didn't attend the ceremony because like above, we are honoring the performance not the person.
Mo'Nique is exactly how I would have portrayed my mother if I had written a screenplay about atrocious human being. I have been waiting since I first got into the business to see a writer, director and especially an actress go out on a limb and make themselves so vulnerable and take on a character of that magnitude and give one hell of a performance.

Posted by JulesWinnfield Author Profile Page at January 5, 2010 7:10 AM

comment #32

EdHavens Author Profile Page says ...

Mo'Nique won the NYFCC Best Supporting Actress award, Jules. Nothing is going to change that. This is a question of attitude and gratitude.

As for Warren Beatty and Reds, Morlock... Mo'Nique is far from being as iconic as Beatty was in 1981, and Precious is far from being the movie Reds was. That, and Beatty did show up to accept his Best Picture award from the NYFCC in 1981 for Reds, and his Oscar for Best Director, and all the other major awards Reds won that year. That was a bad, bad comparison.

Posted by EdHavens Author Profile Page at January 5, 2010 8:14 AM

comment #33

/3rtfu11 Author Profile Page says ...


(For the record, I've had a screener sitting atop my entertainment stand for two months now and I have no desire to see the film.)

Yet you have the audacity to judge her!

Posted by /3rtfu11 Author Profile Page at January 5, 2010 8:21 AM

comment #34

EdHavens Author Profile Page says ...

I'm not judging the film or her performance, /3rtfu11. Try to make the distinction.

Posted by EdHavens Author Profile Page at January 5, 2010 8:44 AM

comment #35

moviemorlock Author Profile Page says ...

Bad comparison? Maybe in terms of NYFCC. However, Beatty had $35 million of Paramount's 1981 dollars on the line with a 3 hour 20 minute film about the leftist movement in pre/post WWI America and the Russian Revolution. To be the producer, director, co-writer, and star of that film and to not do a single ounce of promotion--given his star quality and clout? That is a bit more damaging than what Mo'Nique's done to Precious.

However, I will concede that had Mo'Nique done proper promotion for Precious, given the buzz about her performance, it would have dragged more people into the theater to see it.

Posted by moviemorlock Author Profile Page at January 5, 2010 10:23 AM

comment #36

Noah Cross Author Profile Page says ...

Finally, after centuries of debate by the great minds and philosphers, March 7th we will finally know.... Mo loses - there is a personal, loving God... Mo wins - we are alone in the universe with no purpose and no eternal destiny

Posted by Noah Cross Author Profile Page at January 5, 2010 1:34 PM

comment #37

bobbyperu Author Profile Page says ...

Imagine a world where a deserving actor could just be rewarded for the quality of his or her performance rather than whether they show up somewhere or say the right words or schmooze the right people or kiss all of the right asses.

This attempted Mo'Nique hijacking, with all this unflagging bullshit back-biting and spin of a few measly innocent comments, is sickening.

It's really just an indicator of how devalued the whole process really has become and the NYFCC look more arrogant than Mo'Nique for their snide comments about how other more congenial actors will show up, etc. They are really overestimating their own importance. They write about movies, for chrissakes, and that's IT.

It's funny that Mo'Niqe, an admitted Hollywood outsider who has been pretty much treated like one since the beginning, is now being criticized for being one.

Too bad for the almighty NYFCC she did the year's best work.

Posted by bobbyperu Author Profile Page at January 5, 2010 2:26 PM

comment #38

Gordon27 Author Profile Page says ...

"He won the Oscar for Best Director that year."

True, but the movie lost the Oscar for Best Picture, so I guess it didn't speak for itself quite loud enough...

Posted by Gordon27 Author Profile Page at January 5, 2010 8:59 PM

comment #39

Gordon27 Author Profile Page says ...

"However, I will concede that had Mo'Nique done proper promotion for Precious, given the buzz about her performance, it would have dragged more people into the theater to see it."

I disagree with this; I don't think there's anybody out there who's going to go see a movie for Mo'Nique's performance who isn't already aware of that movie and her performance in it. She has done a ton of promotion -- on her television show, to her fans. People who watch her show are almost certainly the only people in the world who (1) recognize her name and (2) don't think she's horrible.

Posted by Gordon27 Author Profile Page at January 5, 2010 9:00 PM

comment #40

Noiresque Author Profile Page says ...

It is actually repulsive to me that people comment on Mo's lack of "gratitude". It reveals the whingers to be guilty of harbouring the worst kind of middle-class self-loathing which they are projecting onto the, ahm, co-star of "Soul Plane".

I hope she romps home.

Posted by Noiresque Author Profile Page at January 6, 2010 11:14 AM

comment #41

shahriar khan Author Profile Page says ...

Excellent dude. Thanks for sharing. I enjoyed the article a lot while reading. Thanks again for sharing.

God

Posted by shahriar khan Author Profile Page at March 11, 2010 10:34 PM

Post a comment